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Bibliografie tematiche / Festivals Australia

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Letteratura scientifica selezionata sul tema "Festivals Australia"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 20 febbraio 2023

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Articoli di riviste sul tema "Festivals Australia"

1

George, Jodie. "Examining the cultural value of festivals." International Journal of Event and Festival Management 6, no. 2 (June 15, 2015): 122–34. http://dx.doi.org/10.1108/ijefm-01-2015-0002.

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Purpose – Within Australia, cultural festivals focusing on music, food and art represent important social and economic opportunities for rural communities. However, tensions may also arise within communities where stakeholder ideologies are at odds regarding the place identity being presented for consumption by tourism practices. Thus, using Mitchell’s model of creative destruction/creative enhancement as a theoretical framework and through qualitative analysis, the purpose of this paper is to critically examine three South Australian festivals from multiple perspectives, to identify what rele

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2

Quintal, Vanessa, Michael Lwin, Ian Phau, and Abhinav Sood. "Festival Personality and How It Influences Visitor Attitude and Intention." Event Management 24, no. 6 (November 20, 2020): 665–84. http://dx.doi.org/10.3727/152599519x15506259856543.

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This study explores festival personality for its impacts on visitor attitude and intention toward festivals. Two distinct and popular festivals held at a botanic park in Western Australia were selected for the research. A total of 481 local and international visitors participated in the self-administered, pen-and-paper and online surveys. The Excitement personality attribute was unique to the Chili Festival, whereas the Cheerfulness personality attribute was unique to the Tulip Festival. Both festivals embodied the Imagination personality attribute, suggesting the place in which a festival is

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3

SAUTER, WILLMAR. "Introduction: Festival Culture in Global Perspective." Theatre Research International 30, no. 3 (October 2005): 237–39. http://dx.doi.org/10.1017/s0307883305001483.

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According to the Australia Council, the 152 arts festivals held in that country during the season of 1993–4 had a combined operating expenditure of Australian $58.3 million and were attended by 2.2 million visitors. At the same time, these festivals provided 32,000 paid engagements for Australian artists. Considering this massive expansion of festivals in terms of artistic arena, national marketplace and international industry, the scholarly interest in this phenomenon has taken new directions. To study the productions seemed not to be enough, nor was it satisfactory to survey audience attenda

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4

Hammond, Paula. "Festivals and holidays: Australia Day." Child Care 5, no. 1 (January 2008): 18. http://dx.doi.org/10.12968/chca.2008.5.1.37633.

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5

Luther, Matt, Fergus Gardiner, Shane Lenson, David Caldicott, Ryan Harris, Ryan Sabet, Mark Malloy, and Jo Perkins. "An Effective Risk Minimization Strategy Applied to an Outdoor Music Festival: A Multi-Agency Approach." Prehospital and Disaster Medicine 33, no. 2 (March 21, 2018): 220–24. http://dx.doi.org/10.1017/s1049023x18000195.

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Specific Event Identifiersa. Event type: Outdoor music festival.b. Event onset date: December 3, 2016.c. Location of event: Regatta Point, Commonwealth Park.d. Geographical coordinates: Canberra, Australian Capital Territory (ACT), Australia (-35.289002, 149.131957, 600m).e. Dates and times of observation in latitude, longitude, and elevation: December 3, 2016, 11:00-23:00.f. Response type: Event medical support.AbstractIntroductionYoung adult patrons are vulnerable to risk-taking behavior, including drug taking, at outdoor music festivals. Therefore, the aim of this field report is to discuss

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6

Holmes, Kirsten, and Jane Ali-Knight. "The event and festival life cycle – developing a new model for a new context." International Journal of Contemporary Hospitality Management 29, no. 3 (March 20, 2017): 986–1004. http://dx.doi.org/10.1108/ijchm-10-2015-0581.

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Purpose The events and festivals literature relies on theories and models borrowed from tourism studies which may insufficiently account for the unique characteristics of events and festivals. Using four case studies from Australia, United Arab Emirates and the UK, this paper aims to analyse events and festival life cycles using the Tourism Area Life Cycle (TALC) framework (Butler, 1980). Design/methodology/approach The paper is conceptual in that it theorises the range of event and festival life cycle trajectories; however, four event case studies are also used to illustrate this approach. Fi

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Ryan, Robin, Jasmin Williams, and Alison Simpson. "From the ground up: growing an Australian Aboriginal cultural festival into a live musical community." Arts and the Market 11, no. 2 (August 16, 2021): 92–108. http://dx.doi.org/10.1108/aam-09-2020-0038.

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PurposeThe purpose is to review the formation, event management, performance development and consumption of South East Australia’s inaugural 2018 Giiyong Festival with emphasis on the sociocultural imaginary and political positionings of its shared theatre of arts.Design/methodology/approachA trialogue between a musicologist, festival director and Indigenous stakeholder accrues qualitative ethnographic findings for discussion and analysis of the organic growth and productive functioning of the festival.FindingsAs an unprecedented moment of large-scale unity between First and non-First Nations

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Alonso-Vazquez, Marisol, and Christina Ballico. "Eco-friendly practices and pro-environmental behaviours: the Australian folk and world music festival perspective." Arts and the Market 11, no. 2 (July 2, 2021): 76–91. http://dx.doi.org/10.1108/aam-10-2020-0046.

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PurposeThe coronavirus disease 2019 (COVID-19) pandemic has once again brought to our attention one of the three main pillars of sustainability–the environment. It has also brought into sharp relief the fragility of the live music festival sector, whose success hinges fundamentally on the capacity for both travel and mass gatherings to occur. Considering this intersection of environmental sustainability and the live music festival sector, this paper–which reports on events occurring long before the global pandemic took hold–examines the ways in which eight Australian folk and world music festi

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Bachman, Jarrett R. "Music Festivals and Regional Development in Australia." Event Management 16, no. 3 (October 1, 2012): 267–68. http://dx.doi.org/10.3727/152599512x13461660017475.

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Semple, Anne-Louise. "Music festivals and regional development in Australia." Australian Geographer 44, no. 2 (June 2013): 220–21. http://dx.doi.org/10.1080/00049182.2013.799054.

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Più fonti

Tesi sul tema "Festivals Australia"

1

Meekison, Lisa. "Playing the games : indigenous performance in Australia's Festival of the Dreaming." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670221.

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Small, Katie E. "Understanding the social impacts of festivals on communities." View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/37653.

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Thesis (Ph.D.) -- University of Western Sydney, 2007.<br>A thesis submitted to the University of Western Sydney, College of Business, School of Marketing, in partial fulfilment of requirements for the degree of Doctor of Philosophy. Includes bibliographical references.

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St, John Graham 1968. "Alternative cultural heterotopia ConFest as Australia's marginal centre." [Melbourne] : Confest Integrity Agency, 2000. http://nla.gov.au/nla.arc-41333.

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Title from title screen (viewed on 15 Apr. 2004) Text and graphics. Web site contains the complete thesis submitted in total fulfilment of the requirements for the Degree of Doctor of Philosophy, School of Sociology, Politics and Anthropology, Faculty of Humanities and Social Sciences, La Trobe University, Melbourne, Australia. Also includes photographs and links to related web sites. System requirements: Adobe Acrobat reader for viewing files in PDF format. Mode of access: Internet via World Wide Web. Available at: http://www.confest.org/thesis/index.html Selected for archivingANL

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Small, Katie E. "Understanding the social impacts of festivals on communities." Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/37653.

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This thesis seeks to understand the social impacts that festivals have on their host communities. It focuses on community festivals as one type of event which have a particularly strong connection to their host community. Community festivals are traditionally organised by and for the local community, and often celebrate a theme that has developed from within the community itself. Community festivals provide members of a community with opportunities to engage in socialisation, entertainment and the establishment of social networks, which can contribute to the enhancement of community cohesion a

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Cummings, Joanne. "Sold out ! : an ethnographic study of Australian indie music festivals." Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/35961.

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The focus of this sociological research is on the five most popular and commercially successful Australian indie music festivals: Livid, Big Day Out, the Falls festival, Homebake, and Splendour in the Grass. The three key features of Australian indie music festivals are, firstly, that they are multi-staged ticketed outdoor events, with clearly defined yet temporal boundaries. Secondly, the festivals have a youth-orientated focus yet are open to all ages. Finally, the festivals are primarily dominated by indie-guitar culture and music. My aim is to investigate how these music festivals are able

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Grigg, Jodie. "A mixed methods study of drug use at outdoor music festivals in Western Australia and Victoria." Thesis, Curtin University, 2020. http://hdl.handle.net/20.500.11937/79426.

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This study investigated the nature and extent of drug use associated with Australian music festivals, assessed current and potential future policy and practice strategies aimed at reducing the risk of drug-related harm at festivals, and developed evidence-based recommendations aimed at improving current strategies. Key recommendations included: expanding drug-checking services; ceasing the use of drug detection dogs; removing barriers to seeking medical attention; shifting to a harm reduction policy; and creating more enabling environments for harm reduction.

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Ross, Jane Elizabeth. "Regional Victorian arts festivals : from community arts to an industry based model /." Connect to thesis, 1999. http://eprints.unimelb.edu.au/archive/00000957.

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Peach, Ricardo. "Queer cinema as a fifth cinema in South Africa and Australia." University of Technology, Sydney. Faculty of Humanities and Social Sciences, 2005. http://hdl.handle.net/2100/425.

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Australia had the world’s first gay film festival at the Sydney Filmmakers Co-op in June 1976, part of a larger commemoration of the Stonewall Riots in New York City of 1969. In 1994, South Africa became the first country in the world to prohibit discrimination in its constitution on the basis of sexual orientation, whilst allowing for positive discrimination to benefit persons disadvantaged by unfair discrimination. South Africa and Australia, both ex-British colonies, are used in this analysis to explore the way local Queer Cinematic Cultures have negotiated and continue to negotiate dominan

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Hope, Cathy, and n/a. "A History of the Sydney and Melbourne Film Festivals, 1945-1972: negotiating between culture and industry." University of Canberra. Creative Communication, 2004. http://erl.canberra.edu.au./public/adt-AUC20050630.130907.

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This thesis is a history of the Sydney and Melbourne International Film Festivals, and covers the years from 1945 to 1972. Based primarily on archival material, it is an organisational history dealing with the attempts by the two Film Festivals to negotiate between the demands of �culture� and �industry� throughout this period. The thesis begins with a consideration of the origins of the Festivals in the post-war period �with the attempts by non-Hollywood producers to break into the cinema market, the collapse of the �mass audience�, and the growth of the film society movement in Australia. Th

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Morris, Brian John. "Journeys in extraordinary everyday culture : walking in the contemporary city /." Connect to thesis, 2001. http://eprints.unimelb.edu.au/archive/00002256.

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Più fonti

Libri sul tema "Festivals Australia"

1

Karen, Wyeth, ed. Festivals & offbeat events: Australia. Kenthurst: Kangaroo Press, 1992.

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2

1946-, Connell John, ed. Music festivals and regional development in Australia. Burlington, VT: Ashgate, 2011.

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3

Griffiths, Diana. Australia. Milwaukee: Gareth Stevens Pub., 1999.

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4

Tōkyō Kokuritsu Kindai Bijutsukan. Firumu Sentā. Ōsutoraria eigasai: Nichi-Gō kōryūnen 2006 = Australian film festival : 2006 Australia-Japan year of exchange. Tōkyō: Kokuritsu Bijutsukan, 2006.

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5

Denmark), Visionlines (1998 Aarhus. Visionlines: Cultural festivals, new music theatre, comtemporary music : an international conference Denmark-Australia, Aarhus, September 1-3, 1998 : report. Copenhagen K: Danish Music Information Centre, 1999.

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6

Aloian, Molly. Cultural traditions in Australia. New York: Crabtree Pub., 2013.

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7

Estonian, World Festival ESTO (5th 1988 Melbourne Australia). Esto '88: V Estonian World Festival. Baltimore: Esto, Inc., 1989.

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8

Stevens, Kirsten. Australian Film Festivals. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-58130-3.

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Making waves: 10 years of the Byron Bay Writers Festival. St. Lucia, Qld: University of Queensland Press, 2006.

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10

Natasha, Bullock, Glass-Kantor Alexie, Art Gallery of South Australia, and Adelaide Festival of Arts (27th : 2012), eds. Parallel collisions: 2012 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide Festival. Adelaide, S. Aust: Art Gallery of South Australia, 2012.

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Più fonti

Capitoli di libri sul tema "Festivals Australia"

1

Holmes, Kirsten, and Judith Mair. "Events, Festivals, and Sustainability: The Woodford Folk Festival, Australia." In The Palgrave Handbook of Sustainability, 583–97. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71389-2_31.

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McCarthy, Breda. "The Landscape of Music Festivals in Australia." In Music Business and the Experience Economy, 119–34. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-27898-3_8.

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Darian-Smith, K. "Chapter 2. Histories of Agricultural Shows and Rural Festivals in Australia." In Festival Places, edited by Chris Gibson and John Connell, 25–43. Bristol, Blue Ridge Summit: Multilingual Matters, 2011. http://dx.doi.org/10.21832/9781845411688-005.

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de Valck, Marijke. "Sites of Initiation: Film Training Programs at Film Festivals." In The Education of the Filmmaker in Europe, Australia, and Asia, 127–45. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137070388_7.

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Stevens, Kirsten. "Introduction." In Australian Film Festivals, 1–16. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-58130-3_1.

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Stevens, Kirsten. "Enthusiastic Amateurs: Origins of Australia’s Film Festival Movement." In Australian Film Festivals, 17–46. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-58130-3_2.

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Stevens, Kirsten. "Growth and Change: Curator-Led Festivals, Fragmenting Audiences, and Shifting Film Exhibition Cultures." In Australian Film Festivals, 47–77. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-58130-3_3.

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Stevens, Kirsten. "From Film Weeks to Festivals: The Spread of the Urban Film Festival After 1980." In Australian Film Festivals, 79–104. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-58130-3_4.

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Stevens, Kirsten. "Between Success and Failure: Crisis and Recovery at the Melbourne International Film Festival." In Australian Film Festivals, 105–36. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-58130-3_5.

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Stevens, Kirsten. "Programming Perceptions: Film Festivals and the Construction of Taste." In Australian Film Festivals, 137–69. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-58130-3_6.

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Atti di convegni sul tema "Festivals Australia"

1

Hildebrandt, Anna. "Foster's Australia "Big Ad"." In ACM SIGGRAPH 2006 Computer animation festival. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1179196.1179226.

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Rapporti di organizzazioni sul tema "Festivals Australia"

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma

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Ryan, Mark David, Greg Hearn, Marion McCutcheon, Stuart Cunningham, and Katherine Kirkwood. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Busselton. Queensland University of Technology, January 2021. http://dx.doi.org/10.5204/rep.eprints.207597.

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Located a two-and-a-half hour drive south of Perth, Busselton is one of the largest and fastest growing regional centres in WA, a lifestyle services hub and the gateway to the internationally renowned wine region and popular tourist destination of Margaret River. Promoted by the City of Busselton council as the ‘Events Capital of WA’, Busselton has a strong festival and events economy that fuels local creative and arts production, supported by demographic shifts and population growth that is resulting in more creatives living and working in the city.

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Ballarat. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206963.

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Description Ballarat sits on Wathaurong land and is located at the crossroads of four main Victorian highways. A number of State agencies are located here to support and build entrepreneurial activity in the region. The Ballarat Technology Park, located some way out of the heart of the city at the Mount Helen campus of Federation University, is an attempt to expand and diversify the technology and innovation sector in the region. This university also has a high profile presence in the city occupying part of a historically endowed precinct in the city centre. Because of the wise preservation an

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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Albury-Wodonga. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206966.

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Albury-Wodonga, situated in Wiradjuri country, sits astride the Murray River and has benefitted in many ways from its almost equidistance from Sydney and Melbourne. It has found strength in the earlier push for decentralisation begun in early 1970s. A number of State and Federal agencies have ensured middle class professionals now call this region home. Light industry is a feature of Wodonga while Albury maintains the traditions and culture of its former life as part of the agricultural squattocracy. Both Local Councils are keen to work cooperatively to ensure the region is an attractive place

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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals act

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