Accedi

Bibliografie tematiche / Fictional time / Articoli di riviste

Segui questo link per vedere altri tipi di pubblicazioni sul tema: Fictional time.

Articoli di riviste sul tema "Fictional time"

Autore: Grafiati

Pubblicato: 28 marzo 2023

Cita una fonte nei formati APA, MLA, Chicago, Harvard e in molti altri stili

Scegli il tipo di fonte:

Vedi i top-50 articoli di riviste per l'attività di ricerca sul tema "Fictional time".

Accanto a ogni fonte nell'elenco di riferimenti c'è un pulsante "Aggiungi alla bibliografia". Premilo e genereremo automaticamente la citazione bibliografica dell'opera scelta nello stile citazionale di cui hai bisogno: APA, MLA, Harvard, Chicago, Vancouver ecc.

Puoi anche scaricare il testo completo della pubblicazione scientifica nel formato .pdf e leggere online l'abstract (il sommario) dell'opera se è presente nei metadati.

Vedi gli articoli di riviste di molte aree scientifiche e compila una bibliografia corretta.

1

Valsiner, Jaan. "Between fiction and reality: Transforming the semiotic object." Sign Systems Studies 37, no. 1/2 (2009): 99–113. http://dx.doi.org/10.12697/sss.2009.37.1-2.05.

Testo completo

Abstract (sommario):

(Commentary on Umberto Eco’s article On the ontology of fictional characters: A semiotic approach in the present issue.)The contrast between real and fictional characters in our thinking needs further elaboration. In this commentary on Eco’s look at the ontology of the semiotic object, I suggest that human semiotic construction entails constant modulation of the relationship between the states of the real and fictional characters in irreversible time. Literary characters are examples of crystallized fictions which function as semiotic anchors in the fluid construction — by the readers — of the

Gli stili APA, Harvard, Vancouver, ISO e altri

2

Mosselaer, Nele Van de. "How Can We Be Moved to Shoot Zombies? A Paradox of Fictional Emotions and Actions in Interactive Fiction." Journal of Literary Theory 12, no. 2 (2018): 279–99. http://dx.doi.org/10.1515/jlt-2018-0016.

Testo completo

Abstract (sommario):

Abstract How can we be moved by the fate of Anna Karenina? By asking this question, Colin Radford introduced the paradox of fiction, or the problem that we are often emotionally moved by characters and events which we know don’t really exist (1975). A puzzling element of these emotions that always resurfaced within discussions on the paradox is the fact that, although these emotions feel real to the people who have them, their difference from ›real‹ emotions is that they cannot motivate us to perform any actions. The idea that actions towards fictional particulars are impossible still underlie

Gli stili APA, Harvard, Vancouver, ISO e altri

3

Urian, Adriana Diana. "Narrative Language and Possible Worlds in Postmodern Fiction. A Borderline Study of Ian McEwan’s The Child in Time." Studia Universitatis Babeș-Bolyai Philologia 66, no. 3 (2021): 247–64. http://dx.doi.org/10.24193/subbphilo.2021.3.16.

Testo completo

Abstract (sommario):

"Narrative Language and Possible Worlds in Postmodern Fiction. A Borderline Study of Ian McEwan’s The Child in Time. The present paper is a study of more traditional hermeneutics combined with a tinge of possible world modality, with the purpose of creating a thorough picture of narrative worlds and balancing it against the possible world system, with practical applications onto postmodern fiction, in Ian McEwan’s novel The Child in Time. The article focuses on exposing narrative language, worlds and characters, viewing them through Seymour Chatman’s perspective and slightly counterbalancing t

Gli stili APA, Harvard, Vancouver, ISO e altri

4

M. Adel, Abdel-Fattah. "Fictional Characters Outside Fiction: “Being” as a Fictional Character in Heidegger’s Being and Time." Arab World English Journal For Translation and Literary Studies 1, no. 2 (2017): 163–75. http://dx.doi.org/10.24093/awejtls/vol1no2.13.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

5

Villegas López, Sonia. "Truth and Wonder in Richard Head’s Geographical Fictions." Sederi, no. 30 (2020): 117–37. http://dx.doi.org/10.34136/sederi.2020.6.

Testo completo

Abstract (sommario):

In line with the method prescribed by members of the Royal Society for natural history and travel writing, Richard Head explored the limits of verisimilitude associated with geographical discourse in his three fictions The Floating Island (1673), The Western Wonder (1674) and O-Brazile (1675). In them he argues in favor of the existence of the mysterious Brazile island and uses the factual discourse of the travel diarist to present a semi-mythical place whose very notion stretches the limits of believability. In line with recent critical interpretations of late seventeenth-century fiction as d

Gli stili APA, Harvard, Vancouver, ISO e altri

6

WU, Meng. "Fanning Out Possibilities: Dung Kai-cheung and the Multiplicities of Time." Modern Chinese Literature and Culture 34, no. 2 (2022): 420–44. http://dx.doi.org/10.3366/mclc.2022.0020.

Testo completo

Abstract (sommario):

Hong Kong has brought to world literature some of the most prolific and best-loved fiction writers in modern Chinese history. Dung Kai-cheung is one of them — a Hong Kong-based writer who has found the city to be a constant source of inspiration. This article discusses the significance of multiplicity in Dung’s fictional representation of Hong Kong (“the V-City”), focusing on his 2007 novel Histories of Time: The Luster of Mute Porcelain. In this novel, Dung explores the narrative possibility of perceiving Hong Kong as a multi-historical space through the lens of multiplying temporalities. I h

Gli stili APA, Harvard, Vancouver, ISO e altri

7

Panto, Francesco, Tamaki Saito, Nobuaki Morita, and Yasukazu Ogai. "The Correlation between Enjoying Fictional Narratives and Empathy in Japanese Hikikomori." F1000Research 10 (August 9, 2021): 776. http://dx.doi.org/10.12688/f1000research.55398.1.

Testo completo

Abstract (sommario):

Background: Hikikomori is a Japanese social withdrawal phenomenon which, in recent years, is spreading in western developed countries as well. Spending a lot of time secluded indoors, watching and playing with fictional narratives may be relatively common for Hikikomori people and may represent a protective factor for their psychological well-being. Method: We evaluated the role of enjoying fictional narratives on empathy, relaxation, depression, and anxiety in people with Hikikomori experience, in relation to their daily consumption of fictional narratives and their emotional transportation t

Gli stili APA, Harvard, Vancouver, ISO e altri

8

Panto, Francesco, Tamaki Saito, Nobuaki Morita, and Yasukazu Ogai. "The Correlation between Enjoying Fictional Narratives and Empathy in Japanese Hikikomori." F1000Research 10 (January 21, 2022): 776. http://dx.doi.org/10.12688/f1000research.55398.2.

Testo completo

Abstract (sommario):

Background: Hikikomori is a Japanese social withdrawal phenomenon which, in recent years, is spreading in western developed countries as well. Spending a lot of time secluded indoors, watching and playing with fictional narratives may be relatively common for Hikikomori people and may represent a protective factor for their psychological well-being. Method: We evaluated the role of enjoying fictional narratives on empathy, relaxation, depression, and anxiety in people with Hikikomori experience, in relation to their daily consumption of fictional narratives and their emotional transportation t

Gli stili APA, Harvard, Vancouver, ISO e altri

9

Descher, Stefan. "Satirical Novels of the Late Enlightenment and the Practice of Fiction. A Methodological Proposal for Investigations Into the History of Fiction." Journal of Literary Theory 14, no. 2 (2020): 147–72. http://dx.doi.org/10.1515/jlt-2020-2003.

Testo completo

Abstract (sommario):

AbstractThe paper examines German satirical novels of the late Enlightenment period, published roughly between 1760 and 1790, under the following question: Is there any evidence that the historical practice of fiction (concerning this time and these texts) deviates from the modern practice of fiction as described by institutional accounts of fictionality? First, it is explained what, in this essay, is meant by the ›modern practice of fiction‹. Four ›core rules‹ are identified that, according to institutional accounts of fictionality, characterize the practice of reading works of fiction. These

Gli stili APA, Harvard, Vancouver, ISO e altri

10

Park, J. P. "Art-Historical Fiction or Fictional Art History?" Archives of Asian Art 72, no. 2 (2022): 181–219. http://dx.doi.org/10.1215/00666637-9953432.

Testo completo

Abstract (sommario):

Abstract In 1634 Zhang Taijie (b. 1588) published a woodblock edition of Baohuilu (A Record of Treasured Paintings), an extensive catalog of a massive painting collection he claimed to have built. This work would seem to be a useful resource for historians of Chinese art since it provides accounts of paintings by artists whose works are no longer extant. But there is one major problem: the book is a forgery. What is more, Zhang also forged paintings to match the documentation he created, so he could also profit from trading in them. Interestingly, the book also echoes unfounded claims register

Gli stili APA, Harvard, Vancouver, ISO e altri

11

Grishakova, Marina. "V. Nabokov's "Bend Sinister": A social message or an experiment with time?" Sign Systems Studies 28 (December 31, 2000): 242–63. http://dx.doi.org/10.12697/sss.2000.28.13.

Testo completo

Abstract (sommario):

The paper examines V. Nabokov's "strange" novel ''Bend Sinister". The fictional space of the novel is regarded as a process of interaction of different languages or different versions of reality. The philosopher Krug's story unrolls in the imaginary totalitarian state whose ideology combines the elements of fascism, communism and the language of mass psychology. At this level the text is identical with a "social message". The protagonist has to choose between a "private autonomy" and a "bad solidarity". The paper offers the new facts and documents referring to the key symbols of the novel. The

Gli stili APA, Harvard, Vancouver, ISO e altri

12

Villette, Agnès. "Viral Fictions: Navigating Time in Search of Memorial Markers for the Radio-Toxic Landscape of La Hague." Acta Academiae Artium Vilnensis, no. 100 (June 1, 2020): 238–73. http://dx.doi.org/10.37522/aaav.100.2021.63.

Testo completo

Abstract (sommario):

   Nuclear events have inscribed the 20th century into a new chemical temporality, that generally escapes our scrutiny due to radioactivity’s invisibility. Radioactive particles keep falling back to earth since nuclear tests peaked during the Cold War, they form an iterative invisible presence that is coated in political invisibility. Through films and fictions, the paper traces haunted images that keep coming back. Two distinct geographies are weaved together, that of West Coast American deserts, where numerous tests were conducted, and that of the nuclear peninsula of La Ha

Gli stili APA, Harvard, Vancouver, ISO e altri

13

YALÇIN, Çağrı, and Elif ÖZDOĞLAR. "ARCHITECTURAL ANALYSIS OF THE DUNE MOVIES." SOCIAL SCIENCE DEVELOPMENT JOURNAL 8, no. 36 (2023): 221–36. http://dx.doi.org/10.31567/ssd.870.

Testo completo

Abstract (sommario):

When the works of science fiction cinema from the past to the present are examined, space designs that are often designed inspired by architectural movements and designed in accordance with the targeted time period of production are seen. If it is not possible to produce all or some part of these space designs technologically in today's conditions, it is defined as fictional space design. In line with the technological developments and innovations experienced since the first emergence of cinema, fictional space designs continue the process of evolution. It can be seen that one of the biggest f

Gli stili APA, Harvard, Vancouver, ISO e altri

14

Troscianko, Emily. "Kafkaesque worlds in real time." Language and Literature: International Journal of Stylistics 19, no. 2 (2010): 151–71. http://dx.doi.org/10.1177/0963947010362913.

Testo completo

Abstract (sommario):

We read in a linear fashion, page by page, and we seem also to experience the world around us thus, moment by moment. But research on visual perception shows that perceptual experience is not pictorially representational: it does not consist in a linear, cumulative, totalizing process of building up a stream of internal picture-like representations. Current enactive, or sensorimotor, theories describe vision and imagination as operating through interactive potentiality. Kafka’s texts, which evoke perception as non-pictorial, provide scope for investigating the close links between vision and im

Gli stili APA, Harvard, Vancouver, ISO e altri

15

Ng, Kenny K. K. "Theory and Practice of the Long Novel." Prism 17, no. 2 (2020): 326–52. http://dx.doi.org/10.1215/25783491-8690412.

Testo completo

Abstract (sommario):

AbstractThis article examines the promises and predicaments of May Fourth writers in their experimental writing of the “long novel” (changpian xiaoshuo 長篇小說) as a Chinese brand of the modern epic. May Fourth intellectuals showed a conscious effort to institute a new brand of fictional genre to enlighten the reading public. Yet their “education of the novel” was far from complete, as New Literature writers found fictional expressions primarily in the form of the short story, with strong undertones of individualism, subjective lyricism, and elitism. By focusing on Mao Dun's 茅盾 (1896–1981) Ziye 子

Gli stili APA, Harvard, Vancouver, ISO e altri

16

Mordecai, Pamela C. "Negotiating Real Space and Real Time in Red Jacket: A Novel." Cultural and Pedagogical Inquiry 12, no. 1 (2021): 281–95. http://dx.doi.org/10.18733/cpi29554.

Testo completo

Abstract (sommario):

Analysis of her 2015 novel, “Red Jacket” by author Pamela Mordecai showing how the tools of space and time were used to provide realism to the story. This was done by describing real events that happened over the space of the story including weather events, political events as well as geographical descriptions to give an idea of fictional locations. Red Jacket is neither fabulist tale nor historical fiction. It is a made-up story, set at a time marked by events, some real and some imaginary, and set in places, some real and some imaginary.

Gli stili APA, Harvard, Vancouver, ISO e altri

17

Dancygier, Barbara. "Proximal and distal deictics and the construal of narrative time." Cognitive Linguistics 30, no. 2 (2019): 399–415. http://dx.doi.org/10.1515/cog-2018-0044.

Testo completo

Abstract (sommario):

AbstractThis paper proposes an approach to narrative deixis which offers a coherent analysis of the respective roles of proximal and distal deictic expressions (demonstratives as well as temporal and locative adverbs). The paper starts by arguing that fictional narratives require an approach to deixis which modifies a number of broadly held assumptions, especially as regards the interaction between tense and other deictic forms. It then considers the widely discussed instance of the temporal adverb now in the context of Past Tense. The second part of the paper gives special focus to demonstrat

Gli stili APA, Harvard, Vancouver, ISO e altri

18

Sen, Erhan, and Sedat Karagul. "A Study of Secondary School Students’ Perceptions of Fictional Characters." International Journal of Educational Methodology 7, no. 3 (2021): 433–46. http://dx.doi.org/10.12973/ijem.7.3.433.

Testo completo

Abstract (sommario):

<p style="text-align: justify;">Fictional characters give literary works a sense of reality. The actions of fictional characters play a crucial role in children's personality development. Young readers who lack critical reading skills are more likely to incorporate fictional characters into their lives because they have a hard time telling reality from fiction. Therefore, we should determine how children perceive fictional characters and teach them that they are imaginary figures. In this way, we can help them approach those characters' actions from an external and critical perspective.

Gli stili APA, Harvard, Vancouver, ISO e altri

19

Boxall, Peter. "Late: Fictional Time in the Twenty-First Century." Contemporary Literature 53, no. 4 (2012): 681–712. http://dx.doi.org/10.1353/cli.2012.0038.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

20

Klebes, Martin. "If Worlds Were Stories." Konturen 2, no. 1 (2010): 124. http://dx.doi.org/10.5399/uo/konturen.2.1.1346.

Testo completo

Abstract (sommario):

The metaphysics of possible worlds proposed by the analytic philosopher David K. Lewis offers an account of fictional discourse according to which possible worlds described in fiction are just as real as the actual world. In an inspired reversal of the analysis of literary fictions by such philosophical means, the French poet Jacques Roubaud makes direct reference to Lewis’ controversial ontological picture in two cycles of elegies composed between 1986 and 1990. Roubaud’s poems take up the idea of possible worlds as real entities, and at the same time they challenge the notion that philosophy

Gli stili APA, Harvard, Vancouver, ISO e altri

21

El Hajj, Murielle. "Analyse des réseaux de personnages dans les textes de Leslie Kaplan : du postmodernisme à l’inconscient." French Cultural Studies 32, no. 2 (2021): 91–107. http://dx.doi.org/10.1177/09571558211002449.

Testo completo

Abstract (sommario):

The texts of Leslie Kaplan question the irreducible opposition between the real and the non-real. Her characters and their intentional absence confuse the repository and fictional worlds, not only to point out the thin margin between reality and fiction, but to underline the impossible delimitation between the real and the fictional, or even between the text and the world. This article studies the characters of Kaplan and aims to demonstrate their identity crisis through the study of their literary onomastic and the use of the neutral pronoun ‘it’ and allegoric expressions. In addition, the ob

Gli stili APA, Harvard, Vancouver, ISO e altri

22

Arbain, Armini. "PEMIKIRAN HAMKA DALAM NOVEL-NOVELNYA: SEBUAH KAJIAN SOSIOLOGIS." Puitika 13, no. 2 (2017): 75. http://dx.doi.org/10.25077/puitika.13.2.75--88.2017.

Testo completo

Abstract (sommario):

In this article is discussed about the thought of Hamka contained in his novels. Hamka a man who has a multitalenta as a writer, thinker, writer, historian, and mufasir. That is, a Hamka not only as a writer but also as a thinker, writer, mufasir (interpreter of the Qur'an) and historian at the same time. The unification of the five qualities as above would be complementary to each other. Thus, when Hamka concocted a novel, her qualities as a thinker. writers, mufasir and historians will accumulate into his fictional work so that in the work of his novels there are a number of pithy thoughts.

Gli stili APA, Harvard, Vancouver, ISO e altri

23

Feagin, Susan L. "Imagining Emotions and Appreciating Fiction." Canadian Journal of Philosophy 18, no. 3 (1988): 485–500. http://dx.doi.org/10.1080/00455091.1988.10717187.

Testo completo

Abstract (sommario):

The capacity of a work of fictional literature to elicit (some) emotional responses is part of what is valuable about it, and having (relevant) emotional responses is part of appreciating it. These claims are not very controversial; perhaps they are even common sense. But philosophy rushes in where common sense fears to tread, raising questions and looking for explanations.Are the emotions we have in appreciating fictional works of art, what I call art emotions, of the same sort as those which occur in ‘real life’? Which emotions are appropriate to the work, and why: what justifies having one

Gli stili APA, Harvard, Vancouver, ISO e altri

24

Patterson, Patricia. "The public pursuit of closure: losses, fictions, and endings." International Journal of Organization Theory & Behavior 21, no. 3 (2018): 171–91. http://dx.doi.org/10.1108/ijotb-05-2018-0055.

Testo completo

Abstract (sommario):

Purpose This paper raises the possibility that closure is a myth, both in the sense of a narrative guiding a quest and in the sense of a social fiction. The paper aims to discuss this issue. Design/methodology/approach The paper examines parts played by public administration practice in quests with subtexts of death, love, and loss, and suggests that overlapping administrative and narrative fictions have their comforts and uses for grieving persons, for organizations, and for the social order. Findings The paper confesses ambivalence about the actual existence of closure in historical rather t

Gli stili APA, Harvard, Vancouver, ISO e altri

25

Domanskii, Yurii V. "HOW MANY YEARS TO MARS (ABOUT A TIME REFERENCE IN STANISLAW LEM'S "TALES OF THE PILOT PIRX" AND ABOUT THE MEANINGS OF THE TRUTHFULNESS OF THE FANTASTIC)." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 9 (2020): 169–78. http://dx.doi.org/10.28995/2686-7249-2020-9-169-178.

Testo completo

Abstract (sommario):

The article considers the reference to a real historical event in the text of a fantastic work – Stanislav Lem’s short story “Ananke” from the series “Stories about the pilot Pirx”. Based on such indication, the article attempts to understand the role of truth in fiction, the correlation degree for the “truthful” and “fantastic” in literature. As a result, it turns out that connecting the fact of reality to the world of fictional fiction in the science fiction allows one to see certain meanings of the author’s utterance, meanings that are just formed in the synthesis of the “fantastic” and “tr

Gli stili APA, Harvard, Vancouver, ISO e altri

26

Chen, Qi. "Balance history and fiction in narrative: Approaching Walter Scott’s classical historical novels." Frontiers of Narrative Studies 8, no. 1 (2022): 101–32. http://dx.doi.org/10.1515/fns-2022-2016.

Testo completo

Abstract (sommario):

Abstract Water Scott sets up the literary genre with his outstanding and genuine composition of twenty-seven historical novels. With unique and tactical narrative strategies, Scott successfully balances the real historical world and the fictional world in the stories. Scrutinizing from four aspects, namely plotting, narrative time, narrator and focalization, and characterization, the present paper will reveal how the history is told in a fictional world without losing the historicity and keeping the vividness at the same time. Taking the faithfulness to history as the major principle, Scott fa

Gli stili APA, Harvard, Vancouver, ISO e altri

27

Khan, Muhammad Sajid. "ARTISTIC AND CONCEPTUAL ANALYSIS OF THE FICTION WORK OF ANGARAY." Journal of Social Sciences and Humanities 58, no. 1 (2019): 191–97. http://dx.doi.org/10.46568/jssh.v58i1.138.

Testo completo

Abstract (sommario):

Reading habits among young generation is going to declining and culture of reading books is modified to modern methods of communication like browsing social sites and internet, playing on cell phones and watching T.V. This era modernization has taken away the youth from reading habits. It is important that the young generation learns about the rich Urdu literature including Urdu fiction in which several writers have significantly contributed. The emergence of Urdu literature facilitated the expansion of Urdu language. Fiction writers try to indicate important weaknesses of the society, cultura

Gli stili APA, Harvard, Vancouver, ISO e altri

28

Belsey, Catherine. "Narrative magic: Stories and the ways of desire." Language and Literature: International Journal of Stylistics 23, no. 1 (2014): 77–88. http://dx.doi.org/10.1177/0963947013510645.

Testo completo

Abstract (sommario):

Fictions that include an account of how stories are received show narrative as enlisting the desire of the reader or hearer. While fiction demonstrates what the magic of the signifier can do to allay desire when language is set free from reality, in the end narratives withhold satisfaction of the desire they engender, since the worlds they create must eventually be relinquished. To that degree, narrative fiction brings to light the condition of the speaking being as Lacanian psychoanalysis conceives it, at once empowered and deprived by access to language, and in quest of a presence language c

Gli stili APA, Harvard, Vancouver, ISO e altri

29

Urian, Adriana Diana. "FREE INDIRECT DISCOURSE AND POSSIBLE WORLDS IN IAN MCEWAN’S THE CHILD IN TIME." JOURNAL OF LINGUISTIC AND INTERCULTURAL EDUCATION 12, no. 3 (2019): 123–32. http://dx.doi.org/10.29302/jolie.2019.12.3.8.

Testo completo

Abstract (sommario):

The paper discusses the nature of free indirect discourse and the manner in which it appears within postmodern fiction, more precisely in Ian McEwan’s novel The Child in Time, through the modality of possible world semantics. First it explains how free indirect discourse should be understood in this context, outlining the theoretical introduction and justification of this particular approach. The subsequent discussion focuses on speech acts and how they can be understood theoretically and in a fictional universe. It then showcases how free indirect discourse works in Ian McEwan’s The Child in

Gli stili APA, Harvard, Vancouver, ISO e altri

30

Tan, Eduard Sioe-Hao, and Valentijn Visch. "Co-Imagination of Fictional Worlds in Film Viewing." Review of General Psychology 22, no. 2 (2018): 230–44. http://dx.doi.org/10.1037/gpr0000153.

Testo completo

Abstract (sommario):

The typical experience of narrative film is characterized by a remarkable intensity as to absorption and emotion. Current explanations attribute the experience to the realistic perceptual impact of the film. This theoretical article sets out to explain the experience as the result first of the film-viewer's acts of imagination of fictional worlds. More specifically, it seems suitable to conceptualize the film experience as arising from pretense play. Pretense play can afford room for free imagination leading to intense emotion, as well as restrictions to the imagination “quarantining” ( Leslie

Gli stili APA, Harvard, Vancouver, ISO e altri

31

Alward, Peter. "Description, Disagreement, and Fictional Names." Canadian Journal of Philosophy 41, no. 3 (2011): 423–48. http://dx.doi.org/10.1353/cjp.2011.0028.

Testo completo

Abstract (sommario):

In this paper, a theory of the contents of fictional names — names of fictional people, places, etc. — will be developed. The fundamental datum that must be addressed by such a theory is that fictional names are, in an important sense, empty: the entities to which they putatively refer do not exist. Nevertheless, they make substantial contributions to the truth conditions of sentences in which they occur. Not only do such sentences have truth conditions, sentences differing only in the fictional names they contain differ in their truth conditions. It is, after all, commonplace to note such thi

Gli stili APA, Harvard, Vancouver, ISO e altri

32

Morling, Beth, and Jeong Min Lee. "Undergraduates at a Research University Think of Faculty as Teachers and That Teaching is Prestigious." Teaching of Psychology 47, no. 1 (2019): 50–57. http://dx.doi.org/10.1177/0098628319888089.

Testo completo

Abstract (sommario):

What do university students understand about faculty work? Undergraduate (mostly first-year) students ( N = 317) at a research university gave definitions of tenure, estimated how much time faculty spend teaching, and rated fictional faculty members. Most students could define tenure but could not describe how it is earned or its role in academic freedom. Students overestimated the time faculty spend on teaching and underestimated time spent on research. Finally, students who assumed that fictional faculty taught more courses also assumed they had higher status. By comparison, faculty responde

Gli stili APA, Harvard, Vancouver, ISO e altri

33

Miller, Jon Charles. "Hume's Impression of Succession (Time)." Dialogue 47, no. 3-4 (2008): 603–17. http://dx.doi.org/10.1017/s0012217300002869.

Testo completo

Abstract (sommario):

ABSTRACTIn this article I argue that Hume's empiricism allows for time to exist as a real distinct impression of succession, not, as many claim, merely as a nominal abstract idea. In the first part of this article I show how for Hume it is succession and not duration that constitutes time, and, further, that only duration is fictional. In the second part, I show that according to the way Hume describes the functions of the memory and imagination, it is possible to explain how we are able to perceive a distinct impression of succession.

Gli stili APA, Harvard, Vancouver, ISO e altri

34

Gregor, Kerstin, and Steffen Neuß. "Why the Epistemic Value of Fictional Literature Does Not Depend Crucially on Its Fictionality." Grazer Philosophische Studien 96, no. 3 (2019): 463–75. http://dx.doi.org/10.1163/18756735-09603014.

Testo completo

Abstract (sommario):

Mitchell Greenʼs conception of the thesis of Literary Cognitivism states that literary fiction can be a source of knowledge that depends crucially on its being fictional. By a modal argument the authors show that the criterion of fictionality cannot be crucial to the epistemic value of literary fiction. Rather, it lays in a certain kind of distance, e.g. a temporal, cultural, or interpersonal one. This will be motivated by drawing parallels to Gadamerʼs hermeneutics, especially his conception of fusion of horizons. In doing so, we agree with Green’s characterisation of knowledge that can be ga

Gli stili APA, Harvard, Vancouver, ISO e altri

35

Reid, Eamon. "The Dialogic Expansion of Garcia’s We: Chronotopes, Ethics, and Politics in The Expanse Series." Open Philosophy 5, no. 1 (2021): 168–91. http://dx.doi.org/10.1515/opphil-2020-0157.

Testo completo

Abstract (sommario):

Abstract Popular culture could be understood as a political battleground where conflicting meanings are inscribed into the “ordinary objects” that constitute that public sphere. This is also true for science fiction television series. This article critically examines how political matters and ethical agencies are represented within The Expanse, a series that takes place within a speculative twenty-fourth century milky way. Firstly, I will situate The Expanse within its generic “system of reference.” Then, I will illustrate how political matters are represented as conjoined with the ethical. Wh

Gli stili APA, Harvard, Vancouver, ISO e altri

36

Kushwaha, Arvind. "THE CONSEQUENCE OF MOVIE THEATRE CLOSURES IN THE MIDST OF THE PANDEMIC." International Journal of Social Sciences & Economic Environment 6, no. 1 (2021): 15–21. http://dx.doi.org/10.53882/ijssee.2021.0601003.

Testo completo

Abstract (sommario):

Purpose: Subscribing to OTT (Over The Top) platforms and reading fictional or non-fictional books were two of the entertainment options examined in this study. Design/Research Methodology/approach: A total of 351 college graduate students participated in the study, which was performed in Mumbai. We employed regression, ANOVA, independent t test, and mean test. Findings: According to the findings, movie theatres posed as a stumbling block in the way of more OTT platform subscriptions. However, it did not encourage college graduates to read more fiction and nonfiction. Research Implications: OTT

Gli stili APA, Harvard, Vancouver, ISO e altri

37

Hazan, A. R., and S. A. Glantz. "Current trends in tobacco use on prime-time fictional television." American Journal of Public Health 85, no. 1 (1995): 116–17. http://dx.doi.org/10.2105/ajph.85.1.116.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

38

ASHLEY, JENNIFER. "Prime-time politics: News, parody, and fictional credibility in Chile." American Ethnologist 41, no. 4 (2014): 757–70. http://dx.doi.org/10.1111/amet.12110.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

39

Terry, Daniel, and Blake Peck. "Television as a Career Motivator and Education Tool: A Final-Year Nursing Student Cohort Study." European Journal of Investigation in Health, Psychology and Education 10, no. 1 (2019): 346–57. http://dx.doi.org/10.3390/ejihpe10010026.

Testo completo

Abstract (sommario):

Fictional medical programs are often used for more than just their recreational enjoyment; they can also influence career decision making. Very little research has examined the pedagogical value of fictional medical programs in terms of their motivational value in the choice of a nursing career. As such, the aim of this study was to examine what motivated nursing students to choose nursing careers, if fictional medical programs were motivators, and if they are used by students as a learning tool. The cross-sectional study collected data using a questionnaire and occurred between April and June

Gli stili APA, Harvard, Vancouver, ISO e altri

40

Fedotova, Oksana. "Special Strategies of Forming Fictional Narrative Metadiscourse." Scientific Research and Development. Modern Communication Studies 8, no. 6 (2019): 74–78. http://dx.doi.org/10.12737/2587-9103-2019-74-78.

Testo completo

Abstract (sommario):

The paper deals with special strategies of forming fictional narrative metadiscourse. The strategy of “the effect of a camera” is characteristic of some novels of the middle XX century. According to this strategy, the action quickly shifts from one situational frame to the other. Every new chapter in such narratives begins in a new place, at a different time and with a new character. Sometimes different actions take place within one chapter. The strategy “the imitation of a play” like “the effect of a camera” is connected with the visualization and with the filming of fiction. The author’s met

Gli stili APA, Harvard, Vancouver, ISO e altri

41

Nicolini, Matteo. "Law, the Humanities and Political Incertitude in a Time of Climate Change." Legalities 1, no. 1 (2021): 91–115. http://dx.doi.org/10.3366/legal.2021.0008.

Testo completo

Abstract (sommario):

This article addresses how climate change triggers relevant transformations in the realm of the law and affects our politico-legal paradigms. To this end, it delivers cross-disciplinary research by focusing on a non-fictional literary genre, i.e. climate-change pop-science, which has arisen very recently. The article also explores the concept of ‘strategic formalism’, i.e. a strategic legal device unable to govern societal concerns. On the one hand, it shapes our approach to climate change and migration; on the other, it adapts ecological issues to the ‘traditional’ legal framework. Against th

Gli stili APA, Harvard, Vancouver, ISO e altri

42

Федотова and Oksana Fedotova. "Gender Aspect of Fictional Communication between the Writer and the Reader." Modern Communication Studies 2, no. 5 (2013): 48–53. http://dx.doi.org/10.12737/1251.

Testo completo

Abstract (sommario):

The paper shows that English language narrative discourse is multidimensional and heterogeneous. The author explicitly addresses the reader concerning things that are not directly connected with the fictional reality of the story. The aim of the paper is to analyze gender aspect of fictional communication between the writer and the reader. It’s a fact that the writer may reveal his presence in the narrative irrespective of the time the piece of narrative was written. The main markers are time shift, shift of narrative perspective and the use of maxims.

Gli stili APA, Harvard, Vancouver, ISO e altri

43

Catană, Elisabeta Simona. "The Palimpsestic Time and Identity in Graham Swift’s Ever After." Romanian Journal of English Studies 14, no. 1 (2017): 1–7. http://dx.doi.org/10.1515/rjes-2017-0001.

Testo completo

Abstract (sommario):

Abstract The essay analyses Graham Swift’s Ever After and shows that the concepts of time and identity are fictional constructs which stand for a palimpsestic world presented as an eternal stage of past and present stories. Time and identity are revealed to us through symbols which stand for a palimpsestic world. They are reinvented and rewritten according to the narrator’s vision.

Gli stili APA, Harvard, Vancouver, ISO e altri

44

Farahbakhsh, Alireza, and Soulmaz Kakaee. "A DYSTOPIAN READING OF THE PRESENT TIME IN DAVID MITCHELL'S NUMBER 9 DREAM." International Journal of Research -GRANTHAALAYAH 6, no. 12 (2018): 12–22. http://dx.doi.org/10.29121/granthaalayah.v6.i12.2018.1070.

Testo completo

Abstract (sommario):

With the intention to study the implications and their affinity with and deviation from reality, the present study will analyze Number9Dream (2001) in terms of its narrative style, ontological qualities, and certain conventions which lead to the particular genre of dystopian science fiction. It tends to settle the following questions: are the implications and contributions of categorizing Number9Dream as a dystopian science fiction significant in any way? What is the role and ontological significance of setting in the novel? Narratological approach and genre criticism are applied to the novel

Gli stili APA, Harvard, Vancouver, ISO e altri

45

Bogoderova, A. A. "Temporary marriage as Russian literary pattern in the 19th – early 20th century." Sibirskiy filologicheskiy zhurnal, no. 3 (2020): 92–106. http://dx.doi.org/10.17223/18137083/72/7.

Testo completo

Abstract (sommario):

The paper deals with the subject of temporary marriage between Russian sailors and Japanese women in fictional and non-fictional literature. The literary pattern of temporary marriage includes time limitation of the marriage, the language or/and cultural barrier and the man’s leaving at the end. The time limitation sometimes makes one or both spouses consider this marriage as legal, but “not true.” There are two main variants of the pattern in Russian travel notes of the 19th − early 20th century. The first is the positive one (A. Krasnov, D. Schreider, and N. Bartoshewsky). Both husband and w

Gli stili APA, Harvard, Vancouver, ISO e altri

46

Brenner, Rachel Feldhay. "Jerzy Andrzejewski’s Holy Week: Testing Religious Ethics in Times of Atrocity." Holocaust and Genocide Studies 33, no. 2 (2019): 225–43. http://dx.doi.org/10.1093/hgs/dcz025.

Testo completo

Abstract (sommario):

Abstract Jerzy Andrzejewski wrote the novella Holy Week at the time of the Warsaw Ghetto Uprising. This real-time Polish fictional response immediately raised critical controversy. Whereas some critics saw it as an inadequate representation of the Holocaust, others considered the 1945 version a product of socialist realism. Here the author argues that Andrzejewski’s wartime fiction investigates the viability of his Catholic existentialist orientation during a time of terror. While his wartime essays and his correspondence with Czesław Miłosz reflected Andrzejewski’s struggle to maintain his fa

Gli stili APA, Harvard, Vancouver, ISO e altri

47

Andén, Lovisa. "Literary Testimonies and Fictional Experiences." Studia Phaenomenologica 21 (2021): 197–223. http://dx.doi.org/10.5840/studphaen20212110.

Testo completo

Abstract (sommario):

This article discusses the role of Gulag literature in connection to testimony, literature and historical documentation. Drawing on the thoughts of Jacques Derrida and Hannah Arendt, the article examines the difficulty of witnesses being believed in the absence of evidence. In particular, the article focuses on the vulnerability of the Gulag authors, due to the ongoing Soviet repression at the time of their writing. It examines the interplay between the repression and the literature that exposed it. The article contends that the fictionalization of Gulag literature enabled the authors to go fu

Gli stili APA, Harvard, Vancouver, ISO e altri

48

Davis, Rocío G. "Fictional Transits and Ruth Ozeki’s A Tale for the Time Being." Biography 38, no. 1 (2015): 87–103. http://dx.doi.org/10.1353/bio.2015.0007.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

49

Lycan, William G. "METAPHYSICS AND THE PARONYMY OF NAMES." American Philosophical Quarterly 55, no. 4 (2018): 405–19. http://dx.doi.org/10.2307/45128634.

Testo completo

Abstract (sommario):

Abstract Paronymy—ambiguity that is not sheer ambiguity—is underdiscussed by philosophers of language. And hardly anyone has noticed that proper names are paronymous; different occurrences of a single name have slightly and subtly different referents. This paper invokes that fact to illuminate some issues in metaphysics: a puzzle about fictional characters; Jennifer Saul’s phenomenon of referential opacity in the absence of opacity-inducing operators; the relation between persons and bodies; death; personal identity through time; and Peter Ludlow’s argument for the zany claim that the distinct

Gli stili APA, Harvard, Vancouver, ISO e altri

50

Elrashid Ali, Mohammed Adam. "Cycle “Travel from Russia” of A. Bitov as an artistic whole (structure and poetics)." RUDN Journal of Studies in Literature and Journalism 24, no. 1 (2019): 65–72. http://dx.doi.org/10.22363/2312-9220-2019-24-1-65-72.

Testo completo

Abstract (sommario):

The article attempts to consider the book by A. Bitov “Travel from Russia” as a fictional purpose and the “journey” feature as a genre of fiction. At the same time, the features of similarities and differences, the “creative evolution” in the writer’s stories, which reflect the author’s reflection on the spaces of the former Soviet Empire and its social connections, are considered. Constant study of the cultures of other nations helps the writer to create an overall artistic picture. As a result, the journey becomes for A. Bitov the process of existence (ontological principle).

Gli stili APA, Harvard, Vancouver, ISO e altri

Offriamo sconti su tutti i piani premium per gli autori le cui opere sono incluse in raccolte letterarie tematiche. Contattaci per ottenere un codice promozionale unico!