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Articoli di riviste sul tema "Curator"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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1

He, Wanrong, Mitchell L. Gordon, Lindsay Popowski, and Michael S. Bernstein. "Cura: Curation at Social Media Scale." Proceedings of the ACM on Human-Computer Interaction 7, CSCW2 (2023): 1–33. http://dx.doi.org/10.1145/3610186.

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How can online communities execute a focused vision for their space? Curation offers one approach, where community leaders manually select content to share with the community. Curation enables leaders to shape a space that matches their taste, norms, and values, but the practice is often intractable at social media scale: curators cannot realistically sift through hundreds or thousands of submissions daily. In this paper, we contribute algorithmic and interface foundations enabling curation at scale, and manifest these foundations in a system called Cura. Our approach draws on the observation

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2

Yuhelson, Yuhelson, and Muhamad Adystia Sunggara. "The Curator Responsibility of the Loss of Wealth Bankrupt Limited Company." Proceeding of Community Development 2 (February 21, 2019): 37. http://dx.doi.org/10.30874/comdev.2018.74.

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Curators can be personally liable if they make a mistake or negligence outside the provisions of the Bankruptcy Act and PKPU which causes losses to bankrupt assets. If the curator has carried out his duties in accordance with the provisions of the Bankruptcy Act and PKPU, then if a loss arises from bankruptcy, he does not have to be personally liable and the loss will be charged to the bankrupt assets. In connection with the personal responsibility of the curator, in addition to being able to be held accountable civilly it is possible for the curator's actions to be held criminally accountable

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3

Tahlina, Yuliia S., and Oleksandra S. Kutenko. "THE ROLE OF THE PRINCIPLE OF CURATION IN THE CONTEMPORARY CULTURE." Journal of V. N. Karazin Kharkiv National University, Series "The Theory of Culture and Philosophy of Science", no. 63 (May 31, 2021): 68–76. http://dx.doi.org/10.26565/2306-6687-2021-63-08.

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The article analyzes phenomenon of the «principle of curation» in historical and philosophical development. In the modern world, overloaded with large volumes of information, it is not just access to information that becomes important, but the ability to navigate it. Problems of critical reflection, choice, interpretation in the information space are gaining in importance. That is exactly why the use of the principle of curation is proposed to implement these processes. The authors consider history of the emergence of the concepts of «curator» and «curatorship», delineation of the features of

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Anam, Khoirul, Lono P. Simatupang, and Suwarno Wisetrotomo. "Different Types of Curators Based on Field of Work and Responsibilities in OHD Museum." Lekesan: Interdisciplinary Journal of Asia Pacific Arts 5, no. 2 (2022): 72–81. http://dx.doi.org/10.31091/lekesan.v5i2.1821.

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The development of curatorial work practices will be very important for the development of museums, arts, and culture. However, it is undeniable that studies and understanding of the development of curatorial work practices are still not optimal in Indonesia. Awareness of the realm and responsibility of the curator is also sometimes poorly understood by the public and the practitioners of curatorial work practices themselves. This vacancy becomes an obstacle in the development of the profession of independent curator and museum curator. Where the curator profession is no longer seen only as a

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Wyse Jackson, P. N. "Silver Pages: 25 years of the Newsletter of the Geological Curators' Group and The Geological Curator." Geological Curator 7, no. 3 (2000): 95–99. http://dx.doi.org/10.55468/gc436.

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Soon after its inception in 1974 the Geological Curator's Group established the publication Newsletter of the Geological Curators' Group. In the following years it has undergone several changes not only in style, but also most notably in name to The Geological Curator. This reflected an evolution of an original newsletter-style into a journal-style publication. In 1980 the newsletter Coprolite was first published. The publications of the Geological Curators' Group have aided the development of professionalisation amongst geological curators.

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6

Dupuis, Chris. "Dance curation as choreographic practice." Dance Articulated 6, no. 1 (2020): 89–110. http://dx.doi.org/10.5324/da.v6i1.3640.

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Dance curators (or programmers, as they are often called) have a significant impact on the dance field throughtheir selection processes: elevating certain works, practices, and artists, while effectively excluding others. Through this, they have a considerable hand in shaping what kinds of dance pieces a local audience has access to,effectively writing dance history over time. But their working processes remain poorly understood, and there have been limited attempts to theorize their practice. This article begins with an exploration of the etymology of the term curator and the historical emerg

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7

Meehitiya, Luanne. "Be A Curator: Developing a new Geological Curators' Group activity to engage the public with geological curation." Geological Curator 10, no. 6 (2016): 259–61. http://dx.doi.org/10.55468/gc17.

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A new outreach activity developed by the author for GCG is briefly described. The Be A Curator activity is aimed at use in FossilFestivals and similar events, and for loan by curators for local use. The activity is based around a range of labels on a magnetic board and introduces people to the idea of curation.

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8

Cachia, Amanda. "Reflections on Access: Disability in Curatorial Practice." Canadian Journal of Disability Studies 8, no. 1 (2019): 98–117. http://dx.doi.org/10.15353/cjds.v8i1.472.

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Access is a vital tool to deploy within a critical disability curatorial practice and can embody both conceptual and physical possibilities, whereby the very idea of access can be discovered in an artist’s work, and, at the same time, be productively curated into both gallery spaces and the exhibition of the artwork. This essay reflects on the author’s critical disability curatorial practice with the exhibitions Marking Blind (2015) and Sweet Gongs Vibrating (2016). Through the curation of works by Raphaëlle de Groot and Carmen Papalia, and through the artist curator relationship between the a

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9

Nenastina, T., K. Berezhna, and S. Bugaevskyi. "Curator's work during the adaptation period of students at the Kharkiv National Automobile and Road University." New Collegium 1, no. 110 (2023): 59–64. http://dx.doi.org/10.30837/nc.2023.1-2.59.

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Due to the transition to the new generation of educational standards and the increase in hours for independent work, there is a need to train a creative, active person who can independently choose his own life path. The educational process in the life of the university is planned and organized along with studies and scientific activities. The curator of the academic group is usually assigned an experimental teacher, since this position includes responsible and thorough work, which should take into account the profile of training of specialists and the specifics of the faculty. Students' proble

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10

Li, Yuanyuan. "The Role Positioning and Survival Status of “Contractor” Style Curators in Contemporary China." International Education Forum 2, no. 11 (2024): 17–22. https://doi.org/10.26689/ief.v2i11.9118.

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In the context of the thriving development of contemporary art, the curators’ authority in exhibitions is increasingly strengthened, leading to a growing demand for professionals in art curation. The number of curators continues to rise, and their status and role within the art ecosystem are widely acknowledged. However, the working environment and conditions for contemporary art curators in China are not optimistic. Their development has not been as ideal as expected, with both subjective and objective issues and contradictions present. In light of the various problems and contradictions faci

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11

Simanjuntak, Ranto Parulian. "CURATORS ARE VULNERABLE TO BE CRIMINALIZED AND CRIMINATED IN BANKRUPTCY AND PKPU PROCESSES." Global Legal Review 3, no. 2 (2023): 141. http://dx.doi.org/10.19166/glr.v3i2.7424.

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<p>The Curator is one of the important organs in the debt settlement process between debtors and their creditors through bankruptcy law instruments. Based on Law Number 37 of 2004 concerning Bankruptcy and Postponement of Debt Payment Obligations (PKPU), the Curator is given broad and broad duties and powers in managing and settling the assets of a bankrupt debtor. Because since being declared bankrupt by the court, the debtor has lost his right to manage his business and assets. The duties and authorities to administer the business and assets of the bankrupt debtor rest in the hands of

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12

Irwansyah, Dedi, Joni Emirzon, and Putu Samawati. "Curator's Immunity Right Against Civil Claims In The Management Of Bankruptcy Boedel." Dialogia Iuridica 17, no. 1 (2025): 041–60. https://doi.org/10.28932/di.v17i1.10080.

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The uncertainty of legal protection for curators in executing the settlement of bankrupt estates, who often face civil lawsuits. Although curators perform their duties based on court orders, they are not equipped with adequate immunity rights like other legal professions, such as advocates and notaries. The right to immunity is a freedom and or immunity of the curator profession from all lawsuits in carrying out the administration of bankruptcy assets as long as it is carried out in good faith. The lack of immunity for the curator has the effect of disrupting the task of administering the bank

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13

Torrens, Hugh S., and John A. Cooper. "George Fleming Richardson (1796-1848) - man of letters, lecturer and geological curator." Geological Curator 4, no. 5 (1986): 249–72. http://dx.doi.org/10.55468/gc791.

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Seeing the familiar poem The Nautilus and the Ammonite featured in a recent issue of the Geological Curator (Delair 1984) reawakened an idea which has Iain dormant for some time: that we should start a series on forgotten or neglected curators. In my view the single most important cause of the widespread neglect which geological and other natural science collections have suffered in Britain over the years can be put down to a lack of caring curators. Sometimes there was a lack of curators, othertimes they didn't care! The history of curation seems to be an even more neglected subject than the

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14

Sidorova, Tatiana V., Bayan T. Tsydypov, and Yulia V. Shibanova. "Personal and Professional Position of the Student Group Curator." Siberian Pedagogical Journal, no. 3 (July 3, 2023): 80–89. http://dx.doi.org/10.15293/1813-4718.2303.08.

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The article discusses the concept of the personal and professional position of curators working in the system of secondary vocational education. The mentoring work of a curator requires from the teacher not only psychological and pedagogical knowledge, but also high intellectual, moral-volitional and moral qualities. The authors conducted a research among the curators of the College of the Buryat State University named after D. Banzarov to identify their personal and professional position, to determine its productivity. Analysis of the results showed that the pedagogical position of the curato

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Dekker, Annet, and Gaia Tedone. "Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation." Arts 8, no. 3 (2019): 86. http://dx.doi.org/10.3390/arts8030086.

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Online curation is shaped and defined not merely by its content, but just as much by the nature of the structure and the systems that are used by curators and artists. It could be argued that this applies to any medium, but as this essay will show, the Web profoundly influences the role of the curator in new ways. In this paper we show how curation on the Web is not merely concerned with presenting art, but that curation functions within a wider ecology of social and technical power relations. This shift is characterized by a collision of different interests driven by economic, cultural, and s

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Felicia, Situmorang, Haryanto Imam, and Sakti Muthia. "Legal Certainty of Payment of Receivers' Fees in the Event That Bankruptcy is canceled by the Court." International Journal of Social Science and Human Research 07, no. 07 (2024): 5202–12. https://doi.org/10.5281/zenodo.12747694.

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This research examines the implementation of payment of curatorial services in the event of annulment by the Court of the Supreme Court Decision. This study also describes the legal certainty of payment of curatorial fees from the side of the curator, debtor and creditor. Normative research is research that refers to legal norms contained in legislation and court decisions. The author uses the 1945 Constitution, Law of the Republic of Indonesia Number 37 of 2004 concerning Bankruptcy and Suspension of Debt Payment Obligations, Regulation of the Minister of Law and Human Rights of the Republic

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Richards, Greg. "The curatorial turn in tourism and hospitality." International Journal of Contemporary Hospitality Management 36, no. 13 (2024): 19–37. http://dx.doi.org/10.1108/ijchm-06-2023-0905.

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Purpose This study, a conceptual paper, analyses the growth of curation in tourism and hospitality and the curator role in selecting and framing products and experiences. It considers the growth of expert, algorithmic, social and co-creative curation modes and their effects. Design/methodology/approach Narrative and integrative reviews of literature on curation and tourism and hospitality are used to develop a typology of curation and identify different curation modes. Findings Curational techniques are increasingly used to organise experience supply and distribution in mainstream fields, incl

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18

Yuliyanto Waisapi, Jefri. "The Role of Curators and Liquidators In Solving Problems Insolvent Limited Liability Company." Eduvest - Journal of Universal Studies 3, no. 2 (2023): 477–90. http://dx.doi.org/10.59188/eduvest.v3i2.760.

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This study aims to review and analyze the role of curators in insolvency in limited liability companies, as well to review and analyze the role of liquidators in the settlement of assets bankrupt limited liability companies. By using normative legal research methods, which use secondary data based on primary legal sources, secondary legal materials and tertiary legal materials, data collection through literature studies or document studies, as well qualitative analysis. The results showed that the curator's decision in bankruptcy in limited liability company begins in the process of managing a

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Oliveira, Alcinete Maquine Carvalho, Ana Isabel Sousa Rosa, and Rosangela da Silva Gomes. "O contributo do profissional da informação na curadoria digital." Prisma.com 45 (2021): 74–83. http://dx.doi.org/10.21747/16463153/45a6.

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The information professional is gaining more and more space in the current information society. Information and communication technologies appear to facilitate the performance of work in the digital environment. With the increasing amount of information, either digitized or born digital, the care of digital objects has become urgent. Digital curation appears as an alternative in the care of digital objects, ensuring that they have a longer life and can be used. It is believed that activities related to digital curation have required constant updates and other competencies for the information p

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20

Wijayanta, Tata, Sheva Trisanda Adistia, Rado F. Leonardus, and B. E. Hermawan. "Evaluation Study of the Chancery Court (Balai Harta Peninggalan) as a Bankruptcy Curator." Pandecta Research Law Journal 18, no. 2 (2023): 300–324. http://dx.doi.org/10.15294/pandecta.v18i2.47655.

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Article 15 of Law Number 34 of 2004 concerning Bankruptcy and Suspension of Obligations for Payment of Debt (UUK PKPU) states that in a bankruptcy declaration decision, a Curator and a Supervisory Judge must be appointed from the Commercial Court judges. The curator has the authority to manage and receive bankruptcy assets. The curators referred to under Article 70 paragraph (1) of the PKPU UUK are the Trustees' Office (BHP) and the Individual Curator (Curator). The results of previous research conducted by Pandu Yudha Pratama (2016) and Sheva Trisanda Adistia and Tata Wijayanta (2023) show th

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21

Jeon, Jeong Ok, Juju Masunah, and Zakarias S. Soeteja. "Enhancing Curatorial Competencies : A New Media Art Curator Incubation Model in Indonesia." Jurnal Kependidikan: Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran dan Pembelajaran 10, no. 3 (2024): 1231. http://dx.doi.org/10.33394/jk.v10i3.12713.

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This research aims to develop an incubation model to improve curator’s competencies on new media art curatorial practice. The incubation model contains a series of learning modules by which Indonesian young curators acquire theoretical knowledge and practical skills to develop and execute a new media art curatorial project. This research used a qualitative approach with a method of design-based research. The research process includes analysis, design, implementation, and evaluation. After analysing the mentees’ curatorial competencies, incubation model was designed based on four steps of curat

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Tryandari, Maya. "Legal Protection for Bankruptcy Curators in the Resolution of Bankruptcy Cases." Journal of Law and Legal Reform 2, no. 3 (2021): 421–38. http://dx.doi.org/10.15294/jllr.v2i2.46621.

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Bankruptcy is a general confiscation of the assets of a bankrupt debtor who is no longer able to pay his debts and is deemed unfit to run his business, then the management and settlement of his assets are carried out by the bankruptcy curator under the supervision of the court supervisory judge. The research method used is using sociological juridical method by analyzing various legal regulations as well as examine behaviors and direct relationships based on an understanding of the law in terms of social phenomena. The focus of this research is limited to the responsibility of the Curator in r

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Saija, Ronald. "Perspektif Sanksi Pidana Kurator Menurut Hukum Kepailitan." PAMALI: Pattimura Magister Law Review 1, no. 1 (2021): 1. http://dx.doi.org/10.47268/pamali.v1i1.480.

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Introduction: Some bankruptcy cases eventually evolve into criminal matters when a bankruptcy curator who is responsible in handling and administering bankruptcy case is positioned as defendant charged for conducting criminal acts.Purposes of the Research: The purpose of writing is to find out and analyze the perspective of curator criminal sanctions according to bankruptcy law.Methods of the Research: Normative juridical research, namely an approach based on legal materials by examining concepts, legal principles and legislation related to this research.Results of the Research: Criminal sanct

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Aprita, Serlika. "WEWENANG DAN TANGGUNG JAWAB HUKUM KURATOR ATAS KESALAHAN ATAU KELALAIANNYA MENGAKIBATKAN KERUGIAN BAGI DEBITOR DALAM PROSES HUKUM PENGURUSAN DAN PEMBERESAN HARTA PAILIT." Solusi 17, no. 2 (2019): 154–74. http://dx.doi.org/10.36546/solusi.v17i2.173.

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ABSTRACT In general, the monetary crisis that hit a country gave an unfavorable influence on the economic life of the country concerned and caused great difficulties in the business community to continue its activities. The ability of the business world to develop its business is very disturbed, even to maintain the continuity of its business activities is also not easy. It was decided that a debtor becomes a bankrupt debtor by the Commercial Court, it will cause legal consequences for the debtor and his assets. In connection with the loss of the right to control and manage the assets of

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Kiselev, Nikolai N. "Educational Potential of Curatorship in a Pedagogical University." Journal of Pedagogical Innovations, no. 3 (October 16, 2022): 25–33. http://dx.doi.org/10.15293/1812-9463.2203.03.

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The purpose of the article is to analyze the educational potential of curatorship in a pedagogical university, and to determine the educational resources of the main activities of student groups’ curators. As a result of the theoretical analysis of curatorship as a subject of the educational space of a pedagogical university, various educational possibilities of the curatorʼs position are determined; the pool of roles and qualities in which the curator acts are analyzed. The article also presents the results of a broad study at Novosibirsk State Pedagogical University of the qualitative charac

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Astiti, Sriti Hesti. "PERTANGGUNGJAWABAN PIDANA KURATOR BERDASARKAN PRINSIP INDEPENDENSI MENURUT HUKUM KEPAILITAN." Yuridika 31, no. 3 (2017): 441. http://dx.doi.org/10.20473/ydk.v31i3.4794.

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This article aimed to criticize the juridical basis of scope of crime mentioned on Law Number 37 of 2004, focuses on criminal responsibility of a curator based on independence principle of bankruptcy law. Essentially, bankruptcy is a part of civil law. However, some bankruptcy cases eventually evolve into criminal matters when a bankruptcy curator who is responsible in handling and administering bankruptcy case is positioned as defendant charged for conducting criminal acts. As stated on Article 234 Verse 2 of Law Number 37 of 2004, a curator who is proven not independent during bankruptcy cou

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Heppell, Michael. "Two Curators, a Classification of Borneo Swords and Some Swords in the Sarawak Museum Collection." Sarawak Museum Journal LXVIII, no. 89 (2011): 1–40. http://dx.doi.org/10.61507/smj22-2011-v1t4-01.

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The Sarawak Museum collection o Dayak swords is central to the accepted classification of Borneo swords. Information in the Museum enabled two Museum curators, Robert Walter Campell Shelford and Edward H. Banks to write articles on the classification of swords in use in Sarawak. Shelford, an entomologist by training and interest, became Curator of the Sarawak Museum at the young age of 25 in 1897. His choice as curator might well have been influenced by the Second Rajah, Charles Brooke’s regard for the work of the great biologist and evolutionist Alfred Russell Wallace who had done his pioneer

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Thompson, Santi, and Michele Reilly. "“Everyone’s a Curator”: Identifying the Everyday Curator." International Journal of the Image 10, no. 2 (2019): 25–38. http://dx.doi.org/10.18848/2154-8560/cgp/v10i02/25-38.

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Sukardi, Didi. "THE LEGAL RESPONSIBILITY OF DEBTOR TO PAYMENT CURATORS IN BANKRUPTCY SITUATION." Jurnal Pembaharuan Hukum 8, no. 2 (2021): 142. http://dx.doi.org/10.26532/jph.v8i2.15905.

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The Law on Bankruptcy and the Obligation to Postpone Debt Payment does not explicitly stipulate that the obligation to pay the Curator's fee is borne by the Applicant, the Debtor or the Applicant and the Debtor jointly. The obligation to pay the curator fee is imposed through the determination of the Court of Judges who decides the bankruptcy case on the Curator's Application based on the details submitted by the Curator after hearing the considerations of the Supervisory Judge. The approach method used is a normative juridical approach the curator fees. according to Act No. 37 of 2004 concern

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Noviriska and Dwi Atmoko. "The Role of Curators in Bankruptcy Legal Issues Between Debtors and Creditors in Postponement of Debt Payment Obligations (PKPU)." KRTHA BHAYANGKARA 18, no. 3 (2024): 765–85. https://doi.org/10.31599/krtha.v18i3.3477.

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In accordance with article 37 of 2004 concerning bankruptcy and suspension of debt payment obligations (PKPU) Bankruptcy article 1 which explains that a creditor is a person who has receivables due to an agreement or law that can be collected in court. A debtor is a person who has debts due to an agreement or law whose payment can be collected in court. A bankrupt debtor is a debtor who has been declared bankrupt by a court decision. The Curator is the Estate Office or an individual appointed by the Court to manage and settle the assets of the Bankrupt Debtor under the supervision of the Super

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Vlieghere, Dieter De. "Alfred H. Barr, MoMA, and the Entrance and Exit of Outsider Art (1936‐1943)." Journal of Curatorial Studies 10, no. 1 (2021): 2–25. http://dx.doi.org/10.1386/jcs_00029_1.

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Fantastic Art, Dada, Surrealism (1936), curated by Alfred H. Barr at the Museum of Modern Art (MoMA), New York, was the first major exhibition of outsider art at the epicentre of the art world. The entrance of outsider art in the art museum coincided with the changing role of the curator: from a custodian of fine arts to an exhibition author with creative agency. The disconnection of outsider art from canonized art history and the peculiar appearance of the works and their makers inspired new curatorial narrations and settings. Barr’s inclusive vision of modern art and curation was, however, s

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Abdul Jalal, Ahmad Farid, and Rahimin Affandi Abdul Rahim. "PEMAKAIAN TEORI KEMASYARAKATAN IBN KHALDUN DALAM MEMPERKAYA KONSEPSI KURATOR MUSEUM ISLAM." TEMALI : Jurnal Pembangunan Sosial 2, no. 2 (2019): 311–53. http://dx.doi.org/10.15575/jt.v2i2.4925.

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This article discusses the importance of museum curators for developing civilization. The magnitude of the concept of the museum curator can be derived from the theory of Ibn Khaldun. With literature review, this study found that the theory of Sociology-History theory proposed by Ibn Khaldun could be utilized for the profession of the museum's curator. It's not just about improving the curators in their day-to-day tasks, but also empowering them to make them more critical in handling issues. The application of Ibn Khaldun's theory may be an alternative to the rise of the Malay knowledge system

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Bradshaw, Elaine Beckley, and Stephen C. Wagner. "A Common Ground: Communication and Alliance between Cataloguer and Curator for Improved Access to Rare Books and Special Collections." College & Research Libraries 61, no. 6 (2000): 525–34. http://dx.doi.org/10.5860/crl.61.6.525.

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Rare book catalogers and special collections curators can benefit greatly from cooperating on matters concerning cataloging policy and practice. This alliance is necessary for providing full access to special collections in a rapidly changing library environment. The authors examine rare book cataloging from the perspectives of cataloger and curator; discuss the areas where a cataloger–curator alliance can affect cataloging, as well as relevant factors over which the two have little control; and promote a concept of customized cataloging for special collections materials.

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Al Faridzi, Evans. "Tanggung Jawab Kurator Keperdataan Pegawai Negeri Sipil dalam Pengurusan dan Pemberesan Harta Pailit." Jurist-Diction 5, no. 6 (2022): 2173–92. http://dx.doi.org/10.20473/jd.v5i6.40122.

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AbstractBankruptcy is one of the instruments in overcoming a situation where the payment of an obligation does not run smoothly. Creditors or even debtors themselves can submit bankruptcy applications to the competent Commercial Court to examine whether they meet the requirements for determining bankruptcy status. If it meets the requirements and no objections are raised by the parties, the curator will proceed with the process of managing and clearing the bankruptcy estate. The curators are divided into state curators, namely Balai Harta Peninggalan (BHP) and private curators. In carrying out

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Jaka, E. Sembodo, B. Setiawan Erwin, and Baiza ZKA. "A Framework for Classifying Indonesian News Curator in Twitter." TELKOMNIKA Telecommunication, Computing, Electronics and Control 15, no. 1 (2017): 357–64. https://doi.org/10.12928/TELKOMNIKA.v15i1.4557.

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News curators in twitter are a user, which is interested in following, spreading, giving feedback of recent popular articles. There are two kinds of this user, news curator as human user and news aggregator as bot user. In prior works about news curator, the classification system built using followers, URL, mention and re-tweet feature. However, there are limited prior works for classifying Indonesian News Curator in twitter and still hard for labeling data involve just two features: followers and URL. In this paper, we proposed a framework for classifying Indonesian news curator in twitter us

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Moore, Thomas R., Pascal Gielen, and Rebecca Diependaele. "Fair Games—Curating New Music." Journal of Musicology 41, no. 4 (2024): 476–93. http://dx.doi.org/10.1525/jm.2024.41.4.476.

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Abstract (sommario):

The authors of “Defragmentation: Curating Contemporary Music,” a special issue of the Darmstädter Beiträge zur Neuen Musik published in 2019, considered all aspects of any given artistic event as fair game for curation. They suggested that not only could the choice of pieces, soloists, conductors, and ensembles be (re)tooled (including even site-specific aspects), but the roles of the musicians and audience and even value regimes could be instrumentalized to accord with the artistic demands of the curator. In her introduction to the special issue, Dorothee Richter argued that curation should b

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Hudimov, Pavlo, and Serhii Rudenko. "Conceptualization of Pavlo Hudimov's Curatorial Methods (Professional and Academic Interview)." Bulletin of Kyiv National University of Culture and Arts. Series in Museology and Monumental Studies 2, no. 1 (2019): 37–49. https://doi.org/10.31866/2617-7943.2.1.2019.172517.

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Abstract (sommario):

Purpose of the article. To find the most effective methods of curatorship, based on P. Hudimov’s (famous Ukrainian curator) experience. Methodology. Conceptualization of experience, skeptical empiricism, scientific criticism are used. Scientific novelty. This research is the first attempt at a scientific conceptualization of a professional interview. It is shown that the essence of curatorial practice is not visualization of popular narratives, but in specific research work that creates new meanings. According to P. Hudimov, curatorial practice can be considered

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Nikishova, A. V., E. V. Kryvonosova, and S. M. Rybakova. "CURATOR PARTICIPATION IN A STUDENT GROUP FORMATION." Vestnik Orenburgskogo gosudarstvennogo universiteta 230 (2021): 39–45. http://dx.doi.org/10.25198/1814-6457-230-39.

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Abstract (sommario):

The existence of the supervising institution for many decades does not solve the problem of defining the functions of the student group supervisor, his role in the formation of the team, it remains very urgent. We have investigated the activities of a curator in higher education institutions. In the course of practical research, we found that it is significant to use in the curator's work such key positions as adaptation technologies, reducing the level of anxiety, minimizing material and housing difficulties, and time management. A survey of curators working in student groups of the first and

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Ketut Eka Patni, Ni, and I. Wayan Wiryawan. "LEGAL PROTECTION OF THE AUTHORITY OF THE CURATOR IN THE MANAGEMENT AND SETTLEMENT OF BANKRUPT ASSETS." SIBATIK JOURNAL: Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, dan Pendidikan 2, no. 6 (2023): 1715–28. http://dx.doi.org/10.54443/sibatik.v2i6.926.

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This writing aims to determine the legal protection for the curator in exercising the authority to manage and settle bankrupt assets as well as the duties and authority of the curator in managing and controlling the bankrupt debtor's assets. This paper uses the normative juridical law research method by conducting a study and analysing laws and regulations related to the problem under study so that the results of the research above in the provisions of Law Number 37 of 2004 concerning Bankruptcy and Suspension of Obligations for Payment of Debt do not guarantee legal protection for curators in

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KIM, Minjeong, and Sunah KIM. "A Narrative Inquiry on the Cultural Enjoyment of Curator : Focused on Pierre Bourdieu’s Cultural Capital Theory." Society for Art Education of Korea 92 (December 1, 2024): 1–25. https://doi.org/10.25297/aer.2024.92.1.

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Abstract (sommario):

This study focused on curator, judged that it was necessary as a qualitative study because there was a lack of research on curators, who are professionals in the museum. Therefore, the study was started from the perspective of reflective thinking to explore the meaning of cultural enjoyment of curators. In this study, preliminary research and in-depth interviews were conducted with two curators with more than 10 years of practical experience in museums and art galleries. The stories of the study participants were divided into temporal, spatial, and personal/social dimensions, and through inter

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Kartoningrat, Raden Besse, and Edi Krisharyanto. "Principles of Statutory Duty and Fiduciary Duty in The Responsibility of The Bankruptcy Curator." Media Iuris 6, no. 2 (2023): 205–30. http://dx.doi.org/10.20473/mi.v6i2.37738.

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Abstract (sommario):

AbstractThe curator is a subject of Bankruptcy Law who has complete authority and responsibility for managing and resolving the bankruptcy estate. Curators are required to have integrity and are prohibited from having conflicts of interest with their duties and authorities. The issue raised in this study is the application of the principles of statutory duty and fiduciary duty in the responsibility of the bankruptcy curator. This study aims to identify, understand, and analyze bankruptcy law regarding the curator’s responsibility based on the principles of statutory duty and fiduciary duty. Th

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Reidla, Jana. "Who Is Leading the Project? A Comparative Study of Exhibition Production Practices at National Museums in Finland and the Baltic States." Museum and Society 18, no. 4 (2020): 368–85. http://dx.doi.org/10.29311/mas.v18i4.3456.

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Abstract (sommario):

This paper presents research into exhibition-production practices at five national museums of four Baltic Sea region countries. The focus is the changes wrought by the expansion of exhibition teams, and how researchers in the curatorial role perceive their position, especially in relation to designers and project leaders. The analysis of semi-structured interviews with museum professionals showed exhibition production at museums comprise two models: A) curator-driven, and B) manager-driven. In Model A, the curator’s knowledge of museum collections is dominant. The curator creates the concept,

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Radley, J. D. "Reply to Donovan et al., Comment on 'Bioerosion, preparation and curation'." Geological Curator 8, no. 4 (2005): 179–80. http://dx.doi.org/10.55468/gc359.

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I welcome Stephen Donovan, Caroline Hensley and David Lewis's positive response to a note recent published in The Geological Curator (Radley & Twitchett 2004), reinforcing the case for the preservation and curation of trace fossils as repositories of palaeobiological and palaeoenvironmental information. With reference to the perceived subservience of bioerosion traces to the body fossils on which they are commonly preserved; this would be hard to deny for their status, often unrecognised, amongst many collections. Hopefully this correspondence, and a forthcoming thematic set of papers in T

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Thomas, Lynne M. "The Embedded Curator: Reexamining the Documentation Strategy of Archival Acquisitions in a Web 2.0 Environment." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 13, no. 1 (2012): 38–48. http://dx.doi.org/10.5860/rbm.13.1.368.

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Abstract (sommario):

An embedded curator uses his or her physical and virtual presence within a selected community to document that community while simultaneously serving as a resource to it. While the “embedded curator” term may be relatively new to the profession, the practices that inform its implementation are not. Collection development for special collections, particularly for archival materials, has a robust history of debate about the best methods for encouraging and managing gifts.1 Embedded curators require a pragmatic and flexible written collection development policy that values occasional serendipitou

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Lawton, Pamela Harris. "Curate, curate | curator, curator: Curatorial practice in art education." Visual Inquiry 6, no. 1 (2017): 95–105. http://dx.doi.org/10.1386/vi.6.1.95_1.

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Lai, Mankit. "Curating pandemic contingencies: Remote collaboration and display reconfiguration in practice." Journal of Contemporary Chinese Art 8, no. 2 (2021): 313–37. http://dx.doi.org/10.1386/jcca_00049_1.

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Abstract (sommario):

Amid the restrictions on travelling and gathering imposed during the COVID-19 pandemic, exhibitions with international collaborations in Hong Kong experimented with curating across borders and time. This article examines recent curatorial practices in Hong Kong’s art institutions, particularly relating to site-specific installations and performances that had to cope with the artist’s physical absence and institutional restrictions. Two site-specific art commissions ‐ Shirley Tse’s Negotiated Differences (2020), installed at the M+ Pavilion, and Eisa Jocson’s Zoo (2020), performed at Tai Kwun C

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Rickards, R. B. "A Century of Graptolite Research in Cambridge." Geological Curator 7, no. 2 (1999): 71–76. http://dx.doi.org/10.55468/gc433.

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Abstract (sommario):

Graptolite research in Cambridge was dominated during the first half of the 20th Century by two people: Gertrude Elles and Oliver Bulman. They had quite different approaches to research, and to curation of collections. Elles' research was primarily field-based and her curatorial procedures a curator's headache; Bulman's work was primarily laboratory based and palaeobiological. The present author overlapped with and succeeded Bulman, and his curatorial biases led to his succeeding A. G. Brighton as Curator of the Sedgwick Museum. The nature of these changes through the century and the contribut

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Ruswati, Ruswati. "Eksistensi Sita Umum Kepailitan Terhadap Sita Pidana Dalam Pemberesan Harta Pailit." Khatulistiwa: Jurnal Pendidikan dan Sosial Humaniora 2, no. 1 (2022): 26–36. http://dx.doi.org/10.55606/khatulistiwa.v2i1.407.

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Abstract (sommario):

This journal was created to examine the implementation of the authority of curators and investigators on general confiscation of bankruptcy against criminal confiscations in the settlement of bankrupt assets and their legal certainty. The method used in this research is normative juridical research. The results of the study show that the curator and investigator in carrying out their authority are both based on the laws and regulations, but in practice there is a dispute over the authority attribution between the curator and the investigator regarding confiscation, as referred to in Article 31

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Abdul, Aziz. "Pengecualian Rahasia Bank Bagi Kurator Melalui Putusan Pengadilan Niaga Berdasarkan Undang-Undang Nomor 4 Tahun 2023." Madani: Jurnal Ilmiah Multidisiplin 1, no. 7 (2023): 337–48. https://doi.org/10.5281/zenodo.8231589.

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Abstract (sommario):

<em>Bankruptcy is a situation where a debtor is unable to pay their debts to their creditors. If a debtor is declared bankrupt by a court, the administration of the bankrupt assets will be carried out by a curator. The purpose of bankruptcy is to pay the rights of creditors in a certain order. However, the task of the curator is not always easy because there are several obstacles such as uncooperative debtors or conflicting laws and regulations, such as bank secrecy regulated in the Banking Law and the Bankruptcy and PKPU Law. As an example, in Ryan Gunawan Lubis' thesis titled "Jurid

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Hansungule-Nefale, Zita M., and Morgan R. Courtenay. "The expanding role of the curator ad litem i n protecting children's rights in South Africa." De Jure 56, no. 1 (2023): 525–42. http://dx.doi.org/10.17159/2225-7160/2023/v56a32.

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The appointment of the curator ad litem during litigation in which children's interests are concerned has, over the years, played a critical role in advancing the child's right to be heard and participate in matters affecting them for the advancement of their best interests. Prof Boezaart's seminal article on the role of the curator ad litem and children's access to the courts set out a comprehensive review of the origins, duties and role of the curator. Litigation and resultant court pronouncements subsequent to the article have continued to affirm the importance of the curator's role in matt

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