Bibliografie tematiche / Decorative arts - 20th Century

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Letteratura scientifica selezionata sul tema "Decorative arts - 20th Century"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 9 febbraio 2022

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Articoli di riviste sul tema "Decorative arts - 20th Century"

1

Yegorova, Anna A. "The “Raku Ceramics:” Japanese Tradition in Western Interpretations of the 20th Century." Observatory of Culture, no. 6 (December 28, 2014): 136–41. http://dx.doi.org/10.25281/2072-3156-2014-0-6-136-141.

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Traces the history of the raku-ware tradition in Japan and reveals its influence on the Western decorative arts of the 20th century. The author distinguishes between technological characteristics of the Raku family ware and the meaning of the “raku­ware” term coined in the West for the particular artistic style and demonstrates the contribution of the Raku ware to the development of contemporary decorative arts.
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Hotsaliuk, Alla. "Ethnic Design in Applied and Decorative Arts of the Late 20th — Early 21st Century." Ukrainian Studies, no. 1(74) (March 11, 2020): 169–79. http://dx.doi.org/10.30840/2413-7065.1(74).2020.195744.

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Xu, Min. "Chinese art: A survey of collections and research materials in the United States." Art Libraries Journal 39, no. 2 (2014): 43–47. http://dx.doi.org/10.1017/s0307472200018319.

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During the 20th century a range of museums in the United States were engaged in acquiring Chinese art objects, developing major collections of painting and calligraphy, ancient bronze, Buddhist sculpture, ceramics and other decorative arts. Research materials on Chinese art have been collected by art libraries in major museums and the East Asian libraries of the main research universities. The author surveys significant Chinese art collections in museums and research libraries in the United States today.
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Gerasimov, A. P., and T. V. Biryukova. "INTERIOR OF ART NOUVEAU ARCHITECTURE IN SIBERIA." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 2 (April 29, 2019): 102–12. http://dx.doi.org/10.31675/1607-1859-2019-21-2-102-112.

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The article discusses the development of the interior in private and public buildings in Russia late in the 19th and early 20th centuries. Romantic trends that emerged in architecture Western Europe in the 19th century turned into the new style expressed in modernity, which fundamentally differs from the historical repetition in architecture of the early period. This article is an interdisciplinary work and describes such arts as architecture, painting, and decorative and applied arts. The main feature of modernity is the internal space, subordinating the interior to the exterior, its graphic
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Hryhorov, V. "Monumental and decorative art of the second half of the 20th century in specialized literature." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 99–104. http://dx.doi.org/10.33838/naoma.27.2018.99-104.

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The article deals with a number of issues highlighted in the research of monumental painting during the 1960–2000s, and follows the development of art studies literature during the specified period. Ukrainian monumental painting during the second half of the 20th century evolved rather unequally, which affecte the art criticism reflections. In the 1960's and 80's the active and dynamic development of monumental art took place. Research in this area also reached the peak of its popularity. For example, the article of I. Pronina contains a review of publications from 1973–1974, and the author br
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Aref, Eman. "The Far Morocco Idrisid Arts and their role in enriching the plaster wall processing in the southwest Saudi Arabian kingdom in the century (14th AH/ 20th AD)." Academic Research Community publication 1, no. 1 (September 18, 2017): 13. http://dx.doi.org/10.21625/archive.v1i1.137.

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Studying the methods of plaster wall decorations is considered one of the complementary elements of the architectural vocabulary that reflects the cultural and ideological heritage identy of the time period. Wall decoration has broken the barrier of time and place, and the political and doctrinal differences, expressing in an abstract way the truth about the beilefs of both the Far Morocco Idrisid and Sebia Idrisid in kingdom of Saudi Arabia, where they did not use any symbol or sign that demonstrates their belonging to Shi'i Muslims, so-most probably- they belong to Sunni Muslims. This study
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Fawcett, Trevor. "The nineteenth-century art book: Content, Style and Context." Art Libraries Journal 17, no. 3 (1992): 12–17. http://dx.doi.org/10.1017/s0307472200007902.

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Although ‘art books’ of various kinds existed before 1800, art publishing grew significantly and with increasing speed through the 19th century. Two key factors, each encouraging the other, were the growth of interest in art among a heterogeneous public, and developments in printing technology, especially in methods of reproducing illustrations. Increasing numbers of illustrated art books contributed to the dissemination of awareness of an ever-broader spectrum of works of art, and of the decorative arts, throughout society, and nourished the historicism and eclecticism practised by contempora
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Demchuk, Stefaniia, та Yuliia Kizyma. "Between the sacred and the decorative: Сhristian iconography in the sketches for "Lily" decorative panel by Mykhailo Zhuk". Text and Image: Essential Problems in Art History, № 1 (2020): 102–13. http://dx.doi.org/10.17721/2519-4801.2020.1.07.

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Mykailo Zhuk was a graphic artist and a writer who is among the most famous and influential figures in the history of the early 20th century Ukrainian art. His artworks bear the mark of the in-depth reception of the Art Nouveau style. Although art historians who studied Zhuk’s early period (1904 - 1918) did mention the complex symbolism of his works (including that of the sketches for the floral panels which we shall examine), they avoided plunging deeper in the semantic interweaving he indulged himself in. Thus, this essay shall examine the two panels titled “Lilies”, which were treated mostl
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Rudenko, A. A. "DYBYNTSI’S CERAMIC CENTER ACTIVITY IN UKRAINIAN ART CULTURE OF THE 19th—20th CENTURY." Archaeology and Early History of Ukraine 29, no. 4 (December 22, 2018): 361–85. http://dx.doi.org/10.37445/adiu.2018.04.21.

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The article is devoted to the study of the activity of one of the largest ceramic craft center of the Central Naddnipryanschyna from the 19th and early 20th centuries which is Dybyntsi village located in Boguslav district of Kyiv region in the context of the development of folk arts crafts. The local features of the art culture of Boguslav region were illuminated; the artistic means of ceramic products decoration were analyzed; the typology of the products assortment was determined according to its functional purpose; the five stages in the existence of the Dybyntsi’s ceramic industry were dis
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Østby, Erik. "A Protocorinthian aryballos with a myth scene from Tegea." Opuscula. Annual of the Swedish Institutes at Athens and Rome 13 (November 2, 2020): 123–38. http://dx.doi.org/10.30549/opathrom-13-05.

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During the preparation of the new exhibition in the Museum of Tegea it was discovered that one composed fragment from a Protocorinthian aryballos with a complicated, figured representation, found during the excavations of the Norwegian Institute at Athens in the Sanctuary of Athena Alea in the 1990s, joined with another fragment found by the French excavation at the same site in the early 20th century. After the join, the interpretation of the scene must be completely changed. The aryballos has two narrative scenes in a decorative frieze: a fight between two unidentified men over a large vesse
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Tesi sul tema "Decorative arts - 20th Century"

1

Gaunt, Pamela Mary School of Art History/Theory UNSW. "The decorative in twentieth century art: a story of decline and resurgence." Awarded by:University of New South Wales. School of Art History/Theory, 2005. http://handle.unsw.edu.au/1959.4/25983.

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This thesis tracks the complex relationship between visual art and the decorative in the Twentieth Century. In doing so, it makes a claim for the ongoing interest and viability of decorative practices within visual art, in the wake of their marginalisation within Modernist art and theory. The study is divided into three main sections. First, it demonstrates and questions the exclusion of the decorative within the central currents of modernism. Second, it examines the resurgence of the decorative in postmodern art and theory. This section is based on case studies of a number of postmodern artis
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Hardiman, Louise Ann. "The firebird's flight : Russian arts and crafts in Britain, 1870-1917." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709085.

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MacDonald, Juliette. "Aspects of identity in the work of Douglas Strachan (1875-1950)." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/7357.

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Abstract (sommario):
This thesis explores facets of Scottish identity via the decorative work of Douglas Strachan. Nations and nationalism remain extraordinarily potent phenomena in the contemporary world and this work seeks to examine aspects of Scottish nationhood and cultural identity through Strachan's evocation of history, folklore, religion and myth. It has been argued that these are the chief catalysts for enabling people to define and shape their understanding of themselves and their place within society. Cultural identity is often understood as a passive form of nationalism which is remote from its politi
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Blin, Jean-Pierre. "Max Ingrand(1908-1969). Un atelier de vitrail dans la France du XXe siècle." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040128.

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Max Ingrand (1908-1969) fut l'un des maîtres verriers français les plus célèbres du XXe siècle. Après ses études à l'École nationale des arts décoratifs, il entre en 1927 dans l'atelier de Jacques Gruber (1870-1936). Dès 1931, il commence une carrière personnelle de maître verrier décorateur et réalise de nombreux décors civils en glaces gravées. Il crée les vitraux de l'église Sainte-Agnès de Maisons-Alfort et participe au projet des verrières de la nef de Notre-Dame de Paris qui sont présentées au pavillon pontifical de l'Exposition de 1937. Mobilisé en 1939, il reste cinq ans prisonnier dan
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Lasic, B. "The collecting of eighteenth-century French decorative arts in Britain 1789-1914." Thesis, University of Manchester, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508798.

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Oguibe, Oluchukwu Olu. "The paintings and prints of Uzo Egonu, 20th century Nigerian artist." Thesis, SOAS, University of London, 1992. http://eprints.soas.ac.uk/29692/.

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This work is as much about ways of looking at 20th century African art as it is a study of one artist and his work. The central thesis is that 20th century African art cannot be fully comprehended using deterministic frames and rigid categories. It begins by tracing the emergence of new art forms in Africa - Nigeria in particular - especially from the turn of the 19th century, a process underlined not by a capitulation to the cultural domination of colonialism but by a nationalist determination to undermine its ideological bases by disproving the artistic superiority of the white man. It then
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Clarke, Jennifer. "The Effect of Digital Technology on Late 20th Century and Early 21st Century Culture." [Tampa, Fla. : s.n.], 2003. http://purl.fcla.edu/fcla/etd/SFE0000108.

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Baker, Rosemary M. "Nineteenth century synthetic textile dyes : their history and identification on fabric." Thesis, University of Southampton, 2011. https://eprints.soton.ac.uk/372624/.

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Textile dyes have been the subject of many studies from the varied perspectives of historians, conservators and scientists. Most of these have focused on natural compounds but nineteenth century synthetic dyes form the basis of this thesis. The dual areas of interest have been the social history of those dyes developed between the introduction of Mauveine in 1856 and the end of the century and the investigation of novel spectroscopic methods for their identification in situon textiles. Although the first synthetic dye was manufactured in England, the centre of the industry soon moved to German
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Park, Sungsil. "East Asian and Western perception of nature in 20th century painting." Thesis, University of Brighton, 2009. https://research.brighton.ac.uk/en/studentTheses/e1cdcb78-5148-4de7-9d84-4c701af7ad29.

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The introduction aims to investigate both my painting and exhibition practice, and the historical and theoretical issues raised by them. It also examines different views on nature by comparing and contrasting 20th Century Western ideas with those of traditional Asian art and philosophies. There are two sections to this thesis; Section A contains an historical overview of Eastern and Western philosophy and art, Section B presents observations on my studio and exhibition practice. Section A is divided into two chapters. Chapter 1 examines concepts of nature in the East and West before the eariy
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Feng, Huanian, and 馮華年. "The reception of western art history in Republican China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31227326.

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Libri sul tema "Decorative arts - 20th Century"

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Sotheby, Parke-Bernet London. 20th century decorative arts: Auction Thursday, March 11, 2004 .... New York: Sotheby's, 2004.

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Sotheby, Parke-Bernet London. 20th century decorative arts & design: ... Wednesday 3 July 2002. London: Sotheby's, 2002.

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Sotheby, Parke-Bernet London. 20th Century decorative arts: Auction Friday March 19th 1993 ... . New York: Sotheby's, 1993.

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Sotheby, Parke-Bernet London. 20th century decorative arts & design: Auction ... Monday 18 November 2002 .... Amsterdam: Sotheby's, 2002.

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Sotheby, Parke-Bernet London. 20th century decorative arts & design: Auction: Thursday 19 October, 2000 ... .. London: Sotheby's, 2000.

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Tiffany's 20th century: A portrait of American style. New York: Harry N. Abrams, 1997.

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Sotheby, Parke-Bernet, London. 20th century decorative arts: Auction Wednesday, June 8, 1988 ... Thursday, June 9, 1988 ... . New York: Sotheby's, 1988.

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Knowles, Eric. Miller's 100 years of the decorative arts: Victoriana, arts & crafts, art nouveau & art deco. London: Miller's, 1993.

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Knowles, Eric. Miller's 100 years of the decorative arts: Victoriana, arts & crafts, art nouveau & art deco. London: Miller's, 1998.

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The crafts in Britain in the 20th century. [New Haven]: Published for the Bard Graduate Center for Studies in the Decorative Arts by Yale University Press, 1999.

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Capitoli di libri sul tema "Decorative arts - 20th Century"

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Webster, Peter. "The Religious Arts on a Rising Tide: People, Media, Networks." In Church and Patronage in 20th Century Britain, 119–46. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-36910-9_5.

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Wilson, Andrew. "Improvisation and Authenticity in Early 20th Century Western Music." In The Routledge Handbook of Philosophy and Improvisation in the Arts, 355–73. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003179443-29.

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Xin, Qi. "From “Modernism” to “Post-modernism”—Fission of Literature, Arts and Society." In A Brief History of Human Culture in the 20th Century, 155–86. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-9973-2_8.

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Povilionienė, Rima. "Music as National Identity Manifesto: The Musical Repertoire of Lithuanian Evenings at the Beginning of the 20th Century." In Numanities - Arts and Humanities in Progress, 75–88. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47060-3_6.

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Peterson, William. "The Master of the Form." In Asian Self-Representation at World’s Fairs. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985636_ch02.

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By the early 20th century, Japan was the master of the international exhibition format. With over fifty years of experience at world’s fairs in the West, Japan knew how to market its culture and products in a manner appealing to the Western consumer of both high art and decorative objects. The 1915 Panama Pacific International Exposition provided the country with a unique opportunity to create a strong and lasting imprint on American bodies in the country pavilion site with its famed gardens and exotic, kimono-clad women. As the epicenter of Asian migration, San Francisco also offered unique opportunities to further the power of Japonisme in the arts, while politicians in both countries used the event to champion Japanese-American relations.
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Edwards, Clive. "‘Exhibition of British Manufactures and Decorative Arts’." In Nineteenth-Century Design, 135–40. Routledge, 2021. http://dx.doi.org/10.4324/9780429279492-19.

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Mohanty, Sachidananda. "Cosmopolitanism through the Arts." In Cosmopolitan Modernity in Early 20th-Century India, 121–39. Routledge India, 2018. http://dx.doi.org/10.4324/9781315656267-6.

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Mohanty, Sachidananda. "Cosmopolitanism through the Arts." In Cosmopolitan Modernity in Early 20th-Century India, 121–39. Routledge India, 2018. http://dx.doi.org/10.4324/9780429506833-6.

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Edwards, Clive. "J. Scarratt Rigby, ‘Remarks on Morris’ Work and its Influence on British Decorative Arts Today’." In Nineteenth-Century Design, 417–27. Routledge, 2021. http://dx.doi.org/10.4324/9780429279485-58.

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"The Dialogue of Chance and the Arts." In The Radical Use of Chance in 20th Century Art, 71–83. Brill | Rodopi, 2012. http://dx.doi.org/10.1163/9789401207263_006.

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Atti di convegni sul tema "Decorative arts - 20th Century"

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Romanovska, Alina. "20TH CENTURY HISTORY OF LATVIA IN LITERARY NARRATIVES." In 3rd Arts & Humanities Conference, Barcelona. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/ahc.2018.003.002.

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Sevcikova, Hana. "INFLUENCE OF REGIMES ON 20TH-CENTURY ARCHITECTURE." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb51/s17.020.

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Vlahopol, Gabriela. "THEME ELABORATION TECHNIQUES IN 20TH-CENTURY FUGUE." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s25.027.

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Carnelli, Silvia. "“SPIRITUALIT(IES)” AND “CRIES” FOR “MOTHER GAIA” IN THE 20TH-CENTURY AND IN CONTEMPORARY EUROPE." In Arts & Humanities Conference, Venice. International Institute of Social and Economic Sciences, 2016. http://dx.doi.org/10.20472/ahc.2016.001.002.

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Titova, Elena. "FACTUROLOGY IN THE RUSSIAN MUSICOLOGY OF THE 20TH CENTURY." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s26.040.

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Wang, Y. "THE IMAGE OF TOILING WOMEN IN CHINESE ARTS OF THE 20th CENTURY." In IV International Conference ”Science and society - Methods and problems of practical application". Prague: Premier Publishing s.r.o., 2018. http://dx.doi.org/10.29013/iv-conf-canada-4-8-11.

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Mazalan, Peter. "ARCHITECTURE AS THE SCENOGRAPHY OF POLITICAL EVENTS OF THE 20TH CENTURY." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/51/s17.005.

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Nezhadfard, Arsalan, and Ana Tostoes. "MONUMENTALITY IN 20TH CENTURY DEALING WITH TRADITION AND MODERNISM, COMPARING IN THREE CITIES: ISTANBUL, SARAJEVO AND LISBON." In 3rd Arts & Humanities Conference, Barcelona. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/ahc.2018.003.001.

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Chekayeva, Rachima. "HISTORICAL FORMATION WOODEN HOUSES OF PETROPAVLOVSK FROM 19TH TO EARLY 20TH CENTURY." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb51/s17.017.

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Ntakolia, Konstantina. "DIAGHILEV’S RUSSIAN BALLETS AND THE 20TH CENTURY MANLY-WOMEN: TWO CONTRADICTORY NEW PROTOTYPES FOR THE CARYATIDES OF AMEDEO MODIGLIANI." In 2nd Arts & Humanities Conference, Florence. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/ahc.2017.002.005.

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