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Tesi sul tema "Gallery"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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1

Basar, Murat. "INTERACTIVE GALLERY." Thesis, Linnéuniversitetet, Institutionen för datavetenskap, fysik och matematik, DFM, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-23220.

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Abstract (sommario):

Today, there are many high-level interactive applications and products around the world which are developed by using programming languages or software. Basically, games, virtual museums, educational applications, interactive architectural products are the simplest examples about these interactive solutions. In this thesis, interactive gallery means moving objects in a three-dimensional room. Objects can be re-placed by using keyboard keys in this three-dimensional room. Thus, user can move these interactive objects in accordance with intended purpose. Interactive gallery is similar with a room

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2

Arnett, Joanne. "Rogue gallery." Thesis, Kent State University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1555301.

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<p> I seek to capture the ephemeral in a series of large-scale weavings that examine relationships between public and private, real and artificial, the mundane and the extraordinary. </p><p> I use mug shots as a device because they represent a perfect juncture between conflict and resolution. I assume the role of the accused in all the compositions. Rather than present the images as photographs I transform them into weavings. The zeros and ones that make up a digital image file become a code which translates as the over and under of warp and weft and embeds the image in the finished cloth.

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3

Brunstorp, Jimmi. "Gallery Wall." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-4763.

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För vissa är graffiti konst, för andra är det ett tecken på förlorad kontroll. För mig är det ett redskap för att mötas. Jag har delat in mitt examensarbete i två delar. Den första behandlar visionen jag baserat mitt arbete på. Den andra handlar om design och placering av de fysiska paviljongerna. I den första delen har jag utgått ifrån ett scenario där den fysiska arkitekturen återspeglas i ett virtuellt gallerisystem jag get namnet Gallery Wall. Denna del finns bara på idébasis men har varit utgångspunkt då jag formgivit mina paviljonger. Jag har skapat fem olika paviljongstyper som tills

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4

Lee, Wonkyu. "Urban Gallery." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/71766.

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Since the dawn of high-rise buildings, human relationships have been limited by the floors. Compared to the pre-industrialized era where residential streets fostered community socialization, it is safe to say our relationships are constrained to the physical boundaries that surround us. Especially large cities such as New York, Chicago, Tokyo and Hong Kong, citizens lack compassion towards each other, treating neighbors as strangers. The fundamental problem of this phenomenon originates from the stacked floor arrangements that divide people. I believe it's not people's choices to be indiffer

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5

Vicens, Rebeca. "Alley-Gallery." Thesis, Virginia Tech, 2002. http://hdl.handle.net/10919/9660.

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The site chosen for this thesis project is located in downtown Blacksburg, Virginia. It consists of a 30'x110' infill lot and an alley running parallel to it. An initial desire to blur the boundary between the alley and the proposed building led to a study of the potential of parallel planes overlapped along the shared border. Representation of these planes in two dimensions allowed almost simultaneous perceptions of multiple spatial and geometrical configurations among them. The architectural consequences of this phenomenon became the main subject of inquiry. Exploration through silkscreen p

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6

Arnett, Joanne M. "Rogue Gallery." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1366636723.

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7

Lacher, Kria. "Blenko Glass Gallery." Thesis, Virginia Polytechnic Institute and State University, 1996. http://hdl.handle.net/10919/53421.

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This master's thesis is the design and discussion of a glass gallery and museum for the Blenko Glass factory in Milton, West Virginia. It is an exploration of Hertzberger’s concept of warp and weft. Let us take the image of a fabric such as constituted by warp and weft. You could say the warp established the basic ordering of the fabric, and in doing so creates the greatest opportunity to achieve the greatest possible variety and colorfulness in the weft. The warp must first and foremost be strong and of the correct tension, but as regards to color it needs merely to serve as a base. It is th

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8

Ajlani, Tarek F. "Gallery For Art." Thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/33977.

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For my thesis I explored the idea of the mask in relation to architecture. For my project I designed an art gallery located in Georgetown Washington DC which is composed of three layers: a structural layer, an environmental casing, and an outer layer. Theoretical parallels are drawn between the outer layer of the gallery and what is commonly referred to as a mask. Additionally, I explored the interaction between the layers of the gallery. The distinguishing characteristics of the building include the tri-facade mask, the unique spaces in between the gallery's layers, the glass system, the mask

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9

Fopp, Michael Anton. "Museum & gallery management." Thesis, City University London, 1988. http://openaccess.city.ac.uk/7538/.

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This thesis examines management and organization theories and their relevance to the Museum and gallery context. In Part One management theories are examined to ascertain the development of management thinking and to establish the principles under which museums and galleries operate. This theme is developed to extend the concept of management expertise in museums and galleries to enable due consideration to be given to applications of management theory which are seen to be under-utilized yet appropriate to the changing environment in which museums and galleries currently operate. Thought is gi

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10

Lau, King-hong, and 柳景康. "Urban gallery for design." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31983972.

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11

Forr, Molly S. (Molly Susanne). "A gallery for mathematics." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/31199.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2005.<br>Includes bibliographical references (p. 68).<br>The Gallery for Mathematics seeks to interpret and communicate the character and culture of mathematics through the lens of architectural tectonic. The form and program of the Gallery are driven by three goals for the architectural experience and mathematical journey: [movement], [interaction], and [solitude]. By redesigning the traditional museum experience, the Gallery aims not to simply inform its visitors, but instead to incite their curiosity, producing

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12

Wolters, Erika. "A mobile art gallery." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223739.

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Abstract (sommario):

Most art galleries around the world look the same; a large white room with a few artworks placed far apart. This standard way of designing art spaces together with locating them almost exclusively in the city centers makes them both physically and culturally distant for many people. This project aims to explore other ways of displaying art to make it accessible to more people through small architectural interventions. It is an exploration about the relation between space the body and the object. A prototype for a mobile art gallery has been built as a testing device.

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13

Bundalo, Mladen. "Cyber Gallery "Art Zeppelin"." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2011. http://www.nusl.cz/ntk/nusl-232290.

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14

Špirić, Dajan. "Cyber gallery "Art Zeppelin"." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2011. http://www.nusl.cz/ntk/nusl-232321.

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15

Lau, King-hong. "Urban gallery for design." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956607.

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16

Siu, Yuen-man. "Scenery of mind photography gallery /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B31987266.

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17

Romano, Cara L. "Gallery 66 selling the Southwest /." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1194999497.

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18

Siu, Yuen-man, and 蕭婉雯. "Scenery of mind: photography gallery." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31987266.

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19

Bergman, John. "IMMERSIVE GALLERY OF DIGITAL ART." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223228.

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20

Naude, Elmarie. "Embodying space : Capture Image Gallery." Diss., University of Pretoria, 2009. http://hdl.handle.net/2263/30248.

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Abstract (sommario):

The city of Pretoria has a diverse mix of people moving in and around it. This dynamic, ever-changing movement, combined with the city’s cultural diversity, renders it ideal for an investigation into the relationship (or lack thereof) that exists between the moving body and architectural space. The city and its architectural spaces are viewed as static. The human body and its movement is dynamic. These static spaces cannot always accommodate the dynamic movement taking place within and around them. This leads to a lack of dialogue or interaction between the two, causing a tension which is furt

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21

Tolley, Rebecca. "Review of Art Museum Image Gallery." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etsu-works/5631.

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22

Ward, Debbie, and n/a. "Textile conservation at the Australian National Gallery." University of Canberra. Applied Science, 1985. http://erl.canberra.edu.au./public/adt-AUC20061109.174356.

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23

Eekelaar, Catherine. "Art gallery-based interventions in dementia care." Thesis, Canterbury Christ Church University, 2011. http://create.canterbury.ac.uk/10460/.

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Abstract (sommario):

Section A reviews whether arts-based activities for people with a dementia (PWD) have significant cognitive, social, and psychological benefits for this population. There is a variety of theoretical perspectives on dementia that encompass the biological, psychological, and social effects of the disease on the wellbeing of PWD. Visual arts may be an appropriate way of addressing some of the challenges that PWD face by providing a means of ameliorating some of their cognitive, social, and psychological difficulties. Literature from the field of arts-based activities with PWD suggests that there

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24

Grappin, Benjamin. "An internship with Arthur Roger Gallery, LLC." ScholarWorks@UNO, 2005. http://scholarworks.uno.edu/aa_rpts/6.

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The following report is the analysis of a three-month internship within this organization, and will discuss topics as they relate to the cuniculum of the Arts Administration degree. The for-profit nature of this internship and its completion within a small-scale structure presented me with several not-so-clearly delineated tasks. In order to properly introduce the topics associated with the responsibilities of the assignment at Arthur Roger Gallery, the reader must first become familiar with the nature of the business, and its management structure. Chapter II is exclusively devoted to the pur

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25

Esteves, Wyatt Matthew. "Cole Pratt Gallery: An Internship Academic Report." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/aa_rpts/193.

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Abstract (sommario):

This academic report is the result of a 480--‐hour internship at Cole Pratt Gallery. Cole Pratt Gallery is a for--‐profit art gallery located at 3800 Magazine Street, New Orleans, Louisiana. During my internship, I worked as a Gallery Assistant and assisted in daily operations at the gallery, produced monthly exhibitions, sold artwork and maintained steady communication with artists, clients and ownership of the gallery. This internship has given me insight into the workings of the complex art market, allowing me to learn industry practices and formulate my own ideas in managing an art galler

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26

Kwun, Joon Bum. "Gallery design focused on contrast & dynamism." Thesis, Virginia Polytechnic Institute and State University, 1996. http://hdl.handle.net/10919/53420.

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The purpose of this study is, first of all, to establish contrast and dynamism as a method to figure out the static and uniform experience through space. Second, through a study of books and an analysis of previous works of other architects, it will give a direction on how the actual design would be used in reality by finding the effects of contrast and dynamism, and finally, based on the analysis above, it will show a gallery design with contrast and dynamism, which will ultimately provide a guide to a better or more vivid spatial composition. This study provides an understanding of how the

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27

Baker, Christopher. "On-chip nano-optomechanical whispering gallery resonators." Paris 7, 2013. http://www.theses.fr/2013PA077244.

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Ces travaux de thèse portent sur la conception, la fabrication et la caractérisation de résonateurs nano-optomécaniques sous forme de disques en arséniure de Gallium (GaAs). Ces disques sont à la fois des résonateurs mécaniques oscillant au GHz, et des résonateurs optiques à mode de galerie à haut facteur de qualité (>105). En confinant l'énergie mécanique et optique sur un volume sub-µm3, ils permettent d'atteindre un couplage optomécanique extrêmement large (go> 1 MHz). Nous présentons les développements technologiques ayant permis l'intégration de ces résonateurs avec des guides de co

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28

Williams, Levester R. "A (dis)Assemblage of the Gallery-Growlery." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4258.

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Abstract (sommario):

A (dis)Assemblage of the Gallery-Growlery exhibition and writing presents itself as a site of a morphological exploration of language, sound, and objects in tandem with the irreducibly venting black expression. Venting, the black expression never seeks wholeness within objects or language itself for it is a thing-in-itself. Its presence affords critical reception to a residue of delimiting forms. All growls eschew verbal objects for the manifestation of pure phonetics. A growl in a gallery is the growl. The growl resounds through the physicality of the objects and gallery. Also, it unwinds the

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29

Ostby, Eric Paul Vahala Kerry Vahala Kerry. "Photonic whispering-gallery resonators in new environments /." Diss., Pasadena, Calif. : California Institute of Technology, 2009. http://resolver.caltech.edu/CaltechETD:etd-05292009-172708.

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30

Wilson, Kieron. "Emerging Out of Graffiti Into the Gallery." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/380708.

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This exegesis develops and applies strategies for how my practice emerging out of the tradition of graffiti in contemporary Australia can maintain its criticality in a gallery context crossing over from the street to mainstream Visual Art practice. This exegesis gives an account of graffiti as a criminal act deliberating the implications of the aesthetics and the intrinsic principal of graffiti being corrupted by the mainstream. The exegesis gives an analysis of graffiti as a skill different to art making, and looks at the cultural background of the marginal graffiti practitioner. In this inve

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31

YU, LILI. "Thermometry based on Whispering Gallery Mode resonators." Doctoral thesis, Politecnico di Torino, 2012. http://hdl.handle.net/11583/2497124.

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Whispering gallery (WG) mode resonators were studied since 1980s for precision clock oscillators and for cavity quantum electrodynamics studies. They are a kind of stable, high Q, microwave resonators where a symmetric dielectric medium, such as a cylinder or a disk, is suspended in the centre of a metal cavity. A coaxial cable or a waveguide are used to couple the EM field in the microwave region and thus to excite the system resonant frequencies. WG modes are resonant modes of higher-order azimuthal number (m) having most of the EM energy concentrated on the dielectric surface. Within the te

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32

Niciarelli, Elena <1989&gt. "Brand Community. Tate e The National Gallery." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19210.

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Il concetto di Brand Community non è nuovo, ma appare ne testi di Muniz e O’Guinn tra la fine degli anni ’90 e l’inizio del 2000. Tuttavia nel tempo, la letteratura scientifica sull’argomento brand community è aumentata, e il digitale, il mondo virtuale e le ICT hanno provveduto ad apportare ulteriori modifiche e cambiamenti. Lo studio analizza e descrive la brand community delle organizzazioni culturali, nello specifico di due musei situati nel Regno Unito. Tate e The National Gallery sono messi a confronto per descrivere come un museo multi sede e un museo mono sede inglese, abbiano attiva

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33

Cheng, Mengnan. "Furniture Showroom." Thesis, Virginia Tech, 2019. http://hdl.handle.net/10919/91892.

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Abstract (sommario):

This study of a furniture showroom demonstrates the expression of the relationships of two basic forms of art: furniture and architecture. The geometric form of the work of architecture stands in both harmony and tension with and against its furnishings. Harmony is present through the union of solid forms and the hollows of the rooms and its parts. Through the union of cylindrical, conical, helical and cubic forms, static and dynamic relations activate moments of rest the fluid movement. The furniture stands against this harmonic background and expresses tension through its own form and arrang

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34

Domínguez, Juárez Jorge Luís. "Whispering gallery microresonator for second harmonic light generation." Doctoral thesis, Universitat Politècnica de Catalunya, 2014. http://hdl.handle.net/10803/279215.

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In recent years, it has been proposed that circular microresonators may become an important element in the core of many photonic devices. The high Q-factors seen in fused silica micro-spheres and micro-toroids for light coupled in the whispering gallery modes (WGMs) inside the micro-resonator led to many new developments in a diversity of fields. Indeed, WGM micro-resonators have found applications in laser oscillation, optical filtering, bio and chemical sensing, frequency stabilization, quantum electrodynamics experiments, nonlinear parametric conversion and in many other light-matter intera

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35

Harley, James John, and james@jamesharley net au. "Online collaboration in the Victorian Regional Gallery Network." RMIT University. Property Construction and Project Management, 2005. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090714.134529.

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The research seeks to identify the opportunities online collaboration may deliver to the Victorian Regional Gallery Network (VRGN). The research further seeks to identify the Commonwealth and Victorian State Government policy context that contributes to realising these opportunities and the type of eBusiness models that could be applied to the online environment of the Victorian Regional Gallery Network. The problem statement of the research argues that in order for the Victorian Regional Gallery Network (VRGN) to remain sustainable in the long term, it must develop collaboratio

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36

Kim, Joo-Hwan. "Ethos, art gallery, studio, and housing for artists." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ63531.pdf.

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37

Lipson, Daniel B. "Tradition. Passio. Poesis. Retreat: Comments around “The Gallery”." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cmc_theses/690.

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Although Andrew Marvell wrote and published relatively little, his poetry collects from the full range of “schools” and idiosyncratic styles present in the seventeenth century: echoes of Herbert, Donne, Milton, Traherne, Herrick, Lovelace, and Jonson, among others, permeate throughout his work. Although much of his imagery seems novel, if not strange, it is clear that Marvell has a deep engagement with several important long-running traditions. His work is conversation with Ovid, Horace, and Theocritus as much as it responds directly to the poets whose lives overlapped with his own. In hi

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38

Yue, HongQuan. "Optical whispering gallery modes in chalcogenide As2Se3 microspheres." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=104591.

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Anisotropic chalcogenide microsphere is introduced for coupling theoretical analyzing and coupling experiment. Whispering Gallery Modes (WGMs) of isotropic microsphere is introduced and the TE & TM WGMs dispersion relationship is derived from electromagnetic vector equations in the spherical coordinate. The Maxwell equations can be solved in 2D model for the 3D model of axisymmetric or Rotational symmetry isotropic microsphere. First 4 TE&TM WGMs are simulated in 2D model using finite-element weak method. The binding capability, mode volume V and quality factor Q depend on the refractive index

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39

Kim, Amy M. "Connections : the structural details of an art gallery." Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/67437.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1995.<br>Includes bibliographical references (leaves 34-35).<br>Connections describes the physical means by which the building transforms concept into reality. These connections link between user and building; site and building; program and building; art and public. This study uses as a starting point a previous design project where advances technology allowed and informed the complex geometry and overall composition of the building. This thesis investigates the assemblage of the major building components to demon

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40

Kennedy, Harper Camilla. "Artistic allegiances : the Tate Gallery and its members." Thesis, Open University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578557.

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This thesis presents a qualitative investigation of the influence of the art institution on the disposition and artistic allegiances of its audiences through an in-depth study of the Tate Gallery and its members. In the The Love of Art Bourdieu and Darbel (1991) emphasise the homology between the dominant social position and disposition of the committed art lover, and the presentation of the art institution. There is no audience, they said, more 'devoted' to the institution than the Society of Friends. How far this devotion translates into the shaping of practices and taste among this audience

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Li, Y. L. "Cooling and sensing using whispering gallery mode resonators." Thesis, University College London (University of London), 2016. http://discovery.ucl.ac.uk/1522162/.

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This thesis reports on a detailed exploration of the optomechanical interaction between a tapered optical fibre and a silica microsphere mounted on a cantilever. The amount of light evanescently coupled from the fibre into the optical whispering gallery mode of the sphere is exquisitely sensitive to their separation allowing fast measurement of picometre displacements of both the microsphere-cantilever and the fibre. By exploiting this enhanced transduction, strong active feedback damping/cooling of the thermal motion of both the fibre and microsphere-cantilever have been demonstrated to the n

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42

Gruszczak, Margaret E. "The portrait gallery : Yeat's iconography of heroic ideals /." View abstract, 2000. http://library.ccsu.edu/ccsu%5Ftheses/showit.php3?id=1618.

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Thesis (M.A.)--Central Connecticut State University, 2000.<br>Thesis advisor: Richard Bonaccorso. " ... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 71-74).

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Curtis, Kelley. "Designing Interactive Multimedia for the Anthropology Exhibit Gallery." [Tampa, Fla. : s.n.], 2003. http://purl.fcla.edu/fcla/etd/SFE0000079.

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Lyons, Shannon Jade. "Challenging Placelessness: Site-Specific Art within the Gallery." Thesis, Curtin University, 2015. http://hdl.handle.net/20.500.11937/2172.

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This practice-led research project investigates ways of challenging contemporary notions of placelessness through the production and installation of site-specific artworks within art gallery spaces. By focusing on the material, architectural, atmospheric and institutional conditions specific to art gallery spaces, and producing artworks that may reveal, expose and illuminate these conditions, the project aims to explore alternatives to the production of artwork in one place and its exhibition in another, and to the use of the art gallery as a ‘non-place’.

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Kortenhoven, Aaron Peter. "Use of Gallery and Non-Gallery Forest by Ungulates Inhabiting the Loma Mountains Non-Hunting Forest Reserve, Sierra Leone, West Africa." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/206.

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This 11-month study examined rates of encountering dung pellet groups, dung piles and ungulates in gallery forests and non-gallery forests during diurnal surveys in the Loma Mountains Non-Hunting Forest Reserve (LMNHFR) in Sierra Leone, West Africa. These indices of relative abundance were then used to infer relative habitat use by the seven ungulate species on which data were collected. This study also examined the differences in rates of encountering duikers during nocturnal surveys with rates of encountering duikers during diurnal surveys to determine which time of day produces higher r

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Chan, Bui-sze Suzanne. "Consuming the terrain vague TDC Design Gallery flagship store." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B31986973.

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47

Lindblom, Tobin Eliot. "The use of gallery writing in very large groups /." Full text available from ProQuest UM Digital Dissertations, 2008. http://0-proquest.umi.com.umiss.lib.olemiss.edu/pqdweb?index=0&did=1850451841&SrchMode=1&sid=2&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1279649340&clientId=22256.

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Thesis (Ph.D.)--University of Mississippi, 2008.<br>Typescript. Vita. "May 2008." Major professor: Dr. Milam Aiken Includes bibliographical references (leaves 64-71). Also available online via ProQuest to authorized users.

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DeGraaf, Nathan Mark. "Milieu, meaning and architecture contemporary installation art gallery design /." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1148191782.

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Thesis (Master of Architecture)--University of Cincinnati, 2006.<br>Title from electronic thesis title page (viewed July 24, 2006). Includes abstract. Keywords: Art Museum; Art Display; Installation Art; Includes bibliographical references.

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Sharp, Arabella. "The engaged experience : visitor narratives in the art gallery." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/10021719/.

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Within contemporary cultural climates there has been a significant instrumentalised focus on the role of museums and galleries in the promotion of positive mental health and well-being. The emotional and psychological components embedded within such aspirations however present a number of fluid and intangible challenges that require in-‐depth research if deeper understanding of such processes and claims are to take place. My research addresses philosophies, strategies, and practicalities through searching for a better understanding of individual encounters with paintings in gallery settings.

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Robinson, Christine. "Paradoxical Performances of Subjectivities, Spaces and Art Gallery Postcards." The University of Waikato, 2007. http://hdl.handle.net/10289/2295.

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This thesis examines the relationship between art gallery postcards, subjectivities and domestic spaces. Feminist post-structuralist debates on memory, subjectivity and domestic spaces provide the theoretical framework for this research into taken-for-granted objects of the everyday. Empirical data came from interviewing nine women who buy, use and keep postcards and two New Zealand Art Gallery store managers. Some of the participants were interviewed more than once, while others extended their views by e-mail. Auto-ethnographic narrative is used to explore further the symbolic significance of

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