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Tesi sul tema "Fashion and art"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 29 luglio 2024

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1

Mosina, E. O. "Abstract vision in fashion." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/11355.

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2

Dorosh, Daria. "Patterning : the informatics of art and fashion." Thesis, University of East London, 2007. http://roar.uel.ac.uk/1236/.

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Abstract (sommario):
The latter half of the 20th century saw a massive transition from the analogue way of life to the digital. This thesis compares and contrasts two sets of binary patterns in this transition: the 'grid' and the 'loop', and 'representation' and 'abstraction'. My field of knowledge is Contemporary Conceptual Art practice, and the overlapping areas between three major disciplines: post-1970s visual art, fashion design and production, and digital media tools. The method is process-art analysis, in practice and theory. The thesis looks at several art and fashion case studies engaged with new media an
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3

Björling, Sofia. "Ethnic fashion : begrepp i förändring." Thesis, Högskolan på Gotland, Institutionen för humaniora och samhällsvetenskap, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hgo:diva-748.

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Syftet med denna studie är att se på hur begreppet etniskt mode används i praktiken inom dagens modejournalistik och inom den mode- och dräkthistoriska litteraturen, med utgångspunkt i hur etniskt mode och dräkt presenteras i forskningen. Etniskt mode som idag är ett väl använt begrepp som visar sig ha många olika innebörder. För det har visat sig att man med begreppet etniskt mode menar olika saker inom forskningen respektive inom mode- och dräkthistoriska översiktsverk samt inom modejournalistiken.
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4

LIU, MINGYUAN. "Disabled: Media, Fashion and Identity." Thesis, Sydney College of the Arts, 2019. http://hdl.handle.net/2123/20106.

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5

Edwards, Jennifer Somerville 1967. "Louise Dahl-Wolfe: A fashion photographer redefined." Thesis, The University of Arizona, 1996. http://hdl.handle.net/10150/291450.

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Abstract (sommario):
Dahl-Wolfe (1895-1989) is best-known as a fashion photographer, her photographic life encompassed a pattern of art and documentary ideas interwoven over a forty-year period. This thesis describes her early art influences and explores her photography career in regards to the historical and cultural developments from World War I through the 1950s. Dahl-Wolfe is compared with her contemporaries such as Consuelo Kanaga, Dorothea Lange, Edward Weston, Richard Avedon, and Henri Cartier-Bresson. The study reveals how Dahl-Wolfe's work reflects photography's evolution over a specific period and how tr
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6

Gaudyn, Weronika. "Study of Haute Couture Fashion Shows as Performance Art." University of Akron / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=akron1543249777154531.

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7

Eriksson, Kajsa G. "Concrete fashion : dress, art, and engagement in public space /." Göteborg : HDK, School of Design and Crafts, Faculty of Fine, Applied and Performing Arts, University of Gothenburg, 2009. http://hdl.handle.net/2077/21545.

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8

Lava, Valentina <1996&gt. "Between Art and Fashion. The World of Roberto Capucci." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21226.

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Abstract (sommario):
Prima del prêt-à-porter e della produzione di massa di prodotti d’abbigliamento, il sistema moda era caratterizzato dalla figura artigianale del sarto. Roberto Capucci è il simbolo di quel periodo storico. Da sempre, ha rappresentato l’esempio di uno stilista che ha dedicato gran parte della sua carriera non ai dettami del branding o dell’imprenditorialità, bensì ad una libera espressione della sua creatività creando modelli iconici capaci di rappresentare la sua educazione artistica, ispirandosi o seguendo alcuni movimenti artistici. Il suo percorso creativo lo portò alla reazione delle sue
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9

Tolley, Rebecca. "Review of Fashion's Front Line: Fashion Show Photography from the Runway to Backstage." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/5622.

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10

Kay, Lacey. "Fashionable Art." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3337.

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Abstract (sommario):
My final thesis exhibition, Fashionable Art, opens up a link between art and fashion. I used clay as my primary medium to create hyper-realistic handbags in the style of Trompe l'oeil. I am interested in placing art in fashion settings and fashion in art settings. In the show, I placed many purses on pedestals for a gallery setting, in a glass case for a purse shop setting and also placed large photos in a fashion photo shoot setting. I am concerned with creating an environment that celebrates the handbag from just an accessory to an art object. By using clay as my primary media, the purse bec
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11

Smith, Natalie D., and n/a. "Fashion and the artworld : intersection, interplay and collusion since 1982." University of Otago. Department of History, 2007. http://adt.otago.ac.nz./public/adt-NZDU20070417.122533.

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Abstract (sommario):
Fashion scholarship has prospered since the 1980s. Yet in spite of the stimulating research in this field, principally in the domain of design, gender, media and cultural studies, only a handful of scholars have written about fashion�s relationship with the artworld. This, inspite of the artworld increasingly drawing upon the idiom of fashion - �the new�, �the now� and hype, and the evolvement of sartorial fashion into an exciting new artistic medium as the result of an increasingly experimental attitude towards design. This thesis considers the idiom of fashion as part of art-making, and how
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12

Butler-Roberts, Jessica. "Fashioning distinction| construction of identity through dress and photography in nineteenth-century Paris." Thesis, California State University, Long Beach, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10252491.

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Abstract (sommario):
<p> In mid-nineteenth-century Paris those associated with the intellectual and artistic sectors used distinction in dress as a defining characteristic in the creation of their social image and identity. With the growing bourgeois masses due to the vast expansion and modernization of the city, distinction became the way in which one could separate from the crowd to emerge as an individual. This notion grew out of two specific factions: the awareness of dress as an outward reflection of the self, and the newly developed medium of photography as a tool for capturing one&rsquo;s likeness. This the
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13

Huang, Li Ti. "Fashion and a critique of cultural identity: the implication for art education." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407141397.

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14

Johansson, Alva. "Bodydressed : BA IN FINE ARTS; FASHION DESIGN." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-640.

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Abstract (sommario):
Bodydressed: Investigate alternative forms of wearing garments in relation to the body trough questioning garments fixed position and bodily relationship, using the own body and a bodystocking as a tool for draping.
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15

Roe, Rebecca Suzanne. "Fashioning a utopian ideal : dress and undress in the work of Pierre-Auguste Renoir /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1426100.

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16

Zanardo, Veronica <1987&gt. "Fashion Documentary: l’evoluzione comunicativa della moda attraverso il cinema." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10376.

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Abstract (sommario):
La moda è uno dei fenomeni culturali più rilevanti e influenti della società e della cultura occidentale contemporanea. Nonostante sia stata spesso considerata un argomento frivolo e privo di valore culturale, la moda è oggi divenuta un argomento centrale di studio e trattazione di molteplici discipline. Tali discipline, tra cui la sociologia, la filosofia e la semiologia, hanno apportato, nel corso degli anni, il loro contributo affinché a tale fenomeno venisse riconosciuto il fatto di essere un sistema altamente complesso entro cui intervengono numerosi e rilevanti elementi che influenzano e
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17

Blair, Sean. "Permanent novelty." Morgantown, W. Va. : [West Virginia University Libraries], 2007. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=5125.

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Abstract (sommario):
Thesis (M.F.A.)--West Virginia University, 2007.<br>Title from document title page. Document formatted into pages; contains vi, 38 p. : col. ill. Vita. Includes abstract. Includes bibliographical references (p. 36-38).
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18

McLoughlin, Marie. "Fashion, the Art School and the role of Muriel Pemberton in the development of degree level fashion education in the UK." Thesis, University of Brighton, 2010. https://research.brighton.ac.uk/en/studentTheses/dcb4f707-0a35-427e-9bf1-2780249190cb.

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19

Gramotnev, Helen. "Femme au chapeau: Art, Fashion and the Woman's Hat in Belle Epoque Paris." Thesis, The University of Sydney, 2019. https://hdl.handle.net/2123/22417.

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Abstract (sommario):
This thesis examines the images of hatted women in the early 1900s among Paris-based artists, when the fast pace of the fashion industry and changing media revolutionised the image of a fashionable woman. The first chapter examines the hat in portraiture of the early twentieth century, in both academic and avant-garde art, with emphasis on the depiction of glamour, and how a woman’s identity might be altered by a hat. It draws a comparison between commercial portraiture, and portraits of women by avant-garde artists. The second chapter addresses the images of the popular Montmartre dance hall,
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20

Bush, Jessica. "The strategic use of art, architecture and design in high-end fashion retail." Thesis, Bucks New University, 2008. http://bucks.collections.crest.ac.uk/9828/.

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Abstract (sommario):
The aim of this thesis is to investigate the role of art, architecture and design in the luxury sector of fashion retail, taking leading high-end fashion brands as case studies. This study addresses how art, architecture and design can be shaped for commercial purposes, to make brands appear exclusive and distinctive. In the first section, a review of existing literature on art, design, fashion and consumption establishes how this research subject fits within broader debates that centre in these different creative practices. This research investigates the purpose of displaying works of art in
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21

Tonucci, Giulia <1984&gt. "Body, Technology and Fashion. Nuovi modelli creativi per la scena contemporanea." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amsdottorato.unibo.it/7395/1/TONUCCI_GIULIA_TESI.pdf.

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Abstract (sommario):
La tesi si pone l'obiettivo di investigare la scena performativa contemporanea concentrandosi sull’evoluzione, durante il Novecento, di due aspetti principali, o forme: il corpo e l’abito. In primo luogo, si tratta di porre la lente d'ingrandimento su ciò che ha comportato la modificazione del concetto di presenza del corpo sulla scena, attraverso il triplice filtro della tecnologia, della moda e del movimento. Diviene utile indagare, quindi, come il modo di pensare e agire sul corpo si sia modificato negli anni attraverso la realizzazione di costumi e di strumenti scenici in cui la componente
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22

Tonucci, Giulia <1984&gt. "Body, Technology and Fashion. Nuovi modelli creativi per la scena contemporanea." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amsdottorato.unibo.it/7395/.

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Abstract (sommario):
La tesi si pone l'obiettivo di investigare la scena performativa contemporanea concentrandosi sull’evoluzione, durante il Novecento, di due aspetti principali, o forme: il corpo e l’abito. In primo luogo, si tratta di porre la lente d'ingrandimento su ciò che ha comportato la modificazione del concetto di presenza del corpo sulla scena, attraverso il triplice filtro della tecnologia, della moda e del movimento. Diviene utile indagare, quindi, come il modo di pensare e agire sul corpo si sia modificato negli anni attraverso la realizzazione di costumi e di strumenti scenici in cui la componente
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23

Fowler, Michael Anthony. "Rosa Bonheur the Amazon? Victorian-era Fashion, Female Masculinity, and the Horse Fair (1855)." Digital Commons @ East Tennessee State University, 2022. https://dc.etsu.edu/etsu-works/8903.

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24

Finn, Angela. "Fashion manufacturing in New Zealand can design contribute to a sustainable fashion industry? : this exegesis is submitted to Auckland University of Technology for the Honours degree of Bachelor of Art and Design, October 2008 /." Full exegesis, 2008.

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Abstract (sommario):
Exegesis (BA--Art and Design) -- AUT University, 2008.<br>Includes bibliographical references. Also held in print (xix, 101 leaves : ill. ; 30 cm.) in City Campus Theses Collection (T 338.47746920993 FIN)
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25

Walsh, Kyley. "Fashion and Art Collaborations| The Benefits for Both Brands in a Designer x Artist Brand Alliance." Thesis, Sotheby's Institute of Art - New York, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10187679.

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Abstract (sommario):
<p>This research project analyzes the history between fashion and art and investigates several recent collaborations between designers and artists, with the intention to distinguish the benefits each brand receives through the affiliation with one another. In today?s cultural and commercial market, there are an abundance of new collaborations between designer brands and artists continuously developing. Artists are recognized through gallery and museum exhibitions, as well as through auctions, but what many fail to observe is that artists are being acknowledged through the fashion industry as w
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26

Souza, Nívea Faria de. "Entremeios da arte: moda e arte." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4820.

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Abstract (sommario):
Este trabalho versa sobre o universo da arte tangenciado pela moda, sua efemeridade, pertencimentos e seus agenciamentos. Nesse contexto, busca-se exemplificar o quanto a moda e a arte estão intrinsecamente ligadas. O ponto de partida é a moda como experiência e expressão coletiva e/ou individual, principalmente em trajes e formas vestimentares, pois são esses que mais forte influência exercem sobre o homem, seu corpo, seu espaço e memória. Localiza-se esse processo de aproximação entre arte e moda no século XX, quando vanguardas romperam com o academicismo clássico, agregando à arte sinestesi
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27

McRobbie, Angela. "Art world, rag trade or image industry? : a cultural sociology of British fashion design." Thesis, Loughborough University, 1998. https://dspace.lboro.ac.uk/2134/7359.

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Abstract (sommario):
This thesis argues that the distinctiveness of contemporary British fashion design can be attributed to the history of education in fashion design in the art schools, while the recent prominence and visibility is the result of the expansion of the fashion media. Fashion design had to struggle to achieve disciplinary status in the art schools. Tarnished by its associations with the gendered and low status practice of the dressmaking tradition, and then in the post war years, with the growth of mass culture and popular culture, fashion educators have emphasised the conceptual basis of fashion de
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28

Cone, Schuyler Eaton. "Investigation of fashion characteristics 1937-1943 incorporated in a specific type of female Marine Corps uniform, 1943 /." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487850665556776.

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29

Willumsen, Kajsa. "Dressing[room]." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-14910.

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Abstract (sommario):
This project is an investigation of the relationship between spatial dressing and body dressing. It aims to find a new way of dressing the body by looking at how a room is dressed. It is explored by using the mindset of when dressing and furnish a room, looking at elements such as materials, details and fixtures of what defines the different rooms. To gain knowledge and understanding of the chosen elements they have been decontextualized and experimented with on a body, using the body as a spatial canvas. It has been explored through placement in order to challenging the limitations of startin
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30

Castiglioni, Elena <1994&gt. "FASHION CURATING: pratiche curatoriali per i musei della MODA. Il caso del GUCCI GARDEN." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17329.

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Questa tesi si propone di trattare le pratiche curatoriali adottate nei musei della moda italiani, investigando in particolare quelle adottate dal museo aziendale Gucci Garden di Firenze. Una prima parte introduttiva tratta delle principali occasioni espositive di moda in Italia, tracciandone al contempo l’evoluzione storica. Lo sviluppo più recente del fashion curating viene inoltre rappresentato dall’analisi di due mostre italiane, Bellissima e Italiana, e di una internazionale, Heavenly Bodies, tenutasi al Costume Institute di New York. Si sono poste a confronto tre istituzioni pubbliche p
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31

Silberstein, Rachel. "Embroidered figures : commerce and culture in the late Qing fashion system." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:3f170232-4836-47ee-a535-901834528b21.

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Contrary to Westerners' long-maintained denial of fashion in Chinese dress, recent scholarship has provided convincing textual evidence of fashion in early modern China. Research into this fashion commentary has complicated our understanding of Chinese consumption history, yet we still know little about fashion design, production, or dissemination. By prioritising the textual over the visual or material, this history remains confined to the written source, rather than asking what objects might tell us of Qing fashions. Though many fashionable styles of dress survive in Western museums, these a
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32

Martins, Leilane Rigatto. "Moda, arte e interdisciplinaridade." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-13052013-134330/.

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Abstract (sommario):
A presente pesquisa estuda arte e moda buscando relacionar as duas áreas de conhecimento por meio das teorias interdisciplinares. A parte principal da pesquisa se concentra no estudo de três atos interdisciplinares ocorridos entre os artistas contemporâneos Stephen Sprouse, Takashi Murakami e Vanessa Beecroft produzidos em parceria com Marc Jacobs, diretor criativo da Louis Vuitton. Esses casos de estudo foram selecionados levando em conta o encontro entre moda e arte que busca enfatizar a ação benéfica da arte no produto de moda e da moda no campo da arte. A partir desses casos são levantadas
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33

Metcalfe, Jessica RheAnn. "Native Designers of High Fashion: Expressing Identity, Creativity, and Tradition in Contemporary Customary Clothing Design." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/194057.

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American Indian traditional art forms have been reincarnated by contemporary Native designers and placed on human bodies in the form of haute couture. This project examines culture and identity through a historical and sociocultural analysis of contemporary Native American clothing design. This project focuses on the use of clothing design and adornment to promote cultural traditions and maintain a `Native' identity. I equate this communicative use of design with the traditional role of storytelling: it allows Native designers to express, interrogate and subvert notions of Indianness; to creat
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34

Hval, Ali. "Nearly symmetrical and definitely ostentatious." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6769.

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35

Carmichael, Elisa J. "How is weaving past, present, futures?" Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/108051/1/Elisa_Carmichael_Thesis.pdf.

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This researcher is a descendant of the Quandamooka people from Minjerribah and Moorgumpin, North Stradbroke and Moreton Island. This practice-led research project explores the application of traditional weaving techniques in creating contemporary forms of fashion acknowledging the strength and structure of weaving practices across Australia. The resulting collection of the researchers woven garments is thus both a cultural expression and political statement. As a practicing Indigenous visual artist, this paper is a brief introduction to the researchers contribution to Indigenous Australian Fas
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Щуцька, Ганна, Ольга Патлашенко та Тетяна Безсмертна. "Використання художнього розпису та нових технік декорування в колекціях art та fashion дизайні одягу та взуття". Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10599.

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Проаналізовано тенденції в декоруванні сучасних колекцій аrt та fashion дизайну одягу та взуття молодих дизайнерів. Метою досліджень є визначення нових технік декорування в сучасних колекціях індустрії моди. Охарактеризовано сутність декоративного розпису в сучасних колекція молодих дизайнерів, як один із видів мистецтва та створення ексклюзивного виробу.<br>The tends in decorating modern art and fashion clothes and footwear design collections of young designers are analyzed. The goal of research is to identify new techniques of decorating in modern collections in the fashion industry. The ess
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Knabikaitė, Indrė. "Vakarų Europos ir sovietinės mados sankirta 1960 - 1970 metais Lietuvoje." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145404-61151.

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Abstract (sommario):
Magistro kvalifikaciniame darbe analizuojama 1960 - 1970 metų mada Lietuvoje. Darbo tikslas išanalizavus septintojo dešimtmečio Vakarų Europos ir sovietinės mados tendencijas, naudojant lyginamosios analizės metodą, palyginti su Lietuvoje vyravusiomis ir nustatyti jų transformacijos priežastis. Atlikta mokslinės literatūros analizė ir empirinis tyrimas iš esmės patvirtino darbe iškeltą hipotezę - madų tendencijos Lietuvoje atsiliko (laiko atžvilgiu) nuo Vakarų Europos, jaučiamas šių madų tendencijų skirtumas, atkeliavusios iš Vakarų Europos madų tendencijos Lietuvoje transformavosi.<br>There i
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38

Laraman, Debra. "Re-fabricate evolving design through user interaction : exegesis submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Art and Design, 2009 /." Click here to access this resource online, 2009. http://hdl.handle.net/10292/810.

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Abstract (sommario):
This research project focussed on discarded clothing and textiles, as signifiers for the lowest exchange value in the fashion system, and sought methods to add value by up-cycling1 into one of a kind fashion garments. Opportunities to add value were investigated with three main ideas emerging which include up-cycling the visual appearance of the garment or textiles through restyling, user interaction, and creating a narrative for the garment. The practice focussed on developing methods to incorporate these concepts as a way of extending the life of low value textiles into items that could be r
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39

Lee, Youjung. "A study on the application of contemporary visual art into flagship stores of luxury fashion brands." Thesis, Brunel University, 2014. http://bura.brunel.ac.uk/handle/2438/8568.

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Abstract (sommario):
Luxury fashion brands face a new challenge as to how to sustain brand growth while maintaining the exclusivity of brands due to the democratisation of the luxury phenomenon which is mainly driven by the emergence of ‘new luxury’ and changes of consumption style ‘trading up’. Luxury consumers are becoming disillusioned with the vulgarisation of luxury goods and prefer exclusive luxurious experiences. In order to keep pace with the changes in luxury consumer needs and promote an image with creative and luxurious connotations, luxury brands increasingly associate with contemporary visual art thro
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40

Garbossa, Sefora <1995&gt. "Quando l'arte ispira l’alta moda, l'intreccio dai fashion studies alle creazioni artistiche dei brand di lusso." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17422.

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L'obiettivo del presente elaborato di ricerca è quello di esaminare il rapporto che intercorre tra l'arte e la moda. Il focus verterà su una breve storia della moda attraverso i secoli, dal significato di lusso fino all’industria di massa, passando per lo sviluppo del prêt-à-porter e la nascita dei grandi marchi dell'alta moda. L’approccio adottato sarà centrato nello studio dei fashion studies, la valenza sociologica che attribuiamo alla moda e il rapporto che i marchi dell'alta moda hanno con l’arte.
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Walker, Sue. "Resurgence this exegesis is submitted to Auckland University of Technology in partial fulfillment of the degree of Master of Art and Design, 2008." Click here to access this resource online, 2008. http://hdl.handle.net/10292/372.

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Exegesis (MA--Art and Design) -- AUT University, 2008.<br>Includes bibliographical references. Also held in print (111 leaves : col. ill. ; 22 x 30 cm.) in the Archive at the City Campus (T 746.92 WAL)
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Hibner, Jacqueline Rose. "Mariko Mori's Sartorial Transcendence: Fashioned Identities, Denied Bodies, and Healing, 1993-2001." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/5489.

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This thesis is an examination of contemporary artist Mariko Mori's use of fashion in her work from 1993 to 2001. Contained within her sartorial phrasing is an involved relationship with the body, female and Japanese, as it exists within technological modernity. Tumult characterizes Mori's body as she images it early on in her career. This highly alienating space in which she positions herself gradually transitions to a space of respite for the performative body of another actor by 2001's Wave UFO. Wave UFO creates a mediated space for healing the modern body plagued with isolation through tran
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Bågander, Linnea. "MOViEMENT." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17066.

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This work explores the relationship between body and garment in movement. The method for investigation this meeting is through geometrical shapes that are applied on three points on the body. When researching materials, mesh was the most interesting one in its way of responding to the movements and it was easily combined with other material, when combines the effect from the movement increased. The dialog of movement is depending on the space between garment an wearer. It is in the space that the restrictions and the possibilities are created. The shapes are lacking details of traditional ga
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GOMES, Lavínnia Seabra. "A matriz de gravura como elemento de moda." Universidade Federal de Goiás, 2007. http://repositorio.bc.ufg.br/tede/handle/tde/2782.

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Made available in DSpace on 2014-07-29T16:27:51Z (GMT). No. of bitstreams: 1 Dissertacao Lavinnia Seabra Gomes.pdf: 4133155 bytes, checksum: 76db450d0f822c64c63bbf09e3d6a425 (MD5) Previous issue date: 2007-04-11<br>This dissertation developed on the line of studies in Contemporaneous Processes of Visual Image Prodution, of the Masters in Visual Culture of Visual Arts University, from UFG (Federal University of Goiás) resulted in plastic productions, were fashion and tecnics of figure, blend toghether forms, materials and images. The objective of this work, was concetrated on the matrixies cr
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Dreher, Anne M. ""Proud as a peacock" an historic and semiotic analysis of illustrated "Vogue" magazine covers from 1909 and 1911 /." Laramie, Wyo. : University of Wyoming, 2008. http://proquest.umi.com/pqdweb?did=1798480841&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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Morley, Jane. "Conceptual fashion : design, practice and process." Thesis, Queensland University of Technology, 2013. https://eprints.qut.edu.au/62703/1/Jane_Morley_Thesis.pdf.

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While Conceptual fashion design practices have been a pervasive influence in fashion since the early 1980s, there is little academic analysis that might explain how they are distinct from conventional fashion design practices. In addition, fashion practitioners have not historically contributed to fashion research. As a result, contemporary fashion practitioners have difficulty setting critical contexts and expanding their creative work as there is little relevant literature available from practitioner perspectives. This project uses practice-led research to develop a discourse for understandi
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Ivanova, Ninela. "The T-probe : a fashion-led approach to advance understanding of novel and challenging material concepts and sensory experiences." Thesis, Kingston University, 2015. http://eprints.kingston.ac.uk/37797/.

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The aim of this project was to pilot, assess and develop the globally worn everyday garment – the ‘humble’ T-shirt – as a wearable probe, defined in this research as the T-probe, to advance engagement with, and understanding of, challenging concepts relating to novel materials and sensory experiences. In the course of addressing this primary aim the research expanded into a three-part enquiry reflecting the complexity of factors involved in introducing novel material concepts via a design probe, and attaining sensory experience and perception data via the two-pronged approach of observation an
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Marchi, Tavares de Melo Isabela. "Threading Art: the dynamics of costume design and costume studies." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3380.

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The main objective of this research is to demonstrate the strong relationship between design and history in the process of studying and creating costumes for theatre. Costumes are considered an important area in the study of material culture, which has been given more visibility within academia. Over the past few decades, the number of museums and universities with collections dedicated exclusively to costumes and textiles has noticeably increased, recognizing them as works of art worthy of being preserved. Considering costumes’ ability to document time and space, and to visually tell stories,
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Grasser, Hildegard Irene. "From art to artefact: meaning-making processes across the three major subjects in a Diploma in Fashion." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/12012.

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Includes abstract.<br>Includes bibliographical references.<br>Investigations in the field of Fashion design education have not taken into account that students need to negotiate three very different subjects. In particular the technical side, namely pattern making and garment construction have not received enough attention. Over the years I have found the same difficulties among students as they negotiate the three main subjects. Their encounter with the technical subjects, presents particular difficulties. In order to explore these difficulties, this study investigates the meaning-making proc
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Rice, Erin [Verfasser]. "The Pattern of Modernity: Textiles in Art, Fashion, and Cultural Memory in Nigeria since 1960 / Erin Rice." Berlin : Freie Universität Berlin, 2020. http://d-nb.info/1213724899/34.

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