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Letteratura scientifica selezionata sul tema "Fear in art"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 31 luglio 2024

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Articoli di riviste sul tema "Fear in art"

Baer, Stephanie A. "The Fear of Art and the Art of Fear." Education and Culture 28, no. 1 (2012): 42–61. http://dx.doi.org/10.1353/eac.2012.0003.

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Hochman, Arthur, and Kelli J. Esteves. "Art And Exceptionality: Addressing Art Fear And Fear Of Difference In An Introductory Art Course." Canadian Review of Art Education 48, no. 1 (December 11, 2021): 38–52. http://dx.doi.org/10.26443/crae.v48i1.106.

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Abstract: University educators designed and co-taught a course which involved collaborative artmaking and learning with a community-based arts organization that serves individuals with disabilities. Their goal was to help university students examine the potential of art and how it applies to their personal and professional lives. They sought to better understand how to nurture a feeling of artistic agency in undergraduate students who do not define themselves as artists. Educators found that students benefited from an exploration of art fear through an inclusive approach to art creation. Keywo

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Pierce, Benjamin C. "Art, science, and fear." ACM SIGPLAN Notices 45, no. 10 (October 17, 2010): 2. http://dx.doi.org/10.1145/1932682.1869540.

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Connelly, Frances S. "Art and Fear (review)." Modernism/modernity 12, no. 1 (2005): 204–6. http://dx.doi.org/10.1353/mod.2005.0037.

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Sukmawati, Silviya, and Effy Indratmo. "MEMORI KETAKUTAN ANAK SEBAGAI SUMBER INSPIRASI KARYA SENI PATUNG." TEXTURE : Art and Culture Journal 4, no. 1 (April 28, 2022): 30–41. http://dx.doi.org/10.33153/texture.v4i1.4190.

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Violence from parents and violence from the immediate environment at the age of children causes them to become children who are easily afraid of sounds (Verbal), fear of physical violence (objects), and fear of the immediate environment. This final artwork project aims to create a sculpture art with the theme of the memory of a child's fear, which also explains the concept and process of creation and also the visual aesthetics of sculpture. The shape of the memory of children's fear is portrayed in the media of sculpture art with cast printing techniques. The creation of sculpture in this fina

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Lambert, Steve. "Art and Fear of Propaganda." Media-N 17, no. 2 (October 26, 2021): 144–54. http://dx.doi.org/10.21900/j.median.v17i2.802.

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Concerns about artwork that aims to impact power, “turning art into propaganda,” not only misunderstand how propaganda works in contemporary society, but also privilege a view of art and art’s role that favors the wealthy and powerful.

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Freedberg, David. "The Fear of Art: How Censorship Becomes Iconoclasm." Social Research: An International Quarterly 91, no. 1 (March 2024): 137–68. http://dx.doi.org/10.1353/sor.2024.a923115.

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ABSTRACT: Every act of censorship is also an act of iconoclasm. Together they constitute one of the oldest paradoxes of image making and of figuration. To make an image is both to want it and to fear it. The more it is desired, the more it seems contra naturam , and so is feared. It often has a vitality that is startlingly at odds with both its materiality and its concept. To parse individual episodes of censorship and iconoclasm is to uncover the roots of both the fear of images and the fear of art. But each of the many motives for censorship and iconoclasm testify, above all, to the impossib

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Ofosu, Nicole Naadu, L. Duncan Saunders, Gian Jhangri, and Afif Alibhai. "The impact of the availability of antiretroviral therapy on personal and community fear of HIV/AIDS, and HIV prevention practices in Rwimi, Uganda: A mixed-method study." Alberta Academic Review 1, no. 1 (May 28, 2018): 1–14. http://dx.doi.org/10.29173/aar11.

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The impact of the widespread availability of antiretroviral therapy (ART) on the human immunodeficiency virus and acquired immune deficiency syndrome (HIV/AIDS) related attitudes, behaviours and practices of the general population in Sub-Saharan Africa is understudied. We assessed the impact of ART availability on the fear of HIV/ AIDS (measured at both community and personal levels) and HIV prevention practices in Rwimi, Uganda using a cross-sectional survey. The fear of HIV/AIDS was described as a perceived threat to either self and/or community regarding the risk of contracting the disease,

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Čeferin, Hana. "Who’s Afraid of Photography?" Magic, Vol. 5, no. 1 (2020): 94–98. http://dx.doi.org/10.47659/m8.094.art.

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In contemporary horror, the photographic image is often used as the object of horror or even represents the main antagonist of the story. We can trace the origin of such depictions to the very invention of the technique of photography in the 19th century, which was also the heyday of spiritualist theories about photography making the soul of the deceased visible to the human eye using chemical compounds. A notorious example is the case of photographer William Mumler who offered well-off relatives of recently deceased people in the States to make portraits with the ghosts of their loved ones. T

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Barr, Christine. "Fear Not: The Art of Risk Communication." Journal of Management in Engineering 12, no. 1 (January 1996): 18–22. http://dx.doi.org/10.1061/(asce)0742-597x(1996)12:1(18).

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Tesi sul tema "Fear in art"

Wessinger, Alyssa L. "A Deconstruction of Horror, Fear and Terror: Using Horror Films as Didactic Tools in Art Education." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/art_design_theses/85.

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This arts-based study discusses using the horror film and monsters as a means of exploring the personification of fear in contemporary society. The paper incorporates the viewing and dissection of horror films into an artistic process to explore fears in order to further artistic expression. It additionally shows how this process can be used in an art classroom within the context of contemporary art to empower students and facilitate art criticism discussions.

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Jung, Myung Won. "Iconoclasm and aesthetics from fear to celebration, focusing on contemporary cases in Korea /." Theological Research Exchange Network (TREN), 2005. http://www.tren.com/search.cfm?p051-0111.

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Jung, Myung Won. "Iconoclasm and aesthetics from fear to celebration, focusing on contemporary cases in Korea /." Theological Research Exchange Network (TREN) Theological Research Exchange Network (TREN) Access this title online, 2006. http://www.tren.com.

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Fassie, Vanessa Laure. "reunion: A Journey Through History, Symbolism, and Fear." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/794.

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The contents here in examine the artistic process undertaken by Vanessa Fassie to create the mixed media work, reunion. The subjects of fear, archetypal symbolism, personal and collective histories were examined through research, archival evidence, video, sound, movement, and installation. reunion, examines not only the powers of personal and collective histories through the symbolic language of archetypes, but also how fear manifests and evolves through time. The culmination of this work was the creation of an installation within the Anderson Gallery at Virginia Commonwealth University. Thi

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Steingart, Leia R. "The Fear of Aging and the Self: A Heuristicaly Influenced Study." Digital Commons at Loyola Marymount University and Loyola Law School, 2018. https://digitalcommons.lmu.edu/etd/490.

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This research paper is an art-based heuristic influenced study on the fear of aging and the self using an art-based modality of exploration. The researcher sought to study three questions. First, to explore the relationship between aging, beauty, youth, and social pressures. Second, to explore the fears related to aging, (losing appearances, finance, health, and death). Thirdly, to considering the implications of findings to the clinical realm. The art based methodology offered a form of investigation which, informed by heuristic steps of inquiry, augmented both personal meaning and growth. Da

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Lopez, Juan Jose. "Images of the last judgment in Seville| Pacheco, Herrera el Viejo, and the phenomenological experience of fear and evil." Thesis, The University of Wisconsin - Milwaukee, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1557378.

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<p> During the early stages of the seventeenth century in Seville, images of the Last Judgment participated in a long artistic tradition of inspiring fear about the impending apocalypse. This thesis focuses on two paintings of the Last Judgment, one by Francisco Pacheco for the church of St. Isabel in 1614 and the other by Francisco Herrera el Viejo for the church of St. Bernardo in 1628. Pacheco was an influential artist and theoretician in the development of Sevillian art, who substantiated the core values of the Counter-Reformation. In a similar way, Herrera's participation in such developm

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Harvey, Daniel Lewis. "Trying to Do." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1276282308.

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Klepach, Angela. "New Scenarios for Racial and Social Segregation in the Politics of Public Space and Social Fear." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/anthro_theses/25.

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This study investigates the politics of public space and social fear that work to create new scenarios for social and racial segregation in the processes of gentrification, such as privatization, fortification, and symbolism in public art in a major southern metropolitan city. The Public Art Program of Atlanta, Georgia is implementing public art projects at various sites, chosen based on being in depressed neighborhoods in the hope that it will bring new life to blighted urban areas and change the current use of space. Through an applied anthropological and multi-perspective approach, this stu

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Varona, Gómez Daniel. "La eximente de miedo insuperable (art. 20.6 CP)." Doctoral thesis, Universitat de Girona, 1999. http://hdl.handle.net/10803/7689.

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La te si doctoral tracte d' una causa d' exempció de la responsabilitat penal reconeguda a l'article 20.6 del vigent codi penal: la por insuperable. L' objectiu principal de la tesi és donar un contingut a aquesta eximent per tal de que trobi l'adient reconeixement als tribunals, que tradicionalment han ignorat aquesta eximent. <br/>El primer capítol de la tesi tracta del seu fonament, és a dir, de la raó o raons que han portat al legislador a reconèixer la por insuperable com a una causa de exempció de la responsabilitat penal. L'anàlisi del fonament de la por insuperable s'estudia a l'àmbit

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Wise, Gianni Ian Media Arts College of Fine Arts UNSW. "Scenario House." Awarded by:University of New South Wales. Media Arts, 2006. http://handle.unsw.edu.au/1959.4/26230.

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Scenario House, a gallery based installation, is comprised of a room constructed as a ???family room??? within a domestic space, a television with a looped video work and a sound componant played through a 5.1 sound system. The paper is intended to give my work context in relation to the processes leading up to its completion. This is achieved through clarification of the basis for the installation including previous socio-political discourses within my art practice. It then focuses on ways that the installation Scenario House is based on gun practice facilities such as the Valhalla Shooting

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Più fonti

Libri sul tema "Fear in art"

Levi, Carlo. Fear of freedom: With the essay, "Fear of painting". New York: Columbia University Press, 2008.

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Poland), Galeria Arsenał (Białystok, ed. Strach: Fear. Białystok: Galeria Arsenał w Białymstoku, 2020.

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McKenna, Shannon. Tasting fear. New York: Brava, 2009.

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Carroll, Colleen. Feelings: Joy, sadness, fear, love. New York: Abbeville Kids, 2001.

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Marcelis, Sabine. No fear of glass. Barcelona: Fundació Mies van der Rohe, 2021.

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Carmilly-Weinberger, Moshe. Fear of art: Censorship and freedom of expression in art. New York: Bowker, 1986.

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Thompson, J. Lee. Cape Fear. Universal City, CA: Universal Studios Home Entertainment, 2013.

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Museum, Victoria and Albert, ed. Telling tales: Fantasy and fear in contemporary design. London: V&A Pub., 2009.

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Williams, Gareth. Telling tales: Fantasy and fear in contemporary design. London: V&A Pub., 2009.

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Nature Morte Gallery (New Delhi, India) and Arario Gallery, eds. Chromatophobia: The fear of money. New Delhi: Nature Morte, 2011.

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Capitoli di libri sul tema "Fear in art"

Yazmany, Arboleda, and Alibhai Nabila. "How colour replaces fear." In Art and the City, 13–29. New York : Routledge, 2017. | Series: Routledge studies in urbanism and the city: Routledge, 2017. http://dx.doi.org/10.4324/9781315303031-2.

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Richardson, Nathan. "Beauty in Learning and the Role of Fear." In The Art of Enterprise, 194–200. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003031406-22.

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Hickman, Ben. "Fear of Work: Hannah Arendt’s Cold War Aesthetics." In Art, Labour and American Life, 75–97. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-41490-9_4.

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Hintjens, Helen. "Fear of Flooding: Convivial Racism in The Netherlands." In The Politics of Art, Death and Refuge, 213–43. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-09891-8_7.

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Soldani, Francesca. "Non-pharmacological Behaviour Management Techniques: An Art and a Science." In Dental Fear and Anxiety in Pediatric Patients, 95–116. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48729-8_7.

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Baron, Cynthia. "Fear and Desire, Casual Misogyny, and 1950s Art House Cinema." In Gender, Power, and Identity in the Films of Stanley Kubrick, 86–102. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003208174-6.

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Murray, Edmundo. "The Art Paradox: Between Love and Fear of the Image." In Art Discovery and Censorship in the Centre William Rappard of Geneva, 1–16. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-27160-1_1.

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Maclean, Kama. "The Art of Panicking Quietly: British Expatriate Responses to ‘Terrorist Outrages’ in India, 1912–33." In Anxieties, Fear and Panic in Colonial Settings, 135–67. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-45136-7_6.

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Liu, Ze. "Exploration of Qu Yuan’s Spiritual World through Fear-Expression." In Proceedings of the 3rd International Conference on Education, Language and Art (ICELA 2023), 44–50. Paris: Atlantis Press SARL, 2024. http://dx.doi.org/10.2991/978-2-38476-214-9_7.

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Jensen, Meg. "What It Is Like: Fiction, Fear, and Narratives of Feeling in Posttraumatic Autobiographical Novels." In The Art and Science of Trauma and the Autobiographical, 115–51. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06106-7_4.

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Atti di convegni sul tema "Fear in art"

Pierce, Benjamin C. "Art, science, and fear." In the ACM international conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1869459.1869540.

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Temchenko, I. A. "PSYCHOLOGICAL CLAMP. FEAR OF OPEN MOUTH." In FOCUS AREAS OF CULTURE AND ART IN UKRAINE AND THE REPUBLIC OF POLAND. Izdevnieciba “Baltija Publishing”, 2023. http://dx.doi.org/10.30525/978-9934-26-374-3-13.

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Faisal, Faisal. "Fear the Corona Pandemic? Avoid with Social Distance Using Online Art Learning Development." In Proceedings of the 2nd International Conference on Islamic Studies, ICIS 2020, 27-28 October 2020, Ponorogo, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.27-10-2020.2304167.

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Abtan, Freida. "Fear of Flight: Expanded Presence and Inter-sensory Gesture in Multimedia Performance." In RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/resound19.36.

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Loy, N., V. Blazek, E. Jukic, E. Fleischmann, B. Coppers, J. Hübner, M. Iqbal, et al. "POS0494 FEAR OF MOVEMENT AFFECTS RANGE OF MOTION DURING REPEATED BASMI EXERCISES ASSESSED BY STATE-OF-THE-ART MOTION CAPTURE TECHNIQUES." In EULAR 2024 European Congress of Rheumatology, 12-15 June. Vienna, Austria. BMJ Publishing Group Ltd and European League Against Rheumatism, 2024. http://dx.doi.org/10.1136/annrheumdis-2024-eular.5298.

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Rienzo, Maria Gabriella. "ITALIAN EMIGRATION TO LONDON." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. http://dx.doi.org/10.35603/sws.iscah.2024/fs07.17.

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The object of this paper is an historical-economic analysis of the European demographic dynamics in the XIX century, with particular reference to the Italian emigration to London and the birth of Little Italy. The analysis will focus on the first settlements and on the development of the first Italian community in London and highlights the different sort of skilled and unskilled workers within the economic and social environment, an aspect that arouses great interest in the scientific debate, due to the fear of a depletion of human capital in our country, with its negative consequences on the

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Tudor, Andreea-Loredana. "THE CHALLENGES OF GLOBAL SECURITY GOVERNANCE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs01.01.

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The international system is constantly changing, and the phenomenon of globalization is a reality embraced by all participants on the world stage. Amongst the countless facilities felt both at the individual, national and even international level that have resulted from the phenomenon of globalization, insertions of negative consequences have permeated the world order. The complexity and diversity of interactions between the various subjects of international law have accelerated the emergence and spread of phenomena that threaten the security of individuals and the international system. Howeve

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Nóbrega, Lívia. "O MEDO MOVE: Diferentes experiências de urbanidade no Festival Jane’s Walk Recife 2016, 2017 e 2022." In Seminario Internacional de Investigación en Urbanismo. Universitat Politècnica de Catalunya, Grup de Recerca en Urbanisme, 2024. http://dx.doi.org/10.5821/siiu.12621.

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This paper reflects on fear as a constant, and not a variable, in the experience of urbanity in cities. To this end, it takes as an object three editions of the Jane’s Walk Festival in Recife: What makes a street safe for women? (2016), We ask for light (2017), and The city as a support for public art and life (2022). Despite the themes, participants, and different paths, all of them were crossed by fear. These crossings provide the three axes that guide the discussion of each case, namely: 1) Asymmetries; 2) Mitigations; 3) Memories – in a present, future, and past relationship with fear. Fin

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Cvijanović, Drago, and Tamara Gajić. "THE INFLUENCE OF FEARS ON THE TRAVEL DECISION - COVID FEAR AGAINST MONEY FEAR." In The Sixth International Scientific Conference - TOURISM CHALLENGES AMID COVID-19, Thematic Proceedings. FACULTY OF HOTEL MANAGEMENT AND TOURISM IN VRNJAČKA BANJA UNIVERSITY OF KRAGUJEVAC, 2021. http://dx.doi.org/10.52370/tisc21232dc.

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The American National Institute of Mental Health announced that 10% of the total adult population has some kind of phobia. With the appearance of the COVID - 19 infection, and the huge consequences it left behind, there is a growing fear of people deciding to travel. There is a growing fear of infection after a year, but also a fear of lack of money, at a time when protection measures have destroyed tourism and hospitality. About 6,000 experts, including many scientists from the UK, say Covid measures are physically and mentally harmful to health, as well as to the social environment and the e

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Jinga, Nicolae, Alin Moldoveanu, Florica Moldoveanu, Anca Morar, and Oana Balan. "VR TRAINING SYSTEMS FOR PUBLIC SPEAKING - A QUALITATIVE SURVEY." In eLSE 2021. ADL Romania, 2021. http://dx.doi.org/10.12753/2066-026x-21-092.

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Public speaking is an essential tool in various domains, such as education, business or politics. Some people are born great speakers, while others learn to master this art, through training. At the other extreme are the people who suffer from glossophobia, the fear of public speaking. This paper provides an overview of solutions for treating the fear of public speaking or for training communication skills, with a focus on digital applications. It also offers a qualitative survey of virtual reality training solutions, proposing a key set of features that can be used to characterize and compare

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Rapporti di organizzazioni sul tema "Fear in art"

Combs, Suquon, Jason Calandruccio, and Brian Colbert. What are the Effects of Protest Fear? Fort Belvoir, VA: Defense Technical Information Center, June 2014. http://dx.doi.org/10.21236/ada606923.

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Calandruccio, Jason, Brian Colbert, and Suquon Combs. What are the Effects of Protest Fear? Fort Belvoir, VA: Defense Technical Information Center, June 2014. http://dx.doi.org/10.21236/ada613037.

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Webb, Philip, and Sarah Fletcher. Unsettled Issues on Human-Robot Collaboration and Automation in Aerospace Manufacturing. SAE International, November 2020. http://dx.doi.org/10.4271/epr2020024.

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This SAE EDGE™ Research Report builds a comprehensive picture of the current state-of-the-art of human-robot applications, identifying key issues to unlock the technology’s potential. It brings together views of recognized thought leaders to understand and deconstruct the myths and realities of human- robot collaboration, and how it could eventually have the impact envisaged by many. Current thinking suggests that the emerging technology of human-robot collaboration provides an ideal solution, combining the flexibility and skill of human operators with the precision, repeatability, and reliabi

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Knapp, Carolyn. HIV and partner violence: What are the implications for voluntary counseling and testing? Population Council, 2001. http://dx.doi.org/10.31899/hiv2001.1011.

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Millions of women around the world face two great threats to their health and well-being: HIV/AIDS and violence by an intimate partner. One of the strongest associations between the two is the role that violence and the threat of violence play in limiting a woman’s ability to negotiate safer sex with a partner. A similar fear of violence also discourages women who receive HIV voluntary counseling and testing (VCT) from telling partners about test results. This study explored the links between HIV infection, serostatus disclosure, and partner violence among women attending a VCT clinic in Dar e

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Luengas, Pavel, and Inder J. Ruprah. Fear of Crime: Does Trust and Community Participation Matter? Inter-American Development Bank, July 2008. http://dx.doi.org/10.18235/0008765.

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This paper examines the association between trust and community involvement with fear of crime. Fear of crime is measured by three typical perception measures: neighbourhood security; walking alone in the dark; and the risk of becoming a victim. The data is from Chile's Victimisation Survey. The techniques used are a multinomial regression and an impact -propensity score single difference- calculation. We find that while trust matters participation generally does not for fear. However, regressions leave open the direction of causality. An impact calculation confirms that participation in a nei

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Ingram, Haroro. Stigma, Shame, and Fear: Navigating Obstacles to Peace in Mindanao. RESOLVE Network, March 2021. http://dx.doi.org/10.37805/pn2020.14.vedr.

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After decades of cyclical peace agreement failures and war in Mindanao, the establishment of the Bangsamoro Autonomous Region of Muslim Mindanao (BARMM) in early 2019 brought the best hope for sustainable peace and stability in living memory. But the problems within the BARMM and Mindanao more broadly are immense. A trifecta of stigma, shame, and fear is regularly identified as levers exploited by peace spoilers to not only recruit and mobilize from local communities but obstruct disengagement and reintegration efforts. The widespread and intergenerational experiences of trauma across Mindanao

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Miller, Marcus, and Lei Zhang. Fear and Market Failure: Global Imbalances and ¿Self-Insurance¿. Inter-American Development Bank, December 2007. http://dx.doi.org/10.18235/0010880.

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This paper proposes an integrated framework to analyze jointly two key issues: the emergence of global imbalances and the precautionary motive for accumulating reserves. Standard models of general equilibrium would predict modest current account surpluses in the emerging markets if they face higher risk than the US itself. But, with pronounced Loss Aversion in emerging markets, their precautionary savings can generate substantial global imbalances, especially if there is an inefficient supply of global insurance. In principle, lower real interest rates will ensure that aggregate demand equals

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Mesquita Moreira, Mauricio. Fear of China: Is There a Future for Manufacturing in Latin America? Inter-American Development Bank, December 2004. http://dx.doi.org/10.18235/0011316.

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China's emergence has raised pointed questions about the future of manufacturing in Latin America. Once saw as its economic future, the viability of this activity in the region has long been challenged by traditional trade theory and, in practical terms, by at least three generations of Asian Tigers. China and its "unlimited supply of labor", rapid productivity growth, scale, and extremely interventionist state has brought the practical challenge to unprecedented levels. This paper, using mainly descriptive production and trade statistics, looks at the nature of this challenge and its implicat

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Hizo - Bendezu, Genna, and Claudia Otazu - Aldana. Efficacy of music therapy for the control of anxiety and fear in pediatric patients aged 4 to 6 years who come to the dental office for the first time - a systematic review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, March 2023. http://dx.doi.org/10.37766/inplasy2023.3.0118.

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Review question / Objective: Will music therapy be effective compared to other modalities for the control of dental anxiety and fear in pediatric patients aged 4 to 6 years who come to the dental office for the first time? Condition being studied: Music therapy is a non-pharmaceutical intervention used in medical and educational settings to provide feelings of physical and mental well-being. Therefore, people who receive music therapy experience greater motivation and ability to develop defense mechanisms against anxiety. The population group of greatest interest are children from 4 to 6 years

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Mesquita Moreira, Mauricio. Fear of China: Is there a Future for Manufacturing in Latin America? Inter-American Development Bank, April 2006. http://dx.doi.org/10.18235/0008603.

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China¿s emergence has raised pointed questions about the future of manufacturing in Latin America. This paper looks at this challenge and its implications. It begins by asking: Does manufacturing still matter for Latin America? It argues that the region cannot afford to turn its back to a well-proven road to development. It then moves on to show that endowments, productivity, scale and the government¿s role, all work together to make China a formidable competitor. The importance of this challenge is confirmed by an analysis of the trade data, which suggests a small impact so far, but a disquie

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