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Articoli di riviste sul tema "Fiction, romance, historical, general"

Autore: Grafiati

Pubblicato: 11 dicembre 2022

Ultima modifica: 31 luglio 2025

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1

Cronin, Michael G. "‘Ransack the histories’: Gay Men, Liberation and the Politics of Literary Style." Review of Irish Studies in Europe 5, no. 1 (2022): 73–88. http://dx.doi.org/10.32803/rise.v5i1.2971.

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It is now twenty years since the publication of Jamie O’Neill’s At Swim, Two Boys (2001). O’Neill’s novel was not the first Irish novel to depict same-sex passion, and not even the first Irish gay novel of the post-decriminalisation period. However, it did attain a wider and higher level of recognition among mainstream Irish, and international, readers. This may have been at least partly due to O’Neill’s decision to write a historical romance – a genre which still retains its enduring appeal for readers. By adapting this genre, O’Neill uses fiction to unearth, and imaginatively recreate, an ar

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Pérez Rodríguez, Eva. "The Unlikely Heroine beyond Family Trauma: Four Women’s Fictions of the Second World War in Greece." Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá, no. 31 (December 16, 2022): 97–120. http://dx.doi.org/10.35869/afial.v0i31.4299.

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My analysis of Victoria Hislop’s The Island (2005), Leah Fleming’s The Girl under the Olive Tree (2013), Sofka Zinovieff’s The House on Paradise Street (2012), and Brenda Reid’s The House of Dust and Dreams (2010) examines their treatment of the exotic setting of Greece in the specific historical context of World War II, while following the conventions of popular romance or popular women’s fiction. As a consequence of the conflict, the traditional family structure is compromised. This is particularly evident in the case of the female protagonists, heroines who refuse to fall within the traditi

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Freedman, Carl. "Kubrick’s 2001 and the Possibility of a Science-Fiction Cinema." Science Fiction Studies 25, Part 2 (1998): 300–318. https://doi.org/10.1525/sfs.25.2.0300.

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Stanley Kubrick might be described as a metageneric filmmaker, since his major works tend to take apart and to reconstruct the inherited conventions of the pertinent filmic genre (horror in The Shining, historical romance in Barry Lyndon, and so forth). Kubrick’s most intense and complex metageneric analysis is of science fiction in 2001. A historical and theoretical consideration of the science-fiction film reveals that it is structured on a central and virtually disabling contradiction: between the cognitive and critical structure of science fiction as a literary mode, on the one hand, and,

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Karlsson, Jens, and Rebecka Eriksson. "Vilande drakens elegi." Tidskrift för litteraturvetenskap 42, no. 2-3 (2012): 154–65. http://dx.doi.org/10.54797/tfl.v42i2-3.11698.

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The Sleeping Dragon’s Elegy: An Example of Occasional Verse in The Romance of the Three Kingdoms This article examines one example of occasional verse in the classic Chinese novel The Romance of the Three Kingdoms (Sanguo yanyi 三国演义, Luo Guanzhong, 14th century), with a focus on the historical situation in which the poem is placed and the political implications ascribed to it. The Romance of the Three Kingdoms is a work of tremendous cultural impact. Its retelling of historical events during the late Han dynasty continues to shape the general understanding of this period, regardless of t

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Mikuska, Edenilson. "Fanny Owen, de Agustina Bessa-Luís, como romance de leitura Fanny Owen, by Agustina Bessa-Luís, as Novel of Reading." Revista do Centro de Estudos Portugueses 42, no. 68 (2023): 123. http://dx.doi.org/10.17851/2359-0076.42.68.123-137.

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Resumo: Neste artigo, analisamos o romance Fanny Owen (1992), de Agustina Bessa-Luís, a partir do conceito de romance de leitura. A expressão “romance de leitura” (Lektüreroman) foi cunhada pelo teórico alemão Volker Roloff. Grosso modo, é o romance que tem por tema a leitura – “roman sur lê theme de la lecture”. Trata-se, portanto, do romance em que os personagens se deixam envolver pela leitura de obras ficcionais a ponto de terem suas condutas ou seus caracteres alterados, ou mesmo a ponto de se tornarem mais e mais dependentes da ficção e, desta forma, menos propensos a se adaptar à realid

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Martínez-López, Enrique. "Sobre la amnistía de Roque Guinart: El laberinto de la bandosïtat catalana y los moriscos en el Quijote." Cervantes 11, no. 2 (1991): 69–85. http://dx.doi.org/10.3138/cervantes.11.2.069.

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Contemporary history ostensibly steps into the space of fiction when the bandit Roque Guinart plays himself in Don Quixote, 1615. Cervantes, however, here as in other instances in which his texts suggest views not in agreement with the official (hi)story, transforms historical data into a fiction that ingeniously conveys indiscreet truth. First, Guinart is presented as a just and reluctant bandit in 1614, although he had been honorably serving the king since 1611. Then his criminal life is linked to Catalan dissent, and his “future” to the fate of the Moriscos (the Ricote family). Finally, bot

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Simões, Maria João Albuquerque. "Personagens, espaço e níveis narrativos em Os Memoráveis de Lídia Jorge / Characters, space and narrative levels in Os Memoráveis by Lídia Jorge." Revista do Centro de Estudos Portugueses 41, no. 65 (2021): 261. http://dx.doi.org/10.17851/2359-0076.41.65.261-279.

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Resumo: Dentro do universo ficcional do romance Os Memoráveis de Lídia Jorge, as personagens estabelecem ligações dinâmicas entre elas de acordo com o jogo ficcional implicado nas intrigas, as quais se configuram diferentes níveis narrativos. Este estudo tem como objetivo analisar as relações das personagens entre si, o jogo de perspetivas utilizado e a complexidade da estrutura narrativa onde se inserem. Investigar-se-á o modo como as personagens perseguem os seus propósitos, a composição dos níveis narrativos relacionada com o agenciamento das intrigas (de acordo com a investigação de Raphae

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Plácido, Elane Da Silva. "Diálogo entre história e literatura no romance contemporâneo de Maria José Silveira// Dialogue between history and literature in the contemporary novel by Maria José Silveira." O Eixo e a Roda: Revista de Literatura Brasileira 32, no. 1 (2023): 132. http://dx.doi.org/10.17851/2358-9787.32.1.132-149.

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Resumo: Considerando o pensamento de Linda Hutcheon (1991) sobre o diálogo entre ficção e história como discursos dos constructos humanos que analisam os vestígios do passado no presente, constituindo o método-histórico, discutem-se neste artigo como são construídos e revisados os problemas acontecidos no passado histórico pela narrativa da escritora contemporânea Maria José Silveira no romance A mãe da mãe de sua mãe e suas filhas. Publicado em 2002, o texto de Silveira narra a história do Brasil a partir do século XVI até nossos dias, questionando o passado dentro de um novo contexto, o femi

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Travančić, Melida. "Poetic Frameworks and Narrative Procedures of Bosnia and Herzegovina Novels about Kulin Ban." Društvene i humanističke studije (Online) 6, no. 4(17) (2021): 57–72. http://dx.doi.org/10.51558/2490-3647.2021.6.4.57.

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This paperwork presents the literary constructions of Kulin Ban's personality in contemporary Bosnian literature on the example of three novels: Zlatko Topčić Kulin (1994), Mirsad Sinanović Kulin (2007), and Irfan Hrozović Sokolarov sonnet (2016). The themes of these novels are real historical events and historical figures, and we try to present the way(s) of narration and shape the image of the past and the way the past-history-literature triangle works. Documentary discourse is often involved in the relationship between faction and fiction in the novel. Yet, as can be seen from all three nov

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Willard, Thomas. "Juliana Cummings, Medicine in the Middle Ages: Surviving the Times, Yorkshire and Philadelphia: Pen & Sword Books, 2021, 197 pp., 16 pp. insert of b/w prints on glossy paper." Mediaevistik 35, no. 1 (2022): 347–48. http://dx.doi.org/10.3726/med.2022.01.41.

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Abstract This account of late medieval medicine is unusual in being the first non-fiction book by the author of several historical novels set in the period, most recently of “a historical romance of Vlad the Impaler” (2020). Juliana Cummings has a long-standing fascination with her family’s history back to the time of Henry VII of England (1457–1509), when male ancestors fought in the king’s army, and with the medical perils people faced even in times of relative peace and prosperity. Responding to her treatment of medicine and mortality in novels and short stories, an editor from Pen & Sw

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Božić, Snežana, and Jelena Jovanović. "Factography and fiction: Mirroring in the novel a time of death by Dobrica Ćosić." Zbornik radova Filozofskog fakulteta u Pristini 54, no. 3 (2024): 139–56. http://dx.doi.org/10.5937/zrffp54-52830.

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The subject of this paper is the analysis of Dobrica Ćosić's novel A Time of Death I-IV (1972-1979), primarily from the perspective of possible worlds theory. One of the most important Serbian novels about the First World War, which critics have frequently defined as an epic novel, was inspiring for our research for at least two reasons: the first lies in the fact that historiographic metafiction is still the most prominent literary current in Serbian novelistic production, and the second is that contemporary readers have returned to Ćosić through intensive film adaptations in the recent years

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Simsone, Bārbala. "Erotiskās prozas fenomens Latvijā un pasaulē." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/1 (March 1, 2021): 222–32. http://dx.doi.org/10.37384/aplkp.2021.26-1.222.

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The present paper “The Phenomenon of Erotic Fiction in Latvian and World Literature” is devoted to the fiction genre acquiring immense popularity in Western literature while having attracted only fragmentary attention in Latvian literary scholarship, namely the erotic fiction, which is currently among those genres of literature most widely read among Latvian readers and therefore titled as somewhat phenomenal. The first part of the paper provides insight into the history of the erotic world literature and the most common division of the genre into the three basic categories; this part also pro

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Ryu, Sunhee. "A Study on the Realization of Virtual History in Korean Web Novels." Korean Society of Culture and Convergence 44, no. 8 (2022): 225–40. http://dx.doi.org/10.33645/cnc.2022.8.44.8.225.

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This paper discussed the realization of virtual history in romance web novels, focusing on <Midnight Mirage>. <Midnight Mirage> depicted the love story with King Munjong and Queen Hyeondeok as motifs. <Midnight Mirage> used the story of Tumun-dong 72 Loyalists and the achievements of various national institutions in King Sejong to create various central event. The fictional elements of the story were used to form a inter-class romance, emphasize the personal feelings of the opposing forces and highlight the power of the crown prince. The characteristics of a virtual history a

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Soares Fonseca, Carlos Henrique. "Quando a literatura reescreve o passado:." Litterata: Revista do Centro de Estudos Hélio Simões 10, no. 2 (2021): 69–80. http://dx.doi.org/10.36113/litterata.v10i2.2732.

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RESUMO: O presente trabalho tem por objetivo a análise da literatura portuguesa contemporânea e suas relações com a História. Dentre os autores portugueses contemporâneos, destaca-se aqui Hélia Correia, vencedora do Prêmio Camões em 2015. Ainda que seja autora de uma vasta obra, sua literatura permanece pouco estudada pela crítica. Lillias Fraser (2001), romance que o trabalho pretende analisar, tem diversas possibilidades de leitura e foi escolhido aqui abordar as relações estabelecidas dentro dele entre História e Literatura, visto que tem diversos acontecimentos históricos como cenário, em

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Fisher, Joel. "Sinclair Lewis and the Diagnostic Novel: Main Street and Babbitt." Journal of American Studies 20, no. 3 (1986): 421–33. http://dx.doi.org/10.1017/s0021875800012755.

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Sinclair Lewis's critical reputation could not easily be lower than it is at present. In the discussion that follows I want to suggest that a radical re-evaluation of this reputation, and of Lewis's achievement as a novelist, is necessary; not just because he ought to be read and studied seriously in his own right, but also because in his best fiction he addresses very important issues of narrative technique and of historical and structural analysis. And I believe that without a proper understanding of Lewis's engagement with his material in these areas, most notably in Main Street (1920) and

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Estoque, Eileen Itabag. "The Filipino Millennial and the Korean Drama Fad." Journal of Humanities and Social Sciences Studies 4, no. 2 (2022): 110–26. http://dx.doi.org/10.32996/jhsss.2022.4.2.15.

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This quantitative-qualitative study ascertained the extent of influence of the Korean Drama Fad on the Filipino Millennials’cultural practices and beliefs. A researcher-madeSelf-Assessment Checklist was used to gather the quantitative data among 356 randomly selected respondents, while the qualitative data were drawn from an Interview among 8 participants. Results revealed that overall, the Korean drama fad was moderately influential. However, this was very influential, moderately influential, and slightly influential when respondents were categorized according to sex, college, campus, and deg

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Sánchez Vendramini, Darío N. "Alexander the Great on Late Roman contorniates: religion, magic or history?" Journal of Ancient History 10, no. 2 (2022): 262–96. http://dx.doi.org/10.1515/jah-2022-0003.

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Abstract In this paper, I want to focus on a specific set of numismatic images of Alexander the Great, which has received less attention than comparable ones: the depictions on the Late Roman medallions known as contorniates. First, in two introductory sections, I connect the tradition of Alexander's numismatic imagery with the contorniates and present the general characteristics of these medallions. Next, I offer a detailed analysis of the different depictions of Alexander on contorniates. Thirdly, I briefly summarise the discussion of the functions of the contorniates and, on this basis, que

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Peers, Douglas M. "‘Those Noble Exemplars of the True Military Tradition’; Constructions of the Indian Army in the Mid-Victorian Press." Modern Asian Studies 31, no. 1 (1997): 109–42. http://dx.doi.org/10.1017/s0026749x00016954.

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This paper is directed first at identifying where and by whom military influences or topics manifested themselves in the periodical pressŉs coverage of India in the period up to the Indian Rebellion. How such manifestations changed over time, as well as the convergence of Anglo-Indian and British newspapers and magazines on Indian topics, will form an important component of this study. Stemming from these initial enquiries, I will further suggest that the model often employed to comprehend such representations —namely ‘orientalism’ —is, as it is often configured, too simplistic and reductionis

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BYKOVA, O. A., and V. L. SOKOLOVA. "Othering as a trait of postcolonial literary discourse (based on the example of French-language literature)." Issues of Applied Linguistics, no. 52 (2023): 79–103. http://dx.doi.org/10.25076/vpl.52.04.

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Modern globalization processes are changing not only the geopolitical but also the linguistic map of the world which in turn affects the spread, use of languages and the number of their native speakers. Nowadays Romance languages including French are a cultural part of the identity of the world's majority. They laid and formed the postcolonial matrix of the intercultural dialogue the development of which continues today. Modern linguistic and cultural interactions are implemented within the framework of the opposition "minority-titular culture" thereby forming the interaction of "global" and "

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Pokulevska, Anna, and Anzhelika Nazaryan. "The transformation of contextual substitution in the translation of Julia Quinn's «The Duke and I» into German and Ukrainian: a comparative aspect." Bulletin of Luhansk Taras Shevchenko National University, no. 2 (361) (2024): 120–26. http://dx.doi.org/10.12958/2227-2844-2024-2(361)-120-126.

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The translation of German fiction is an urgent problem in Ukrainian translation studies today. Difficulties that arise in the process of translating German-language literature are primarily related to the ambiguity of German words. The translator should strictly adhere to the general theme of the text, the author’s style, and take into account the fact that there are almost no pure translation analogues. The events of the Bridgertons series of novels take place between 1813 and 1827, a collection of eight novels, each featuring one of the eight children of the Earl of Bridgerton. The first boo

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Khorob, Stepan. "VASYL STEFANYK’S WRITINGS IN A FOREIGN INTERPRETATION." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 16(63) (August 26, 2022): 292–303. http://dx.doi.org/10.31471/2304-7402-2022-16(63)-292-303.

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The aim of this study is to reveal the peculiarities of functioning of translations of Vasyl Stefanyk’s novellas in other languages: both in the Slavic and in the Romance-Germanic world, elucidate a translatological toolkit in old and contemporary interpretations. The research methods lie in employing a philological method and linguistic principles, as well as the principles of reader-response criticism through the prism of comparative approaches and comparative-historical principles of analysing the foreign language material, created by translators on the basis of Vasyl Stefanyk’s novellas. T

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Novakova, Iva. "Phraseological motifs for Distinguishing Between Literary Genres. A Case Study on the Motifs of Verbal and Non-Verbal Communication." Kalbotyra 74 (September 15, 2021): 160–81. http://dx.doi.org/10.15388/kalbotyra.2021.74.9.

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The present paper is based on the assumption that the language of the novel is characterized by a statistically relevant overrepresentation of certain linguistic units (e.g. lexemes, key words, collocations and colligations, Siepmann 2015). First steps towards checking the validity of this hypothesis had been undertaken in pioneering works in the 1990s/2000s (e.g. Stubbs & Barth 2003). These studies were however limited by the small size of their (exclusively English) corpora. The present study explores the role of some patterns (phraseological motifs) in distinguishing French literary sub

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Ferreira Junior, Roberto. "Memory and the neo-slave novel in Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’ The Water Dancer." Revista Brasileira de Literatura Comparada 24, no. 46 (2022): 41–57. http://dx.doi.org/10.1590/2596-304x20222446rfj.

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ABSTRACT: This analysis investigates two recent African-American novels, namely, The Underground Railroad (2016) by Colson Whitehead and The Water Dancer (2019) by Ta-nehisi Coates from the configurations proposed by the literary genre known as neo-slave narratives. These narratives are postmodern fictional reinterpretations of 19th century slave narratives which had a fundamental role in the American process of abolition. First, I will provide a brief overview of neo-slave narratives, particularly with regards to the North American literary context, and proceed to investigate how the two nove

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Tiao, Wang. "The Ethics of Romance: Edward Bellamy and American Historical Fiction." Interlitteraria 22, no. 2 (2018): 312. http://dx.doi.org/10.12697/il.2017.22.2.9.

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The author examines The Duke of Stockbridge: A Romance of Shays’ Rebellion (1879), a historical novel written by Edward Bellamy (1850–1898) in order to examine the ethics of Romance in the treatment of historical fiction. Edward Bellamy, most famous for his socialist novel, Looking Backwards (1888), himself looks backwards to examine the popular rebellion during the early post-revolutionary American democracy before the US Constitution was established. The striking feature of this novel is the way that it superimposes the romance genre onto political and historical events. Using the ethical cr

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Marques, Deyse Filgueiras Batista, and Renata Rocha Ribeiro. "A aporia do trauma e a escrita da resistência: o passado que não passa em O corpo interminável, de Claudia Lage// The aporia of trauma and the writing of resistance: the past that doesn’t pass in O corpo interminável, by Claudia Lage." O Eixo e a Roda: Revista de Literatura Brasileira 32, no. 1 (2023): 295. http://dx.doi.org/10.17851/2358-9787.32.1.295-320.

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Resumo: Este trabalho é fruto da necessidade de refletir sobre os percursos narrativos ficcionais e de resistência em face do trauma e do esquecimento históricos relacionados à ditadura militar no Brasil. Esta apreciação tem como amostra a obra O corpo interminável (2019), de Claudia Lage, cujas personagens estão inseridas no âmbito da barbárie e da violência de Estado. Na tentativa de alcançar vivências que foram extorquidas pelo autoritarismo político, o romance apresenta a busca por vidas e histórias silenciadas em razão dos anos de barbárie impostos pela ditadura militar brasileira. Altern

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SMUSHCHYNSKA, Iryna, and Iryna TSYRKUNOVA. "MODERN DETECTIVE NOVEL: FORMATION STAGES (BASED ON FRENCH AND SPANISH LITERATURE)." Linguistic and Conceptual Views of the World, no. 78 (2) (2025): 106–27. https://doi.org/10.17721/2520-6397.2025.2.06.

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The article is devoted to a special genre of modern fiction – the detective novel. The analysis is made on the material of French and Spanish prose. The stages of formation of this genre in France and Spain, from its origin in the middle of the nineteenth century, are studied. Special attention is paid to its general features as a genre, as well as to linguistic and cultural features in the countries of the Romance world. The transitivity of forms and methods is analyzed. The main stages of the development and formation of the detective novel are highlighted with an analysis of the contributio

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Levin, David, and Emily Miller Budick. "Fiction and Historical Consciousness. The American Romance Tradition." Journal of American History 76, no. 4 (1990): 1231. http://dx.doi.org/10.2307/2936598.

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Derrick, Scott, and Emily Miller Budick. "Fiction and Historical Consciousness: The American Romance Tradition." American Literature 62, no. 2 (1990): 326. http://dx.doi.org/10.2307/2926925.

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Boccardi, Mariadele. "Postmodernism and the past : A romance." Recherches anglaises et nord-américaines 36, no. 1 (2003): 111–17. http://dx.doi.org/10.3406/ranam.2003.1673.

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British contemporary historical fiction is the genre that most closely, extensively and fruitfully explores the questions concerning the nature and scope of representation raised by postmodern historical and narrative theory. One interesting trait, common to the most speculative works of historical fiction published in the last fifteen years, is the adoption of Romance in all its modes — as a motif of the plot (the love story) and as a narrative mode (defining itself against the novel). Indeed Romance is the means by which the contemporary historical novel first dramatises and then investigate

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Neconesnic, Noemi, and Nadia-Nicoleta Morărașu. "Female Agency Encoding and Linguistic Expressions of Consent in Historical Romance Fiction." CULTURAL PERSPECTIVES - JOURNAL FOR LITERARY AND BRITISH CULTURAL STUDIES IN ROMANIA 29 (November 1, 2024): 157–78. http://dx.doi.org/10.29081/cp.2024.29.08.

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This paper explores the concepts of female agency and consent in historical romance fiction using corpus methods of analysis. To this purpose, we provide an overview of the concept of agency in historical romance novels which focus on female characters and their journey toward empowerment and independence in addition to romantic fulfilment. Previous research has shown that romance novels can shape perceptions of consent, as well as attitudes towards sexual intimacy. To observe if this idea is validated by the data retrievable from our corpus, we explore the linguistic expressions of consent an

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Markova, M. V. "Georgette Heyer, history, and historical fiction." Voprosy literatury, no. 1 (February 5, 2024): 198–203. http://dx.doi.org/10.31425/0042-8795-2024-1-198-203.

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The review discusses a volume of scholarly articles edited by Samantha Rayner and Kim Wilkins that sets out to present a comprehensive body of research into the oeuvre of the English novelist Georgette Heyer. The book comprises several sections: gender, genre, sources, and circulation and reception. Heyer is the renowned founder of Regency romance, whose work is noted for exceptional attention to historical facts and reconstruction of the aristocratic slang of the period. Her novels, however, remained largely ignored by scholars. The volume’s editors succeed in producing an invaluable compilat

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Kirschbaum, Saul. "Um romance 2.0." Cadernos de Língua e Literatura Hebraica, no. 25 (August 18, 2024): 286–91. https://doi.org/10.11606/issn.2317-8051.cllh.2024.227766.

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Hugo Almeida’s recently released book catches the reader’s attention in several aspects: on the one hand, it breaks down genre barriers, merging fiction with chronicle, art criticism and reflection on recent historical events; on the other hands, it breaks with the postulate of the novelistic plot: the narrative describes the protagonist’s relationship with several women – wives, lovers, friends , but it does not exactly have a plot: each relationship would serve as the basis for a separate novel; in several passages, the book is self-referential, that is, it refers to itself; in yet another d

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Kolesnyk, Olena, and Maryna Stoliar. "HISTORICAL AND PARA-HISTORICAL GENRES OF LITERATURE." Doxa, no. 1(41) (June 27, 2024): 70–78. https://doi.org/10.18524/2410-2601.2024.1(41).316160.

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Abstract (sommario):

The article examines the specifics of the historical genre of literature, as well as genre variants that combine interest in historical figures, events, entourage with an effort to move away from following purely scientific data and widely use the author's fiction. In a number of cases, there is a departure from the boundaries of the actual historical genre, which we propose to designate as a "parahistorical" approach. Alternative history in its various forms, historical fantasy, cryptohistory, historiographical metafiction, etc. can be attributed to such parahistorical genres. At the same tim

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Driscoll, Kate. "Heiress of Fiction: Marfisa and the Macabre Legacy of Chivalric Ferrara." Renaissance Quarterly 77, no. 4 (2024): 1134–83. https://doi.org/10.1017/rqx.2024.432.

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This essay traces parallel developments in the myths and legends associated with the historical noblewoman Marfisa d’Este (1554–1608) and her literary counterpart Marfisa, the warrior knight from chivalric romance epic poetry. Through the Este princess’s embrace of her cross-dressing fictional double in courtly performance, alongside the evolution of the figure “Marfisa bizzarra” in Italian mock epic, the intermedial afterlives of these two figures reinterpreted the women’s brazen, autonomous agency as nefarious, destructive desire. Fantasies of decadent-turned-grim Ferrara, Marfisa’s native c

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Fyn, Amy F. "Book Review: Encyclopedia of Romance Fiction." Reference & User Services Quarterly 58, no. 4 (2019): 263. http://dx.doi.org/10.5860/rusq.58.4.7162.

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Abstract (sommario):

Part reference book, part readers’ advisory, and completely entertaining to browse, the Encyclopedia of Romance Fiction’s selective set of entries illustrates the breadth of the romance genre while acknowledging its reach, from early literature to today’s publishing industry. The market share of popular romance indicates the public’s enduring interest and demonstrates a need for supplementary resources for general readers or those beginning research in romance-related topics. Academic study of this popular reading material is increasing, with special issues and at least one peer-reviewed journ

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Nagy, Ladislav. "Historical Fiction as a Mixture of History and Romance: Towards the Genre Definition of the Historical Novel." Prague Journal of English Studies 3, no. 1 (2014): 7–17. http://dx.doi.org/10.2478/pjes-2014-0014.

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Abstract This article focuses on Walter Scott’s Waverley and its classification as the founding text of the historical novel by Georg Lukacs. The author attempts to show that Lukacs takes Scott too much at his word and posits Waverley in the tradition of the English historical novel as it developed from Defoe and Fielding, while neglecting the close ties that Waverley has with marginalized genres such as romance. The author also argues that rather than being an expression of class consciousness, Waverley is an attempt to justify a certain change in political attitude, from radicalism to conser

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Kalashnik, Nataliia. "20,000 Leagues Under the Water." European Socio-Legal & Humanitarian Studies, no. 2 (August 10, 2024): 38–77. http://dx.doi.org/10.61345/2734-8873.2024.2.5.

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Jules Verne was an author who broke the rules. By the beginning of the 20-th century his tales emerged as mainstays of the screen. Verne’s influence has led to more than three hundred films and television versions of his stories around the globe (and another hundred films have told about his life in documentary form). Hollywood setting the tone and standard in the best known adaptation, the Hollywood treatment on Verne in turn has had global ramification and influence. Nowadays, a film script is created to bring the literary form to the screen, and nothing can replace the mystique of the spiri

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Esber, Mary Jane. "Historical Fiction." JAMA 296, no. 14 (2006): 1781. http://dx.doi.org/10.1001/jama.296.14.1785.

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Medda, Laura. "Scrivere per il teatro Il mondo sardo nei racconti drammatici di Giuseppe Dessì." Revista Italiano UERJ 12, no. 1 (2021): 18. http://dx.doi.org/10.12957/italianouerj.2021.61943.

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ABSTRACT: Questo articolo riguarda i testi per il teatro dello scrittore sardo Giuseppe Dessì (Cagliari, 1909 – Roma, 1977). Nell'ordine, presentiamo i Racconti drammatici - Qui non c'è guerra, La Giustizia - (Feltrinelli, 1959) e il dramma storico Eleonora D'Arborea (Mondadori, 1964). Importante autore di romanzi e racconti, in questi testi, Giuseppe Dessì rappresenta la complessità del mondo sardo in linea di continuità con quanto espresso nelle sue pagine narrative e saggistiche. Il teatro permette allo scrittore di sperimentare un nuovo linguaggio capace di rappresentare, attraverso i pers

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Weinhardt, Marilene. "Guerra dos mascates, crônica dos tempos coloniais de Alencar: um antimodelo do romance histórico oitocentista." e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes 04 (2020): 28–42. http://dx.doi.org/10.53943/elcv.0120_04.

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Abstract (sommario):

The novel A guerra dos mascates, published by José de Alencar in two volumes (1873-1874), was considered by the author’s contemporaneous critics as roman à clé and is included in the literary historiography as a minor work. Nonetheless, if read without taking the romantic historical novel as a paradigm, the perception is different. This reading proposes to apprehend the elements of comedy that appear in the narrative, as well as some common procedures in late-nineteenth century historical fiction.

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Abdul Aziz, Sohaimi. "The Secession of Singapore from Malaysia: a Historical Interpretation of the Novel Satu Bumi." Malay Literature 27, no. 1 (2014): 53–71. http://dx.doi.org/10.37052/ml.27(1)no3.

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Abstract (sommario):

History has often become the inspiration for writers, as it has for Isa Kamari in the case of his novel Satu Bumi ( One Earth ) (1998). What were the historical sources for this author, and how were they employed in his fiction? What was the author’s aim in fictonalizing these historical sources? These are the questions that receive attention in this paper. Using a historical approach and textual analysis, the historical facts found in the novel Satu Bumi and the author’s aims behind fictionalizing them are examined in this study. The study finds that the novel Satu Bumi is based on the histor

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Nayubi, Bhatia, and Gurpyari Bhatnagar Dr. "Bridging Romance and Representation Through Colour Blind Casting in the Bridgerton Series." Context 12, no. 3 (2025): 67–76. https://doi.org/10.5281/zenodo.15545147.

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Abstract (sommario):

The research paper examines <em>Bridgerton</em> as a transformative case study in adaptation and inclusive casting. The paper argues that <em>Bridgerton's</em> casting reshapes traditional narratives and challenges dominant representations in historical romance by analysing how the Netflix adaptation departs from Julia Quinn's original novel series. While Quinn's novels reflect the racial homogeneity typical of Regency-era fiction, the series reimagines the aristocratic world by integrating Black and Brown characters into the upper echelons of society. Bridgerton disrupts the Eurocentric frame

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ZHUNDIBAYEVA, Aray, and Meyirgul MURALBEK. "Genre of non-fiction works of Serik Abikenovich and methods of teaching it." ОҚМПУ ХАБАРШЫСЫ – ВЕСТНИК ЮКГПУ 27, no. 1 (2021): 76–84. http://dx.doi.org/10.47751/skspu-1937-0029.

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Abstract (sommario):

The article examines non-fiction f Serik Abikenuly and considers of his work in terms of a time of events in a plot, characters, a historical reality of toponymic names and teaching of his written works. The author of the article relied on the critical opinions of scientists-researchers of the Romance genre, demonstrating an artistic solution and a reality of life. In the analysis of his written works, it was proved that the place, time of the event, the existence of characters in life was proved by the example of the works of other scientists and writers. The article considers S. Abikenuly's

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Mujahid Hussain. "Interrelationships Between Urdu Fiction And Travelogue." Tasdiqتصدیق۔ 2, no. 1 (2021): 29–41. http://dx.doi.org/10.56276/tasdiq.v2i1.20.

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Abstract (sommario):

If we examine the structure, form, elements, and shape of important genres of Urdu fiction (fable, novel, short story, drama), common traits and features can be found in fiction and travelogue despite their factual and predetermined generic individuality and status. Nonetheless, according to the artistic requirements of genres mentioned in these common traits, there can be a difference of length, material, characters and events, reality and imagination, supernatural elements and scientific approach, scene and background, style and form; and it should be. But important elements like plot, story

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Gullace, Nicoletta F. "A (Very) Open Elite:Downton Abbey, Historical Fiction and America's Romance with the British Aristocracy." Journal of British Cinema and Television 16, no. 1 (2019): 9–27. http://dx.doi.org/10.3366/jbctv.2019.0453.

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This article argues that the success of Downton Abbey hinges on the superimposition of progressive values onto the conservative nostalgia of heritage film. By depicting unequal class relations as consensual and allowing a measure of sexual freedom among its characters, Downton creates an alluring Tory past which is nevertheless acceptable to modern viewers. Fans' belief in the historical accuracy of the Downton fantasy and their intense desire for connection with it has left academic historians struggling to make sense of the show. The article draws on the author's experience of participating

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Bianchi, Diana, and Adele D’Arcangelo. "Translating History or Romance? Historical Romantic Fiction and Its Translation in a Globalised Market." Linguistics and Literature Studies 3, no. 5 (2015): 248–53. http://dx.doi.org/10.13189/lls.2015.030508.

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Chatterjee, Choi. "Transnational Romance, Terror, and Heroism: Russia in American Popular Fiction, 1860–1917." Comparative Studies in Society and History 50, no. 3 (2008): 753–77. http://dx.doi.org/10.1017/s0010417508000327.

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Abstract (sommario):

Scholars of Russian-American relations in the late nineteenth century have long been concerned with the personalities and writings of university-based experts, journalists, diplomats, and political activists. We are well acquainted with the observations of various American commentators on the backward state of Russian state, society, economy, and politics. While the activities of prominent men such as George Kennan have effortlessly dominated the historical agenda, the negative discourses that they produced about Russia have subsumed other important American representations of the country. Sin

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Assumpção, Larissa de. "O romance histórico de expressão alemã e a sua circulação no estrangeiro." Aletria: Revista de Estudos de Literatura 34, no. 4 (2024): 67–84. https://doi.org/10.35699/2317-2096.2024.51734.

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Abstract (sommario):

The aim of this article is to analyze the dissemination of the works of Caroline Pichler and Carl Franz van der Velde within the context of the circulation of novels in the 19th century. Both were authors of historical novels – a genre that gained prominence in the first half of the 19th century, a time when social transformations drove people from various regions to revisit their history. The analysis was based on literary reviews published in German, French, English and Portuguese-language periodicals, and on library catalogs and booksellers’ advertisements. Three main points were addressed:

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Ye, Hanwen. "An Analysis of the Female Ghost Images in Ancient Chinese Novels on the Theme of Romantic Relationship Between Man and Ghost." Communications in Humanities Research 28, no. 1 (2024): 1–7. http://dx.doi.org/10.54254/2753-7064/28/20230005.

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Abstract (sommario):

From Jin to Qing Dynasty of China, there are a large number of novels depicting human-ghost romance. In this literature, female images, femininity and gender relationship patterns reflect the patriarchal values of a specific historical period. Previous research on ancient Chinese female ghost novels often focused on their romantic story with a male human and the awakening consciousness of female, but the research on Character depiction of female ghost was very few. Therefore, this paper aims to investigate the relationship between the image shaping of female ghosts and the values of contempora

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YAQIN, AMINA. "Truth, Fiction and Autobiography in the Modern Urdu Narrative Tradition." Comparative Critical Studies 4, no. 3 (2007): 379–402. http://dx.doi.org/10.3366/e1744185408000086.

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Abstract (sommario):

From its various beginnings in the nineteenth century and ever since the rise of print capitalism on the Indian subcontinent, the Urdu novel has become a prime medium of expression for writers seeking to fuse the narrative traditions of both the East and the West. As a hybrid genre which took shape during the nineteenth century, the Urdu novel's early beginnings were associated with the theme of historical romance; this eventually gave way to the influence of realism in the first half of the twentieth century. By and large, the Urdu novel incorporates influences encompassing the fantastical or

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