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Letteratura scientifica selezionata sul tema "Fitzwilliam Museum"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 30 luglio 2024

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Articoli di riviste sul tema "Fitzwilliam Museum"

1

Olleson, Philip, and Fiona M. Palmer. "Publishing Music from the Fitzwilliam Museum, Cambridge: The Work of Vincent Novello and Samuel Wesley in the 1820s." Journal of the Royal Musical Association 130, no. 1 (2005): 38–73. http://dx.doi.org/10.1093/jrma/fki005.

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AbstractIn 1816, Richard Fitzwilliam died, bequeathing his important music collection to the University of Cambridge. In 1824 the University decided to allow selections from it to be published. The most important outcome was Vincent Novello's five-volume The Fitzwilliam Music (1825–7), containing Latin church music by Italian composers of the sixteenth to the eighteenth centuries, but there was also an edition by Samuel Wesley of three hymn tunes by Handel to words by his father, and Wesley also projected an edition of motets from Byrd's Gradualia which for financial reasons was never publishe

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2

Burn, Lucilla. "Recent Acquisitions of Greek, Roman and Cypriot Antiquities at the Fitzwilliam Museum 2001–2006." Archaeological Reports 53 (November 2007): 191–97. http://dx.doi.org/10.1017/s0570608400000491.

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The Fitzwilliam Museum, founded through the bequest of Richard, 7th Viscount Fitzwilliam of Merrion (1745–1816), is the principal museum and art gallery of the University of Cambridge. The Museum's collection of Greek, Roman and Cypriot antiquities grew steadily throughout the 19th and 20th centuries by gift, bequest, excavation and purchase, and is today one of the finest such collections in the United Kingdom outside London.

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3

Quirke, Stephen. "Kerem in the Fitzwilliam Museum." Journal of Egyptian Archaeology 76 (1990): 170. http://dx.doi.org/10.2307/3822021.

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4

PALMER, VANESSA. "TREASURES OF THE FITZWILLIAM MUSEUM." Art Book 13, no. 1 (2006): 62. http://dx.doi.org/10.1111/j.1467-8357.2006.00653_3.x.

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5

Quirke, Stephen. "Kerem in the Fitzwilliam Museum." Journal of Egyptian Archaeology 76, no. 1 (1990): 170–74. http://dx.doi.org/10.1177/030751339007600119.

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6

Wallis, Nicola. "Let's go to…: the Fitzwilliam Museum." Nursery World 2023, no. 2 (2023): 30. http://dx.doi.org/10.12968/nuwa.2023.2.30.

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7

James, N. "How to make sense of treasure." Antiquity 83, no. 319 (2009): 206–8. http://dx.doi.org/10.1017/s0003598x00098215.

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Treasures in themselves are fetishes. Only the admirer can make 'treasure' of a find in isolation; but to wonder about it as treasure opens apt questions about why the thing was valued, by whom and under what conditions. It was worrying, then, when the Fitzwilliam Museum, Cambridge University's art collection, took in an exhibition of striking ancient finds returning to the Georgian National Museum from the USA (Smithsonian Institution and New York University). For the usual focus on the intrinsic qualities of fine art sits awkwardly with archaeological concern for context. The Fitzwilliam did

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8

Lin, James. "“Khotan Jades in the Fitzwilliam Museum Collection”." Journal of Inner Asian Art and Archaeology 2 (January 2007): 117–22. http://dx.doi.org/10.1484/j.jiaaa.2.302552.

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9

Greeves, Margaret. "Risk Management at the Fitzwilliam Museum, Cambridge." Journal of Architectural Conservation 7, no. 3 (2001): 67–79. http://dx.doi.org/10.1080/13556207.2001.10785303.

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10

Nicholls, R. V. "More Bone Couches." Antiquaries Journal 71 (September 1991): 36–45. http://dx.doi.org/10.1017/s0003581500086819.

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This paper publishes some Roman bone carvings in the Fitzwilliam Museum collected by Sir Henry Wellcome and given by the Wellcome Trustees in 1982–3. All seem to be from or associated with a range of elaborate couches produced in Italy in Republican and Early Imperial times and found in burials there and in the provinces. They have come to the Fitzwilliam largely because of that museum's earlier initiative in restoring such a couch, described by the author in Archaeologia 106 (1979), 1–32.

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Libri sul tema "Fitzwilliam Museum"

1

Gillingham, Bryan. Indices to Cambridge, Fitzwilliam Museum MS 369. Institute Of Mediaeval Music, 2008.

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2

Museum, Fitzwilliam, ed. Indices to Cambridge, Fitzwilliam Museum MS 369. Institute Of Mediaeval Music, 2008.

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3

Eleni, Vassilika, Wilson Penelope, and A. G. Leventis Foundation, eds. The art of Ancient Cyprus in the Fitzwilliam Museum, Cambridge. A.G.Leventis Foundation, 1999.

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4

Museum, Fitzwilliam. French eighteenth century drawings in the Fitzwilliam Museum. Fitzwilliam Museum, University of Cambridge, 2001.

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5

Museum, Fitzwilliam. Treasures from the Fitzwilliam: 'the increase of learning and other great objects of that noble foundation'. Cambridge University Press, 1989.

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6

Henig, Martin. Classical gems: Ancient and modern intaglios and cameos in the Fitzwilliam Museum, Cambridge. Cambridge University Press, 1994.

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7

P, Woudhuysen, and Fitzwilliam Museum, eds. The Dutch connection: The founding of the Fitzwilliam Museum : the Fitzwilliam Museum, Cambridge, 25 October 1988 to 8 January 1989. The Museum, 1988.

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8

Museum, Fitzwilliam, ed. Renaissance and Baroque bronzes from the Fitzwilliam Museum, Cambridge. Daniel Katz, 2002.

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9

L, Bayne-Powell R., ed. Catalogue of portrait miniatures in the Fitzwilliam Museum, Cambridge. Cambridge University Press, 1985.

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10

Victoria, Avery, Dillon Jo, Daniel Katz Ltd, and Fitzwilliam Museum, eds. Renaissance and Baroque bronzes from the Fitzwilliam Museum, Cambridge. Daniel Katz Ltd., 2002.

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Più fonti

Capitoli di libri sul tema "Fitzwilliam Museum"

1

Lange, Nicholas. "The Greek Glosses of the Fitzwilliam Museum Bible." In Zutot 2002. Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-010-0199-1_15.

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2

"The Fitzwilliam Museum:." In Winifred Lamb: Aegean Prehistorian and Museum Curator. Archaeopress Publishing Ltd, 2018. http://dx.doi.org/10.2307/j.ctv1nzfwdz.12.

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3

"Prehistory and the Fitzwilliam Museum." In Winifred Lamb: Aegean Prehistorian and Museum Curator. Archaeopress Publishing Ltd, 2018. http://dx.doi.org/10.2307/j.ctv1nzfwdz.10.

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4

Strudwick, Helen. "Egyptian Coffins at the Fitzwilliam Museum:." In Egypt 2015: Perspectives of Research. Archaeopress Publishing Ltd, 2017. http://dx.doi.org/10.2307/j.ctv170x4dg.16.

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5

Gill, David W. J. "WINIFRED LAMB AND THE FITZWILLIAM MUSEUM." In Classics in 19th and 20th Century Cambridge. Cambridge Philological Society, 2020. http://dx.doi.org/10.2307/j.ctv27h1pzc.13.

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6

"Cambridge, The Fitzwilliam Museum, McClean 124." In Die Legendare aus der 'Rue neuve Nostre Dame'. Peeters Publishers, 2021. http://dx.doi.org/10.2307/j.ctv27vt4xk.25.

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7

ROBINSON, DUNCAN. "Palace or Powerstation? Museums Today." In Proceedings of the British Academy, Volume 154, 2007 Lectures. British Academy, 2008. http://dx.doi.org/10.5871/bacad/9780197264355.003.0001.

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Abstract (sommario):

This lecture presents the text of the speech about art museums in England delivered by the author at the 2007 Isaiah Berlin Lecture held at the British Academy. It comments on the role of museums as palaces or powerstations. The lecture suggests that the shape and size of museum buildings are bound to reflect not only their purpose but also the cultural assumptions of the period in which they were created, or recreated. It describes the Louvre and the Fitzwilliam Museums.

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8

Ward, Rachel. "An Extraordinary Mamluk Casket In The Fitzwilliam Museum." In Metalwork and Material Culture In the Islamic World. I.B.Tauris, 2012. http://dx.doi.org/10.5040/9780755694099.ch-008.

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9

"Preliminary Material." In New Kingdom Ostraca from the Fitzwilliam Museum, Cambridge. BRILL, 2011. http://dx.doi.org/10.1163/9789004183766_001.

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10

"Introduction." In New Kingdom Ostraca from the Fitzwilliam Museum, Cambridge. BRILL, 2011. http://dx.doi.org/10.1163/9789004183766_002.

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