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Articoli di riviste sul tema "Exposition à la nature"

Autore: Grafiati

Pubblicato: 21 dicembre 2024

Ultima modifica: 31 luglio 2025

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1

Talamon, Flore. "Exposer les migrations." Mondes & Migrations 1350 (2025): 143–52. https://doi.org/10.4000/14bbs.

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La rencontre intitulée « Exposer les migrations », organisée par la Fédération des écomusées et des musées de société (FEMS) le 14 novembre 2024 dans le cadre de ses « JE-DIS », visait à réfléchir aux collections, aux collectes, aux projets de médiation et à la pérennité du patrimoine des migrations humaines au sein de différentes institutions muséales. Animée par Élisabeth Jolys-Shimells, vice-présidente de la FEMS et responsable des collections du Musée national de l’histoire de l’immigration, elle réunissait Mathilde Beaujean, cheffe de projet expositions au musée de l’Homme, exposition Mig

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Ramade, Bénédicte. "Can Man Survive? (1969). Exposer un avenir écologique funeste." Transbordeur 8 (2024): 100–111. http://dx.doi.org/10.4000/12gy1.

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En 1969, le musée américain d’histoire naturelle de New York célébra son centenaire avec une exposition multimédia uniquement constituée d’images photographiques et filmiques qui, plutôt que de mettre en avant l’exceptionnalisme de la nature du pays, documentaient sur un ton dénonciateur et alarmiste la pollution de l’eau et de l’air, la surpopulation et la dégradation globale des conditions de vie sur terre. Can Man Survive? fut à l’affiche du musée jusqu’en mai 1971 avec une scénographie inspirée par les expositions universelles et la télévision, se distinguant de l’iconographie

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Miller, Kiri. "Americanism Musically: Nation, Evolution, and Public Education at the Columbian Exposition, 1893." 19th-Century Music 27, no. 2 (2003): 137–55. http://dx.doi.org/10.1525/ncm.2003.27.2.137.

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The Columbian Exposition (the World's Fair in Chicago, 1893) was intended to represent the entire progress of human history, with American civilization as its culminating triumph. The Exposition celebrated the four-hundredth anniversary of Columbus's discovery of the New World; it restaged that discovery in myriad ways: from the display of ““savage races”” on the Midway to the construction of an emergent American middle class as civilization's newest noble savages, hungry for education. Music was an integral part of the Exposition. America's musical elite took an active role in the fair's prom

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T. Szabó, Levente. "International Exhibitions, Literary Capitalism, and the Emergence of Comparative Literature." Journal of World Literature 7, no. 3 (2022): 332–47. http://dx.doi.org/10.1163/24056480-00703003.

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Abstract The invention of international fairs in the 19th century revolutionized both nationalism and modern thinking on global relationships since they showcased but also contested and negotiated national, imperial, and global identities. From the Great Exhibition at Crystal Palace to the 1900 Paris Exposition, the international fairs / expositions universelles were landmarks of histoire croisée of nationalism, global thinking, and capitalism. Even though they seem to be showcasing industrial progress, they also created a completely new frame for the self-fashioning, vindication, and negotiat

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Lafoon, Brianna. "A Tale of Two Fairs." Journal of Educational Media, Memory, and Society 16, no. 2 (2024): 1–18. https://doi.org/10.3167/jemms.2024.160201.

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Abstract This article examines the use of world's fairs and other expositions in the early twentieth century in order to showcase educational ideas from American overseas imperial settings. In particular, the 1904 St. Louis World's Fair and the 1915 Panama-Pacific International Exposition demonstrate the nature of American imperial schooling and its changes over a decade. Fairs and exhibitions like these were important sites where educational ideas were exchanged between the colony and metropole, and they allowed experiments being trialed overseas to influence the nature of school reform back

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Van Zanten, Leonard None. "Wave Nature." JOURNAL OF ADVANCES IN PHYSICS 11, no. 2 (2015): 3050–80. http://dx.doi.org/10.24297/jap.v11i2.536.

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This essay provides evidence that light and other such waves never at all travel on a continues sine formation, and that at no time these are produced at their full frequency. With further evidence that the dispersion of light is never at all by any change in velocity but by incidence only, and that all waves exist by half-lengths only. And in order to do it justice my exposition became rather lengthy, I therefore beg your patience to bear with me to the end.Â This issue then may prove to be a giant step forward in the knowledge of fundamentals.

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Северин, В. Д. "ВИКОРИСТАННЯ ПЛАЗМОВИХ ТА LCD-ПАНЕЛЕЙ У ДИЗАЙНІ МУЗЕЙНИХ ЕКСПОЗИЦІЙ". Традиції та новації у вищій архітерктурно-художній освіті, № 3 (3 жовтня 2018): 15–20. https://doi.org/10.5281/zenodo.1443088.

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The article is devoted to the research of types of interactive museum equipment. The urgency of the stated topic is due to the fact that in the present-day exposition design there are signifi cant changes in the exposition organization, which stimulate the interest of the public to the museum and its constant development. Now museums face an acute problem of the transition from the passively informative form of presenting material to the active emotional and informative one, which allows creating a comprehensive cognitive museum environment. The latter’s peculiar feature is that the envi

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Sessions, John G. "An Exposition on the Nature of the Wage Curve." Scandinavian Journal of Economics 95, no. 2 (1993): 239. http://dx.doi.org/10.2307/3440409.

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9

Sun, Yao. "Expositional discourse and its narrative function in the short prose of I.S. Turgenev." Филология: научные исследования, no. 5 (May 2023): 33–41. http://dx.doi.org/10.7256/2454-0749.2023.5.40855.

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The author explores the expositional discourse and its narrative function in the prose of I.S. Turgenev. The analysis of the lyrical beginning is given as the reason for the special Turgenev exposition, which is a manifestation of the horizons and value consciousness of the author-narrator. It is noticed that it is in lyrical descriptions that the subjective space of the narrator is formed. In Turgenev's prose, there are stories in which the exposition is based on similarities with poems in prose. In such texts, the exposition is only indirectly related to the further development of the plot.

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Yin, Xinwei, Tong Wang, Lianghai Lv, Baoqian Dai, and Yu Wang. "Discussion on Operation Risk Analysis and Emergency Management Construction of Urban Large-scale Horticultural Exposition." E3S Web of Conferences 253 (2021): 03071. http://dx.doi.org/10.1051/e3sconf/202125303071.

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With the development of society, the urban large-scale horticultural exposition has increasingly become one of the manifestations of enriching people's lives, but the issue of safety management has always been an important research topic. Taking Beijing World Horticultural Exposition as an example, this paper systematically analyzes the operation risk of large-scale horticultural exposition, and expounds on the characteristics of possible risks of the world horticultural exposition from the perspective of the existing nature of risks, and puts forward the construction plan of perfecting the re

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Charpentier, Angèle, and Anne-Gaëlle Rossignol. "Exposition : La nature dans les espaces périurbains français et russes." Géographes associés 25, no. 1 (2001): 125–31. http://dx.doi.org/10.3406/geoas.2001.2198.

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Alawiah, Ismi Saumi, Eli Syarifah Aeni, and Restu Bias Primandhika. "PENERAPAN HANDOUT ELEKTRONIK BERBASIS CANVA TERHADAP PEMBELAJARAN MENGANALISIS TEKS EKSPOSISI KELAS VIII." Parole : Jurnal Pendidikan Bahasa dan Sastra Indonesia 6, no. 4 (2023): 303–14. http://dx.doi.org/10.22460/parole.v6i4.17976.

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21st century learning has criteria that integrate with technology. One of the efforts to use technology in learning is to use teaching materials. Electronic teaching materials can be an alternative for educators, students, and schools. Its flexible nature makes it easier for learning activities. The This study's goals were to: (1) describe how electronic handouts are used with exposition text content and (2) determine whether using electronic handouts helps students learn exposition texts. In this inquiry, the descriptive qualitative method was used information gathered by answering a question

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13

Wolfson, Murray. "The Transformation Problem: Exposition and Appraisal." Journal of the History of Economic Thought 12, no. 2 (1990): 179–95. http://dx.doi.org/10.1017/s1053837200001723.

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Every theory of value has to perform certain tasks. In the narrowest sense, it must explain ratios of exchange on the market. But it must also give an account of social costs and benefits, and their distribution among individuals and groups. Value theory must relate human beings to the physical and biological realities. It must explain the relations between persons and groups. In fulfilling all these tasks, value theory reflects philosophical beliefs about how human beings perceive and react to nature and to each other.

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Ibanez, Lisette, Jean-Charles Latourte, and Sébastien Roussel. "Comportements pro-environnementaux et exposition à la nature : une étude expérimentale." Revue économique 70, no. 6 (2019): 1139. http://dx.doi.org/10.3917/reco.706.1139.

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Braga, Ariane Varela. "Owen Jones, Gottfried Semper et les origines anthropologiques de l’art ornemental." Palíndromo 12, no. 27 (2020): 034–55. http://dx.doi.org/10.5965/2175234612272020033.

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Suite à la première Exposition universelle de Londres de 1851, les architectes Owen Jones et Gottfried Semper font appel aux cultures primitives afin d’affirmer la nature anthropologique de l’art ornemental.

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Braga, Ariane Varela. "Owen Jones, Gottfried Semper et les origines anthropologiques de l’art ornemental." Palíndromo 12, no. 27 (2020): 034–55. http://dx.doi.org/10.5965/2175234612272020034.

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Suite à la première Exposition universelle de Londres de 1851, les architectes Owen Jones et Gottfried Semper font appel aux cultures primitives afin d’affirmer la nature anthropologique de l’art ornemental.

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17

Armstrong, D. M. "The Nature of Possibility." Canadian Journal of Philosophy 16, no. 4 (1986): 575–94. http://dx.doi.org/10.1080/00455091.1986.10717137.

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I want to defend a Combinatorialtheory of possibility. Such a view traces the very idea of possibility to the idea of the combinations – all the combinations which respect a certain simple form – of given, actual, elements. Combination is to be understood widely enough to cover the notions of expansion and contraction. (My central metaphysical hypothesis is that all there is is the world of space and time. It is this world which is to supply the actual elements for the totality of combinations. So what is proposed is a Naturalistic form of a combinatorial theory.)The combinatorial idea is not

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18

Nikolaeva, A. A., and T. I. Sorokina. "INTEGRATED APPROACH TO THE CREATION OF ECOLOGICAL EXPOSITIONS IN NATURAL AND ANTHROPOGENIC LANDSCAPES." Landscape architecture in the globalization era, no. 2 (2021): 54–63. http://dx.doi.org/10.37770/2712-7656-2021-2-54-63.

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Ecological exposition as one of the types of landscape exposition, shows plants of certain ecological groups. As a rule, conditions are created for such plants that simulate their natural habitat. At the same time, changing the existing environmental conditions is resource-intensive, and the result obtained cannot fully repeat the natural conditions due to their multicomponent nature and being confined to a certain climatic zone. It is of interest to use the existing natural and anthropogenic conditions for the arrangement of expositions, without changing them, but using the existing resource.

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19

ST, Al Vincent. "On the Aporetic Nature of Plato’s Lysis." Philosophy International Journal 5, no. 4 (2022): 1–4. http://dx.doi.org/10.23880/phij-16000274.

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Centering on the early Platonic dialogues, this paper delineates the importance of considering Plato’s Lysis’ as rightful inclusion to Jan Szaif’s proposal of “core group” of aporetic dialogue. This paper highlights a synoptic presentation of the development of Lysis’s reception by modern scholars of Plato (Platonic scholars) at the beginning of this discourse to establish a compelling argument for its aporetic nature. It then proceeds with a revisit to Szaif’s article Socrates and the Benefits of Puzzlement. The first section, considering its importance, emphasizes the evident possibility of

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20

Wu, Meng. "Designing exhibitions of Chinese art in Soviet Art Museums: from collectible to problematic method." Культура и искусство, no. 6 (June 2024): 200–212. http://dx.doi.org/10.7256/2454-0625.2024.6.70750.

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The object of research is Chinese fine art presented in Soviet museums, museum practice and scientific discourse that has developed around the study of Chinese art in the USSR. The subject of the research is the specifics of designing exhibitions of Chinese art in Soviet art museums and the issues of its historical transformation. The analysis of a number of exhibition events held in Soviet museums and dedicated to Chinese fine art is proposed. During the consideration of the topic, such issues as the factors that influenced the methods of Soviet scientists in planning Chinese expositions, the

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Golikov, Kirill, Ekaterina LAPTEVA, and A. SOCHIVKO. "LIVE PLANTS AS AN ADDITIONAL BOTANICAL COMPONENTOF THE THEMATIC EXPOSITION IN THE EARTH SCIENCE MUSEUM AT MOSCOW STATE UNIVERSITY." LIFE OF THE EARTH 42, no. 4 (2020): 478–84. http://dx.doi.org/10.29003/m1777.0514-7468.2020_42_4/478-484.

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The article discusses the use of live plants as the botanical exposition component supplement of the “Natural areas” (hall № 17 “Natural zonality and its components” and № 20 “Desert, subtropical, tropical countries, high-altitude zone”) and “Physico-georaphic regions” (hall № 24 “Continents and parts of the world”) departments in order to visualize information presented in the Earth Science Museum. Demonstration of plants originating from different regions of the world representing different life forms and being structural components of various plant communities allows to visually characteriz

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Derlet, PM, and TC Choy. "Planck's Radiation Law: A Many Body Theory Perspective." Australian Journal of Physics 49, no. 3 (1996): 589. http://dx.doi.org/10.1071/ph960589.

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An exposition of Planck's Law of Radiation is presented within the context of modern quantum many body theory. In particular the generality of the Planck radiation law is demonstrated to be Valid to all orders of perturbation theory for an interacting system, regardless of the underlying statistics for the particles comprising the matter field and the precise nature of the interaction mechanism. This exposition justifies the use of Planck's law with minor modifications via the refractive index, in the optical properties of semiconductors and insulators. We conclude by clarifying when Planck's

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Hauska, Jan. "The Causal Nature of Dispositions and Modality." Revista Portuguesa de Filosofia 77, no. 4 (2022): 1213–42. http://dx.doi.org/10.17990/rpf/2021_77_4_1213.

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Theories of modality which invoke possible worlds have recently been challenged by accounts that appeal to dispositional properties. A prominent strand of the accounts maintains that there is an intimate link between dispositions and possibility. The link is said to be captured by the proposition that, at first approximation, a state of affairs is possible just in case there is some actual disposition whose manifestation is (or includes) the state. Focusing on the most detailed exposition and defence of this approach, put forward by Barbara Vetter, I critically examine the adequacy of the view

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Santiago-Ávila, Francisco J. "Muddled Facts and Values: Positivism, Egoism, and Anthropocentrism in the Anthropocene." Society & Animals 28, no. 4 (2020): 420–29. http://dx.doi.org/10.1163/15685306-bja10020.

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Abstract I review biologist Chris D. Thomas’s book (2017) Inheritors of the Earth: How Nature is Thriving in an Age of Extinction and discuss its exposition and prescriptions. Thomas presents a fantastic exposition of the contemporary scientific literature documenting the biological gains mediated by human impacts on the nonhuman world. However, his prescriptions for a conservation ethic leave much to be desired. Thomas employs a philosophically narrow, positivist, and egoist approach to what is relevant when dealing with other sentient, sapient, and often social nonhuman beings. This culminat

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LOPES, Guilherme Augusto Hilário. "BASIC ISSUES ON ANARCHISM." Boletim de Conjuntura (BOCA) 11, no. 32 (2022): 97–100. https://doi.org/10.5281/zenodo.6896340.

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This essay seeks to present some of the main aspects existing within anarchism. The objective is to make a brief exposition of the main axes existing within anarchist thought and how they present themselves, namely: anti-statism, the state of nature, anticlericalism, and economic freedom.

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Ovodova, Svetlana N., Darya V. Moiseeva, and Larisa S. Porshunova. "Representation of the culture of Finno-Ugric peoples of Ugra in museum exhibitions: Transition from the discourse of soviet modernity to the decolonial turn." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 53 (2024): 267–83. http://dx.doi.org/10.17223/22220836/53/22.

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The article presents the analysis of changes in the logic of representation of the culture of indigenous peoples living on the territory of Khanty-Mansi Autonomous Okrug (Khanty-Mansiysk) in ethnographic expositions of the Museum of Nature and Man (Khanty-Mansiysk). Contemporary researchers fix the crisis of ethnographic museums, which consists in the inconsistency of the narratives broadcast by the museum with contemporary discourse and is based on such processes as globalization and urbanization. Museums are facing questions about the need to reconsider their approaches to exhibiting. Using

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Bermejo-Rubio, Fernando. "Theses on the Nature of the Leben-Jesu-Forschung." Journal for the Study of the Historical Jesus 17, no. 1-2 (2019): 1–34. http://dx.doi.org/10.1163/17455197-01701002.

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Criticisms addressed to the historiographical paradigm of the so-called ‘three quests’ by several scholars with different ideological backgrounds and who have worked independently have debunked it by proving its untenable character. The present paper makes a proposal for a new paradigm which allows us to understand the quest of the historical Jesus in a more comprehensive, lucid and explanatory way. This proposal has been articulated through a set of theses, accompanied in each case by an explanation (and, sometimes, by corollaries), accomplishing a threefold task: a broader characterization o

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Binti Mohd Sidqy, Muna Sidqy, and Amilah Awang Abd Rahman. "Alasdair MacIntyre’s Exposition on Moral Relativism: An Analysis from an Islamic Perspective." AL-ITQAN: JOURNAL OF ISLAMIC SCIENCES AND COMPARATIVE STUDIES 10, no. 1 (2025): 76–91. https://doi.org/10.31436/alitqan.v10i1.309.

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Moral relativism has seen a rise in popularity, especially during post-modern times. The heterogeneous nature of society due to various factors drives a compelling case for moral relativism to be studied from its historical context and theistic perspective. Therefore, this article aims to explore Alasdair MacIntyre’s thoughts on moral relativism, analyzing it from Islamic perspectives. The subject of this research will be investigated through library research, with a particular reference to the third edition of MacIntyre’s After Virtue. Selected journal articles written by MacIntyre and other

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Gaertner, Hans-Martin. "Huygens' Principle: A case against optimality." Behavioral and Brain Sciences 26, no. 6 (2003): 779–81. http://dx.doi.org/10.1017/s0140525x03210177.

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I will present evidence that nature does not optimize in the sense of Fermat's principle of least time, contrary to what Schoemaker's unintentionally ambiguous exposition might suggest. First, Huygens' principle, an alternative nonteleological account of Snell's law, is outlined. Second, I confront Fermat's principle with a substantive conceptual problem.

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Vaillancourt, Anita, Rebecca Barnstaple, Natalie Robitaille, and Taylor Williams. "Prescription d’exposition à la nature : nouvelles perspectives sur les approches fondées sur la réconciliation et l’inclusivité culturelle dans un centre de santé communautaire triculturel." Promotion de la santé et prévention des maladies chroniques au Canada 44, no. 6 (2024): 314–18. http://dx.doi.org/10.24095/hpcdp.44.6.05f.

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Résumé Ce commentaire souligne l’importance d’avoir des programmes de prescription sociale et de prescription d’exposition à la nature qui reflètent des perspectives et des pratiques diverses sur le plan culturel. La création et le maintien d’un espace pour les visions du monde autochtones et les autres visions du monde devraient être une priorité dans la prescription d’exposition à la nature, une approche récente au Canada qui reconnaît et promeut les avantages pour la santé de la pratique d’une variété d’activités en environnement naturel. Il est essentiel, lorsqu’on conçoit et offre des pro

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Nazymbetova, G. Sh, and P. A. Tleuberdina. "The nature museum is a quarter of a century old." Kazakhstan zoological bulletin 2, no. 1 (2021): 81–91. http://dx.doi.org/10.54944/kzbsd891zj28.

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2021 is a jubilee year for the Museum of Nature of the RSE “Gylym Ordasy” of the Science Committee of the Ministry of Education and Science of the Republic of Kazakhstan, April 15 marks the 60th anniversary of its foundation. Since the creation of the zoology sector from 1932 to 1958, scientists of the Institute of Zoology of the Academy of Sciences of the Kazakh SSR have collected and studied a variety of scientific material about the fauna of Kazakhstan. These collections of the remains of ancient prehistoric animals, collected by paleontologists and geologists in the Turgai, Zaisan depressi

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Mutina, Anna S. "OLD BELIEVERS: A VIEW THROUGH THE MUSEUM SHOWCASE. THE PRESENTATION OF CONFESSIONAL TRADITIONS IN THE STATE MUSEUM OF THE HISTORY OF RELIGION." Вестник антропологии (Herald of Anthropology), no. 3 (September 29, 2024): 106–18. http://dx.doi.org/10.33876/2311-0546/2024-3/106-118.

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The article presents a study of the exposition of the State Museum of the History of Religion in St. Petersburg, dedicated to the history of Old Believers. The limited space available at the museum precludes the presentation of the topic in its entirety, given the richness of the museum’s collection. Consequently, the creators of the exposition had to limit themselves to a concise overview emphasizing the most salient items that refer to significant events and personalities. The museum exposition aims to present the evolution of human spiritual life over many years, the history of ideas with t

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Strathern, Marilyn. "Gathered fields: A tale about rhizomes." Anuac 6, no. 2 (2017): 23–44. http://dx.doi.org/10.7340/anuac2239-625x-3058.

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A return to Deleuze and Guattari’s famous figure of the rhizome, this paper turns the philosophical idea around by asking what we might learn, from their openended exposition of it, about plants. The account at once reduces the rhizome to its cultivated varieties and enlarges the notion of a plant by the people joined to it. A stimulus comes from the recent World Heritage designation of a site in Mt Hagen, Papua New Guinea, for its evidence of the prehistoric cultivation of plants preferentially propagated by vegetative means. Following Haudricourt’s early exposition of the yam and the implica

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Golosova, E. V., A. V. Kotova, M. I. Khomutovskiy, et al. "THE MEDITERRANEAN GARDEN PROJECT IN THE NIKITSKY BOTANICAL GARDEN." Landscape architecture in the globalization era 4 (2024): 5–19. https://doi.org/10.37770/2712-7656-2024-4-5-19.

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Botanical gardens are centers of attraction for people interested not only in nature and plants, but also wishing to get acquainted with the culture of different countries and regions. The manifestation of this multinational culture can be reflected in landscape architecture objects. The ethnocultural code when creating such expositions in botanical gardens is primarily encrypted in plants that had a special sacred or practical meaning in people's lives. Based on surviving artifacts (frescoes, bas-reliefs, burial complexes, historical gardens), literary sources and personal observations, the p

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Aksharananddas, Sadhu. "New Perspectives on the Brahmasūtra—An English Translation of the Brahmasūtra-Svāminārāyaṇabhāṣya’s Exposition of “Athāto Brahmajijñāsā”". Asian Literature and Translation 10, № 2 (2023): 93–133. http://dx.doi.org/10.18573/alt.62.

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Within the darśanic world, the Brahmasūtra is a seminal text that provides key insights into Upaniṣadic revelation. The recent creation of Mahāmahopādhyāya Bhadresh Swami’s Brahmasūtra-Svāminārāyaṇabhāṣya, a comprehensive Sanskrit commentary on the Brahmasūtra, presents unique readings of the text according to the teachings of the Akṣara-Puruṣottama Darśana as revealed by Bhagavān Svāminārāyaṇa. The commentary’s recent reception encourages further inquiry into its distinctive insights on Vedānta thought and the principles of the Akṣara-Puruṣottama Darśana. This article presents an English tran

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Subha, Kusuma Krishna. "Aristotle: On Slavery and Citizenship." RESEARCH HUB International Multidisciplinary Research Journal 9, no. 2 (2022): 82–85. https://doi.org/10.53573/rhimrj.2022.v09i02.015.

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This paper attempts to understand Aristotle’s conception of slavery as a natural institution and its inherent relationship with his exposition of citizenship. Without an understanding of modern political philosophy and some of its central ideas, one would find it difficult to justify any of these theories in contemporary times. However, in trying to unfold the rationale behind Aristotle’s concept of slavery and citizenship, one could appreciate the complex nature of both concepts, notwithstanding their untenable nature to sensibilities of reason and rationality.

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Ademola, Emmanuel Ojo. "Dynamic Theory in Artificial Intelligence (AI) – An Exposition." Advances in Multidisciplinary & Scientific Research Journal Publication 10, no. 3 (2024): 1–6. http://dx.doi.org/10.22624/aims/v10n3p1.

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This article aims to develop a dynamic theory of strategy considering the implications of artificial intelligence (AI) in the modern world. By integrating traditional strategic management theories with the influence of AI, the paper explores the evolving nature of strategic decision-making, competitive advantage, and organizational performance. Through a comprehensive review of existing literature and empirical evidence, the article seeks to propose a framework for understanding and adapting strategy in the context of AI. The implications for business leaders, policymakers, and researchers are

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Fratantuono, Lee. "Nymphaeque sorores: Virgil’s Sororities of Nymphs." Myrtia 34 (January 31, 2020): 57–89. http://dx.doi.org/10.6018/myrtia.411951.

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Abstract (sommario):

Nymphs appear frequently in the corpus of Virgilian poetry. Careful consideration of the place of nymphs in Virgil’s Eclogues and (in particular) his Georgics reveals how the poet utilizes these quasi-divine figures as important elements of his exposition of both the nature of Roman identity and the demands incurred in composing his Homeric-Callimachean epic.

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Helytovych, Andrii. "Alfred Maksymenko “A-vision” as an authorial form of virtual exposition." Bulletin of Lviv National Academy of Arts, no. 52 (July 11, 2024): 38–53. http://dx.doi.org/10.37131/2524-0943-2024-52-4.

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Abstract (sommario):

Using the example of works up to 2019, the author's method of virtual exposition of paintings "A-vision" of the famous Lviv contemporary artist and teacher A. Maksymenko is considered. The goal is to single out and characterize the key features of the author's approach to the problem of virtual exhibition of works of art. The subject of the study is the inherent features of the combination of works of art with the exhibition environment in the "A-vision" form proposed by Maksymenko. Conclusions about the nature of the construction of the virtual space are drawn up in connection with the necess

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Grechitaeva, Marina, and Marionella Kolokoltseva. "The use of the scientific and cognitive potential of the museum of nature for forming inclusive culture in future teachers." BIO Web of Conferences 30 (2021): 04003. http://dx.doi.org/10.1051/bioconf/20213004003.

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The article analyses the innovative pedagogical technology of using the potential of natural science collections of nature museums, exposition and exhibition complexes, school mini-museums in new inclusion conditions for Russian education. The study is aimed at finding the most effective ways of forming an inclusive culture among future teachers included in exhibition activities on the basis of nature museums. Based on a synthesis of foreign and Russian experience in the formation of an inclusive culture among students, future teachers, a set of the most effective pedagogical tools, methods, t

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Qiao, Nan, Li Jun Liu, and Yuan Yuan Lv. "Zen View of Nature in the Performance of Modern Fashion Design." Advanced Materials Research 331 (September 2011): 666–69. http://dx.doi.org/10.4028/www.scientific.net/amr.331.666.

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Abstract (sommario):

The view of nature is an important character of Zen aesthetic. At present, the Zen view of nature and cause of design was widely used in architecture, interior, furniture, household goods and clothing designs, giving a modern design with new field and angle. Zen view of nature through the exposition, analysis of its role in modern fashion design style and influence, and the concrete embodiment of the design elements. Intended to demonstrate - not only the material culture of clothing bearing, it is "yardsticks", concerned about the soul of the "refined." Pointed out that the essence of traditi

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Peters, Catherine. "Ibn Sīnā on Nature as Matter and Form: An Exposition of the Physics of the Healing I, 6 and I, 9." Journal of Islamic Philosophy 13 (2022): 50–82. http://dx.doi.org/10.5840/islamicphil2022135.

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Abstract (sommario):

The concept of nature (Gr. phúsis; Ar. ṭabīʿa) lies at the heart of classical physics. Seemingly small differences about nature can blossom into significant disagreements. The present study offers an exposition of certain neglected passages concerning ṭabīʿa in Ibn Sīnā’s al-Samāʿ al-ṭabīʿī(The Physics of the Healing). The predominant view of ṭabīʿa is that it as an active principle, a conception of nature that radically departs from Aristotle’s account of phúsis in Physics I-II. I dispute this interpretation by investigating two neglected texts in the Physics of the Healing. First, the

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Cichocki, Piotr, and Marcin Kilarski. "On “Eskimo Words for Snow”." Historiographia Linguistica 37, no. 3 (2010): 341–77. http://dx.doi.org/10.1075/hl.37.3.03cic.

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Abstract (sommario):

Summary This article examines the complex interdependence of linguistics and the discourses of social sciences and philosophy based on the example of the Eskimo words for snow. In particular, we trace the life cycle of the example through three phases: (1) the origin of the misconception in the studies of Franz Boas (1858–1942) and Benjamin Lee Whorf (1897–1941); (2) its propagation in textbooks and in sympathetic and alternative theoretical contexts, and (3) the contemporary status quo following the exposition of the misconception by Laura Martin (1986), Geoffrey Pullum (1989) and Steven Pink

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Groenewegen, P. "The Nature, Functions, and Value of Money: A Brief Exposition of Turgot's Monetary Theory." History of Political Economy 39, no. 2 (2007): 253–62. http://dx.doi.org/10.1215/00182702-2007-003.

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Yue, Yajuan, and Batchuluun Sergelen. "An Exploration of the Artistic Nature of Contemporary Chinese Character Posters." Education Reform and Development 7, no. 3 (2025): 315–22. https://doi.org/10.26689/erd.v7i3.10079.

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Abstract (sommario):

This article explores the artistic characteristics of contemporary Chinese character posters from the perspective of Roland Barthes’ semiotics. In the process, the method of work exposition and case analysis is used, and the artistic interpretation is combined with historical, social and cultural factors. Through analysis, it is concluded that Chinese character design is the “content symbol” of posters, Chinese character posters are the “visual representation” of Chinese aesthetic paradigms, and the contemporary artistic expression of Chinese character posters. The article proposes that Chines

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Pugnet, Natacha. "Mickey Cuvier et autres figures animalières dans l’oeuvre de Mark Dion." Figures de l'Art. Revue d'études esthétiques 8, no. 1 (2004): 187–206. http://dx.doi.org/10.3406/fdart.2004.1343.

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Abstract (sommario):

L’une des ambitions de Mark Dion est de mettre au jour l’idéologie sous-jacente aux représentations de l’univers naturel. Sa rhétorique visuelle, complexe, est à interpréter comme un détournement des méthodes et conventions qui régissent la mise en exposition des espèces animales. Dans ses installations foisonnantes, l’artiste américain fait explicitement référence aux cabinets de curiosités et aux muséums d’histoire naturelle. Emblématique des relations que nous entretenons avec le vivant, l’animal est tout ensemble envisagé comme objet d’étude, de collection et sujet d’enjeux écologiques. Da

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Terekhov, A. E. "Wang Chong on the Sun, Heaven, Stars and Rain." Vestnik NSU. Series: History and Philology 24, no. 4 (2025): 78–89. https://doi.org/10.25205/1818-7919-2025-24-4-78-89.

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Abstract (sommario):

This article is a detailed exposition and analysis of the chapter Shuori (Explanation of [Ideas about] the Sun) of the treatise Lunheng (Balanced Discussions) by the outstanding Early Chinese thinker Wang Chong (27–102?). It examines a number of problems of an astronomical and cosmological nature, in particular the views on the shape of the heaven, the nature of the movement of the sun and moon, the mechanism of solar eclipses, mythological ideas (ten suns and creatures supposedly living on the heavenly bodies), as well as the nature of the stars and the process of rain. The exposition is acco

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Sbitnev, V. S. "Domestic Animals in Hinduism: an Exposition of Hierarchies and Relationships." Koinon 4, no. 4 (2024): 79–94. https://doi.org/10.15826/koinon.2024.04.4.029.

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Abstract (sommario):

The article examines the ideas expressed in the sacred scriptures of Hinduism about the spiritual nature of animals and the evolution of their consciousness in the process of rebirth (reincarnation), provides a hierarchy of animals, and reveals the provisions of the principle of non-violence (ahimsa) – an important component of the spirituality of Hinduism. The ideas of Hindu followers about domestic animals are presented, some of which are endowed with the status of "sacred animal". The relationship between the animal and the deity is analyzed, stories about animals from the sacred scriptures

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TEJASWI, AVHAD. "MALE RAPE AND THEIR VICTIMIZATION: A HISTORICAL EXPOSITION." Seybold Report Journal 18, no. 09 (2023): 142–63. https://doi.org/10.5281/zenodo.8347489.

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<strong>Abstract</strong> This paper examines several works of literature to uncover common myths in and about society as it engages with the literature on male rape. The purpose of this paper is to explore several works on male rape while looking for various myths and stereotypes that have been brought up in numerous studies. With the use of primary and secondary data gathered by the researcher, the aim is to further analyse the prevalence of male rape. There are various misconceptions about male rape victims, offenders, and stereotypes. Defined by (Anderson 1999), (Fulcher and Scott 1999) du

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Katz, Dana. "Barbarism Begins at Home: Islamic Art on Display in Palermo's Museo Nazionale and Sicilian Ethnography at the 1891‐92 Esposizione Nazionale." International Journal of Islamic Architecture 9, no. 1 (2020): 91–117. http://dx.doi.org/10.1386/ijia_00005_1.

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Abstract In the last quarter of the nineteenth century, Palermo's Museo Nazionale (National Museum) displayed one of the earliest institutional collections of Islamic art in Western Europe. The museum's director, Antonino Salinas, exhibited objects demonstrating the island's material heritage, including its two-and-a-half centuries of rule by North African dynasties during the medieval period. The prevailing perception elsewhere in post-unification Italy ‐ that Sicily was ungovernable and barbaric in nature ‐ heightened the display's significance. Another exhibition that many Italians would ha

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