Letteratura scientifica selezionata sul tema "Documentary"

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Articoli di riviste sul tema "Documentary"

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EKIMOVA, ANASTASIYA V. "INTERACTIVE DOCUMENTARY: DOCUMENTARY AND VIRTUALITY." Art and Science of Television 15.2 (2019): 93–106. http://dx.doi.org/10.30628/1994-9529-2019-15.2-93-106.

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GALLAGHER, KATHERINE. "Documentary." Critical Quarterly 37, no. 3 (1995): 101. http://dx.doi.org/10.1111/j.1467-8705.1995.tb01079.x.

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Yu, Kiki Tianqi. "Documentary." Journal of Chinese Cinemas 10, no. 1 (2016): 7–11. http://dx.doi.org/10.1080/17508061.2016.1142727.

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&NA;. "Documentary." Nurse Educator 13, no. 6 (1988): 37. http://dx.doi.org/10.1097/00006223-198811000-00007.

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Ali, Isra. "Documentary." Feminist Media Histories 4, no. 2 (2018): 67–71. http://dx.doi.org/10.1525/fmh.2018.4.2.67.

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Le Roy, Frederik, and Robrecht Vanderbeeken. "The Documentary Real: Thinking Documentary Aesthetics." Foundations of Science 23, no. 2 (2016): 197–205. http://dx.doi.org/10.1007/s10699-016-9513-8.

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형대조. "Between Documentary and Fiction, and these combination: Documentary Fiction or Fictional Documentary?" Film Studies ll, no. 67 (2016): 185–213. http://dx.doi.org/10.17947/kfa..67.201603.007.

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Diansyah, Muhamad Nur. "Maetro Tenun Songket Bungo Tanjung Dalam Fotografi Dokumenter." Matalensa: Journal of Photography and Media 2, no. 2 (2023): 190. https://doi.org/10.26887/matalensa.v2i2.2962.

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Abstract (sommario):
The scription of this work is entitld “Songket Weaving MaestroBungo Tanjung in documentery photography”. The purpose of this thesis is to create documentery photography of songket woven fabric craftsmen of Bungo Tanjung. The data collection method used is:observation, study of literature, and interview. From the results of the study it is known that the number of songket woven fabric craftsmen has been much reduced.songket cloth is currently less attractive to the younger generation in Muara Bungo as a successor, this is due to the declining public interest in traditional songket woven fabrics
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Townsend, Dana, and Kuldeep Niraula. "Documentary Filmmakers." International Journal of Conflict Engagement and Resolution 4, no. 1 (2016): 28–40. http://dx.doi.org/10.5553/ijcer/221199652016004001003.

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Pfister, Christian, and Heinz Wanner. "Documentary Evidence." PAGES news 10, no. 3 (2002): 2. http://dx.doi.org/10.22498/pages.10.3.2.

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Tesi sul tema "Documentary"

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Lange, Shara K. "Documentary Production & Documentary Problems." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/3666.

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Akoglu, Ozge. "Mock-documentary: Questioning Of Factual Discourse Of Documentary." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12612982/index.pdf.

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This study aims to examine the relation between mock-documentary and factual discourse of documentary. By factual discourse it is meant to documentary&rsquo<br>s claim of representing reality. Within this respect, documentary has its own particular codes and conventions to construct its factual discourse. Mock-documentary, simulates these codes and conventions to create a fictional world. In this study, mock-documentary and its relationship with the most popular modes of documentary is examined. Within this study the earliest examples of mock-documentary and recent examples of the form are com
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Barry, Barbara A. (Barbara Ann) 1967. "Mindful documentary." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/32497.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2005.<br>Includes bibliographical references (leaves 86-92).<br>In the practice of documentary creation, a videographer performs an elaborate balancing act between observing the world, deciding what to record, and understanding the implications of the recorded material, all with respect to her primary goal of story construction. This thesis presents mindful documentary, a model of a videographer's cyclical process of thinking and constructing during a documentary pro
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Furnham, David. "Documentary practice." Thesis, Middlesex University, 1999. http://eprints.mdx.ac.uk/10701/.

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The thesis is a development of the making of the documentary tape L'Artiste. Le Fermier et Le Paysag. The central argument is to propose a way of looking at documentary based on the possibility of making and examining documentary material which combines narrative and non-narrative techniques and on the value of comparing non-actor contributions to improvised performance processes and outcomes. The purpose of this approach is to produce an effect upon the viewer where the viewer engages in working out what is happening within an array of possible meanings contained within the audio-visual patte
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Dunn, Geoffrey. "Deconstructing documentary : theory and practice in documentary film and photography /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2004. http://uclibs.org/PID/11984.

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Clausen, Barbara. "Staging the documentary." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-172646.

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Barbara Clausen thinks about the relationship between experience and knowledge in curating performance art. She will in particular explain her curatorial work on Babette Mangolte's first international solo exhibition which took place at the VOX center for contemporary art in Montreal in 2013. This exhibition and film retrospective showcased Mangolte's various practices and modes of production, as one of the key chroniclers of 1970s performance in dance, visual arts and theater, ranging from early archival works to new site specific multi-media installations. Clausen will consider the complexit
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McAndrew, David. "Orwell and documentary." Thesis, University of York, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293938.

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Rughani, Pratap. "Towards intercultural documentary." Thesis, University of the Arts London, 2014. http://ualresearchonline.arts.ac.uk/7082/.

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‘Towards Intercultural Documentary’ is a PhD by Published Work that is comprised of four documentary films, an exhibition catalogue essay and an academic book chapter to form a collective body of work in film and text focused on what Rughani proposes as ‘intercultural documentary practice’. This body of work configures ‘intercultural documentary practice’ as a space or arena in which people of radically different perspectives encounter the other.1 Intercultural documentary aspires to create pluralised spaces of exchange by engaging difference within and between communities. In this work, voice
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Lange, Shara K. "Documentary Film Engagement." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/3651.

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Sebire, Adam. "Documentary polyptychs: multi-screen documentary on a theme of climate change." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10208.

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This MFA explores how the problematic phenomenology of climate change might be approached by revisiting an ancient visual art form, the Early Renaissance polyptych. I posit the polyptych as a proleptic form of installation art, providing a historical overview and analysis of multi-channel forms up to contemporary expanded cinema, before narrowing my focus to documentary film and video installations. I propose that principles of dialectical montage apply between spatialised screens and that, as a richly affective form, the relationship between screens coexisting within a single field of view m
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Libri sul tema "Documentary"

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1968-, Kim Tong-man, ed. Tak'yu Cheju: Documentery [i.e Documentary] Jeju. Kak, 2008.

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Saunders, Dave. Documentary. Routledge, 2010.

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(Tokyo), BLD Gallery, ed. Documentary. Akio Nagasawa Publishing, 2011.

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Keener, LuAnn. Color documentary. Calyx Books, 1994.

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Mickwitz, Nina. Documentary Comics. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137493323.

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Roe, Annabelle Honess. Animated Documentary. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137017468.

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Scott, John. Documentary Research. SAGE Publications Ltd, 2006. http://dx.doi.org/10.4135/9781446261422.

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Fox, Broderick. Documentary Media. Routledge, 2017. http://dx.doi.org/10.4324/9781315559438.

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Services, National Westminster Bank International Trade. Documentary credits. Nat West Bank, 1990.

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Ryan, Kathleen M., and David Staton. Interactive Documentary. Routledge, 2022. http://dx.doi.org/10.4324/9781003174509.

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Capitoli di libri sul tema "Documentary"

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Chanan, Michael. "Music, Documentary, Music Documentary." In The Documentary Film Book. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92625-1_38.

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Corner, John, Glen Creeber, Stella Bruzzi, K. J. Donnelly, and Brett Mills. "Documentary." In The Television Genre Book. British Film Institute, 2015. http://dx.doi.org/10.1007/978-1-84457-898-6_7.

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Hueth, Alan C. "Documentary." In Scriptwriting for Film, Television, and New Media. Routledge, 2019. http://dx.doi.org/10.4324/9780429461361-12.

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Barnas, Frank, and Marie Barnas. "Documentary." In Scripting Media. Routledge, 2023. http://dx.doi.org/10.4324/9781003274766-9.

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Bruzzi, Stella. "Documentary." In The Routledge Handbook of Reenactment Studies. Routledge, 2019. http://dx.doi.org/10.4324/9780429445637-10.

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Hole, Kristin Lené, and Dijana Jelača. "Documentary." In Film Feminisms. Routledge, 2018. http://dx.doi.org/10.4324/9781315618845-6.

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Rosenstone, Robert A. "Documentary." In History on Film/Film on History. Routledge, 2017. http://dx.doi.org/10.4324/9781315113654-5.

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Hayward, Kent. "Documentary." In Green Filmmaking. Routledge, 2024. http://dx.doi.org/10.4324/9781003425441-5.

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Rosenstone, Robert A. "Documentary." In History on Film/Film on History, 4th ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003377467-5.

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Mitchelhill, Alan. "Documentary credits." In Bills of Lading. Springer US, 1990. http://dx.doi.org/10.1007/978-1-4899-7236-1_12.

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Atti di convegni sul tema "Documentary"

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White, Matthew, and Louis G. Lyras. "The Making of the Bridge Brothers Documentary." In SSPC 2018. SSPC, 2018. https://doi.org/10.5006/s2018-00047.

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Abstract This paper identifies the problems and challenges with the making of the Bridge Brothers documentary, from its inception to the distribution. It will discuss the intent of the film from the perspective of the filmmakers, and the bridge painting contractor. The documentary explains the importance of re-painting and rehabilitating our nation’s bridges, while exploring life on the bridge for the industrial bridge painters (Bridge Brothers) on the Commodore Barry and Walt Whitman Bridges in Philadelphia.
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Kim, Dasom, Melodie Jannau, Yongsoon Choi, Sangyong Kim, and Jusub Kim. "Lee Jungseop XR: A XR Documentary for Apple Vision Pro." In 2024 IEEE International Symposium on Mixed and Augmented Reality Adjunct (ISMAR-Adjunct). IEEE, 2024. https://doi.org/10.1109/ismar-adjunct64951.2024.00194.

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Leigh, Jason, Andrew Johnson, Luc Renambot, et al. "CAVE2 documentary." In 2014 IEEE Virtual Reality (VR). IEEE, 2014. http://dx.doi.org/10.1109/vr.2014.6802097.

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Bhimani, Janak, Annisa Mahdia, Ali Almahr, Daisuke Shirai, and Naohisa Ohta. "Growing documentary." In ACM SIGGRAPH 2012 Posters. ACM Press, 2012. http://dx.doi.org/10.1145/2343045.2343062.

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Brinson, Peter, and Kurosh ValaNejad. "Subjective documentary." In the International Conference. ACM Press, 2012. http://dx.doi.org/10.1145/2282338.2282387.

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Duygulu, Pinar, Jia-Yu Pan, and David A. Forsyth. "Towards auto-documentary." In the 12th annual ACM international conference. ACM Press, 2004. http://dx.doi.org/10.1145/1027527.1027719.

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Elsden, Chris, Abigail C. Durrant, David Chatting, and David S. Kirk. "Designing Documentary Informatics." In DIS '17: Designing Interactive Systems Conference 2017. ACM, 2017. http://dx.doi.org/10.1145/3064663.3064714.

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Azqiya, Azkal, Irwan Sarbeni, Nenden Suryamanah Annisa, Dendy Kanaya, and Nela Aulia Nurliani. "“Lentera Asa” Documentary Film." In 4th International Conference on Arts and Design Education (ICADE 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220601.012.

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Hmimida, Manel, and Manel Ankoud. "Recommendation system for documentary classification." In 2012 International Conference on Education and e-Learning Innovations (ICEELI 2012). IEEE, 2012. http://dx.doi.org/10.1109/iceeli.2012.6360654.

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Davenport, Glorianna. "Dexter and the evolving documentary." In the fourth ACM international conference. ACM Press, 1996. http://dx.doi.org/10.1145/244130.244464.

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Rapporti di organizzazioni sul tema "Documentary"

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DeVaux, Christine R. A guide to documentary standards. National Institute of Standards and Technology, 2001. http://dx.doi.org/10.6028/nist.ir.6802.

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Renó, D., C. Campalans Moncada, and L. Renó. Technical and documentary languages by Brazilian Eduardo Coutinho. Revista Latina de Comunicación Social, 2015. http://dx.doi.org/10.4185/rlcs-2015-1041en.

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Puskar, Erik. Selected impacts of documentary standards supported by NIST. National Institute of Standards and Technology, 2007. http://dx.doi.org/10.6028/nist.ir.7398.

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Editors, Intersections. When Cultural Demolition is an Objective of War. Intersections, Social Science Research Council, 2023. http://dx.doi.org/10.35650/int.4015.d.2024.

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This piece describes "The Destruction of Memory" documentary as well as the book on which it was based by Robert Bevan. Both the book and documentary examine how the destruction of civilian infrastructure and cultural sites contributes to the destruction of people.
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Puskar, Erik. Selected impacts of documentary standards supported by NIST 2008 edition. National Institute of Standards and Technology, 2009. http://dx.doi.org/10.6028/nist.ir.7548.

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Rioux, Nathalie, Erik Puskar, and Mary Jo DiBernardo. Guidelines for NIST Staff Participating in Documentary Standards Developing Organizations’ Activities. National Institute of Standards and Technology, 2012. http://dx.doi.org/10.6028/nist.ir.7854.

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Miller, Kathryn, David Alderman, Lisa Carnahan, et al. Guidance for NIST staff on using inclusive language in documentary standards. National Institute of Standards and Technology, 2021. http://dx.doi.org/10.6028/nist.ir.8366.

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Editors, Intersections. "Even if You Don't Arrive, You're Already a Winner": Self-Narrated Stories by Refugees in Europe. Intersections, Social Science Research Council, 2024. http://dx.doi.org/10.35650/int.4028.d.2024.

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Editors, Intersections. The Forest as the Soul of a People. Intersections, Social Science Research Council, 2023. http://dx.doi.org/10.35650/int.4011.d.2024.

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Editors, Intersections. From Gangs to Gods in Guatemala. Intersections, Social Science Research Council, 2024. http://dx.doi.org/10.35650/int.4058.d.2024.

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