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Letteratura scientifica selezionata sul tema "Etching, German 19th century"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 2 febbraio 2022

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Articoli di riviste sul tema "Etching, German 19th century"

Driel, Lodewijk van. "19th-century linguistics." Historiographia Linguistica 15, no. 1-2 (January 1, 1988): 155–85. http://dx.doi.org/10.1075/hl.15.1-2.09dri.

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Summary In this paper an attempt has been made to draw a picture of linguistics in the Netherlands during the 19th century. The aim of this survey is to make clear that the influence of German linguistics on Dutch works of the period is characteristic of the development of Dutch linguistics in that century. Emphasis has been placed on the period 1800–1870; three traditions are distinguished: First of all there is the tradition of prescriptive grammar and language instruction. Next attention is drawn to the tradition of historical-comparative linguistics. Finally, by about the middle of the cen

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Baier, Martin. "The Importance of Dutch and German 19th-Century Sources." Anthropos 110, no. 1 (2015): 206–10. http://dx.doi.org/10.5771/0257-9774-2015-1-206.

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Southcott, Jane E. "Early 19th century music pedagogy – German and English connections." British Journal of Music Education 24, no. 3 (November 2007): 313–33. http://dx.doi.org/10.1017/s0265051707007607.

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Calls to improve congregational psalmody in 18th century England strongly influenced early music pedagogy. In the first decades of the 19th century English music educators, concerned with psalmody and music in charitable schools, looked to Germany for models of successful practice. The Musikalisches Schulgesangbuch (1826) by Carl Gotthelf Gläser (1784–1829) influenced the music materials designed by Sarah Anna Glover (1786–1867). These, in turn, directly influenced John Turner (dates unknown), William Hickson (1803–1870) and, indirectly, John Curwen (1816–1880). It is illuminating to explore h

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Ritz, Eberhard, Martin Zeier, and Peter Lundin. "French and German Nephrologists in the Mid-19th Century." American Journal of Nephrology 9, no. 2 (1989): 167–72. http://dx.doi.org/10.1159/000167958.

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Curran, Kathleen. "The German Rundbogenstil and Reflections on the American Round-Arched Style." Journal of the Society of Architectural Historians 47, no. 4 (December 1, 1988): 351–73. http://dx.doi.org/10.2307/990381.

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This article investigates the German Rundbogenstil and its influence on the American "round-arched style." A stylistic and theoretical phenomenon of the 19th century, the German Rundbogenstil held both a specific and a generic meaning: as a contemporary building style and as a term for historical round-arched architecture. In modern scholarship, the Rundbogenstil has come to denote any round-arched building with Romanesque or Italianate features designed by certain early to mid-19th-century German architects. A general contextual analysis of the complex nature of the 19th-century round-arched

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Somers Heidhues, Mary. "Dissecting the Indies: The 19th Century German Doctor Franz Epp." Archipel 49, no. 1 (1995): 25–43. http://dx.doi.org/10.3406/arch.1995.3034.

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Kitai, Isao. "German reconstruction of the actio-system in the 19th century." Journal of Human Environmental Studies 4, no. 1 (2006): 1–15. http://dx.doi.org/10.4189/shes.4.1_1.

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Fremdling, Rainer. "German national accounts for the 19th and early 20th Century." Scandinavian Economic History Review 43, no. 1 (January 1995): 77–100. http://dx.doi.org/10.1080/03585522.1995.10415896.

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Meyn, Norbert. "Prince Albert and Anglo-German Connections in 19th-Century Music." Angermion 13, no. 1 (November 1, 2020): 197–212. http://dx.doi.org/10.1515/anger-2020-0013.

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Badalian, Dmitrii A. "“German Parties” in the Russian Science of the 19th Century." Almanac “Essays on Conservatism” 58 (October 1, 2020): 175–92. http://dx.doi.org/10.24030/24092517-2020-0-3-175-192.

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The article is the devoted to the issue of German and Russian groups opposition that arose in various scientific institutions and associations in Russia in the 19th century, such as Russian Geographical Society, Russian Archeological Society, Imperial Public Library and others. The author examines the influence of those groups on the development of certain scientific lines of research, which demonstrated itself in the choice of the scientific language, scientific priorities and strategies, also very often – in the choice of scientific methodology, and finally – in the formation of scientific s

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Tesi sul tema "Etching, German 19th century"

Lee, Young-Joo. "An examination of 19th century Austro-German violin sonatas." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/9768.

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Thesis (D.M.A.) -- University of Maryland, College Park, 2006.<br>Thesis research directed by: Music. Title from t.p. of PDF. Marylandia and Rare Books Dept., University of Maryland, College Park, Md. Audio available on compact disc;

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Bauer, Petra. "The reception of E.T.A. Hoffmann in 19th century Britain." Thesis, Keele University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301193.

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Silbert, Ariel. "Late 19th century German-Jewish Korperkultur and its philosophical and aesthetic sources." Waltham, Mass. : Brandeis University, 2009. http://dcoll.brandeis.edu/handle/10192/23320.

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Weibye, Hanna Margaret. "Friedrich Ludwig Jahn and German nationalism 1800-1819." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708112.

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Martin, Nicholas. "Untimely aesthetics : a critical comparison of Schiller's Ästhetische Briefe and Nietzsche's Die Geburt der Tragödie." Thesis, University of Oxford, 1993. http://ora.ox.ac.uk/objects/uuid:28d4a61e-c4a5-45f6-a6c7-8f17052c47a6.

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The thesis is two-fold. First, that Nietzsche's early writings owe more to Schiller than he subsequently wished to admit. This is demonstrated by evidence from Die Geburt der Tragödie and the Nachlass notes of the same period. Second, that there are tangible parallels of content and intent between Schiller's Ästhetische Briefe and Nietzsche's Die Geburt der Tragödie. The thesis is not an 'influence study', although the issue is addressed. By examining his hitherto neglected attitude to Schiller, this study sheds light on Nietzsche's tactics when dealing with men and their ideas in his writing

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Mills, Andrew Joseph. "Escaping satisfaktion dueling violence and the German literary canon of the long 19th century /." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3378372.

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Thesis (Ph.D.)--Indiana University, Dept. of Germanic Studies, 2009.<br>Title from PDF t.p. (viewed on Jul 7, 2010). Source: Dissertation Abstracts International, Volume: 70-10, Section: A, page: 3870. Adviser: William Rasch.

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Reynolds, Kenneth W. ""A wish in fulfillment" : the establishment of the German Reichsgericht, 1806-1879." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34436.

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On 1 October 1879 the German Imperial Court, the Reichsgericht, was formally opened in a ceremony in Leipzig. Decades of division among the German states, particularly in the years between the end of the Holy Roman Empire in 1806 and the creation of the German Reich in 1871, led to constant demands for national unification on political, economic, social and legal levels. Throughout those years proposals for Rechtseinheit, or legal unity, called for numerous substantive reforms as well as procedural or institutional reforms. Such proposals ultimately led to several important legal reforms, incl

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Von, Herff Michael. ""They walk through the fire like the blondest German" : African soldiers serving the Kaiser in German East Africa (1888-1914)." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60565.

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The maintenance of German colonial rule in East Africa depended on a strong military presence. The Kaiserliche Schutztruppe fur Deutsch Ostafrika was established to meet this need, but financial and political constraints dictated that this force be manned by an African rank and file. Initially, most of the African recruits came from outside of the colony, but, as time passed, the Germans began recruiting from a few specific ethnic groups in the colony.<br>The relationship between the African soldiers and their German employers yielded military successes for the new colonial government and, by

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Cotter, Robert Edmund. "Aspects of philistinism in nineteenth-century German literature : Eichendorff, Keller, Fontane." Thesis, University of Oxford, 1991. http://ora.ox.ac.uk/objects/uuid:fa741b6d-6e13-4587-9369-2a477651cb24.

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The thesis aims to explore philistinism as a German literary topos, in the nineteenth century. It begins with an examination of the extra-literary metaphorical usage of key words like Philister and proceeds to a summary of its impact on writers in the period. By so doing, I have tried to present an image of the developing tradition of the literary depiction of philistines. The main part of the thesis is devoted to three writers - Richendorff, Keller, Fontane - whose work presents us with contrasting responses to the problem of philistinism. Unlike previous investigations, my approach is not on

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Mastag, Horst Dieter. "The transformations of Job in modern German literature." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/30647.

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In modern times German authors have made ample use of the Job-theme. The study examines the transformations that the story of Job has undergone in German narrative and dramatic works from Leopold von Sacher-Masoch's Der neue Hiob (1878) to Fritz Zorn's Mars (1977). The most striking feature of these works lies in their diverse characterization of the Job-figure. As a mythical figure he remains synonymous with the sufferer, but he may be characterized as patient or impatient, humble or arrogant, innocent or guilty, rich or poor, courageous or cowardly; he may be a Jew or a Christian, a Nazi or

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Libri sul tema "Etching, German 19th century"

Gallery, William Weston. Fine lithographs and etchings by 19th and 20th century French and German masters: (catalogue part 1: items 1-28). London: The William Weston Gallery, 1993.

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Hunterian Art Galler (University of Glasgow), ed. Copper into gold: Whistler and 19th-century printmaking. Glasgow: Hunterian Art Gallery, 2003.

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Museum Het Rembrandthuis (Amsterdam, Netherlands), Salzburger Museum Carolino Augusteum, and Augustinermuseum (Freiburg im Breisgau, Germany), eds. Rembrandt and his influence on eighteenth-century German and Austrian printmakers =: Rembrandt, seine Verwandlung in der deutschen und österreichischen Graphik des 18. Jahrhunderts. Amsterdam: Museum het Rembrandthuis, Rembrandt Information Centre, 1998.

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Fushoku Dōhan Gaka Kyōkai: Furansu 19-seiki no etchingu = La Société des aquafortistes : etching renaissance in France in the 19th century. Machida-shi: Machida Shiritsu Kokusai Hanga Bijutsukan, 1992.

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German liberalism in the nineteenth century. Atlantic Highlands, N.J: Humanities Press, 1995.

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National monuments and nationalism in 19th century Germany. Oxford: Peter Lang, 2008.

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Pohlsander, Hans A. National monuments and nationalism in 19th century Germany. Oxford: Peter Lang, 2008.

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Moyland, Stiftung Museum Schloss, and Museum Het Rembrandthuis (Amsterdam, Netherlands), eds. Rembrandt und die englischen Malerradierer des 19. Jahrhunderts: Rembrandt and the English painter-etchers of the 19th century. Bedburg-Hau: Schloss Moyland, 2005.

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Stockman, Robert Lee. North Germany to North America: 19th century migration. Alto, Mich: PlattDüütsch Press, 2003.

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German liberalism in the nineteenth century. Amherst, New York: Humanity Books, 1999.

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Capitoli di libri sul tema "Etching, German 19th century"

Eitner, Lorenz. "German Romantics." In An Outline of 19th Century European Painting, 101–19. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-5.

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Elspass, Stephan. "Standard German in the 19th century?" In Standardization, 43–65. Amsterdam: John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/cilt.235.05els.

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Milford, Karl. "Inductivism in 19TH Century German Economics." In Vienna Circle Institute Yearbook, 273–91. Dordrecht: Springer Netherlands, 2004. http://dx.doi.org/10.1007/978-1-4020-2196-1_20.

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Tribe, K. "German Economics in the Early 19th Century." In The New Palgrave Dictionary of Economics, 1–7. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_2080-1.

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Tribe, K. "German Economics in the Early 19th Century." In The New Palgrave Dictionary of Economics, 5234–40. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_2080.

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Peckhaus, Volker. "The Reception of Leibniz’s Logic in 19th Century German Philosophy." In New Essays on Leibniz Reception, 13–24. Basel: Springer Basel, 2012. http://dx.doi.org/10.1007/978-3-0346-0504-5_2.

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Signore, Mario. "Social and Philosophical Theory in the 19th Century German Thought." In The Discovery of Historicity in German Idealism and Historism, 134–46. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/3-540-27352-2_9.

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Buchheim, Christoph. "Germany on the World Market at the End of the 19th Century." In German Yearbook on Business History 1985, 41–55. Berlin, Heidelberg: Springer Berlin Heidelberg, 1986. http://dx.doi.org/10.1007/978-3-642-71196-1_3.

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Wilfing, Alexander. "Kant and German Romanticism in the Eyes of Austrian 19th Century Writers." In Detours, 265–68. Göttingen: V&R Unipress, 2015. http://dx.doi.org/10.14220/9783737004817.265.

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Wilkins, Mira. "German chemical firms in the United States from the late 19th century to post-World War II." In The German Chemical Industry in the Twentieth Century, 285–321. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-015-9377-9_10.

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Atti di convegni sul tema "Etching, German 19th century"

Alschner, Stefan. "Der Wagner-Sänger Joseph Aloys Tichatschek – Vom Nachlass zum Netzwerk." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.46.

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The Richard Wagner collection in Eisenach contains the estates of several important 19th century Wagner performers. The inheritance of the Heldentenor Joseph Tichatschek provides insight into the live and influence of the tenor. Tichatschek is considered as one of the greatest German speaking tenors of his generation and performed the leading roles in the world premieres of Richard Wagner’s Rienzi und Tannhäuser. The paper provides an introduction into the extensive networks Tichatschek apparently used to promote his own career as well as the works of composers close to him, like Richard Wagne

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Dimarogonas, Andrew D. "On the Axiomatic Foundation of Design." In ASME 1993 Design Technical Conferences. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/detc1993-0027.

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Abstract Mechanical design methodology has its origins in the writings of ancient Greek and Alexandrine authors between 300 BC and 100 AD when also the first aesthetic theory was proposed. German authors of the middle of 19th Century have introduced the foundation for Mechanical Design on basic Design Principles, modernized the machine element methodology and introduced the parallel development of the function with the form. F. Redtenbacher introduced a set of design principles. Reuleaux (1852) introduced two fundamental Design Principles (Ground Rules), re-introduced recently in axiomatic for

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Li, B., P. A. Clark, and K. H. Church. "Robust Direct-Write Dispensing Tool and Solutions for Micro/Meso-Scale Manufacturing and Packaging." In ASME 2007 International Manufacturing Science and Engineering Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/msec2007-31037.

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The development of functional and reliable miniaturized devices including Micro Electro Mechanical Systems (MEMS) has stressed the manufacturing and packaging processes. The traditional micro fabrication techniques, such as lithography, physical vapor deposition (PVD), chemical vapor deposition (CVD) and etching, are layer-by-layer processes and mostly suitable for thin-filmed devices. LIGA (an acronym from German words for lithography, electroplating, and molding) is a newly developed process for thick metallic devices; however, it involves electroplating process and high quality molds, which

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