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Articoli di riviste sul tema "Decorative arts"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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1

Gurzhii, I. "DECORATIVE CERAMICS AS A BRANCH OF MODERN ART." Aesthetics and Ethics of Pedagogical Action, no. 29 (June 14, 2024): 100–111. http://dx.doi.org/10.33989/2226-4051.2024.29.306146.

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The article examines decorative arts as a type of visual arts that focuses on works of art creation, with the aim of decorating and giving them aesthetic appeal, as well as objects of a purely exhibition nature. Decorative ceramics are divided into the following types: exterior, interior, and exhibition, and have two directions of development: traditional and academic. Modern Ukrainian decorative ceramics is characterized as an essential branch of decorative arts that developed based on millennial traditions and has its territorial features. It has been found that the technique of making moder

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2

Zhong, Na, and Xianhua Sun. "Research on the Window and Door Decoration Art of Traditional Residential Buildings in Yili, Xinjiang." Highlights in Art and Design 8, no. 1 (2024): 21–31. http://dx.doi.org/10.54097/e2ksbt62.

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Architecture is a form of cultural expression and a product of specific historical periods. The traditional dwellings of Xinjiang Ili have developed a unique regional architectural decorative style under the influence of Russian culture and their own ethnic culture through long-term changes. This article explores the design concepts of window and door decorative arts in Xinjiang Ili traditional dwellings from aspects such as an overview of Xinjiang Ili traditional dwellings, factors influencing the formation of window and door decorative arts, and characteristics of window and door decorative

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3

Tang, Xi Ya. "Decorative Arts of Gates Detail Components in Chinese Traditional Architecture." Advanced Materials Research 860-863 (December 2013): 1237–43. http://dx.doi.org/10.4028/www.scientific.net/amr.860-863.1237.

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Gate decoration art is one of Chinese traditional architecture decoration. It not only has own structure form and material form of building passageway against with that of other nations in the world, but so is a cultural background miniature of Chinese nation, and it is a material carrier of folk culture and decorative pattern. Decorative arts of gates detail components in Chinese traditional architecture have contained abundant aesthetic value and cultural connotation, all of this endowed gate decoration art with secret oriental color.

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4

BUCHKIVSKA, Galyna, Valentyna BARANOVSKA та Kateryna BINYTSKA. "ВИКОРИСТАННЯ ІКТ І НАРОДНОГО ДЕКОРАТИВНОГО ТА ПРИКЛАДНОГО МИСТЕЦТВА В ПРОЦЕСІ ПРОФЕСІЙНОЇ ПІДГОТОВКИ МАЙБУТНІХ ВЧИТЕЛІВ". Освітні обрії 52, № 1 (2021): 124–28. http://dx.doi.org/10.15330/obrii.52.1.124-128.

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The article highlights the possibilities of using ICT and folk decorative and applied arts in professional training of future teachers. The use of ICT and decorative and applied arts in the process of training future teachers, in the course of artistic and labor activities, in particular, forms positive motives for learning. Future teachers feel the need to know the history and artistic traditions of the native land (at the stage of choosing the object of work, clarifying its purpose, methods of decoration in accordance with regional peculiarities, etc.), they are eager to master the basics of

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5

Heckscher, Morrison H., R. Craig Miller, Oswaldo Rodriguez Roque, and Alice Cooney Frelinghuysen. "American Decorative Arts." Recent Acquisitions, no. 1985/1986 (1985): 52. http://dx.doi.org/10.2307/1513692.

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6

Heckscher, Morrison H., Oswaldo Rodriguez Roque, Frances Gruber Safford, Alice Cooney Frelinghuysen, and Amelia Peck. "American Decorative Arts." Recent Acquisitions, no. 1986/1987 (1986): 62. http://dx.doi.org/10.2307/1513711.

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7

Roque, Oswaldo Rodriguez, Frances Gruber Safford, and Amelia Peck. "American Decorative Arts." Recent Acquisitions, no. 1987/1988 (1987): 56. http://dx.doi.org/10.2307/1513731.

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8

Frelinghuysen, Alice Cooney. "American Decorative Arts." Metropolitan Museum of Art Bulletin 59, no. 1 (2001): 53. http://dx.doi.org/10.2307/3269173.

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9

Leidy, Denise P., Wai-fong Anita Siu, and James C. Y. Watt. "Chinese Decorative Arts." Metropolitan Museum of Art Bulletin 55, no. 1 (1997): 1. http://dx.doi.org/10.2307/3269222.

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10

Safford, Frances Gruber, Alice Cooney Frelinghuysen, and Catherine Hoover Voorsanger. "American Decorative Arts." Metropolitan Museum of Art Bulletin 49, no. 2 (1991): 58. http://dx.doi.org/10.2307/3258938.

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11

Frelinghuysen, Alice Cooney, and Peter M. Kenny. "American Decorative Arts." Metropolitan Museum of Art Bulletin 48, no. 2 (1990): 62. http://dx.doi.org/10.2307/3258958.

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12

Frelinghuysen, Alice Cooney, and Amelia Peck. "American Decorative Arts." Metropolitan Museum of Art Bulletin 47, no. 2 (1989): 56. http://dx.doi.org/10.2307/3259902.

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13

Maistruk, Nazar, та Liubov Kravchenko. "ІСТОРИЧНІ АСПЕКТИ ПІДГОТОВКИ ФАХІВЦІВ ДЕКОРАТИВНО-УЖИТКОВОГО МИСТЕЦТВА В НАВЧАЛЬНИХ ЗАКЛАДАХ УКРАЇНИ". B U L L E T I N OF OLEKSANDR DOVZHENKO HLUKHIV NATIONAL PEDAGOGICAL UNIVERSITY 54, № 1 (2024): 245–50. http://dx.doi.org/10.31376/2410-0897-2024-1-54-245-250.

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The paper examines the historical aspects of the development specialists in decorative and applied arts training in Ukraine on the example of porcelain production (late 18th century – today) and its current state abroad. In line with the issue of introduction of this direction of decorative and applied art in our country, examples of its flourishing in the cities of Koret (production of baroque Meissen porcelain), Baranivka, Hrodnytsia, Dovbysh (Iliinskyi Manufactory, Markhlov Factory, Dovbysh Porcelain Factory, Polonsky Porcelain Factory); Poltava, Boryslav, Sumy, Ternopil (opening of porcela

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14

Bincsik, Monika, Shinya Maezaki, and Kenji Hattori. "Digital archive project to catalogue exported Japanese decorative arts." International Journal of Humanities and Arts Computing 6, no. 1-2 (2012): 42–56. http://dx.doi.org/10.3366/ijhac.2012.0037.

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In Europe, Japanese ceramic and lacquer objects have been collected and used as interior decoration since the early seventeenth century. In the nineteenth century, the worldwide fashion for Japonisme generated an extensive trade in various Japanese decorative arts. Consequently, museums and private collections all over the world have rich holdings of Japanese decorative arts. Despite their popularity and profound influence on Western applied arts, the systematic research of Japanese decorative arts in Western collections is backward compared to the investigation of other art forms. It is actua

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15

Matthews, Julia. "Native Arts and Decorative Arts Journals." Art Documentation: Journal of the Art Libraries Society of North America 14, no. 3 (1995): 17–18. http://dx.doi.org/10.1086/adx.14.3.27948757.

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16

SHCHEVIOVA, Uliana, Karol WYSZNACKI, and Alexander SERAFIN. "Preserving Authentic Decoration in the Entrance Spaces of Residential Buildings in Eastern Galicia from the late 19th to the First Third of the 20th Century: Restoration Experience." International Journal of Conservation Science 15, no. 1 (2024): 993–1008. http://dx.doi.org/10.36868/ijcs.2024.02.16.

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Abstract (sommario):

The special role in shaping the entrance spaces of buildings, their artistic expressiveness belonged to decorative art, as architects used such materials as artistic wood, artistic metal, artistic glass, artistic ceramics, artistic paintings, sculptural forms, decorative stone and other elements for decorating entrance spaces. Sometimes, one motif could be the main focus in the decor of entrance spaces, echoing with artistic paintings, decor on ceramic tiles, etched pseudo-stained glass, supraports and wrought ironwork of stair railings according to the principle of interaction of arts. Howeve

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17

Wang, Zhen, Ying Zhang, and Siyuan Liu. "Study on Decorative Art of Temple of Arrondissement in Zhangzhou Area." Scientific Journal Of Humanities and Social Sciences 6, no. 8 (2024): 53–58. http://dx.doi.org/10.54691/w52dgn71.

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The purpose of this thesis is to make an in-depth study of the decorative arts in Zhangzhou. As an important part of the traditional culture in Zhangzhou, the decorative art carries rich humanistic connotation and unique artistic style. By discussing the history and development of Zhangzhou decorative arts, traditional decorative arts, the relationship between decorative arts and cultural traditions, as well as modern development and innovation, we can better understand the role of Zhangzhou decorative arts in local cultural inheritance and its role in promoting local economy and tourism.

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18

Ahmed, Ayman Mohamed. "Imitation of the Lotus Flower in Architecture: its Use in the Decoration of Walls and Ceilings of Palaces, Houses, and Tombs in Ancient Egypt." Res Mobilis 11, no. 14 (2022): 1–20. http://dx.doi.org/10.17811/rm.11.14.2022.1-20.

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Plant motifs were of great importance in the arts of ancient Egypt. It was very interested in decorative units and its aesthetic forms. The lotus flower is one of the most well-known plants in ancient Egyptian civilization due to its association with the religious and daily life of the ancient Egyptians. This fragrant flower in its colors white, blue, red, and as a sacred symbol in the life of the ancient Egyptian was not only an aesthetic decorative component that was depicted by the ancient Egyptians on walls of temples, or used in the manufacture of perfumes and cosmetics, but also used it

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19

Grbanovic, Ana Marija. "The Ilkhanid Revetment Aesthetic in the Buqʿa Pir-i Bakran: Chaotic Exuberance or a Cunningly Planned Architectural Revetment Repertoire?" Muqarnas Online 34, № 1 (2017): 43–83. http://dx.doi.org/10.1163/22118993_03401p004.

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The Pir-i Bakran mausoleum (completed by 1312–13; Linjan, Isfahan) is considered to be a typical example of exuberant Ilkhanid architectural decoration. In the 1970s, the International Association of Mediterranean and Oriental Studies (IsMEO) undertook significant research and restoration work on the mausoleum. After their efforts were interrupted by the onset of the Iranian Revolution, restoration activities were continued by the Iranian Cultural Heritage Organization. Almost four decades later, questions concerning the mausoleum’s history, function, decorative program, patronage, and craftsm

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20

Zhu, Jin, and Yi Fan Chen. "The Application of Folkloric Textile Decorative Art to the Regional Character of the Hotel." Advanced Materials Research 331 (September 2011): 3–8. http://dx.doi.org/10.4028/www.scientific.net/amr.331.3.

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The construction of the regionalism is not only affected the architecture space pattern, but also is closely related to the soft decoration art. This paper has analyzed the elements of the folkloric textile decorative art from the level of decoration pattern, color, material and technology. Taking decorative arts with regional characteristics as an example, the paper discusses how folkloric textile decorative art express the theme of the hotel and implicate the regional characteristics in symbolic elements and stylized language combined with the cultural history and folk custom in different ar

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21

Larson, Katherine. "Design & The Decorative Arts." Woman's Art Journal 24, no. 1 (2003): 54. http://dx.doi.org/10.2307/1358822.

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22

Group, Cutting Edge Women's Research. "Design & The Decorative Arts." Woman's Art Journal 22, no. 2 (2001): 61. http://dx.doi.org/10.2307/1358945.

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23

Raggio, Olga, James David Draper, James Parker, Clare Le Corbeiller, Jessie McNab, and Clare Vincent. "European Sculpture and Decorative Arts." Recent Acquisitions, no. 1985/1986 (1985): 22. http://dx.doi.org/10.2307/1513685.

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24

Draper, James David, James Parker, Johanna Hecht, et al. "European Sculpture and Decorative Arts." Recent Acquisitions, no. 1986/1987 (1986): 23. http://dx.doi.org/10.2307/1513704.

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25

Raggio, Olga, James Parker, James David Draper, Clare Vincent, and Clare Le Corbeiller. "European Sculpture and Decorative Arts." Recent Acquisitions, no. 1987/1988 (1987): 26. http://dx.doi.org/10.2307/1513724.

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26

CANTAY, Gönül. "Fruit In Turkih Decorative Arts." Journal of Turkish Studies Volume 3 Issue 5, no. 3 (2008): 65–86. http://dx.doi.org/10.7827/turkishstudies.409.

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27

McNab, Jessie. "European Sculpture and Decorative Arts." Metropolitan Museum of Art Bulletin 59, no. 1 (2001): 45. http://dx.doi.org/10.2307/3269170.

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28

Draper, James David, Olga Raggio, and James Parker. "European Sculpture and Decorative Arts." Metropolitan Museum of Art Bulletin 49, no. 2 (1991): 26. http://dx.doi.org/10.2307/3258931.

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29

Draper, James David, James Parker, Clare Le Corbeiller, et al. "European Sculpture and Decorative Arts." Metropolitan Museum of Art Bulletin 48, no. 2 (1990): 25. http://dx.doi.org/10.2307/3258951.

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30

Parker, James, James David Draper, Clare Le Corbeiller, and Jessie McNab. "European Sculpture and Decorative Arts." Metropolitan Museum of Art Bulletin 47, no. 2 (1989): 23. http://dx.doi.org/10.2307/3259895.

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31

Editors The Rijkmuseum Bulletin. "Acquisitions: Fine & Decorative Arts." Rijksmuseum Bulletin 57, no. 4 (2009): 342–67. http://dx.doi.org/10.52476/trb.11651.

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32

Seckelson, Linda. "Decorative Arts: Laying the Groundwork." Art Documentation: Journal of the Art Libraries Society of North America 27, no. 1 (2008): 30–32. http://dx.doi.org/10.1086/adx.27.1.27949481.

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33

Mleziva, Jindřich. "Asijské umění a umělecké řemeslo ve sbírce Západočeského muzea v Plzni." Muzeum Muzejní a vlastivedná práce 57, no. 1 (2020): 3–14. http://dx.doi.org/10.37520/mmvp.2019.002.

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The collection of the West Bohemian Museum in Pilsen includes significant examples of artworks and decorative arts from Asia. The history of this collection dates back to the last quarter of the 19th century, when these items were a part of a collection of the West Bohemian Museum of Decorative Arts in Pilsen. The first director of the museum, architect Josef Škorpil (1856–1931), contributed to the creation of the decorative arts collection and the acquisition of objects from the Far and Middle East. Thanks to its acquisition activities throughout Europe, a significant decorative arts collecti

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34

Abd Halim, Nurhazwani, Tengku Intan Suzila T. S., and Nazirah Ramli. "DECORATIVE ARTS OF THE BATEK INDIGENOUS PEOPLE: A SYSTEMATIC DOCUMENTATION OF FEATURES." Journal of Nusantara Studies (JONUS) 6, no. 2 (2021): 273–95. http://dx.doi.org/10.24200/jonus.vol6iss2pp273-295.

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Background and Purpose: The present paper discussed the features of Batek Hep tribe of the Tembeling River, Pahang National Park dwellers’ decorative arts, and the characteristics of three features which include the influence of Fibonacci numbers and Golden ratio in these decorative arts as well as whether its symmetrical elements are leaning towards the vertical or horizontal axis.  Methodology: The study adopted a qualitative approach where a content analysis was conducted. The arts being studied were the carvings on Batek bamboo dart cases. Initial impressionistic exploratory ov

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35

Ravshanovich, Jabbarov Rustam. "Pedagogical Mechanisms for The Development of Students' Creative Activity in Teaching the Subject "Applied Decorative Art" Through Software Products." International Journal of Pedagogics 05, no. 04 (2025): 64–70. https://doi.org/10.37547/ijp/volume05issue04-19.

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This research work is devoted to identifying the pedagogical mechanisms of using software products in the process of teaching applied decorative arts to develop students' creative activity. The purpose of the research is an empirical analysis of the role and importance of software in applied decorative arts education and the development of effective pedagogical approaches aimed at enhancing students' creative potential. The article also provides practical recommendations for the effective use of software products in teaching applied decorative arts.

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36

Іванна, Матковська. "Вплив світоглядних і мистецьких засад Романа Сельського та Карла Звіринського на формування творчої особистості Зеновія Флінти". ВІСНИК Львівської національної академії мистецтв, № 31 (10 травня 2017): 284–94. https://doi.org/10.5281/zenodo.573925.

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The article is devoted to creativity Zenoviy Flint – a talented painter, graphics artist and ceramist, teacher. The influence of teachers' specialty - Roman Selskyi and Karl Zvirynskoho the formation of his artistic style which occurred in the 1960's. Their teaching activities in the Lviv State Institute of Decorative and Applied Arts (now Lviv National Academy of Arts) and the School of Decorative Arts (now Lviv State College of decorative arts Ivan Trush) and other institutions in a totalitarian actually allow students to learn and master the illegal practice polyculture tion of pre-war art

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37

hussein, ahmed. "Symbolism in Fatimid Pottery Decorative Arts." Conference Book of the General Union of Arab Archeologists 16, no. 16 (2013): 278–92. http://dx.doi.org/10.21608/cguaa.2013.32599.

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38

Powell, Olivia. "In Dialogue with the Decorative Arts." Journal of Museum Education 42, no. 3 (2017): 236–47. http://dx.doi.org/10.1080/10598650.2017.1344045.

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39

Witkowski, Terrence H. "Marketing thought in American Decorative Arts." Journal of the Academy of Marketing Science 18, no. 4 (1990): 365–68. http://dx.doi.org/10.1007/bf02723922.

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40

Gulyamov Komiljon Makhmudovich. "Leading Competencies That Develop The Professional Competence of The Future Applied Decorative Arts Teacher." Journal of Advanced Zoology 44, S6 (2023): 1341–44. http://dx.doi.org/10.17762/jaz.v44is6.2446.

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This article discusses the concept of “professional competence of a future teachers of applied decorative arts”. The leading competencies and their components, which are part of the professional competence of future teachers of applied decorative arts, have been identified.

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41

Iswarini, Ni Ketut, and I. Gusti Ayu Putu Wita Indrayani. "Berpadu dalam Harmoni: Pemanfaatan ElemenFloral dalam Bisnis Kuliner." Jurnal Gastronomi Indonesia 11, no. 1 (2023): 71–78. http://dx.doi.org/10.52352/jgi.v11i1.1087.

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Floral art has become an interesting element in the world of culinary arts because it can provide a unique and refreshing aesthetic touch to dishes and buffet table decorations. This article examines the use of floral elements in the culinary businesses and explores the trends and potentials associated with their use. Through a qualitative approach, this study identifies phenomena related to the use of floral elements in the culinary arts, including trends in the use of flowers as food and decoration ingredients, challenges in ensuring dish hygiene, and the potential to create unique and unfor

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Марущак, Оксана, Олександр Шинін та Наталія Вусик. "Розвиток творчих здібностей у майбутніх фахівців художньо-декоративного мистецтва під час вивчення народних ремесел і промислів". Мистецтво в культурі сучасності: теорія та практика навчання, № 2 (18 грудня 2023): 25–33. http://dx.doi.org/10.31652/3041-1017-2023(2)-03.

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Abstract (sommario):

In the context of the revival of national culture, the problem of forming an artistic and aesthetic culture in future specialists of decorative arts, which causes radical changes in the direction of development of their artistic and creative abilities, becomes particularly relevant. The foundation for the development of artistic and creative abilities of higher education students is created by the activity of decorative and applied art. The main problem of our research is the development of a theoretical, methodological base and a methodological system for the development of artistic and creat

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43

Sarkawt nooralddin ibrahim, Dr, and Dr Hassan Hassoon aldelfi. "The Effects of Schools of Arts on Theaters Contemporary Decorative Design." لارك 2, no. 50 (2023): 643–360. http://dx.doi.org/10.31185/lark.vol2.iss50.3070.

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The design of Contemporary theaters are very vital in simulating the producer vision, decorative design, play text, and viewers. Most of contemporary theaters designers in Kurdistan Region and Iraq in general have no clear understanding to the modern theatrical decorative design. In this paper, the authors highlighted the different types of schools of arts and its influence on the theatrical decorative design. The research approach used analytical descriptive method to fulfill the outcomes of the research. The authors investigated the different theatrical design in KGR and Iraq; those designs

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44

Володимир, Попенюк. "КИВОТИ У ТВОРЧОСТІ ВИКЛАДАЧІВ І ВИПУСКНИКІВ КОСІВСЬКОГО ІНСТИТУТУ В КОНТЕКСТІ РОЗВИТКУ САКРАЛЬНОГО МИСТЕЦТВА КІНЦЯ ХХ – ПОЧАТКУ ХХІ СТОЛІТТЯ". ВІСНИК Львівської національної академії мистецтв, № 27 (18 листопада 2015): 182–90. https://doi.org/10.5281/zenodo.33955.

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The author considers the role and place of Kosiv Institute of Applied and Decorative Arts in the revival and development of sacral culture during the period of independence of Ukraine in this article. He sets a variety of highly artistic sacred objects to decorate interiors of the churche in Hutsulshchyna. All of them have been made by the graduates under the supervision of the leading teachers of the department of artistic woodwork, the chair of applied and decorative arts. The author emphasizes the first diploma works, namely icon-cases, executed during 1990-2010s. He analyses the style of t

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45

Sabina González, José Antonio. "Los remates de cubierta o de composición en los edificios canarios 1896-1931: tratamiento y utilización por los técnicos." Vegueta. Anuario de la Facultad de Geografía e Historia 22, no. 1 (2022): 289–323. http://dx.doi.org/10.51349/veg.2022.1.15.

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Gran parte de nuestro patrimonio arquitectónico cuenta con ciertos elementos decorativos característicos del estilo ecléctico y modernista que caracterizaron a una época pasada de gran esplendor. Uno de ellos es el remate que estudiamos en el presente artículo, un ornato que culmina un edificio perfectamente ornamentado y del que los técnicos disponen en algunos de sus inmuebles; un elemento que se expondrá con ejemplos de su procedencia externa. Este trabajo contará con estos técnicos para profundizar en este elemento decorativo, mediante la consulta de los planos de sus edificios que cuentan

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KRYSHTANOVYCH, Myroslav. "ДОСВІД ФОРМУВАННЯ ПРОФЕСІЙНОЇ КОМПЕТЕНТНОСТІ В МАЙБУТНІХ ФАХІВЦІВ ОБРАЗОТВОРЧОГО І ДЕКОРАТИВНОГО МИСТЕЦТВА У ЄВРОПЕЙСЬКИХ КРАЇНАХ". Освітні обрії 52, № 1 (2021): 111–14. http://dx.doi.org/10.15330/obrii.52.1.111-114.

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A study of the experience of forming professional competence among future specialists in fine and decorative arts was carried out. The main task is to study the experience of forming professional competence in future professionals of fine and decorative arts. It has been determined that the system of training future specialists in fine and decorative arts exists in all European countries. However, Great Britain, Spain, Italy, Germany and others are recognized as leaders in this area. In our study, we will take a closer look at the features of the training system for future specialists in fine

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Дудина, А. Д. "Turkish Edged Weapons as Objects of Decorative and Applied Arts." Terra artis. Art and Design, no. 2 (July 1, 2023): 59–73. http://dx.doi.org/10.53273/27128768_2023_2_59.

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Статья посвящена изучению турецкого холодного оружия как предмета декоративно-прикладного искусства. Дано краткое описание истории изучения и экспонирования восточного оружия. Рассмотрены примеры орнаментов, материалов и техник, применяемых при создании предметов оружия. Обозначены основные тенденции в развитии декоративного убранства оружия. Приведена классификация оружия и сферы его бытования. The article discusses Turkish edged weapons as objects of decorative and applied arts. It offers a brief research and exhibition history of oriental weapons and an overview of ornaments, materials and

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Кізім, Світлана, Тетяна Зузяк, Оксана Марущак та Віктор Соловей. "ГРАФІЧНА ДІЯЛЬНІСТЬ У ПРОФЕСІЙНІЙ ПІДГОТОВЦІ ЗДОБУВАЧІВ ВИЩОЇ ОСВІТИ З ДЕКОРАТИВНОГО МИСТЕЦТВА ЗАСОБАМИ ЦИФРОВИХ ТЕХНОЛОГІЙ". Мистецтво в культурі сучасності: теорія та практика навчання, № 4 (2 січня 2025): 52–59. https://doi.org/10.31652/3041-1017-2024(4)-07.

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Abstract. The detection of a slowdown in the level of experience and skills formed in graduates from the real practical expert context leads to the need to review and transform the educational complex. Modern professional training of future higher education graduates in decorative arts is characterized by updating methodological material and innovative technological and software tools, advanced technologies, methods and forms of training. An important element of educational innovations is the revision of professional competencies and changing their content component. The article considers the

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Maistruk, N., and L. Kravchenko. "TRAINING OF DECORATIVE AND APPLIED ARTS SPECIALISTS IN EDUCATIONAL INSTITUTIONS OF UKRAINE: HISTORICAL ASPECT." Ukrainian professional education, no. 8 (November 25, 2020): 121–27. http://dx.doi.org/10.33989/2519-8254.2020.8.239466.

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The paper examines the historical aspects of the development specialists in decorative and applied arts training in Ukraine on the example of porcelain production (late 18th century - today) and its current state abroad. In line with the issue of introduction of this direction of decorative and applied art in our country, examples of its flourishing in the cities of Koret (production of baroque Meissen porcelain), Baranivka, Hrodnytsia, Dovbysh (Iliinskyi Manufactory, Markhlov Factory, Dovbysh Porcelain Factory, Polonsky Porcelain Factory); Poltava, Boryslav, Sumy, Ternopil (opening of porcela

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Biryukov, Mikhail Yu. "The potential of arts and crafts in the formation of aesthetic taste in children of senior preschool age." Vestnik of Kostroma State University. Series: Pedagogy. Psychology. Sociokinetics 30, no. 1 (2024): 73–77. http://dx.doi.org/10.34216/2073-1426-2024-30-1-73-77.

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This article is devoted to the study and analysis of the use of the possibilities of decorative and applied art in the formation of aesthetic taste in older preschool children. The study revealed that decorative and applied arts have their own aesthetic and educational capabilities in teaching children both fine arts and in developing their aesthetic sensitivity to the world around them. Promising directions for the use of types, subtypes, varieties, techniques and technologies of decorative and applied arts in the artistic and creative activities of older preschoolers are proposed. The author

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