Bibliografie tematiche / Demy

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Letteratura scientifica selezionata sul tema "Demy"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 4 febbraio 2022

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Articoli di riviste sul tema "Demy"

1

Hill, Rodney. "Demy Monde: the New-Wave Films of Jacques Demy". Quarterly Review of Film and Video 25, n. 5 (10 settembre 2008): 382–94. http://dx.doi.org/10.1080/10509200601093256.

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KRATZMAN, E. ARTHUR, e HOWARD ADLER. "Nicholas G. Demy, MD". Radiology 169, n. 2 (novembre 1988): 583. http://dx.doi.org/10.1148/radiology.169.2.583-a.

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Pita, César. "Jacques Demy (Francia, 1931-1990)". CineScrúpulos 7, n. 2 (26 agosto 2020): 111–22. http://dx.doi.org/10.19083/cinescrupulos.v7i2.1267.

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Abstract (sommario):
Un enamorado del cine: esa es la evidencia en la obra del director francés Jacques Demy. Destinado por orden familiar a dedicarse a labores manuales, el director mostró desde un inicio sensibilidad para lo artístico, algo que plasmó en una serie de películas. Sus mejores títulos tienen un acercamiento a la estética del Hollywood clásico. Nos referimos, por supuesto, a sus numerosas películas musicales. La alianza que estableció con Agnès Varda no fue un límite para que pueda configurar un universo propio alejado de la nouvelle vague del momento.
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Binet, Marie-Jo. "Jacques Demy: l’enfance retrouvée par Alain Naze". French Review 89, n. 1 (2015): 239–40. http://dx.doi.org/10.1353/tfr.2015.0177.

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Berthomé, Jean-Pierre. "Un héritage confisqué ? Jacques Demy et Ciné-Tamaris". 1895, n. 72 (1 marzo 2014): 147–57. http://dx.doi.org/10.4000/1895.4811.

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Danks, Adrian. "Living cinema: The ‘Demy Films’ of Agnès Varda". Studies in Documentary Film 4, n. 2 (dicembre 2010): 159–72. http://dx.doi.org/10.1386/sdf.4.2.159_1.

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Alvim, Luíza Beatriz. "Música preexistente, leitmotivs e retornos no cinema de Jacques Demy dos anos 1950 e 1960 // Preexisting music, leitmotifs and recurrences in the cinema of Jacques Demy in the 1950s and 1960s". Contemporânea Revista de Comunicação e Cultura 18, n. 1 (29 settembre 2020): 7. http://dx.doi.org/10.9771/contemporanea.v18i1.30591.

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Abstract (sommario):
Analisamos o uso de música preexistente do repertório clássico em três filmes de Jacques Demy do final dos anos 1950 ao final dos anos 1960 – A mãe e a criança (1959), Lola, a flor proibida (1961) e O segredo íntimo de Lola (1969) –, tendo como base a característica da repetição, presente tanto no procedimento musical do leitmotiv como em diversos retornos que ocorrem entre vários filmes do diretor, assim como em suas associações intertextuais, especialmente com As damas do Bois de Boulogne (1945), de Robert Bresson.
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Nicaretta, Denise Hack. "Clinical evaluation of tremor in chronic inflammatory demy-elinating polyradiculoneuropathy". Arquivos de Neuro-Psiquiatria 53, n. 4 (dicembre 1995): 849–50. http://dx.doi.org/10.1590/s0004-282x1995000500027.

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Lazen, Matthew. "?En perme a Nantes?: Jacques Demy and new wave place". Studies in French Cinema 4, n. 3 (novembre 2004): 187–96. http://dx.doi.org/10.1386/sfci.4.3.187/0.

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10

Lee, Chin Hong, Nathaniel P. Hawker, Jonathan R. Peters, Thierry G. A. Lonhienne, Nial R. Gursanscky, Louisa Matthew, Christopher A. Brosnan et al. "DEFECTIVE EMBRYO AND MERISTEMS genes are required for cell division and gamete viability in Arabidopsis". PLOS Genetics 17, n. 5 (17 maggio 2021): e1009561. http://dx.doi.org/10.1371/journal.pgen.1009561.

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Abstract (sommario):
The DEFECTIVE EMBRYO AND MERISTEMS 1 (DEM1) gene encodes a protein of unknown biochemical function required for meristem formation and seedling development in tomato, but it was unclear whether DEM1’s primary role was in cell division or alternatively, in defining the identity of meristematic cells. Genome sequence analysis indicates that flowering plants possess at least two DEM genes. Arabidopsis has two DEM genes, DEM1 and DEM2, which we show are expressed in developing embryos and meristems in a punctate pattern that is typical of genes involved in cell division. Homozygous dem1 dem2 double mutants were not recovered, and plants carrying a single functional DEM1 allele and no functional copies of DEM2, i.e. DEM1/dem1 dem2/dem2 plants, exhibit normal development through to the time of flowering but during male reproductive development, chromosomes fail to align on the metaphase plate at meiosis II and result in abnormal numbers of daughter cells following meiosis. Additionally, these plants show defects in both pollen and embryo sac development, and produce defective male and female gametes. In contrast, dem1/dem1 DEM2/dem2 plants showed normal levels of fertility, indicating that DEM2 plays a more important role than DEM1 in gamete viability. The increased importance of DEM2 in gamete viability correlated with higher mRNA levels of DEM2 compared to DEM1 in most tissues examined and particularly in the vegetative shoot apex, developing siliques, pollen and sperm. We also demonstrate that gamete viability depends not only on the number of functional DEM alleles inherited following meiosis, but also on the number of functional DEM alleles in the parent plant that undergoes meiosis. Furthermore, DEM1 interacts with RAS-RELATED NUCLEAR PROTEIN 1 (RAN1) in yeast two-hybrid and pull-down binding assays, and we show that fluorescent proteins fused to DEM1 and RAN1 co-localize transiently during male meiosis and pollen development. In eukaryotes, RAN is a highly conserved GTPase that plays key roles in cell cycle progression, spindle assembly during cell division, reformation of the nuclear envelope following cell division, and nucleocytoplasmic transport. Our results demonstrate that DEM proteins play an essential role in cell division in plants, most likely through an interaction with RAN1.
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Più fonti

Tesi sul tema "Demy"

1

Mulligan, Georgia. "The queer cinema of Jacques Demy". Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/107760/.

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This thesis examines the cinema of Jacques Demy through a variety of queer and feminist lenses. It aims to investigate and politicise Demy’s marginalisation in French film culture, and place his cinema in its social and cinematic context in a way that few previous studies have done. Demy’s films trouble hierarchies of cultural value and binary oppositions, and they often include multiple cultural registers and modes of address, and draw from diverse cinematic traditions. In order to account for the films’ hybridity, the thesis uses several methodologies. It performs close analysis on ten of Demy’s thirteen feature films, in order to make arguments informed by theoretical frameworks such as camp, feminist writing on the women’s film, and recent queer theory on failure. Through an engagement with the contemporary reception of Demy’s films, the thesis also investigates the reasons for his marginalisation. The case study of Demy’s cinema is thereby used to challenge and complicate the canons and narratives of French cinema, with the understanding that canon formation reflects the values of dominant groups. The first chapter outlines where the thesis fits in a fairly sparse body of scholarly writing about Demy, and highlights key theoretical and methodological texts. Next, the thesis turns to Demy’s place in the French New Wave canon. This chapter analyses Lola (1961), La Luxure (1962) and La Baie des Anges (1963), and draws out issues of genre and address. Chapter three, on Demy’s ‘failed’ films, acknowledges that most of Demy’s films were critical and box-office failures. It analyses two of these films, Model Shop (1968) and Parking (1985). Chapter four, on camp, uncovers the political project of Demy’s camp aesthetics, by reading Les Demoiselles de Rochefort (1967) and L’Evénement le plus important depuis que l’homme a marché sur la lune (1973) through the lens of camp. Finally, chapter five argues that Demy’s use of Hollywood genres place these films in a specific and historicised emotional register. The case studies in this chapter are the sung melodramas Les Parapluies de Cherbourg (1964) and Une chambre en ville (1982), and the musical Trois places pour le 26 (1988). This thesis is among the first scholarly works to consistently approach Demy as a queer filmmaker, informed by extensive archival research into his films’ reception. It therefore represents a significant contribution to an emerging body of work on a heretofore neglected filmmaker.
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Boulangé, Guillaume. "Jacques Demy dispersé : Essai de généalogie artistique raisonnée". Montpellier 3, 2007. http://www.theses.fr/2007MON30007.

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« Tout film est inévitablement un palimpseste… » Comment un cinéaste peut-il hériter ? Selon quels modes, quels procédés ? A quelles fins ? Toujours évoquée mais rarement étudiée en tant que telle au cinéma, la question des influences est au cœur de l’œuvre du cinéaste français Jacques Demy. Qualifié à tort d’artiste maudit, l’auteur de Lola apparaît au contraire comme un « cas d’école » dans le cadre d’une étude de cinéma comparé. L’étude de sa généalogie artistique révèle en effet de surprenantes affinités électives. Quatre étapes distinctes se sont imposées dans le repérage et l’analyse méthodique de ces différents emprunts, traces ou indices de filiation, essaimés sur près de quatre vingts ans de création et qui composent le vaste portrait d’une communauté de goûts et d’esprit. Remonter d’abord aux sources de l’œuvre pour éclairer les rapports complexes de Jacques Demy à la cinémathèque et à la transmission ; disséquer ensuite au cœur des films les liens d’amour « fraternel » avec sa compagne et cinéaste Agnès Varda ; traiter de son influence discrète et problématique sur quelques compagnons élus de la Nouvelle Vague ; inventorier enfin les multiples formes que son héritage revêt et comprendre ce qui motive ses héritiers dans leur démarche de filiation. Que nous apprend cette enquête sur l’art de Jacques Demy et au-delà sur les mécanismes d’influence que son cinéma génère ? La filiation avec lui est toujours intéressée ; entre déférence, réactivation de sens, et iconoclastie, chaque créateur considère ce jeu intertextuel avec son cinéma comme le plus sûr moyen d’accéder à son identité. Ne serait-ce pas la particularité de toute œuvre profondément mémorable ?
“ A film is unavoidably a palimpsest” How does a film director inherit ? By which means and what procedures ? To what ends ? A concept such as influence has always been commonly used in all types of arts, but it has rarely been studied itself. The author of Lola, in spite of his unjustified reputation of being a rejected artist, proves to be on the contrary a perfect example in the realm of comparative cinema. Studying his artistic genealogy reveals surprising ancestors and sons. That survey highlighted four different factors as key points in the research and analysis of the different loans, traces or hints of connections to Demy’s works. Key factors that were picked over 80 years of artistic creation allow us to understand the cultural and spiritual basis of a certain community. Firstly returning to the beginning of his works to illustrate the complex relationship that Jaques Demy has with cinema and transmission. Next dissect the signs of his “fraternal” love with wife and fellow film maker Agnès Varda through his movies. Next is looking at his subtle but problematical influence on a few of Nouvelle Vague’s chosen companions. Finally list the miscellaneous forms of his legacy and work out what motivated those who claim being Demy’s heirs. What does one learn from this study of Jaques Demy’s talent and more-over the way his films have been an influence ? We will realise that claiming a filiation with Demy is never disinterested, anything from respect to iconoclasty, but it is first a way to assert one’s identity. Isn’t it the demonstration that his life works must be ranked among masterpieces ?
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3

Bouarour, Sabrina. "Les masculinités dans les films musicaux et les mélodrames de Jacques Demy et Vincente Minnelli". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA145.

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Abstract (sommario):
Cette thèse explore les masculinités comme un terrain pluridisciplinaire pour penser les rapportsde pouvoir. A partir d’un rapprochement entre les films musicaux et les mélodrames réalisés parJacques Demy et Vincente Minnelli, ce travail examine les performances masculines dans lecontexte de l’après-guerre. Cette période de transformations sociales voit l’avènementd’une culture filmique transatlantique qui interroge et remet en cause les normes liées au genreet à la sexualité. Articulant approches esthétique et actorale, l’étude de la mise en scène met aujour la production de discours genrés ambivalents, historicisés en fonction des spécificités socio-culturelles propres aux cadres de production hollywoodien et français. Le film musical et lemélodrame, dans leur esthétique camp, se révèlent des lieux de négociations identitaires où seconstruit un rapport inédit au politique. On montre ici que les deux cinéastes, réunis par leur stylemélodramatique analogue, imaginent et rêvent des modèles de masculinités alternatives fondéessur des valeurs empathiques. Devant la caméra, la vulnérabilité, les émotions et les grandssentiments deviennent des armes politiques pour refonder et réinventer la communauté
This thesis explores masculinities as a multidisciplinary field for thinking power relations. By connecting musical films and melodramas by Jacques Demy and Vincente Minnelli, this work examines male performances in the post-war context. This period of social transformations has given rise to the emergence of a transatlantic film culture that questions and challenges normsrelated to gender and sexuality. Articulating aesthetic and cultural studies approaches, the study of mise en scène brings to light the production of ambivalent gendered discourses, historicized according to the specific socio-cultural aspect of Hollywood and French film production environments. Musical films and melodramas, through their camp aesthetics, reveal themselvesas spaces of identity negotiation where an unprecedented rapport with politics is constructed. Both filmmakers, united by their similar melodramatic style, imagine and dream about models of alternative masculinities based on empathic values. In front of the camera, vulnerability, emotions and strong feelings become political weapons to refound and reinvent the community
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Kressmann, Martin. "Le premier film dans le cinéma français des années 1960 à 2000 à travers l'exemple de six cinéastes : (Jacques Demy, Maurice Pialat, Christine Pascal, Claire Denis, Xavier Beauvois, Alain Guiraudie)". Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100053.

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La thèse propose d'étudier sur cinquante ans de cinéma français l'évolution du concept du premier film de la Nouvelle Vague aux années 2000 sous un angle historique, esthétique et économique, analyser le début de carrière de six cinéastes français singuliers emblématiques d'une époque et d'une génération, comprendre et s'intéresser à leurs parcours avant leur premiers film, leurs influences, les aides qu'ils ont pu obtenir, leur lien avec la critique et la présence de leur film de jeunesse dans leur œuvre à venir
This thesis proposes to study the evolution of French cinema threw the concept of ''the first movie'' from the New Wave to the beginning of 21st century on a historic, esthetic and economic point of view. This research tries to analyse the beginning of the career if six French singulars directors whitch are iconic of a period or a generation, tries to understand and be interested on their course before their first movie, their youth, their influences, the financial and humain helps they found, their connections with the French critique and the presence of their first movie in all their future work
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Finch, Frank Frederick. "« L'illusion de l'amour n'est pas l'amour trouvé » : Camp and queer desire in Jacques Demy's Les Parapluies de Cherbourg, Les Demoiselles de Rochefort, and Peau d'âne". Thesis, Virginia Tech, 2020. http://hdl.handle.net/10919/100782.

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Abstract (sommario):
Jacques Demy's Les Parapluies de Cherbourg (1964), Les Demoiselles de Rochefort (1967), and Peau d'âne (1970), though quite popular with the public at their time of release and continuing to leave an aesthetic stamp on contemporary cinema, have been received by some critics and viewers in general as pure contrivance with little edification. This thesis puts forward, however, that such interpretations of these Demy musicals as primarily saccharine, superficial, and light miss the elemental melancholy belied by the charming varnish. Here, the three are unified as a triptych that thematizes and aestheticizes lack and desire in ways that can speak directly to the queer viewer. This thesis first situates the films among criticism from the 1960s to the present, opening a discourse on the potential for diverse political and aesthetic readings of Demy's work that continues to the present queer reading. Through a method of narratological close reading, I unify the three films as a triptych, each a variation on themes of isolation, absence, and amorous lack. Jean-Pierre Berthomé's Jacques Demy et les raciness du rêve (1982) is a rich resource in presenting these three seemingly distinct films as a totality. Once justified for study as a triptych, my thesis presents a queer reading of the films' ostensibly heterosexual narrative structures. With the buttressing of the queer theory of Harold Beaver, Andrew Ross, and Michael Koresky, among others, this chapter demonstrates how the narratives of longing Demy crafts can speak to the queer viewer and transcend a heterosexual framework. Finally, my thesis moves beyond narrative to another continuity, the aesthetic of camp present throughout the triptych. Through an exploration of the interconnectivity of camp, gender performance, and seduction, drawing on scholars Susan Sontag, Judith Butler, and Jean Baudrillard, respectively, the aesthetic of Demy's triptych is situated in a queer sensibility. Catherine Deneuve, Demy's "princesse idéale," is read as the reification of this sensibility in her potent performance of gender at the confluence of masculine and feminine qualities, as well as the ideal tabula rasa onto which the queer viewer's desire and longing can be projected. Ultimately, the triptych's reconciliation of the visually confectionary and the narratively somber is celebrated, as it points to a victory over tragedy through affective agency.
Master of Arts
Jacques Demy's Les Parapluies de Cherbourg (1964), Les Demoiselles de Rochefort (1967), and Peau d'âne (1970), French musicals from a masterful director of the New Wave movement in cinema, have been generally received positively by the public, and especially by gay viewers. Yet, these Demy films have been met with a range of skepticism to derision by some critics and even by a number of Demy's contemporaries. The three films' narratives concern a nascent romance thwarted by the Algerian War and economic demands, potential amorous encounters prevented by missed connections and arbitrary social barriers, and a flight from incestuous demands and its consequences of isolation and ridicule, respectively. Though these narratives are fundamentally melancholic, they are aestheticized through kaleidoscopic colors, virtuosic dancing, and the beautiful music scores of Michel Legrand. This thesis reexamines these films as a triptych that, considered together, thematizes lack and desire in a way that can speak directly to the queer viewer. Areas of overlap between the filmic narratives and the queer experience in the West are excavated and explored to demonstrate how the films can carry intimate signification to sexual minorities, as well as other marginalized identities. Finally, the particular and continuous aesthetic of the three films is studied as a queer sensibility embodied by the star of all three, Catherine Deneuve. The ability of this triptych to transcend a singular heterosexual interpretation and to heighten its effects on the viewer through a tension of form and content is celebrated.
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Goujon, Anne, C. Samir K, Markus Speringer, Bilal Barakat, Michaela Potancoková, Jakob Eder, Erich Striessnig, Ramon Bauer e Wolfgang Lutz. "A harmonized dataset on global educational attainment between 1970 and 2060 - An analytical window into recent trends and future prospects in human capital development". Cambridge University Press (CUP), 2016. http://dx.doi.org/10.1017/dem.2016.10.

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Abstract (sommario):
We hereby present a dataset produced at the Wittgenstein Centre (WIC) containing comprehensive time series on educational attainment and mean years of schooling (MYS). The dataset is split by 5-year age groups and sex for 171 countries and covers the period between 1970 and 2010. It also contains projections of educational attainment to 2060 based on several scenarios of demographic and educational development. The dataset is constructed around collected and harmonized empirical census and survey data sets for the projection base year. The article present the principles and methodology associated with the reconstruction and the projection, and how it differs from several previous exercises. It also proposes a closer look at the diffusion of education in world regions and how the existing gaps in terms of generations, gender, and geography - hence called the 3Gs - have been evolving in the last forty years.
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Deml, Barbara. "Telepräsenzsysteme Gestaltung der Mensch-System-Schnittstelle /". [S.l.] : [s.n.], 2004. http://137.193.200.177/ediss/deml-barbara/meta.html.

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Srivastava, Anurag. "Comparison of Two Algorithms for Removing Depressions and Delineating Flow Networks From Grid Digital Elevation Models". Thesis, Virginia Tech, 2000. http://hdl.handle.net/10919/34268.

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Digital elevation models (DEMs) and their derivatives such as slope, flow direction and flow accumulation maps, are used frequently as inputs to hydrologic and nonpoint source modeling. The depressions which are frequently present in DEMs may represent the actual topography, but are often the result of errors. Creating a depression-free surface is commonly required prior to deriving flow direction, flow accumulation, flow network, and watershed boundary maps. The objectives of this study were: 1) characterize the occurrence of depressions in 30m USGS DEMs and assess correlations to watershed topographic characteristics, and 2) compare the performance of two algorithms used to remove depressions and delineate flow networks from DEMs.

Sixty-six watersheds were selected to represent a range of topographic conditions characteristic of the Piedmont and Mountain and Valley regions of Virginia. Analysis was based on USGS 30m DEMs with elevations in integer meters. With few exceptions watersheds fell on single 7.5minute USGS quadrangle sheets, ranged in size from 450 to 3000 hectares, and had average slopes ranging from 3 to 20 percent. ArcView (3.1) with the Spatial Analyst (1.1) extension was used to summarize characteristics of each watershed including slope, elevation range, elevation standard deviation, curvature, channel slope, and drainage density. TOPAZ (ver 1.2) and ArcView were each used to generate a depression-free surface, flow network and watershed area. Characteristics of the areas 'cut' and 'filled' by the algorithms were compared to topographic characteristics of the watersheds. Blue line streams were digitized from scanned USGS 7.5minute topographic maps (DRGs) then rasterized at 30 m for analysis of distance from the derived flow networks.

The removal of depressions resulted in changes in elevation values in 0 - 11% of the cells in the watersheds. The percentage of area changed was higher in flatter watersheds. Changed elevation cells resulted in changes in two to three times as many cells in derivative flow direction, flow accumulation and slope grids. Mean fill depth by watershed ranged from 0 to 10 m, with maximum fill depths up to 40 m. In comparison with ArcView, TOPAZ, on average affected 30% fewer cells with less change in elevation. The significance of the difference between ArcView and TOPAZ decreased as watershed slope increased. A spatial assessment of the modified elevation and slope cells showed that depressions in the DEMs occur predominantly on or along the flow network. Flow networks derived by ArcView and TOPAZ were not significantly different from blue line streams digitized from the USGS quadrangles as indicated by a paired t test. Watershed area delineated by ArcView and TOPAZ was different for almost all watersheds, but was generally within 1%.

Conclusions from this study are: 1) The depressions in 30 m DEMs can make up a significant portion of the area especially for flatter watersheds; 2) The TOPAZ algorithm performed better than ArcView in minimizing the area modified in the process of creating a depressionless surface, particularly in flatter topography; 3) Areas affected by removing depressions are predominantly adjacent to the stream network; 4) For every elevation cell changed, slopes are changed for two to three cells, on average; and 5) ArcView and TOPAZ derived flow networks closely matched the blue line streams.
Master of Science
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9

Wöll, Alexander. "Jakub Deml : Leben und Werk (1878-1961) : eine Studie zur mitteleuropäischen Literatur /". Köln : Böhlau, 2006. http://catalogue.bnf.fr/ark:/12148/cb411428140.

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Pasqualeti, Aniélli Martini. "Investigação da atividade de eletrocatalisadores nanoestruturados para a eletrooxidação de íons BH4- em eletrólito alcalino". Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/75/75134/tde-23042013-111531/.

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As células a combustível de borohidreto direto apresentam uma alta voltagem teórica (1,64 V) e alto número de elétrons por íon do combustível. Além disso, a utilização de eletrólitos alcalinos abre a possibilidade do uso de metais eletrocatalisadores não nobres e, por conseqüência, economicamente viáveis para aplicação prática. Entretanto, a falta de um eletrocatalisador altamente eficiente para a reação de oxidação de borohidreto limita o desempenho desses dispositivos, pois a oxidação total do borohidreto, envolvendo 8 elétrons por espécie BH4-, compete com vias paralelas de reação, com menor número de elétrons trocados por cada ânion BH4-. Recentemente, simulações e cálculos teóricos foram feitos para determinar os passos elementares da cinética da reação e, também, para guiar a confecção de eletrocatalisadores metálicos para a oxidação de borohidreto. Baseado nos resultados dos estudos teóricos, este trabalho teve como objetivo a investigação da eletrocatálise desta reação em nanopartículas, suportadas sobre pó de carbono, de metais puros, Au/C, Ag/C, Pt/C e Pd/C e em nanopartículas bimetálicas, formadas pela combinação entre estes metais. Os eletrocatalisadores foram sintetizados por métodos de redução química e/ou de impregnação e foram caracterizados por Difratometria de Raios X, Microscopia Eletrônica de Transmissão de Alta Resolução e Espectroscopia de Energia Dispersiva de Raios X. As atividades eletrocatalíticas foram medidas através de curvas de polarização usando eletrodo de disco rotatório. A hidrólise, com a consequente formação de H2, foi monitorada em função do potencial do eletrodo por meio de medidas de espectrometria de massas eletroquímica diferencial on-line. Os experimentos eletroquímicos, para os eletrocatalisadores de metais puros, mostraram maior atividade para Pd/C, o que foi atribuído à usa alta atividade para a eletro-oxidação do intermediário BH3OH-. O estudo do efeito da concentração de BH4-, de BH3OH- mostrou que os potenciais de onset tenderam a menores valores com o aumento da concentração, indicando que as correntes Faradaicas de eletro-oxidação direta do borohidreto e de hidroxiborano foram muito maiores que as correntes de oxidação e de desprendimento de H2. O aumento da carga de Pd/C no eletrodo levou a um aumento da corrente global de reação em baixos potenciais, o que se traduz em um efeito do aumento de área total. Dentre os materiais bimetálicos investigados, a combinação entre Pt2Pd/C apresentou a maior corrente Faradaica. O material de AgPd/C apresentou o menor potencial de onset de reação. Apesar dos resultados teóricos indicarem o aumento da atividade do Pd/C com a inserção de Ag, os resultados eletroquímicos e de espectrometria de massas indicaram maior atividade para o Pd/C puro e baixo efeito sinérgico entre os átomos de Ag e Pd. Isso foi associado ao baixo grau de interação entre os átomos de Ag e Pd nas composições atômicas investigadas.
The direct borohydride fuel cells (DBFC) display a high theoretical cell voltage (1.64) and a high electron number per borohydride ion. Furthermore, the DBFC also presents the advantages of alkaline fuel cells, in which it is possible to use non-noble metal electrocatalysts and, hence, it is economically feasible for practical applications. However the lack of highly efficient electrocatalysts for the borohydride oxidation reaction (BOR) limits the performance of these devices, since its total oxidation, involving the transfer of eight electrons per BH4- ion, competes with parallel reaction pathways with a lower number of exchanged electrons. Recently, theoretical calculations were applied to determine the elementary steps of the reaction kinetics and also to guide metallic electrocatalyst design for borohydride oxidation. Based on the theoretical results, this work aimed at the BOR electrocatalysis investigation on carbon supported nanoparticles, of pure metals, Au/C, Ag/C, Pt/C and Pd/C, and on bimetallic nanoparticles, composed by the combination of these metals. The electrocatalysts were synthesized by chemical and/or impregnation reduction methods, and X-Ray Diffraction, High Resolution Transmission Electron Microscopy and X-Ray Energy Dispersive Spectroscopy techniques were used for their physical characterization. The electrocatalytic activities were studied by steady state polarization curves using rotating disc electrodes. The borohydride hydrolysis, with the production of H2, was monitored in function of the electrode potential by on-line differential electrochemical mass spectrometry. The electrochemical experiments for the pure metal electrocatalysts showed higher electrocatalytic activity for Pd/C, and this was attributed to its high activity for BH3OH- electro-oxidation. The study of BH4- and BH3OH- concentration effect showed that with the increase of concentration, the onset potential shifted to lower values, indicating that the Faradaic currents of borohydride and hydroxyborane electro-oxidation were much higher than the current for the H2 evolution. The increase in the Pd/C load on the electrode led to an increase of the global current reaction at low potentials, which was associated to an increase in total surface area. Among the investigated bimetallic materials, the Pt2Pd/C electrocatalyst presented the higher Faradaic current. The Ag2Pd/C material showed the lower reaction potential onset. Although theoretical calculations pointed out to an increased activity of the Ag-modified Pd/C electrocatalysts in relation to that of pure Pd/C, the electrochemical and mass spectrometry results of this work indicated higher activity for pure Pd/C, and low synergic effect between the Ag and Pd atoms. This was associated to the low degree of interaction between Ag and Pd for the present investigated atomic composition.
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Libri sul tema "Demy"

1

Jacques Demy: Un portrait personnel. Paris: L'Harmattan, 2014.

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2

Le demi-frère: Roman. Paris: J.-C. Lattès, 2004.

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3

Kenshō Higashi Nihon Daishinsai no ryūgen, dema. Tōkyō: Kōbunsha, 2011.

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4

Mit Theodor Fontane ins Oderbruch: Auf Spurensuche nach seinem Oderbruchroman "Vor dem Sturm" ; ein literarischer Reiseführer ; mit Routenvorschlägen. [Leipzig]: Engelsdorfer Verl., 2006.

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5

Papachristodoulou, Iōannēs Ch. Hoi archaioi Rodiakoi dēmoi: Historikē episkopēsē, hē Ialysia. Athēna: Hē en Athēnais Archaiologikē Hetaireia, 1989.

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6

Kovacsovics, Wilfried K. Führer durch die Domgrabungen in Salzburg: 2000 Jahre Baugeschichte im Zentrum der Stadt Salzburg. 2a ed. Salzburg: Salzburger Museum Carolino Augusteum, 1992.

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Subhi-Ibrahim, M. Demi Islam, demi Indonesia. Jakarta: Dian Rakyat, 2013.

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Djajadiningrat, Surna T. Demi bumi, demi kita. Jakarta, Indonesia: Media Indonesia Publishing, 2013.

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9

Krestovskīĭ, Vs Vl. Dedy. Moskva: Armada, 1995.

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Martín, Jaime Sánchez. Demo. Sevilla: Ediciones de la Isla de Siltolá, 2014.

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Capitoli di libri sul tema "Demy"

1

Coates, Paul. "Melos, Drama, Melodrama: From Demy to Sirk to Antonioni". In Cinema and Colour, 123–38. London: British Film Institute, 2010. http://dx.doi.org/10.1007/978-1-349-92447-9_6.

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2

Di Lorenzo, Renato. "DEMA". In Perspectives in Business Culture, 99–102. Milano: Springer Milan, 2012. http://dx.doi.org/10.1007/978-88-470-2534-9_21.

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3

Cumming, Jeffrey M., Bradley J. Sinclair, Charles A. Triplehorn, Yousif Aldryhim, Eduardo Galante, Ma Angeles Marcos-Garcia, Malcolm Edmunds et al. "Deme". In Encyclopedia of Entomology, 1173. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6359-6_862.

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Werber, Niels. "Popularität und Populismus". In Polemische Öffentlichkeiten, 185–204. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839454718-009.

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Der Ausgangspunkt dieses Beitrages ist die These, dass unter dem Label »Populismus« nur solche Positionen, Interventionen, Meinungsäußerungen etc. als Brüche mit gesellschaftlichen Usancen, dem Common Ground, dem Boden der Verfassung, den guten Sitten etc. abgelehnt werden, die populär geworden sind und nachweislich (also nach Zahlen) hohe Beachtung gefunden haben. Aus dieser Beachtung durch viele und der gleichzeitigen Ablehnung durch Gatekeeper, traditionelle Eliten etc. geht »bedrohliche Popularität« hervor.
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Haus, Juliane. "Going native und coming home – Ein Ausblick". In Wissen, Kommunikation und Gesellschaft, 375–77. Wiesbaden: Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-33019-4_6.

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ZusammenfassungDie vorliegende Untersuchung ist das Resultat der Auseinandersetzung einer qualitativen Forscherin mit dem Feld der wirtschaftswissenschaftlichen Laborexperimente. Die Inspiration zu neuen Forschungsarbeiten entstammt nicht selten aus dem Gefühl der Befremdung und der Differenz zwischen der beobachteten und der eigenen Wissenschaftskultur der Forschenden. So regte mich die Auseinandersetzung mit dem wissenschaftlichen Verfahren des Experiments zu einer kritischen Reflexion der Frage an, welche Potenziale ein experimentelles Vorgehen für die qualitative soziologische Forschung besitzen könnte. Das abschließende Kapitel skizziert kurz , welche Anstöße die Erkenntnisse dieser Arbeit für die Methodologie der Soziologie selbst bieten und plädiert für eine konstruktive Auseinandersetzung mit dem Potential verschiedener Spielarten experimenteller Forschungsdesigns in der qualitativen sozialwissenschaftlichen Forschung.
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Krannich, Sascha, e Uwe Hunger. "Einleitung". In Studierendenmigration und Entwicklung, 1–7. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-32048-5_1.

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ZusammenfassungDer Katholische Akademische Ausländer-Dienst (KAAD) fördert seit nunmehr sechs Jahrzehnten Studien- und Forschungsaufenthalte von jungen, begabten Menschen aus Afrika, Asien, dem Nahen Osten sowie Lateinamerika in Deutschland. Die Idee für dieses Stipendienwerk geht auf Diskussionen auf dem deutschen Katholikentag im Jahr 1954 in Fulda zurück. Hier wurden vor dem Hintergrund der jüngsten Erfahrungen des Zweiten Weltkriegs die ersten Überlegungen angestellt, eine Fördereinrichtung für Studierende aus sog. Entwicklungsländern (damals noch „Länder der Dritten Welt“) zu gründen.
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7

Czupalla, Kai. "Tests für die Prävention von abschlusspolitischen Ergebnisspaltungen mit aufgegebenen Geschäftsbereichen". In Abschlusspolitische Ergebnisspaltungen mit aufgegebenen Geschäftsbereichen nach IFRS 5, 303–33. Wiesbaden: Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-34436-8_10.

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ZusammenfassungIm Kapitel 9 konnten abschlusspolitische Ergebnisspaltungen nur bei Unternehmen mit ineffizienten Unternehmensgrößen i. S. d. Alternativhypothese H1.2 festgestellt werden. Ob diese abschlusspolitischen Ergebnisspaltungen verhindert werden können, wird im vorliegenden Kapitel anhand der Hypothesen aus dem Kapitel 6 und dem Kapitel 7 getestet.
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Schwarting, Rena. "Einleitung". In Organisationsbildung und gesellschaftliche Differenzierung, 1–21. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-32872-6_1.

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ZusammenfassungIn diesem Buch beschäftige ich mich mit dem Zusammenhang von Organisationsbildung und gesellschaftlicher Differenzierung. Fragen nach dem historischen Verhältnis von Organisation und Gesellschaft sind in der Soziologie mehrfach als Desiderat benannt worden. Das Ziel dieser Arbeit ist es, die Ausdifferenzierung von Organisationen, verstanden als eigenlogische Sozialform, anhand eines vormodernen Falls konzeptionell und empirisch zu erschließen.
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9

Greinke, Lena, Linda Lange e Karl Martin Born. "Multilokalität in ländlichen Räumen: (K)Ein neues Phänomen?" In Temporäre An- und Abwesenheiten in ländlichen Räumen, 17–41. Wiesbaden: Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-32500-8_2.

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ZusammenfassungMultilokalität ist ein diverses und nicht etwa neues Phänomen. Die Ausprägungen und Motive der mehrörtigen Lebensweisen sind auch in ländlichen Räumen vielfältig. In diesem Beitrag wird das Forschungsfeld Multilokalität mit dem speziellen Fokus auf ländlichen Räumen skizziert. Die Bedeutung mehrörtiger Lebensweisen für ländliche Räume werden anhand beispielhafter multilokaler Lebenspraktiken aus dem Landkreis Diepholz erläutert.
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10

Pv, Satheesh. "Demo Game". In Beginning Unreal Engine 4 Blueprints Visual Scripting, 131–62. Berkeley, CA: Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-6396-9_7.

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Atti di convegni sul tema "Demy"

1

Guo, Yihua Ethan, Ashkan Nikravesh, Z. Morley Mao, Feng Qian e Subhabrata Sen. "Demo: DEMS". In MobiCom '17: The 23rd Annual International Conference on Mobile Computing and Networking. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3117811.3119869.

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2

Kazemzadeh, Reza Sherafat, e Hans-Arno Jacobsen. "Introducing Publiy". In the Posters and Demo Track. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2405153.2405154.

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Bachiller, Rafael, Javier Del Cid, Danny Hughes, Sam Michiels e Wouter Joosen. "Building smart environments with LooCI". In the Posters and Demo Track. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2405153.2405155.

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Sugiki, Akiyoshi, e Kazuhiko Kato. "Elements and composition of software-defined data centers". In the Posters and Demo Track. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2405153.2405156.

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Wang, Chengwei, Infantdani Abel Rayan e Karsten Schwan. "Faster, larger, easier". In the Posters and Demo Track. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2405153.2405157.

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Jung, Myoungsoo, e Mahmut Kandemir. "Middleware - firmware cooperation for high-speed solid state drives". In the Posters and Demo Track. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2405153.2405158.

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7

Frischbier, Sebastian, Alessandro Margara, Tobias Freudenreich, Patrick Eugster, David Eyers e Peter Pietzuch. "ASIA". In the Posters and Demo Track. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2405153.2405159.

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8

Chakrabarti, Aniket, Christopher Stewart, Daiyi Yang e Rean Griffith. "Zoolander". In the Posters and Demo Track. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2405153.2405160.

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Kelley, Jaimie, e Christopher Stewart. "Graduated locality-aware scheduling for search engines". In the Posters and Demo Track. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2405153.2405161.

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Sadoghi, Mohammad, e Hans-Arno Jacobsen. "Location-based matching in publish/subscribe revisited". In the Posters and Demo Track. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2405153.2405162.

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Rapporti di organizzazioni sul tema "Demy"

1

Mason, Michael A., e David R. Montoya. CBTF Tools Demo. Office of Scientific and Technical Information (OSTI), maggio 2013. http://dx.doi.org/10.2172/1078438.

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Paige, Karen S. Intellus Demo Examples. Office of Scientific and Technical Information (OSTI), dicembre 2012. http://dx.doi.org/10.2172/1056513.

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Hirshman, Brian R., Geoffrey P. Morgan, Jesse R. St. Charles e Kathleen M. Carley. Construct Demo Input Deck. Fort Belvoir, VA: Defense Technical Information Center, giugno 2010. http://dx.doi.org/10.21236/ada532753.

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Russell, IV, Keith Connett. WCATS Overview & Demo. Office of Scientific and Technical Information (OSTI), maggio 2015. http://dx.doi.org/10.2172/1183392.

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5

CORPS OF ENGINEERS OMAHA NE. Demo III Operational Concept. Fort Belvoir, VA: Defense Technical Information Center, maggio 2001. http://dx.doi.org/10.21236/ada386109.

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Smedley, John Morgan, Nina R. Weisse-Bernstein e Steven Paul Honig. APS/IARPA EuXFEL/DESY Visit. Office of Scientific and Technical Information (OSTI), marzo 2020. http://dx.doi.org/10.2172/1602728.

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7

Gonda, Teresa, Erik Polsen, Alicia Garth, Jack Jones, Rob Allen, David Filbee, Tim Edwards, Brian Miller, Allan Curran e Rob Smith. FCS Signature Modeling SDD Demo. Fort Belvoir, VA: Defense Technical Information Center, luglio 2003. http://dx.doi.org/10.21236/ada639930.

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Rao, C. R., e D. N. Shanbhag. Further Extensions of the Choquet-Deny and Deny Theorems with Applications in Characterization Theory. Fort Belvoir, VA: Defense Technical Information Center, agosto 1987. http://dx.doi.org/10.21236/ada193358.

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Robert Nourgaliev. R7 VU Born-Assessed Demo Plan. Office of Scientific and Technical Information (OSTI), febbraio 2010. http://dx.doi.org/10.2172/1016195.

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Fahnline, JB, W. Holmberg, G. Seeger, RL Campbell e SA Hambric. Experimental Measurements of the Demo Enclosure. Office of Scientific and Technical Information (OSTI), febbraio 2004. http://dx.doi.org/10.2172/836295.

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