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Tesi sul tema "Digital music files"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 2 febbraio 2022

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1

Coduto, Kathryn D. "Tangibility and Immateriality: Understanding Consumers' Changing Sense of Touch in the Music Industry." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1406148708.

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2

Liese, Christin. "Kaufst du noch oder streamst du schon?" Bachelor's thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-223500.

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Abstract (sommario):

Die Zeiten der Plattensammlung sind vorbei, Kassetten und CDs sind der MP3-Datei gewichen und nun wird Musik ausschließlich gestreamt. Dieses Zukunftsszenario ist bis dato noch nicht eingetreten, aber wird dies überhaupt passieren? Wird der Kauf von physischen Musikdatenträgern und digitalen Musikdateien dank der immer stärker ansteigenden Streaming Aktivitäten komplett eingestellt? Oder können beide Formen nebeneinander existieren? Um diesen Fragen auf den Grund zu gehen, wurde im Rahmen dieser Arbeit eine Umfrage mit 1.661 Studenten der Technischen Universität Dresden durchgeführt. Die Ergeb

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3

Buonviri, Nathan. "Audio-OnlyTest [Digital File]." Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/254227.

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Music Education<br>Ph.D.<br>The purpose of this study was to determine how pitch and rhythm aspects of melodic memory are affected by aural distractions when melodic stimuli are presented both visually and aurally, as compared to aurally only. The rationale for this research is centered on the need for improved melodic memory skills of students taking melodic dictation, and the possibility that temporary visual imagery storage of target melodies might enhance those skills. The participants in this study were undergraduate and graduate music majors (n=41) at a large northeastern university. All

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4

Buonviri, Nathan. "Audio-VisualTest [Digital File]." Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/254228.

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Music Education<br>Ph.D.<br>The purpose of this study was to determine how pitch and rhythm aspects of melodic memory are affected by aural distractions when melodic stimuli are presented both visually and aurally, as compared to aurally only. The rationale for this research is centered on the need for improved melodic memory skills of students taking melodic dictation, and the possibility that temporary visual imagery storage of target melodies might enhance those skills. The participants in this study were undergraduate and graduate music majors (n=41) at a large northeastern university. All

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5

Vidiksis, Adam. "Vidiksis-Transfigurations [Digital File]." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/253842.

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Music Composition<br>D.M.A.<br>Transfigurations is a symphonic work in one movement for orchestra and live computer processing utilizing the graphical audio programming language Pure Data. The score and patch for this piece are accompanied by an essay describing the audio processing techniques and the compositional processes employed in this work. Programming methods discussed include strategies for data capture, patch structure, user interface, and processor management. All audio processing in the work is realized in realtime. These sounds are derived directly from the orchestra in performanc

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6

Hensley, Evan, and Efstathios Kassios. "Understanding the Digital Music Customer : Attributes of Satisfaction." Thesis, Jönköping University, JIBS, Economics, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-12548.

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<p>Record companies are suffering due to a downturn in recorded music sales. Innovative firms have developed digital music services that offer recorded music products to customers in new ways, yet sales are not what they used to be. Web 2.0 technologies have changed the customer’s tastes, expectations, and desires. Thus, a deeper understanding of the new “digital customer” is needed in order to better offer services in a way that he or she prefers most.</p>

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7

Durham, Blake. "Regulating dissemination : a comparative digital ethnography of licensed and unlicensed spheres of music circulation." Thesis, University of Oxford, 2018. https://ora.ox.ac.uk/objects/uuid:2912f7b5-b88b-4a8c-af7a-11c6a51fda0c.

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This thesis examines the transformations of music circulation and consumption brought about by new media platforms. Specifically, it shows how the social and technical design of online music platforms link the consumption of music immanently to its circulation. The thesis makes contributions to ethnomusicology, media studies, and digital anthropology, as well as to the study of music's technical cultures. It is based on a comparative ethnographic study of music circulation and consumption within two field sites: the commercial streaming service Spotify and the extralegal, unlicensed peer to pe

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8

Bicher, Katrin, and Barbara Wiermann. "Normdaten zu „Werken der Musik“ und ihr Potenzial für die digitale Musikwissenschaft." De Gruyter, 2018. https://slub.qucosa.de/id/qucosa%3A36381.

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Der Aufsatz diskutiert Normdaten zu musikalischen Werken in der GND und erörtert Möglichkeiten ihrer (Nach-)Nutzung in bibliothekarischen und musikwissenschaftlichen Kontexten. Herausforderungen sowohl des theoretischen Konzepts als der praktischen Umsetzung werden benannt und das Potenzial der in den Normdaten enthaltenen Informationen wird aufgezeigt.<br>The paper discusses conceptual matters and implementation practices for authority information for musical works in the German authority file (GND). Options of re-use of the authority data in libraries as well as in musicological contexts are

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9

Michel, Norbert. "A Theoretical and Empirical Analysis of the Impact of the Digital Age on the Music Industry." ScholarWorks@UNO, 2003. http://scholarworks.uno.edu/td/64.

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We present an in-depth analysis of the music industry and use our findings to judge the practical assumptions and design of an original theoretical model. The model is in three stages, where, in a Hotelling-type framework, the last agents to act are consumers who choose between copying, purchasing, or staying out of the market for music. Prior to the last stage, the record label chooses its profit maximizing price and, in the first stage, we incorporate the artist-label bargaining agreement into a theoretical framework using the Nash cooperative bargaining solution. The current structure

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10

Lundström, Justus, Jonas Widriksson, and Viktor Zaunders. "Changes in media consumption and file sharing : The impact of legislation and new digital media services." Thesis, Jönköping University, JIBS, Business Informatics, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-12534.

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<p>In this study we investigate how the attitude and behaviour concerning illegal file shar-ing have changed among the young population in Sweden. The study will analyze the impact of the IPRED law that was introduced in April 2008 and new digital media ser-vices that have emerged in the last couple of years. It is also evaluated which of these have had the most impact on the attitude and behaviour of the selected population.</p><p>The main part of our research consists of a quantitative survey handed out to a sample population among high school students (ages 16-20) in Jönköping, Sweden. This

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11

Gilliotte, Quentin. "L’expérience des biens culturels en régime numérique." Electronic Thesis or Diss., Université Paris-Saclay (ComUE), 2019. http://www.theses.fr/2019SACLT039.

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Abstract (sommario):

Cette thèse s’intéresse à l’expérience des biens culturels en régime numérique. Trois enjeux sont adressés. Premièrement la dématérialisation des supports qui pose la question des modalités d’attachement aux choses. Les individus retrouvent l’aura perdue avec la numérisation des biens culturels en cherchant un “idéal d’authenticité” et en singularisant leur expérience de consommation. Les façons de gérer, d’ordonner et de classer les biens ont également changé, se déplaçant vers des modes idiosyncrasiques de classement. Le deuxième enjeu concerne la confrontation à l’abondance de l’offre dispo

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12

Liese, Christin. "Kaufst du noch oder streamst du schon?: Der Einfluss von Musik Streaming Diensten auf den Kauf von Musikdateien und Musikdatenträgern." Bachelor's thesis, 2015. https://tud.qucosa.de/id/qucosa%3A30277.

Testo completo

Abstract (sommario):

Die Zeiten der Plattensammlung sind vorbei, Kassetten und CDs sind der MP3-Datei gewichen und nun wird Musik ausschließlich gestreamt. Dieses Zukunftsszenario ist bis dato noch nicht eingetreten, aber wird dies überhaupt passieren? Wird der Kauf von physischen Musikdatenträgern und digitalen Musikdateien dank der immer stärker ansteigenden Streaming Aktivitäten komplett eingestellt? Oder können beide Formen nebeneinander existieren? Um diesen Fragen auf den Grund zu gehen, wurde im Rahmen dieser Arbeit eine Umfrage mit 1.661 Studenten der Technischen Universität Dresden durchgeführt. Die Ergeb

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13

Tian, Bo-Cheng, and 田柏程. "The recognition and digital file output for single and double music spectrum image." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/46ztf8.

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Abstract (sommario):

碩士<br>國立臺中科技大學<br>資訊工程系碩士班<br>101<br>Modern network resources more abundant, any information that almost all the way through a web search to find, for example: sheet music. In the computer and Internet age has not yet appeared, one can only print sheet music by watching for musical instrument playing, now in addition to being able to find a wide range of Internet sheet music, including the piano, violin, guitar so the music, and even has a computer editing software can make your own music functions. This paper aims to analyze sheet music, according to music theory foundation for sheet mus

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14

Yao, Cheng-Hong, and 姚政宏. "The Use and Gratification of Digital Compressed Music File Format, a Study of Using MP3." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/52844212620422455557.

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碩士<br>元智大學<br>資訊工程研究所<br>88<br>Following with the improvement and universality of Internet, digital technology has become much more essential than ever since. Internet, not just a traditonally defined medium, but has also been used as a new marketing channel, resulting in a number of remarkable influences and progresses to the commercial activities. Recently, owing to the development of digital compressed technology, the popularity of personal computer, and the faster speed of the Internet connection, Internet users are offered a new method to listen to music, which is the digital compressed a

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15

Pasche, Coralie Hélène. "Music Industry v. File-sharing - Why We Need a New Approach to Copyright Protection in the Digital Era." Thesis, 2009. http://hdl.handle.net/1807/18972.

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This thesis examines the evolution of digital copyright protection in response to the digital challenges, specifically unauthorized file-sharing, in the context of the music industry. It reviews the different strategies used to fight the peer-to-peer technology and its users so as to assess whether the direction which has been taken is in agreement with the ultimate goal of copyright and with other fundamental values of our modern society. It posits that the effort to strengthen the rights of copyright holders and thus maintain an old system of distribution in the face of new technology not on

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16

Alantar, Tristan. "The digital revolution : how technology changed the workflow of composers for media = La révolution numérique : comment les technologies ont changé les méthodologies de travail pour les compositeurs à l'image." Thesis, 2020. http://hdl.handle.net/1866/25685.

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Les technologies ont façonné et façonnent les méthodes de travail des compositeurs de musique à l’image : en termes de communications, de méthodologie et au niveau des compétences requises. De La Planète Interdite au Covid-19, nous examinerons comment les méthodologies de travail des compositeurs de musique à l’image ont changé au fil des ans.<br>Technologies have shaped, and still do so, the way music composers for screen work: communication-wise, in their creative workflow and in their skill sets. From Forbidden Planet to Covid-19, we will examine how and in what way the workflows of music c

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17

Hung, Ling-Hsi, and 洪翎晳. "A technical report on digital incidental music editing for new media popular science short films--Using the fields of agriculture, environmental protection, applied science, e-learning and arts as examples." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/e446nz.

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碩士<br>世新大學<br>廣播電視電影學研究所(含碩專班)<br>102<br>Abstract With the rapid development of high-tech digitized, we enter an era of up-to-dated all the time. New information and concepts are spreading through the computer and internet portable device. New media is becoming the major way to gain living intelligence, new information, communication and entertainment. In response to this new media trend, NSC introduce new digital media popular science film production program in regard to the innovation and development on agriculture, environmental protection, ecology, applied science, digital learning, art

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