Bibliografie tematiche / Fashion Designers

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Letteratura scientifica selezionata sul tema "Fashion Designers"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 25 luglio 2025

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Articoli di riviste sul tema "Fashion Designers"

1

Dykhnych, Liudmyla. "Visual Art as a Means of Presenting a Fashion Designer's Creative Idea." Culture and Arts in the Modern World, no. 24 (September 22, 2023): 213–26. https://doi.org/10.31866/2410-1915.24.2023.287699.

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<i>The aim of the article </i>is to identify the types and functions of fashion graphics as a means of visualising the ideas and concepts of a fashion designer. <i>Results</i>. The role of visual art in expressing the idea of a fashion designer is characterised; based on the systematisation and analysis of examples of fashion graphics that visualise clothing models of such designers as K. Dior, Y. Saint Laurent, H. Mepen, V. Nesmiian, A. Tan, V. Anisimov, as well as the author's graphics of K. Lagerfeld, the following types of using visual art in presenting designer's ideas are identified 1) f
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Agusalim, Nadia Putri. "Fashion Business Sustainability for Fashion Designers in the Indonesian Fashion Industry." International Journal of Review Management Business and Entrepreneurship (RMBE) 1, no. 2 (2021): 144–52. http://dx.doi.org/10.37715/rmbe.v1i2.2423.

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The fashion industry remains as one of the most highly competitive industries where many fashion designers may find it difficult to establish sustainable fashion businesses. Navigating through the fashion business and ensuring business success, growth and long-term sustainability were generally considered to be the ultimate goal and biggest challenge many fashion designers continue to struggle with. This study was aimed to determine all key factors that are integral and contribute to fashion business sustainability by presenting findings provided by three Indonesian fashion designer’s response
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Dykhnych, Liudmyla. "Visual Art as a Means of Presenting a Fashion Designer’s Creative Idea." Culture and Arts in the Modern World, no. 24 (September 22, 2023): 213–26. http://dx.doi.org/10.31866/2410-1915.24.2023.287699.

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Abstract (sommario):
The aim of the article is to identify the types and functions of fashion graphics as a means of visualising the ideas and concepts of a fashion designer. Results. The role of visual art in expressing the idea of a fashion designer is characterised; based on the systematisation and analysis of examples of fashion graphics that visualise clothing models of such designers as K. Dior, Y. Saint Laurent, H. Mepen, V. Nesmiian, A. Tan, V. Anisimov, as well as the author’s graphics of K. Lagerfeld, the following types of using visual art in presenting designer’s ideas are identified 1) fashion illustr
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Guo, You Nan, and Xiao Wei Xu. "Talking Designer's Emotional State in the Fashion Creation." Advanced Materials Research 796 (September 2013): 538–41. http://dx.doi.org/10.4028/www.scientific.net/amr.796.538.

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Designer's emotional state in the fashion creation process is the subject of long-term concern. This article attempts to clothing fabrics, clothing brand fashion and clothing design goal level, attempts to explore how designers will infuse art and technology into the fabric material and fashion design, turning it into a designer emotion materialized form..
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Arutcheva, Daria D. "Transformation of Graphic Fashion Techniques in the Context of the History of Costume Design." Sphere of culture 6, no. 1 (2025): 51–60. https://doi.org/10.48164/2713-301x_2025_19_51.

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The change in the person’s appearance in works of fine art has been accompanied by the historical evolution of a fashion drawing, its approaches and graphic techniques. This article reveals the interaction of the designer’s sketch with the embodiment of the finished costume at various points in the history of the costume. A fashion drawing is seen as a major graphic skill for a designer or a costume designer. The emergemce of illustration and magazine graphics in fashion is traced, as well as the evolution of fashion graphics in world culture. The creativity of the most outstanding fashion des
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Rosihan, Mursyida, and Asliza Aris. "The Influence of Cultural Values Towards Creativity Enhancement: The Case of Malaysian Fashion Designers." International Journal of Art and Design 6, no. 1 (2022): 93–107. http://dx.doi.org/10.24191/ijad.v6i1.1354.

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Malaysian fashion designers face difficulties and challenges in competing in the fashion industry due to the emerging international brands that exist in the market. Cultural values have influenced fashion designers in the process of design concept and use of textiles over time. This paper attempts to analyse the influence of cultural values on Malaysian fashion designer creativity and the elements that provide for creativity enhancement. The scope of this study was based on fashion designers located around the Klang Valley area. A qualitative approach is adopted using semi structured questions
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Armstrong, Leah. "“Fashions of the Future”: Fashion, Gender, and the Professionalization of Industrial Design." Design Issues 37, no. 3 (2021): 5–17. http://dx.doi.org/10.1162/desi_a_00644.

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Abstract In 1939, U.S. Vogue magazine dedicated its February issue to the promotion of the New York World's Fair, which would open in April 1939, giving significant editorial space to the subject of industrial design for the first time. The issue's leading fashion editorial feature, “Fashions of the Future,” invited nine industrial designers to dress the “woman of tomorrow.” The feature served as a promotional vehicle for the World's Fair and for the industrial designers who worked on it. Through a close examination of the issue's visual and textual content, this article explores the relations
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Gursoy, Fatma, and Nurgul Kilinc. "The effects of technical knowledge related to garment production process on fashion designers’ designs." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (2016): 628–37. http://dx.doi.org/10.18844/prosoc.v2i1.1001.

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Today, in the fashion sector, which can be regarded as the driving force behind Turkish exports, the need for designs and designers is increasing day by day in parallel with the developments in domestic and foreign markets. The process of production in the fashion sector can be divided into four groups, namely design, planning, production and marketing. The fundamental properties of the product are determined in the design department, which constitutes the basis of the production process. In this study, the purpose was to investigate how effects having or not having technical knowledge related
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Mintorwati, Mintorwati, and Irwan Yudha Hadinata. "ESMOD MODE SCHOOL IN BANJARMASIN." LANTING JOURNAL OF ARCHITECTURE 10, no. 1 (2021): 221–31. http://dx.doi.org/10.20527/lanting.v10i1.753.

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The Design of Fashion Schools in Banjarmasin is in the background by the rapid increase of fashion needs. Some potential young designers in Indonesia also show that fashion products in Indonesia have a great potential. However, in South Kalimantan, especially Banjarmasin, does not yet have a Fashion Design high school, it makes the local people who want to become a fashion designer must study outside the island of Kalimantan. With the existence of a fashion school in Banjarmasin, it is expected that Banjarmasin and the surrounding communities who have aspirations to become a Fashion Designer o
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Mintorwati, Mintorwati, and Irwan Yudha Hadinata. "ESMOD MODE SCHOOL IN BANJARMASIN." JURNAL TUGAS AKHIR MAHASISWA LANTING 10, no. 1 (2021): 221–31. http://dx.doi.org/10.20527/jtamlanting.v10i1.753.

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Abstract (sommario):
The Design of Fashion Schools in Banjarmasin is in the background by the rapid increase of fashion needs. Some potential young designers in Indonesia also show that fashion products in Indonesia have a great potential. However, in South Kalimantan, especially Banjarmasin, does not yet have a Fashion Design high school, it makes the local people who want to become a fashion designer must study outside the island of Kalimantan. With the existence of a fashion school in Banjarmasin, it is expected that Banjarmasin and the surrounding communities who have aspirations to become a Fashion Designer o
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Tesi sul tema "Fashion Designers"

1

Beattie, Olivia Lucy Elizabeth. "Communicating identities: new zealand fashion designers and creative exports." The University of Waikato, 2009. http://hdl.handle.net/10289/2786.

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This thesis investigates how New Zealand fashion designers construct and communicate a unique and fluid identity. There are two main focuses of the research. The first is how New Zealand fashion designers build and maintain a unique brand identity in the New Zealand market. This includes an in-depth analysis of the public relations and communication strategies both emerging and established fashion designers use. The second focus is how New Zealand designers communicate their brand identity to export markets. This includes an examination of how the New Zealand national identity has an effect on
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Romaniuk, V. P. "Ukrainian Culture in the Context of World's Fashion." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8394.

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Falsken, Joycelyn. "Charles Kleibacker, master of the bias cut : designs, construction and techniques." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1197564134.

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Booth, Gayle J. "Women Entrepreneurs : A Study of Fashion Designers of Great Britain." Thesis, University of Manchester, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504786.

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Abstract (sommario):
Women represent around 30% of Great Britain's entrepreneurs. They constitute a dynamic and substantial force in the economy. Their rate of participation as entrepreneurs is significantly lower than that of men. Previous research has sought to understand the experiences of women entrepreneurs in order to explain this under representation. However, much of this work has consulted with women as entrepreneurs which own businesses across a variety of industries. Research into defined industries is limited and research on fashion designers specifically is virtually non-existent. This pioneering stud
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Klymenko, O. "Eccentric Decisions for the Fashion Design." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8475.

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Lindgren, Timothy T. "Fashion in Shanghai : the designers of a new economy of style." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/67803/2/Timothy_Lindgren_Thesis.pdf.

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This thesis is a study of Chinese fashion designers in Shanghai. It shows fashion designers are building businesses, forging their professional reputations and developing a design aesthetic. Some designers are extremely successful in applying some elements of Chinese philosophy to their work, such as Buddhism, Confucianism and Daoism. In doing so, they challenge the dominance of the European fashion system with a new global fashion system.
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Heim, Hilde. "Fashioning business: Updating support for local, small-scale independent fashion designers." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/122563/1/Hildegard_Bennett%20Heim_Thesis.pdf.

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Small-scale fashion designer businesses are emerging in many locations, including in cities not known as fashion centres, such as Brisbane. This study identifies the factors that contribute to business success or failure, not least of which is the support owner-designers receive during the life cycle of their business. The study revealed that a complex set of requirements is needed to support those practices, including access to relevant and credible information, community interaction and tailored mentoring. The study resulted in the development of an online resource to support independent des
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Keet, Philomena Benedicta Camelia. "Mimicking in a material world : negotiating stylish selves and networks in a Tokyo youth fashion scene." Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602392.

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Song, Hyunjoon. "The Scandinavian Cooperative Advantage of Fashion : A Study of Swedish Fashion Brands." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-315259.

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Abstract (sommario):
In recent years the fashion industry has experienced a high frequency of famous Creative Directors departing the companies for unknown reasons. The same problem does not seem to occur in the Scandinavian fashion industry. This study’s purpose is to explore why Scandinavia does not experience the same problem, contribute a deeper understanding of the leader-designer relationship in the Swedish fashion industry, and to examine how the Scandinavian Cooperative Advantage is applicable in the Swedish fashion industry. Three case studies were conducted at the Swedish fashion companies TRIWA, Baron a
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Robinson, Rebecca J. "American Sportswear: A Study Of The Origins And Women Designers From The 1930’s To The 1960’s." Cincinnati, Ohio : University of Cincinnati, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1054926324.

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Libri sul tema "Fashion Designers"

1

Senker, Cath. Fashion designers. PowerKids Press, 2012.

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Borrelli, Laird. Fashion illustration by fashion designers. Chronicle Books, 2008.

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Storey, Helen. Fighting fashion. Faber and Faber, 1996.

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Stegemeyer, Anne. Who's who in fashion. 2nd ed. Fairchild Publications, 1988.

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Stegemeyer, Anne. Who's who in fashion. 4th ed. Fairchild Publications, 2003.

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Julie, Hollinger, ed. Portfolio for fashion designers. Pearson, 2013.

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Hagen, Kathryn. Fashion illustration for designers. 2nd ed. Prentice Hall, 2011.

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Harvey, Anna. Fashion: Great designers talking. MQ Publications, 1998.

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Roger, Tredre, ed. The great fashion designers. Berg Publishers, 2009.

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Martín i Roig, Gabriel, 1970-, ed. Drawing for fashion designers. Batsford, 2007.

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Capitoli di libri sul tema "Fashion Designers"

1

Stecker, Pamela. "Influential Designers." In The Fashion Design Manual. Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-15162-2_2.

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Moradei, Clizia. "Fashion Education: Cultivating Fashion Designers-Plants." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_42.

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AbstractIn the context of the contemporary social and ecological crisis, this contribution proposes a reinterpretation of current fashion design educational programs through a bio-inspired perspective, with the intent of guiding next generation fashion designers to successfully face such issues. The investigation delineates the theoretical subsoil to frame the topic by illustrating some key concepts connected to ‘fashion futuring’, ‘making kin’, plant neurobiology, collective authorship and co-design, translated within fashion studies. Specific plant neurobiology and botanical definitions are
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Luce, Leanne. "Generative Models as Fashion Designers." In Artificial Intelligence for Fashion. Apress, 2018. http://dx.doi.org/10.1007/978-1-4842-3931-5_8.

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Stecker, Pamela. "Australian Style: Influential Australian Designers." In The Fashion Design Manual. Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-15162-2_20.

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Kang, Zi Young. "Fashion designers' tools for forecasting trends." In Fashion Trends and Forecasting. Routledge, 2025. https://doi.org/10.4324/9781003415589-10.

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Voss, Kimberly Wilmot. "National Fashion Editors, Public Relations Pioneers, and Fashion Designers." In Newspaper Fashion Editors in the 1950s and 60s. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73624-8_4.

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England, Lauren, Ogake Mosomi, Roberta Comunian, and Brian J. Hracs. "Fashion designers and education in Nairobi." In Higher Education and Policy for Creative Economies in Africa. Routledge, 2020. http://dx.doi.org/10.4324/9781003127802-5.

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Richards, Christopher L. "The forerunners of Ghana's fashion designers." In Cosmopolitanism and Women's Fashion in Ghana. Routledge, 2021. http://dx.doi.org/10.4324/9781003148340-3.

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Saraswati, Asri. "Fraught Relations: Indonesian Modest Fashion, New York Catwalks, and the Spectacle of Travel." In Gender, Islam and Sexuality in Contemporary Indonesia. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-5659-3_4.

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AbstractThis chapter examines the rise of Indonesian Muslim fashion, or “modest fashion,” and its connection to the New Yorkcatwalks. It seeks to uncover the interplay between the narratives of freedom and travel in creating the global capitalist pullfor modest fashionin Indonesia. Thus, it contributes to one of the aims of this volume to “explore the different ways in which modestyand commodification interact” (see Arnez 2023, this volume, Chap. 1). Contributing to studies examining political statements of designers of Islamic clothing for women, this chapter discusses the popularity of Indon
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Tsarouchis, Sotirios-Filippos, Argyrios S. Vartholomaios, Ioannis-Panagiotis Bountouridis, Athanasios Karafyllis, Antonios C. Chrysopoulos, and Pericles A. Mitkas. "Science4Fashion: An Autonomous Recommendation System for Fashion Designers." In IFIP Advances in Information and Communication Technology. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79150-6_57.

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Atti di convegni sul tema "Fashion Designers"

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Anitei, Nadia Cerasel. "METALS, PRECIOUS AND SEMIS-PRECIOUS STONES FASCINATION AND ART." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs06.17.

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The article aims to present some of the legends surrounding precious metals and precious stones, followed by legal aspects and a brief historical overview and concluding with the fascination that precious metals and stones have for people. Precious metals and precious stones function as a signal of a person�s high social status in society. Thus, they are the insignia of powerful people; the vehicle by which a person can climb the social ladder. Precious metals and precious stones, because of their aesthetic, disturbing qualities, entered into the myths and legends of antiquity, fascinated peop
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Hill, Charlie, Gillian Cramption Smith, Eleanor Curtis, Stephen Kamlish, and Mike Scaife. "Designing a visual database for fashion designers." In INTERACT '93 and CHI '93 conference companion. ACM Press, 1993. http://dx.doi.org/10.1145/259964.260055.

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Albuquerque, Cibele, Leonardo Gomes Castillo, and Carla Regina Pasa Gómez. "Activism for sustainable fashion: the designers' role." In SDS 2023 - IX SIMPÓSIO DE DESIGN SUSTENTÁVEL. Grupo de Pesquisa Virtuhab/UFSC, 2023. http://dx.doi.org/10.29183/978-65-00-87779-3.sds2023.p465-476.

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Este artigo parte do pressuposto de que o estudo das práticas de ativistas da moda sustentável pode fornecer reflexões sobre as motivações e contextos que conduzem a comportamentos na relação produção-consumo mais conscientes e menos prejudiciais ao meio ambiente. Assim, o objetivo foi examinar o papel de designers brasileiras como ativistas na moda, a partir da proposta de Mazzarella, Storey &amp; Williams (2019). Utilizando uma abordagem qualitativa, que contou com 6 entrevistas em profundidade cujos dados foram analisados a partir de análise de conteúdo (Bardin, 1977) foi possível identific
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Rossato, Beatrice, Livia Tenuta, and Susanna Testa. "TRAINING FUTURE FASHION DESIGNERS. AN INTEGRATED APPROACH THROUGH FASHION-TECH UNIVERSITY-INDUSTRY COOPERATION." In 13th International Conference on Education and New Learning Technologies. IATED, 2021. http://dx.doi.org/10.21125/edulearn.2021.1300.

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Jones, Katie Baker. "Mything in action: Fashion designers in documentary film." In Pivoting for the Pandemic. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/itaa.11857.

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Montagna, Gianni, Maria Delgado, Isabel Duarte De Almeida, and Luís Santos. "New skills for new designers: Fashion and Textiles." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001539.

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This work arises as a reflection on what it means to be a designer of the future and their greater need for influence and collaboration with the team throughout the product creation cycle. The renewal of a culture of design and business innovation in the area of fashion and textile design is based on the establishment of bridges with different realities that, increasingly dynamic, change the landscape of different products and their creation processes, blurring the boundaries and limits of each area of intervention and its actors. From the small to the big industry we find new needs and profes
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Chen, Yulan, Zhiyong Wu, Zheyan Shen, and Jia Jia. "Learning from Designers: Fashion Compatibility Analysis Via Dataset Distillation." In 2022 IEEE International Conference on Image Processing (ICIP). IEEE, 2022. http://dx.doi.org/10.1109/icip46576.2022.9897234.

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McAndrews, Laura E., Kristian Hogans, and Patricia Hunt-Hurst. "Africa Speaks to Fashion Designers: Decolonizing African Inspiration as Found in Fashion Periodicals, 1920 to 1962." In Making Waves Toward A Sustainable and Equitable Future. Iowa State University Digital Press, 2025. https://doi.org/10.31274/itaa.18684.

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REABENCHI, Eugen. "Analysis and prediction of fashion trends. How social trends affect fashion." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p178-183.

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Abstract (sommario):
Today it is no longer enough to just catch the changes in society and use this knowledge: we have to be proactive: we “predict” and then quickly and accurately formulate the trends. Fashion design, as a creative unit, is a branch of production in which the use of forecasting techniques and systems is of particular importance, which makes it possible to predict directions and trends in the use of new technologies, materials and methods of producing a design. Forecasting development trends in these areas is an important way to form promising clothing collections with positive social impact. Usin
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Senevirathne, K., and S. C. Gopura. "Nature as a creative mentor: how Sri Lankan fashion designers embrace biomimicry." In Awakening the economy through design innovation. Department of Integrated Design, University of Moratuwa, Sri Lanka, 2023. http://dx.doi.org/10.31705/idr.2023.11.

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Channelling nature as a profound source of inspiration for integrating design solutions has been a longstanding practice dating back to the dawn of human survival. This innovative approach involves perceiving biological functions and visuals, and then merging them with design to create product solutions. In recent times, this process has taken on a new form with biomimicry gaining traction as a valuable tool for industrial enterprises. The purpose of this study is to explore the potential impact of biomimicry on the fashion industry and its future landscape in fashion design. To conduct this r
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Rapporti di organizzazioni sul tema "Fashion Designers"

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Min, Seoha, and Jennifer L. Wilson. Exploring entrepreneurial processes of emerging fashion designers. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-444.

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Jablon, Sara. What do fashion designers look like? Comparing representations of stock photograph designers and professional designers. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1166.

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Kennedy Benson, Samii, and Eulanda Sanders. Where Are All The Black Female Fashion Designers? Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-316.

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Woo, Hongjoo, Kassandra Ross, and Wi-Suk Kwon. Fashion Design Piracy and Consumers� Brand Perceptions: The Case of Corporate Copying of Independent Fashion Designers. Iowa State University. Library, 2019. http://dx.doi.org/10.31274/itaa.8791.

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Caskey, Kristin. Community Engagement 101 for Fashion, Graphic, and Interior Designers MoB Studio’s First Year. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-784.

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Hwang, Ja-young, Eulanda A. Sanders, and Mary Lynn Damhorst. South Korean Fashion designers’ decision-making process: The influence of cultural values and personal experience in the creative process. Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-897.

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Chen, Chanjuan, Melanie Carrico, Krissi Riewe, Lauren Ashley Rougeaux-Burnes, and Sheri Dragoo. Denim Risk: A Case Study by Five Fashion Designers with Nontraditional Seam Placement in a Creative Design Process Using Denim Fabric. Iowa State University. Library, 2019. http://dx.doi.org/10.31274/itaa.8772.

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De Jesús, Dyanis, Alejandra Luzardo, and Michelle Pérez. Orange Economy: Innovations you may not know were from Latin America and the Caribbean. Inter-American Development Bank, 2017. http://dx.doi.org/10.18235/0006354.

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Abstract (sommario):
Who would have said that in the hands of creatives, designers, artists and entrepreneurs would be part of the response to the development challenges of Latin America and the Caribbean? This report is part of the Inter-American Development Bank's (IDB) Demand Solutions: Ideas for Improving Lives, which aims to give visibility to the region's creatives and to position creativity as an integral element of economic and social development. In 2015 the cultural and creative industries (CCI), which are part of what the IDB calls the Orange Economy, generated 1.9 million jobs in Latin America and the
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Jones, Katie Baker, and Jana Hawley. The house always wins: Designer appointments at historic fashion houses. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-539.

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Lapolla, Kendra, Jaclyn Gordyan, and Brian Lapolla. Critiquing Design Aesthetics in Collaborative Fashion Creation: Design Conversations with a Fashion Designer, an Architect, and Art Director. Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-901.

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