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Articoli di riviste sul tema "Emotional allegory"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 1 febbraio 2022

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1

Spencer, F. Scott. "Song of Songs as political satire and emotional refuge: Subverting Solomon’s gilded regime." Journal for the Study of the Old Testament 44, no. 4 (2020): 667–92. http://dx.doi.org/10.1177/0309089219862820.

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This article proposes a viable reading of Song of Songs as historicized allegory and political satire. In this view, the Song co-opts royal imagery from Solomon’s past golden age to elevate the consummate value of an ordinary ‘country’ couple’s exuberant, mutual love as a model for flourishing, postexilic life. Put another way, this love ‘anthem’ extols ‘emotional refuge’ from exploitative monarchical rule, domestic or foreign. The argument is grounded in close analysis of Song 1-3 and 8.11-12 interlaced with biblical legal, historical, and prophetic critiques of Solomonic pride and greed, and
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Percec, Dana. "Subject or Object? The Anti-Hero of the Allegory and the Hero of the Anti-Allegory." Metacritic Journal for Comparative Studies and Theory 7, no. 1 (2021): 177–89. http://dx.doi.org/10.24193/mjcst.2021.11.11.

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Referring to the British writers’ prompt reaction to the Brexit crisis, in developing what has already come to be known as BrexLit, Robert Eaglestone remarks the “cultural and emotional landscapes” created by such literary responses, which attempt to “humanize” major political dilemmas. Ali Smith, commenting on the same speed of writing books “pressed against the contemporaneous,” considers this as the result of history repeating itself with us failing to be aware of it, evidence of what we might call a community of unreliable remembers. The paper focuses on Ian McEwan’s 2019 The Cockroach, a
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Barradas Jorge, Nuno. "Adaptation, Allegory and the Archive: Contextualising Epistolary Narratives in Contemporary Portuguese Cinema." Área Abierta 19, no. 3 (2019): 419–38. http://dx.doi.org/10.5209/arab.65472.

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Epistolarity in cinema is commonly understood as a narrative device either fitting the so-called essay film, or resulting from filmic adaptation of literary works. A more nuanced understanding of the workings of this device is observed in films of disparate contemporary Portuguese filmmakers which adapt, rephrase and remediate letters. This article centres its attention on possible tendencies concerning epistolarity in this context, examining films that make use of the personal archive and epistolary voice, or that adapt letters to screen. It also examines filmic works that use the epistolary
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Horwat, Jeff. "Too Subtle for Words: Doing Wordless Narrative Research." Art/Research International: A Transdisciplinary Journal 3, no. 2 (2018): 172–95. http://dx.doi.org/10.18432/ari29378.

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Inspired by the wordless novels of early twentieth century Belgian artist Frans Masereel, this paper introduces wordless narrative research, a dynamic method of inquiry that uses visual storytelling to study, explore, and communicate personal narratives, cultural experiences, and emotional content too nuanced for language. While wordless narrative research can be useful for exploring a range of social phenomenon, it can be particularly valuable for exploring preverbal constructions of lived experiences, including trauma, repressed memories, and other forms of emotional knowledge often times on
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LOCKEY, NICHOLAS. "ANTONIO VIVALDI AND THE SUBLIME SEASONS: SONORITY AND TEXTURE AS EXPRESSIVE DEVICES IN EARLY EIGHTEENTH-CENTURY ITALIAN MUSIC." Eighteenth Century Music 14, no. 2 (2017): 265–83. http://dx.doi.org/10.1017/s1478570617000070.

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ABSTRACTAntonio Vivaldi's cycle of violin concertos dramatizing the four seasons marked a substantial shift in the way that the seasons were depicted in the arts. Moving away from religious and mythological allegory, they exemplify a growing interest in descriptive representation of nature's power and in humanity's complex physical and emotional relationship with elements beyond its control. Positing new connections to Arcadian reform ideals of verisimilitude, this article addresses important questions concerning Vivaldi's pairing of sonnets with concertos and the aesthetic factors behind his
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Smith, Laura. "The poetics of restoring Glen Canyon: the ‘desert imagination’ of Ellen Meloy and Terry Tempest Williams." cultural geographies 25, no. 4 (2018): 603–18. http://dx.doi.org/10.1177/1474474018762813.

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There has been a literary tradition supporting the restoration of Glen Canyon in southern Utah ever since construction began on Glen Canyon Dam in the late 1950s, and the canyons began to disappear behind the rising waters of Lake Powell. While some of Glen Canyon’s literary protagonists put forward a strong political and anarchical refrain for a ‘Glen Canyon restored’, this article considers those writers and texts that instead look to the power of appeals to emotion in defense of the desert. In particular, this article considers the evocative capacity of environmental writing to convey emoti
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Zien, Katherine. "Troubling Multiculturalisms: Staging Trans/National Identities in Teatro de Ciertos Habitantes's El gallo." Theatre Survey 55, no. 3 (2014): 343–61. http://dx.doi.org/10.1017/s0040557414000350.

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The collaborative “antiopera” El gallo: Ópera para actores (The Cock: An Opera for Actors), which was produced from 2007 to 2009 by Mexican theatre company Teatro de Ciertos Habitantes (hereafter referred to as Ciertos Habitantes) and British composer Paul Alan Barker, toured for three years to dozens of venues in Mexico and abroad, garnering numerous awards and accruing more than a hundred performances. Performed in speech/song gibberish, El gallo mingles physical theatre and butoh techniques. The piece chronicles the making of an opera, from auditions through rehearsals and performance, alon
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8

Pieldner, Judit. "From Paragone to Symbiosis. Sensations of In-Betweenness in Sally Potter’s The Tango Lesson." Acta Universitatis Sapientiae, Film and Media Studies 17, no. 1 (2019): 23–44. http://dx.doi.org/10.2478/ausfm-2019-0013.

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Abstract Sally Potter’s The Tango Lesson (1997), an homage to the Argentine tango, situated in-between autobiography and fiction, creates multiple passages between art and life, the corporeal and the spiritual, emotional involvement and professional detachment. The romance story of filmmaker Sally Potter and dancer Pablo Verón is also readable as an allegory of interart relations, a dialogue of the gaze and the image, a process evolving from paragone to symbiosis. Relying on the strategies of dancefilm elaborated by Erin Brannigan (2011), the paper examines the intermedial relationship between
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9

Volkova, Maryna. "SOME PECULIARITIES OF S. LEACOCK’S SHORT-STORY «THE MAN IN ASBESTOS: AN ALLEGORY OF THE FUTURE» TRANSLATION INTO UKRAINIAN." English and American Studies 1, no. 17 (2020): 68–73. http://dx.doi.org/10.15421/382012.

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The role of S. Leacock as a representative of English-Canadian literature and peculiarities of his creative works are given in the article. The peculiarities of the literary translation which aim is to reflect ideas, feelings transforming the author’s images with the help of another language material, the main features that make it different from a classical one were stated. The scholars who scrutinize the problems of a literary text translation in the contemporary linguistics was found out. The differences between the original text of S. Leacock’s short-story «The Man in Asbestos: an Allegory
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10

Sidiropoulou, Avra. "Staging Henrik Ibsen’s and Jon Fosse’s Mental Landscapes." Nordic Theatre Studies 30, no. 1 (2018): 184–203. http://dx.doi.org/10.7146/nts.v30i1.106929.

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Norway’s best-known contemporary playwright Jon Fosse has often been compared to Henrik Ibsen, no less because of the two dramatists’ common emphasis on their native physical landscape as a mirror of the protagonists’ emotional and existential conflict. In Ibsen’s The Lady from the Sea (1888) and in Fosse’s Someone is Going to Come (1996) in particular, characters and actions – although generated within specific geographical and cultural co-ordinates – rise to the level of archetypes and acquire timeless significance.This comparative study traces a continuum from the modernist Ibsen to Fosse’s
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Romeyn, Esther. "Post-socialist transition and serial displacement in the Czech movie Horem Pádem (Up and Down) (2004)." Journal of Urban Cultural Studies 7, no. 1 (2020): 77–91. http://dx.doi.org/10.1386/jucs_00019_1.

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This article analyses the way Horem Pádem (Up and Down, 2004) registers the neo-liberalizing effects of the post-socialist transition on urban space and urban sociality in its representation of Prague. The transition involved an ideological and ethical reorientation that challenged definitions of value and worth. Moreover, through the remaking of the urban environment, neo-liberalization is a contextually embedded process that restructures the conditions of the everyday. Post-transition, Prague was claimed by the logic of post-industrial capital accumulation, with investment in retail and tour
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Yeasmin, Nellufar. "Dirt of Art in Madame Bovary." Journal of English Language and Literature 10, no. 2 (2018): 1025–28. http://dx.doi.org/10.17722/jell.v10i2.393.

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Flaubert’s Madame Bovary is a unique literary piece that incorporates aestheticism and witty disposure to Emma’s complex reality. The pronounced acceptance and reputation of the novel despite of a prolonged period of criticism proves that the universal appeal of this French novel lies in the artistic and tactful disclosure (in precisely calculative and measured style) of the dark secrets of a feminine mind. The fact that the English translation of this ingenious creation is so influential attests the superiority of its quality in French. The splendor of the narration overreaches the boundaries
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Kołtan, Jacek, and Anna Sobecka. "Martwa natura Philippa Sauerlanda i narodziny nowoczesnej podmiotowości." Porta Aurea, no. 19 (December 22, 2020): 96–113. http://dx.doi.org/10.26881/porta.2020.19.04.

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The Allegory of Transience by Philipp Sauerland (Gdańsk 1677 – Wrocław 1762), an artist specializing in still life and animal painting, was purchased in 2015 by the National Museum in Gdańsk. The painting allows us to deepen our knowledge of Sauerland’s artistic roots, as well as the interpretation of the painting in the socio-cultural context of the development of Europe in the early 18th century.
 In the paper a thesis is put forward about the Leiden sources of Sauerland’s work, which are connected with the painting tradition of the so-called fijnschilders, especially the work of Willem
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Bruyn, J. "Nog een suggestie voor het onderwerp van Rembrandts historiestuk te Leiden: De grootmoedigheid van Alexander." Oud Holland - Quarterly for Dutch Art History 101, no. 2 (1987): 89–94. http://dx.doi.org/10.1163/187501787x00376.

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AbstractOf the nine interpretations proposed for Rembraradt's history Painting of 1626 now at Leiden, none is really convincing. Il seems attractive to think of palamedes Condemned by Agamemncm as the subject because of its political significance in the year after the publication of Voredel's tragecty Palamedcs or Innocence Murdered, which denounced the execution of the Remonstrant leader Johan van Oldenbarnevelt in 1619. γet the scene depicted does not fit any episode frorn the Palamedes story. It appears rather to represent three young men appearing before a crowned figure who makes a pronou
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Avulova Nargiza Toxirovna. "Colors and their artistic image creation features." International Journal on Integrated Education 3, no. 10 (2020): 251–54. http://dx.doi.org/10.31149/ijie.v3i10.747.

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Colors have long been used by artists as a means of depicting unique and beautiful landscapes, to ensure the attractiveness of speech, to create an artistic image in poetry. The colors are used in works of art, mainly in lyrical genres, reveals the appearance of inner experiences, emotions, beauty and creative influence. In poetry, such forms of art as allegory, allegory and irony are expressed through colors.Classical and modern Persian-Tajik poets skillfully used the means of color in their work, creating beautiful and unique images through their artistic potential. Nowadays, in Tajik litera
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Thagard, Paul. "The Brain is Wider than the Sky: Analogy, Emotion, and Allegory." Metaphor and Symbol 26, no. 2 (2011): 131–42. http://dx.doi.org/10.1080/10926488.2011.556509.

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Pérez Jiménez, Miguel Ángel. "De Davidson a la teoría de la emoción, y vuelta." Co-herencia 12, no. 23 (2015): 141–70. http://dx.doi.org/10.17230/co-herencia.12.23.6.

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El texto expone tres distintas concepciones de las emociones que hay en la filosofía de Donald Davidson, en discusión con tres conceptualizaciones filosóficas importantes sobre las mismas. Considera el orgullo en relación con la concepción cognitivista de la emoción, la sorpresa en relación con la concepción naturalista y la sonrisa en relación con la concepción sui generis. Se defiende que allegar el pensamiento de Davidson y las concepciones de la emoción es fructífero de ida y vuelta: enriquece los estudios sobre la naturaleza de la emoción con los conceptos davidsonianos de causalidad sing
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Fitterman, Robert. "This Window Makes Me Feel." Journal of Writing in Creative Practice 13, no. 1 (2020): 91–99. http://dx.doi.org/10.1386/jwcp.13.1.91_7.

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Written in 2002, ‘This Window Makes Me Feel’, is one of the earliest examples of a long poem solely composed with repurposed web language. Written in the long shadow of New York City’s 9/11 bombing, ‘This Window Makes Me Feel’ replaces the individual poet’s response to catastrophe with a collective, multi-vocal chorus of everyday articulations. As an 80 page long-poem, ‘This Window Makes Me Feel’ orchestrates hundreds of online articulations by using the searches: ‘this feels’ or ‘this makes me feel’. Even though these responses are not meant to address the 9/11 bombing directly, the poem is a
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Jo, Han-Ki, and Soong-Beum Ahn. "Formation and Connection of the Poetic Emotion Found in the Cinematic Rhythm and Allegory of Min Byeong-hun's Film-." Humanities Contens 39 (December 31, 2015): 55. http://dx.doi.org/10.18658/humancon.2015.12.39.55.

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Ekerholm, Helena. "Keeping a House for Science: Sofia Kristensson as Matriarch and Gatekeeper at Kristineberg Zoological Station as a Scientific Household, 1877–1889." Science in Context 28, no. 4 (2015): 587–611. http://dx.doi.org/10.1017/s0269889715000277.

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ArgumentField research stations are households as a result of allegoric notions of the scientific family, and because they fulfill the purpose of a home in the field in a literal sense. They meet the practical and physical need for bed and board, as well as the emotional and intellectual need for social cohesion. I argue that this, in combination with local gender identity, opened the door for a woman of lower social strata, the daughter of a fisherman, to take upon herself the role as station household matriarch, thus gaining an integral role within an inner circle of influential scientists.
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Zappettini, Franco. "The UK as victim and hero in the Sun’s coverage of the Brexit ‘humiliation’." Russian Journal of Linguistics 25, no. 3 (2021): 645–62. http://dx.doi.org/10.22363/2687-0088-2021-25-3-645-662.

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This paper discusses how emotions were mobilised by the British tabloid press as discursive strategies of persuasion during the public debate on the implementation of Brexit. Using the case study of the Suns coverage of the alleged UKs humiliation at the Salzburg meeting (2018) during the Brexit negotiations, the analysis addresses the questions of how and through which linguistic means actors and events were framed discursively in such an article. The findings suggest that The Sun elicited emotions of fear, frustration, pride, and freedom to frame Brexit along a long-established narrative of
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Шидловская, Диана, and Diana Shidlovskaya. "Translation of Tropes and Stylistic Devices in Jonathan Safran Foer’s Novel “Everything Is Illuminated”." Scientific Research and Development. Modern Communication Studies 8, no. 5 (2019): 18–25. http://dx.doi.org/10.12737/article_5d775faa003d04.79926851.

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Stylistic devices and tropes are the elements of style that give an extra, figurative meaning to a written or oral text. They include metaphors, simile, allegory, paradox, word game and so on. Each author uses them in different ways to make their works more expressive and emotionally dense. Sometimes stylistic devices and tropes can manifest themselves as the characteristics of an author’s individual style. Metaphoric language and bizarre manner of representation are particularly common for the authors of the postmodern era. When it comes to translation of these works from one language to anot
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Eboh, Marie Pauline. "Public Reason and Embodied Community- Intercultural Philosophical Perspective: An African Approach." Filosofia Theoretica: Journal of African Philosophy, Culture and Religions 9, no. 1 (2020): 63–78. http://dx.doi.org/10.4314/ft.v9i1.5.

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Every human person is a cultural being. Each culture has incomplete knowledge of reality, and the sharing of viewpoints makes for mutual enrichment, hence the need for intercultural perspectives. Even in a human being, body and spirit, emotion and reason reciprocally influence on each other. Life is dialogical. Action gives flesh to theory, and the abstract reason is exemplified in real things, which is what embodiment of reason is all about. Principles govern all things and public reason, as a causal principle, regulates the affairs of embodied homogeneous communities. African embodiment of r
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Oynotkinova, N. R. "POETICS AND PRAGMATICS OF GENRES OF FUNERAL RITUALS OF THE ALTAIANS." Bulletin of Udmurt University. Series History and Philology 29, no. 6 (2019): 1081–87. http://dx.doi.org/10.35634/2412-9534-2019-29-6-1081-1087.

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The article is devoted to the poetics and pragmatics of the genres sygyt ‘lamentations’ and kerees sӧs ‘memorable word’ in the funeral rites of the Turks of Southern Siberia (Teleuts, Chalkans, Altaians). The material of the study was the texts recorded at the beginning and end of the twentieth century in different dialect groups of Altai people. The posed scientific problem is related to the identification of genres of funeral and memorial rituals of the Altai people, as well as to the study of the conceptual semantics of these texts. The genre sygyt plays an emotionally evaluative function:
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Parker. "“It’s Just a Matter of Form”: Edna St. Vincent Millay’s Experiments with Masculinity." Humanities 8, no. 4 (2019): 177. http://dx.doi.org/10.3390/h8040177.

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Edna St. Vincent Millay occupies an uncomfortable position in relation to modernism. In the majority of criticism, her work is considered the antithesis to modernist experimentation: as representative of the ‘rearguard’ that rejected vers libre in favour of fixed poetic forms. Indeed, most critics concur that whilst Millay’s subject matter may have been modern and daring—voicing women’s sexual independence, for instance—her form was decidedly traditional. Millay also troubles notions of modernist impersonality by writing seemingly autobiographical lyrics that showcase feminine emotions. In thi
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Febriani, Succy, and Emidar Emidar. "GAYA BAHASA RETORIS DAN KIASAN NAJWA SHIHAB DALAM GELAR WICARA MATA NAJWA DI TRANS7." Pendidikan Bahasa Indonesia 8, no. 3 (2020): 408. http://dx.doi.org/10.24036/108226-019883.

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ABSTRACT This study aims to describe the Najwa Shihab's speech style in Mata Najwa talkshow on Trans7. This type of research is qualitative with descriptive methods. The research data is in the form of quotations containing speech style. Data collection is done by searching and downloading audio-visual recordings of Mata Najwa talkshow in the website (www.youtube.com). The method used is the method of referring to tapping techniques. Data analysis is done by identifying data, giving signs and data code, classifying data using identification and classification tables, interpreting data, making
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Shaerpooraslilankrodi, Shaereh, and Ruzy Suliza Hashim. "Pursuit of Truth in Doris Lessing’s Shikasta: Plato and Nagarjuna in Conversation." Asian Social Science 12, no. 10 (2016): 63. http://dx.doi.org/10.5539/ass.v12n10p63.

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<p>In Doris Lessing’s novels, obtaining Truth to transcend the soul has been notably emphasized. Similarly, in <em>Shikasta, </em>the necessity<em> </em>to acquire genuine awareness has been focused as the mere way to self-transcendence. The detailed inspection of the novel explicates how human species live in amnesia, unable to remember their authentic reality and trapped in the disease of individuation. While the novel does not reject reason as the mean to “remember” the Truth, it mainly regards mindfulness and intuitive knowledge as a tool to achieve authentici
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Yogyanti, Devita Widyaningtyas, and Annisaa Nurul Atiqah. "STRATEGI PROMOSI DESTINASI WISATA YOGYAKARTA DALAM AKUN INSTRAGRAM @thepotraitjogja." Kepariwisataan: Jurnal Ilmiah 13, no. 03 (2019): 77–86. http://dx.doi.org/10.47256/kepariwisataan.v13i03.33.

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This research is a study that took @thepotraitjogja instagram account as the research object. This research focuses on how instagram @thepotraitjogja accounts promote the city of Yogyakarta to tourism. The method used in this research is descriptive qualitative method. The results of the study it is known that instagram accounts @theportraitjogja image use a variety of language styles in their caption to influence readers' feelings. The feeling that you want to cause is a feeling of love and missing to Yogyakarta. Therefore, through the style of the language used, the instagram seeks to bring
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Paroviak, Ivan. "METASIMIVOLIZATION AND THE FUNCTIONAL ASPECT OF SYNTHACTIC-STYLISTIC MEANS OF THE GERMAN POSTMODERN TEXT." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 10(78) (2020): 164–66. http://dx.doi.org/10.25264/2519-2558-2020-10(78)-164-166.

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The article reviews the scientific literature and traces the main trends in the development of postmodern text and the development of expressive syntax as a stylistic construction during the XX – XXI centuries. Particular attention is paid to the work of domestic and foreign linguists. The main focus is on the study of metasymbolization of metaphorization and metonymization processes with their basic techniques and means that create the emotionally expressive background of prose text. The basic and auxiliary functions of syntactic-stylistic markers in the novels of German postmodernists are ex
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Aghazadeh, Jafar, and Hasan Mohammadi. "The Royal Institution in Ancient Iran." Asian Social Science 12, no. 10 (2016): 71. http://dx.doi.org/10.5539/ass.v12n10p71.

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<p>In the thoughts and beliefs of Iranians, kingdom has had a history of the creation of human beings on the earth. Accordingly, Iranians believe that the first creature and human being on the earth was the first king of Iran. Iranians connects the history of their mythical royal dynasties to the creation of humanity. For Iranians, the mythical kings of Iran are the creators of the royal institution and the functions and duties of the royal institution have been established, developed and transferred to next generations by the measures of these kings. The objective of the present study i
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Ravetto-Biagioli, Kriss, and Martine Beugnet. "Vertiginous Hauntings: The Ghosts of Vertigo." Film-Philosophy 23, no. 3 (2019): 227–46. http://dx.doi.org/10.3366/film.2019.0114.

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While the initial reception of Alfred Hitchcock's Vertigo (1958) was unspectacular, it made its presence felt in a host of other films – from Chris Marker's Sans Soleil (1983), to Brian De Palma's Obsession (1976), and David Lynch's Mulholland Dr. (1999). What seemed to have eluded the critics at the time is that Vertigo is a film about being haunted: by illusive images, turbulent emotions, motion and memory, the sound and feeling of falling into the past, into a nightmare. But it is also a shrewdly reflexive film that haunts filmmakers, critics, and artists alike, raising fundamental question
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Ceballos, Sara Gross. "Sympathizing with C. P. E. Bachs Empfindungen." Journal of Musicology 34, no. 1 (2017): 1–31. http://dx.doi.org/10.1525/jm.2017.34.01.1.

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Carl Philipp Emanuel Bach’s late Free Fantasia in F-sharp Minor exists in two versions—one for solo keyboard (Wq. 67/H. 300), the other for keyboard and violin accompaniment (Wq. 80/H. 536)—and bears the subtitle C. P. E. Bachs Empfindungen. For some modern listeners and scholars, the chamber version of the fantasia transforms the private outpourings characteristic of the genre into a public display that condescends to the sociability of the popular accompanied sonata and forces an interloper accompanist onto the solo fantasist. Adding insult to injury, the arrangement ends with a seemingly in
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Pramudya, Nicolas Agung. "Penciptaan Karya Komposisi Musik Sebagai Sebuah Penyampaian Makna Pengalaman Empiris Menjadi Sebuah Mahakarya." Gelar : Jurnal Seni Budaya 17, no. 1 (2019): 14–23. http://dx.doi.org/10.33153/glr.v17i1.2597.

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ABSTRAK Komposisi Musik “Katur Ibu” adalah komposisi musik yang ide penggarapannya berangkat dari sebuah cinta, pengorbanan dan kasih sayang yang dikemas dengan format tradisi dan modern menghadirkan warna baru dalam komposisi penciptaan, yang membentuk sebuah karya musik yang utuh. Jenis karya seni tidak menata pada kejadian menurut alur yang sebenarnya akan tetapi lebih kepada suasana yang mendukung. Komposisi musik “Katur Ibu” terdiri dari 5 bentuk utama dengan menggunakan tempo Allegro, moderato, adagio, andante, dan vivance, yang dapat menggambarkan suasana tenang, sedih, gembira dan sema
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Гашарова, Аида Руслановна. "DIFFERENTIATION OF APHORISTIC GENRES OF LEZGIN FOLKLORE." Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev, no. 2(107) (July 30, 2020): 14–20. http://dx.doi.org/10.37972/chgpu.2020.107.2.002.

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В данном исследовании произведена попытка разграничения афористических жанров лезгинского фольклора: народных пословиц, поговорок и загадок. Автором рассматриваются принципы их деления. Объектом исследования являются афористические жанры лезгинского фольклора, поскольку наряду с остальными жанрами устно-поэтического творчества они занимают видное место в фольклоре с присущей им распространенностью повествования. Исследование представляется весьма показательным и в плане выявления специфики и взаимодействия трех жанров, входящих в одну группу: пословиц, поговорок и загадок. Лезгинские пословицы
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35

Kalinina, Anhelina. "THE SPECIFICITY OF SLAVOMIR MROZHEK’S ONE-ACT PLAYS." Polish Studies of Kyiv, no. 35 (2019): 460–65. http://dx.doi.org/10.17721/psk.2019.35.460-465.

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The article examines the characteristic features of the one-act plays of the Polish playwright of the twentieth century Slavomir Mrozhek. The creativity of the writer tends toward the Theater of absurd, it is characterized by grotesque, sharp satire, parody, contrasting combination of incompatible things as well as eccentricity. Mrozhek creates the world of his dramas by using various means of comic. He describes numerous social and political problem in his dramas. The main motives of the writer’s works are the motive of freedom, the motive of life and death, the motive of the dispute and the
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Lanovyk, Mariana, and Zoriana Lanovyk. "‘Eastern Poems’ by P. Kulish at Crossroads of Asian Mysticism and European Romanticism." Слово і Час, no. 8 (August 11, 2019): 56–75. http://dx.doi.org/10.33608/0236-1477.2019.08.56-75.

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The paper considers the main Panteleimon Kulish’s epic poems “Marusia Bohuslavka”, “Baida, Prince Vyshnevetskyi”, “Muhammad and Hadiza” with the focus on their oriental background. The idea of the eastern orientation of P. Kulish originates from the works of V. Shchurat, V. Ivashkiv and others. The main attention is drawn to the fact that Kulish was considerably acquainted with eastern cultures and religious systems (especially those of Near East and Middle East which he had to know as a translator of Bible) and often used eastern concepts in his philosophic and literary works. The researcher
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37

Zenker, Rachel, Connor Pardell, Andrea Gilmore-Bykovskyi, Amy J. H. Kind, and Nicole Werner. "Exploring Workload among Informal Caregivers of Persons with Dementia." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 61, no. 1 (2017): 1297. http://dx.doi.org/10.1177/1541931213601805.

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Background: An estimated 5.3 million Americans are currently living with Alzheimer’s Disease or related dementias (Association 2015). Healthcare delivery for persons with Alzheimer’s Disease or related dementias (PwD), involves both the formal (e.g., physicians, social workers) and informal (e.g., family members, neighbors) work of healthcare. Informal caregiving for PwD totals approximately 18 billion hours of work per year and costs up to 217.7 billion dollars per year in caregiving costs, lost productivity and medical and institutional care (Association 2015). Informal caregivers must execu
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38

Ivanova, Yuliia. "Children’s choir in MarkKarminskyi’s creativity." Aspects of Historical Musicology 19, no. 19 (2020): 29–43. http://dx.doi.org/10.34064/khnum2-19.02.

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Background. The article deals with the choral creativity by the famous Ukrainian composer Mark Karminskyi. The weight of M. Karminskyi’s choral works in the legacy of the composer and in choral art in general stimulates research interest in this area of his activity. However, there are relatively few scientific studies that examine the composer’s choral work; most of them are aimed at reconstructing his general creative portrait or at examining other pages of his heritage. The scientific novelty of this research is determined by the comprehensive coverage of children’s choral creativity by M.
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Нrebeniuk, Nataliіa. "F. Schubert’s last Piano Sonatas in the aspect of his song-like thinking." Aspects of Historical Musicology 21, no. 21 (2020): 150–63. http://dx.doi.org/10.34064/khnum2-21.10.

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Background. Close relationships to a song is one of the constants of F. Schubert’s individual thinking. As it embraces all the genre spheres in composer’s heritage, it acquires a universal status, resulting in interchange of author’s findings in chamber-vocal and instrumental works, particularly piano ones. The researchers reveal influence of songs in non-song works by F. Schubert on two main levels: intonationally-thematical and structural. This raised a question about premises, which had created conducive conditions for integration of compositional principles, characteristic for songs and in
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Obolenska, M. M. "The Accompanist as the Lord of Time (on the Example of Sonata for French Horn and Piano by Jane Vignery)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (2019): 93–107. http://dx.doi.org/10.34064/khnum1-54.06.

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Sonata for French horn and piano by Belgian female composer Jane Vignery (1913–1974), which has not been studied before, is analyzed in the article. The main attention is focused on the role of the pianist-accompanist in the process of composing dramaturgy. Skillful manipulation of musical time is the key to the convincingly constructed dramaturgy of a piece of music. Time management is especially evident in the moments of dramatic knots. By the dramaturgical knot we mean the transition from the completion of one dramaturgical element to the beginning of the next. At the beginning of a piece o
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41

Melnyk, A. O. "Violin miniature in creativity by Liudmila Shukailo: features of the genre interpretation." Aspects of Historical Musicology 17, no. 17 (2019): 102–15. http://dx.doi.org/10.34064/khnum2-17.07.

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Background. Rapidness of information flows of contemporary life enforces to concentrate a significant amount of information in small formats. This fact meaningfully increases social and practical significance, cultural and aesthetic value of miniature genres, in particularly, in the musical art. The violin miniature is a historically developed, typologically settled genre of professional musical creativity designed to solo music-making in the conditions of chamber or concert performance. Relevance of the genre is also due to its active inclusion in the programs of competitions and festivals. T
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42

Larsen, Peter Nørgaard. "Kristus i de dødes rige - et maleri og dets kontekst." Grundtvig-Studier 52, no. 1 (2001): 94–114. http://dx.doi.org/10.7146/grs.v52i1.16399.

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Joakim Skovgaard: Christ in the Realm of the DeadBy Peter Nørgaard LarsenWithout in any way pretending to envelop Joakim Skovgaard’s huge painting Christ in the Realm o f the Dead (1891-94) in an exhaustive monograph, the article attempts, in three main sections, origin, meaning, reception, to approach an understanding of the art-historical models and inspirations for the work, its possible meaning, and, finally, its reception and its chequered course through the history of Danish art.OriginThe encounter with the archaic, .austere style. in both architecture, scuplture and in vase painting was
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43

Ivanova, I. L. "“3 Piano Sonatas for the Young” op. 118 in a context of last works by Robert Schumann." Aspects of Historical Musicology 13, no. 13 (2018): 26–45. http://dx.doi.org/10.34064/khnum2-13.03.

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Background. In recent years, there has been an increased interest of musicologists in the phenomenon of “late Schumann” in the aspect of usage of different historical and cultural traditions by the composer, that constituted problematic aura of given research. Modern scholars investigate this matter from several positions: bounds of Schumann’s style with antecedent music, Viennese classics and art of Baroque (K. Zhabinskiy; 2010); formation of aesthetic and stylistic principles of composer in 1840s–1850s, foreseeing musical phenomena of second half of XIX century (A. Demchenko; 2010), realizat
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Kashuba, Denis. "Chamberness in genre-stylistic field of Piano concertos by Johannes Brahms." Aspects of Historical Musicology 16, no. 16 (2019): 207–24. http://dx.doi.org/10.34064/khnum2-16.12.

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Abstract (sommario):
Introduction. In recent years, there has been indefatigable interest of scholars in the concerto genre, and that can be proven by constantly appearing research article and dissertation, devoted to it. For example, in 2017 and 2019 candidate dissertation [Ph. D] have been published, that illuminated previously obscure pages of, respectively, French tradition of this genre, embodied in concertos for various instruments with orchestra by C. Saint-Saëns, and AustroGerman of the first decades of XIX century (including those by J. N. Hummel, I. Moscheles, F. Ris). Expansion of the knowledge
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45

XAVERIA DIAH K, F. "Simfoni No. 40 Bagian Pertama Wolfgang Amadeus Mozart." Resital: Jurnal Seni Pertunjukan 9, no. 2 (2013). http://dx.doi.org/10.24821/resital.v9i2.459.

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The First Symfoni No 40 Wolfgang Amadeus Mozart. Symphony is a great composition, whichconventionally consists of four parts. At the end of the eighteenth century it became the main format of orchestralmusic. However, it became prominent at the time of Beethoven. Symphony is a great and ambitious piece of musicsince it is played for 20-45 minutes in length, containing an expansion of tone colors and dynamics of classicalorchestra. It has been known that classical symphony usually consists of four parts inciting broader emotion bythe created tempo and nuance. Mozart’s three last symphonies are
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46

Riabov, Oleg. "The Red Machine: The Dehumanization of the Communist Enemy in American Cold War Cinema." Quaestio Rossica 8, no. 2 (2020). http://dx.doi.org/10.15826/qr.2020.2.479.

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This article deals with the US Cold War cinematographic construction of the Soviet enemy. The researcher focuses on the means of dehumanising the communist enemy, external and internal, by equating it to a machine. The author applies Nick Haslam’s dual model of dehumanization (2006), according to which dehumanization is visible in two main forms: animalistic, by associating members of the out-group with animals, and mechanistic, by associating them with a soulless machine. The materials used consist of US films from the “Long Fifties”, in which Hollywood, equating the enemy to machines, develo
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"GAME PHENOMENON IN MEDIEVAL CULTURE." Journal of V. N. Karazin Kharkiv National University, Series "The Theory of Culture and Philosophy of Science", no. 62 (2020). http://dx.doi.org/10.26565/2306-6687-2020-62-08.

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The Middle Ages added their own ludological culture traditions to those which they had inherited from the Ancient Ages. First of all, such notions were connected with the form of existence and perceiving the Christianity which was a basis for the whole civilization. Epistemological notions of those times were also built in accordance to those norms of world outlook. A cognitive act of an individual was understood as entrance of the subject to the world of general tragic game where he is risen up from sensual forms of being to being of over-sensual beauty, which is defined only through forms of
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48

Warner, Kate. "Relationships with the Past: How Australian Television Dramas Talk about Indigenous History." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1302.

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In recent years a number of dramas focussing on Indigenous Australians and Australian history have appeared on the ABC, one of Australia's two public television channels. These dramas have different foci but all represent some aspects of Australian Indigenous history and how it interacts with 'mainstream' representations of Australian history. The four programs I will look at are Cleverman (Goalpost Pictures, 2016-ongoing), Glitch (Matchbox Films, 2015-ongoing), The Secret River (Ruby Entertainment, 2015) and Redfern Now (Blackfella Films, 2012), each of which engages with the past in a unique
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Miller, Edward D. "Why Does Love Tear Us Apart?" M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.2006.

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Abstract (sommario):
"Love Will Tear Us Apart" When routine bites hard, And ambitions are low, And resentment rides high, But emotions won't grow, And we're changing our ways, taking different roads. Then love, love will tear us apart, again. Love, love will tear us apart again. Why is the bedroom so cold? You've turned away on your side. Is my timing that flawed? Our respect runs so dry. Yet there's still this appeal that we've kept through our lives But love, love will tear us apart, again. Love, love will tear us apart, again. You cry out in your sleep, All my failings exposed. And there's a taste in my mouth,
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Gildersleeve, Jessica. "“Weird Melancholy” and the Modern Television Outback: Rage, Shame, and Violence in Wake in Fright and Mystery Road." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1500.

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In the middle of the nineteenth century, Marcus Clarke famously described the Australian outback as displaying a “Weird Melancholy” (qtd. in Gelder 116). The strange sights, sounds, and experiences of Australia’s rural locations made them ripe for the development of the European genre of the Gothic in a new location, a mutation which has continued over the past two centuries. But what does it mean for Australia’s Gothic landscapes to be associated with the affective qualities of the melancholy? And more particularly, how and why does this Gothic effect (and affect) appear in the most accessibl
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