Bibliografie tematiche / Fiction, romance, historical, general

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Letteratura scientifica selezionata sul tema "Fiction, romance, historical, general"

Autore: Grafiati

Pubblicato: 11 dicembre 2022

Ultima modifica: 31 luglio 2025

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Articoli di riviste sul tema "Fiction, romance, historical, general"

Cronin, Michael G. "‘Ransack the histories’: Gay Men, Liberation and the Politics of Literary Style." Review of Irish Studies in Europe 5, no. 1 (2022): 73–88. http://dx.doi.org/10.32803/rise.v5i1.2971.

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It is now twenty years since the publication of Jamie O’Neill’s At Swim, Two Boys (2001). O’Neill’s novel was not the first Irish novel to depict same-sex passion, and not even the first Irish gay novel of the post-decriminalisation period. However, it did attain a wider and higher level of recognition among mainstream Irish, and international, readers. This may have been at least partly due to O’Neill’s decision to write a historical romance – a genre which still retains its enduring appeal for readers. By adapting this genre, O’Neill uses fiction to unearth, and imaginatively recreate, an ar

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Pérez Rodríguez, Eva. "The Unlikely Heroine beyond Family Trauma: Four Women’s Fictions of the Second World War in Greece." Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá, no. 31 (December 16, 2022): 97–120. http://dx.doi.org/10.35869/afial.v0i31.4299.

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My analysis of Victoria Hislop’s The Island (2005), Leah Fleming’s The Girl under the Olive Tree (2013), Sofka Zinovieff’s The House on Paradise Street (2012), and Brenda Reid’s The House of Dust and Dreams (2010) examines their treatment of the exotic setting of Greece in the specific historical context of World War II, while following the conventions of popular romance or popular women’s fiction. As a consequence of the conflict, the traditional family structure is compromised. This is particularly evident in the case of the female protagonists, heroines who refuse to fall within the traditi

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Freedman, Carl. "Kubrick’s 2001 and the Possibility of a Science-Fiction Cinema." Science Fiction Studies 25, Part 2 (1998): 300–318. https://doi.org/10.1525/sfs.25.2.0300.

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Stanley Kubrick might be described as a metageneric filmmaker, since his major works tend to take apart and to reconstruct the inherited conventions of the pertinent filmic genre (horror in The Shining, historical romance in Barry Lyndon, and so forth). Kubrick’s most intense and complex metageneric analysis is of science fiction in 2001. A historical and theoretical consideration of the science-fiction film reveals that it is structured on a central and virtually disabling contradiction: between the cognitive and critical structure of science fiction as a literary mode, on the one hand, and,

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Karlsson, Jens, and Rebecka Eriksson. "Vilande drakens elegi." Tidskrift för litteraturvetenskap 42, no. 2-3 (2012): 154–65. http://dx.doi.org/10.54797/tfl.v42i2-3.11698.

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The Sleeping Dragon’s Elegy: An Example of Occasional Verse in The Romance of the Three Kingdoms This article examines one example of occasional verse in the classic Chinese novel The Romance of the Three Kingdoms (Sanguo yanyi 三国演义, Luo Guanzhong, 14th century), with a focus on the historical situation in which the poem is placed and the political implications ascribed to it. The Romance of the Three Kingdoms is a work of tremendous cultural impact. Its retelling of historical events during the late Han dynasty continues to shape the general understanding of this period, regardless of t

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Mikuska, Edenilson. "Fanny Owen, de Agustina Bessa-Luís, como romance de leitura Fanny Owen, by Agustina Bessa-Luís, as Novel of Reading." Revista do Centro de Estudos Portugueses 42, no. 68 (2023): 123. http://dx.doi.org/10.17851/2359-0076.42.68.123-137.

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Resumo: Neste artigo, analisamos o romance Fanny Owen (1992), de Agustina Bessa-Luís, a partir do conceito de romance de leitura. A expressão “romance de leitura” (Lektüreroman) foi cunhada pelo teórico alemão Volker Roloff. Grosso modo, é o romance que tem por tema a leitura – “roman sur lê theme de la lecture”. Trata-se, portanto, do romance em que os personagens se deixam envolver pela leitura de obras ficcionais a ponto de terem suas condutas ou seus caracteres alterados, ou mesmo a ponto de se tornarem mais e mais dependentes da ficção e, desta forma, menos propensos a se adaptar à realid

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Martínez-López, Enrique. "Sobre la amnistía de Roque Guinart: El laberinto de la bandosïtat catalana y los moriscos en el Quijote." Cervantes 11, no. 2 (1991): 69–85. http://dx.doi.org/10.3138/cervantes.11.2.069.

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Contemporary history ostensibly steps into the space of fiction when the bandit Roque Guinart plays himself in Don Quixote, 1615. Cervantes, however, here as in other instances in which his texts suggest views not in agreement with the official (hi)story, transforms historical data into a fiction that ingeniously conveys indiscreet truth. First, Guinart is presented as a just and reluctant bandit in 1614, although he had been honorably serving the king since 1611. Then his criminal life is linked to Catalan dissent, and his “future” to the fate of the Moriscos (the Ricote family). Finally, bot

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Simões, Maria João Albuquerque. "Personagens, espaço e níveis narrativos em Os Memoráveis de Lídia Jorge / Characters, space and narrative levels in Os Memoráveis by Lídia Jorge." Revista do Centro de Estudos Portugueses 41, no. 65 (2021): 261. http://dx.doi.org/10.17851/2359-0076.41.65.261-279.

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Resumo: Dentro do universo ficcional do romance Os Memoráveis de Lídia Jorge, as personagens estabelecem ligações dinâmicas entre elas de acordo com o jogo ficcional implicado nas intrigas, as quais se configuram diferentes níveis narrativos. Este estudo tem como objetivo analisar as relações das personagens entre si, o jogo de perspetivas utilizado e a complexidade da estrutura narrativa onde se inserem. Investigar-se-á o modo como as personagens perseguem os seus propósitos, a composição dos níveis narrativos relacionada com o agenciamento das intrigas (de acordo com a investigação de Raphae

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Plácido, Elane Da Silva. "Diálogo entre história e literatura no romance contemporâneo de Maria José Silveira// Dialogue between history and literature in the contemporary novel by Maria José Silveira." O Eixo e a Roda: Revista de Literatura Brasileira 32, no. 1 (2023): 132. http://dx.doi.org/10.17851/2358-9787.32.1.132-149.

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Resumo: Considerando o pensamento de Linda Hutcheon (1991) sobre o diálogo entre ficção e história como discursos dos constructos humanos que analisam os vestígios do passado no presente, constituindo o método-histórico, discutem-se neste artigo como são construídos e revisados os problemas acontecidos no passado histórico pela narrativa da escritora contemporânea Maria José Silveira no romance A mãe da mãe de sua mãe e suas filhas. Publicado em 2002, o texto de Silveira narra a história do Brasil a partir do século XVI até nossos dias, questionando o passado dentro de um novo contexto, o femi

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Travančić, Melida. "Poetic Frameworks and Narrative Procedures of Bosnia and Herzegovina Novels about Kulin Ban." Društvene i humanističke studije (Online) 6, no. 4(17) (2021): 57–72. http://dx.doi.org/10.51558/2490-3647.2021.6.4.57.

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This paperwork presents the literary constructions of Kulin Ban's personality in contemporary Bosnian literature on the example of three novels: Zlatko Topčić Kulin (1994), Mirsad Sinanović Kulin (2007), and Irfan Hrozović Sokolarov sonnet (2016). The themes of these novels are real historical events and historical figures, and we try to present the way(s) of narration and shape the image of the past and the way the past-history-literature triangle works. Documentary discourse is often involved in the relationship between faction and fiction in the novel. Yet, as can be seen from all three nov

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Willard, Thomas. "Juliana Cummings, Medicine in the Middle Ages: Surviving the Times, Yorkshire and Philadelphia: Pen & Sword Books, 2021, 197 pp., 16 pp. insert of b/w prints on glossy paper." Mediaevistik 35, no. 1 (2022): 347–48. http://dx.doi.org/10.3726/med.2022.01.41.

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Abstract This account of late medieval medicine is unusual in being the first non-fiction book by the author of several historical novels set in the period, most recently of “a historical romance of Vlad the Impaler” (2020). Juliana Cummings has a long-standing fascination with her family’s history back to the time of Henry VII of England (1457–1509), when male ancestors fought in the king’s army, and with the medical perils people faced even in times of relative peace and prosperity. Responding to her treatment of medicine and mortality in novels and short stories, an editor from Pen & Sw

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Tesi sul tema "Fiction, romance, historical, general"

Lewis, Cassandra. "Sunshowers in Winter: A Novel." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1584.

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This is the beginning of a historical novel set in 1960’s Little Rock, Arkansas. The main character, Elsie Robinson, is forced to come home from her life in New York because of the sudden death of her father. She stays to look after her mother. She then meets Freddie, a white man, who somehow feels completely comfortable in her black community. In a time when everything seems to be falling apart, Freddie is a beam of light. If only their relationship weren’t illegal.

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Jagodzinski, Mallory Diane. "Love is (Color) Blind: Historical Romance Fiction and Interracial Relationships in the Twenty-First Century." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1440101084.

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Hodgkinson, Amanda. "Spilt milk : memory, real life, and knowing the past in historical fiction." Thesis, University of Huddersfield, 2018. http://eprints.hud.ac.uk/id/eprint/34587/.

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This PhD by Publication comprises two of my novels, 22 Britannia Road and Spilt Milk, accompanied by a reflective and critical exegesis which investigates the process and context of writing my internationally published historical fiction novel Spilt Milk. Drawing on Paul Ricoeur’s theoretical approaches to memory and narrative as a means to consider the borderlines between lived life and fiction, I consider the ways in which historical fiction can represent versions of real life which contain human truths and emotions. With this in mind, I argue that my novel writing (and reading) practice ste

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Waage, Fred. "The Birth Spoon." Digital Commons @ East Tennessee State University, 2015. http://amzn.com/1939289572.

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This mystery is set in the early 1980s and based on actual events. A high-school student unearths dark and deadly secrets of his Appalachian community. The explosive consequences forever mark his own life, his family's, and his town's.<br>https://dc.etsu.edu/etsu_books/1009/thumbnail.jpg

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Rosales, Lauren N. ""Dismissed outright": creating a space for contemporary genre fiction within neo-Victorian studies." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6259.

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Neo-Victorian studies is a burgeoning subfield which seeks to examine contemporary representations of the Victorian period. For the last decade, neo-Victorian scholars have offered up definitions of what makes a text “neo-Victorian”; often, this has been via a description of what the neo-Victorian is not. The ‘ruling’ definition—i.e., the definition most consistently repeated—hails from the introduction to Neo-Victorianism: The Victorians in the Twenty-First Century by Ann Heilmann and Mark Llewellyn: “the Neo-Victorian is more than historical fiction set in the nineteenth century. […] texts (

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Linnemann, Martina E. "From page to screen : placing hypertext fiction in an historical and contemporary context of print and electronic literary experiments." Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/4422/.

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Only recently has our perception of the computer, now a familiar and ubiquitous element of everyday life, changed from seeing it as a mere tool to regarding it as a medium for creative expression. Computer technologies such as multimedia and hypertext applications have sparked an active critical debate not only about the future of the book format, ("the late age of print" {Bolter} is only one term used to describe the shift away from traditional print media to new forms of electronic communication) but also about the future of literature. Hypertext Fiction is the most prominent of proposed ele

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Almeida, Marcos Vinícius Lima de. "A lógica do espectro: romance histórico, necromancia e o lugar do morto." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21322.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-08-08T14:24:38Z No. of bitstreams: 1 Marcos Vinícius Lima de Almeida.pdf: 1307709 bytes, checksum: 04495baffe61ad76bf405f45955e7e9f (MD5)<br>Made available in DSpace on 2018-08-08T14:24:38Z (GMT). No. of bitstreams: 1 Marcos Vinícius Lima de Almeida.pdf: 1307709 bytes, checksum: 04495baffe61ad76bf405f45955e7e9f (MD5) Previous issue date: 2018-06-21<br>Fundação de Amparo à Pesquisa do Estado de São Paulo - FAPESP<br>Under the premise that our history is constituted under the impact of catastrophes, and that in this context, writing

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Johnstone, Michael. "Liberty or death : a practical and theoretical exploration of alternatives to free will and determinism in contemporary historical fiction." Thesis, University of Gloucestershire, 2011. http://eprints.glos.ac.uk/2009/.

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The thesis combines creative and critical work integrated into a single text. The text is presented as the work of a PhD student whose project has been supervised by the disillusioned Professor Thrib. The student plans to write the fictionalised biography of Elsie Stewart, a working class Belfast woman whose life intersected with the defining dramas of twentieth century history. His research diary describes how he and his translator, Lempi, began to reconstruct Elsie's life from archive sources scattered across Europe, and his early output is literary prose of the sort one would expect to find

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Hughes, Helen Muriel. "Changes in historical romance, 1890s to the 1980s : the development of the genre from Stanley Weyman to Georgette Heyer and her successors." Thesis, University of Bradford, 1988. http://hdl.handle.net/10454/4224.

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Buitendach, Samantha Angelique. "Selling translation rights in trade publishing : case studies of Dutch translations of Afrikaans fiction in the Netherlands and Belgium." Diss., University of Pretoria, 2005. http://hdl.handle.net/2263/66256.

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The reading and buying market for Afrikaans fiction is limited due to historical and economical reasons. It can thus be argued that in order to expand the market for South African Afrikaans trade publishers and authors' novels, a work needs to be translated via the selling of translation rights with the assistance of the publisher or literary agents, into a language that has similar needs in terms of cultural consumption, for example book reading culture. Due to the colonial influence of the Dutch on South African culture and the development of Afrikaans, this study explores the selling of tra

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Libri sul tema "Fiction, romance, historical, general"

Feuchtwanger, Lion. Jew Su ss: A historical romance. Henry Pordes, 1988.

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Royal, Lauren, Brenda Hiatt, Laurin Wittig, Colleen Gleason, and Cynthia Wright. Jewels of Historical Romance. Sprigleaf, 2013.

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Regency Pirates: Historical Romance. JA / AG Publishing, 2023.

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Anthony, Trollope. Vendée, an Historical Romance. Creative Media Partners, LLC, 2022.

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Anthony, Trollope. Vendée, an Historical Romance. Creative Media Partners, LLC, 2022.

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Anthony, Trollope. Vendée, an Historical Romance. Creative Media Partners, LLC, 2018.

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Pillow, Michelle M. All Things Historical Romance: Medieval Historical Full Length Romance 3 Book Set. Raven Books, The, 2016.

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DiPasqua, Lila, Elizabeth Essex, Christina McKnight, Erica Monroe, and Eileen Richards. Historical Hellions: Seven Historical Romances. La Loma Elite Publishing, 2017.

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Gardener, Johana. Cath's Choice: A Historical Romance. TLM Media LLC, 2022.

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Edingfield, Tracy. Governess' Lot: A Historical Romance. Independently Published, 2018.

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Capitoli di libri sul tema "Fiction, romance, historical, general"

Sauer, Elizabeth. "Emasculating Romance: Historical Fiction in the Protectorate." In Prose Fiction and Early Modern Sexualities in England, 1570–1640. Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-09177-2_11.

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Ficke, Sarah H. "House, home and husband in historical romance fiction." In The Routledge Companion to Romantic Love. Routledge, 2021. http://dx.doi.org/10.4324/9781003022343-11.

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Teo, Hsu-Ming. "The Australian Convict Prostitute Romance." In Conflict and Colonialism in 21st Century Romantic Historical Fiction. Routledge, 2024. http://dx.doi.org/10.4324/9781003493792-2.

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Posti, Piia K. "‘I Get to Exist as a Black Person in the World’: Bridgerton as Speculative Romance and Alternate History on Screen." In History and Speculative Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_7.

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AbstractIn 2020, a TV drama series adaptation was made of Julia Quinn’s historical romance series Bridgerton (2000–2012). Several choices in the adaptation were inspired by the recent hypothesis that Queen Charlotte was Black, and an unusual number of Black actors were cast in roles that both fictionally and historically have been predominantly reserved for white actors. This article explores the hypothesis’ impact on the adaptation in the intersection of romance, race and history. What notions (historical and contemporary) of romance, race and historical accuracy are challenged and endorsed i

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Holterhoff, Kate. "Picturing the Past in Robert Louis Stevenson's Historical Romances." In Illustration in Fin-de-Siècle Transatlantic Romance Fiction. Routledge, 2022. http://dx.doi.org/10.4324/9781003017684-2.

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McAlister, Jodi. "This Modern Love: The Virgin Heroine in Historical Romance Fiction." In The Consummate Virgin. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55004-2_6.

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Burge, Amy. "Do knights still rescue damsels in distress?: Reimagining the medieval in Mills & Boon historical romance." In The Female Figure in Contemporary Historical Fiction. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137283382_6.

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Trenter, Cecilia. "Heritaging and the Use of History in Margit Sandemo’s The Legend of the Ice People." In History and Speculative Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_11.

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AbstractThis chapter explores the use of heritage and history in the popular romance series The Legend of the Ice People (1982–1989) by Norwegian-Swedish author Margit Sandemo. The epos is the 47-volume multigenerational saga of a family. The series is here defined as a story world in which Sandemo is the creator, but fans are actively involved in collective negotiations. The use of the past within the series offers interpretations to readers, who are putting the old-fashion modes into up-to-date, concurrent, and contemporary understandings of morality by emerging from the historical past with

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Ríu, Carmen Perez. "Language, Sexuality and “Necessary Anachronism” in Lorraine Heath's Neo-Victorian Popular Romance Series Scandalous Gentlemen of St. James 1." In Conflict and Colonialism in 21st Century Romantic Historical Fiction. Routledge, 2024. http://dx.doi.org/10.4324/9781003493792-5.

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Taylor-Pirie, Emilie. "Detecting the Diagnosis: Parasitology, Crime Fiction, and the British Medical Gaze." In Empire Under the Microscope. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_4.

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AbstractIn this chapter, Taylor-Pirie traces the cultural encounters between the parasitologist and the scientific detective in the medico-popular imagination, revealing how such meetings helped to embed the figure of the doctor-detective in public understandings of science. Parasitologists like Ronald Ross and David Bruce were routinely reported in newspapers using detective fiction’s most famous archetype: Sherlock Holmes, a frame of reference that blurred the boundaries between romance and reality. Recognising the continued cultural currency of Holmesian detection in clinical and diagnostic

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Atti di convegni sul tema "Fiction, romance, historical, general"

Walker, Cameron, and Jennifer Gleisberg. "Making It Last: an Interactive Lifecycle Calculator for Selecting Water Tank Coatings." In CONFERENCE 2023. AMPP, 2023. https://doi.org/10.5006/c2023-19199.

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Abstract Selection and management of coating systems for the interior and/or exterior of a water tank is no easy feat. Owners must consider different factors including cost, lifecycle, and environmental impact when making decisions about coatings. The process of selecting a coating system and maintenance plan for a steel water tank is often based solely on personal opinions about the proposed system's value. These opinions can be limited in scope and hard to verify with data. In recent years, the industry has recognized life cycle costing (LCC) as a method of decision-making for owners and eng

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