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Articoli di riviste sul tema "Guerre de Gaza (2023-) – Dans les médias"
Gilot, Jean-Michel. "« 1 jour-1 poilu », une épopée commémorative citoyenne (2013-2018)". La Gazette des archives 258, n. 2 (2020): 121–33. http://dx.doi.org/10.3406/gazar.2020.5971.
Testo completoMansour, Camille. "Gaza, une guerre coloniale du xxi e siècle". Politique étrangère N° 241, n. 1 (19 febbraio 2024): 91–103. http://dx.doi.org/10.3917/pe.241.0091.
Testo completoAlsajdeya, Dima. "La Cisjordanie, l’arrière-plan de la guerre israélienne contre Gaza". Confluences Méditerranée N° 127, n. 4 (11 gennaio 2024): 37–51. http://dx.doi.org/10.3917/come.127.0037.
Testo completoCohen, Samy. "Israël après le 7 octobre : une société meurtrie et plus fracturée". Politique étrangère N° 241, n. 1 (19 febbraio 2024): 79–90. http://dx.doi.org/10.3917/pe.241.0079.
Testo completoChagnollaud, Jean-Paul. "Israël-Palestine, un siècle pour rien ?" Confluences Méditerranée N° 127, n. 4 (11 gennaio 2024): 15–21. http://dx.doi.org/10.3917/come.127.0015.
Testo completoMonciaud, Didier. "Censure d’un livre en France en 2023 dans le contexte de la guerre à Gaza !" Cahiers d’histoire. Revue d’histoire critique, n. 159 (2 aprile 2024): 133–42. http://dx.doi.org/10.4000/chrhc.23377.
Testo completoBenraad, Myriam. "« Ils en paieront le prix » : quelle vengeance pour quelle escalade géopolitique au Moyen-Orient ?" Recherches internationales N° 129, n. 2 (2 luglio 2024): 43–57. http://dx.doi.org/10.3917/rein.129.0043.
Testo completoMarcou, Jean. "Les Kurdes, entre les mutations du tournant du millénaire et les tourments du Moyen-Orient contemporain". Confluences Méditerranée N° 127, n. 4 (11 gennaio 2024): 105–18. http://dx.doi.org/10.3917/come.127.0105.
Testo completoACHIMESCU, Carmen, e Maria BEBEC. "Le droit de la guerre et de la paix dans le conflit israélo-palestinien". Analele Universitării din București Drept - Forum Juridic 2, n. 2023 (5 luglio 2023): 204–12. https://doi.org/10.31178/aubd-fj.2023.02.16.
Testo completoShapovalova, Liudmyla. "STRATÉGIES COMMUNICATIVES POUR LA REPRÉSENTATION DE LA GUERRE D’ISRAËL CONTRE LE HAMAS 2023 DANS LES MÉDIAS FRANÇAIS". Polonia University Scientific Journal, n. 6 (2023): 123–29. http://dx.doi.org/10.23856/6115.
Testo completoTesi sul tema "Guerre de Gaza (2023-) – Dans les médias"
Kamel, Omar. "Mass media & the laws of war : the concept and practice of legal muting". Electronic Thesis or Diss., Paris, Institut d'études politiques, 2024. http://www.theses.fr/2024IEPP0031.
Testo completoThis thesis introduces the concept of "legal muting" - a set of discursive practices that blunt, subvert, or obscure legal considerations in the media coverage of armed conflicts. Through comparative quantitative and qualitative analysis of three conflicts (Iraq 2003, Ukraine 2022, and Gaza 2023), this study demonstrates how media outlets employ various discursive techniques that shape public understanding of international law.Drawing from James Lorimer's assertion that "the binding force of international law depends on public sentiment and public opinion, as articulated by the press", this research considers the role of the media as primary interpreters of international legal norms. In the absence of institutionalized channels for disseminating international law, the media fills a "communicative gap", thereby shaping public understanding of legal issues. As such, legal muting manifests in their conflict coverage through two main mechanisms: minimization and variable focus.The results of this analysis reveal that legal muting is a persistent process that endures across all three conflicts despite an evolving media landscape, though its manifestations vary. The implications are profound for legal practitioners, whose public communications are subject to continuous transformation, and for scholars, to whom this presents a new source of legal knowledge production. This study ultimately recalls that the binding force of international law depends partly on its ability to be understood and legitimized by the public it is meant to serve
Mansour, Dana. "Pour une culture de la participation des publics : les stratégies médiatiques d’Al Jazeera. Étude sémiotique des vidéos promotionnelles et du site web participatif Sharek : Al Jazeera face à la guerre de Gaza (2009) et aux révolutions arabes (2011)". Thesis, Paris 2, 2018. http://www.theses.fr/2018PA020028/document.
Testo completoThe co-production of information with the Arab viewer has always been the directive editorial line that distinguished the Qatari channel Al Jazeera since its creation in 1996. Over the years, the recipe has paid off, making Al Jazeera the most watched international news channel in the Arab world. The strategic choice of the channel to make the Arab spectator, long marginalized in the media, an ally is explained by a desire for legitimacy by the emir Hamad ben Khalifa al-Thani especially after the coup against his father in 1995. Nevertheless, cutting off from the old regime imposes substantial changes. With the first political debates on Al Jazeera, the status of the Arab viewer changes dramatically. They become actors and participate with their questions and comments at the cost of a simple phone call. But at the same time, Al Jazeera becomes the enemy of the Arab regimes. Over the years, the Qatari channel won the trust of many viewers, especially during its coverage of major crises in the Arab world, like the second Intifada in 2000 and the American invasion of Iraq in 2003. Through its media coverage from the ground in hot zones, it differentiates itself from other news channels. The year of 2011 was a major turning point in the history of the channel. From day one, Al Jazeera covered the rising demonstrations in the Arab countries. The declared war of autocratic regimes against Al Jazeera does not prevent it from covering stories. Aware of the contributions of digital media, the channel gives spectators the means to participate in the creation and circulation of information. The promotional videos of Al Jazeera are a concrete example. Throuh their short form which enables them to travel from one medium to another; they become an object of media activism. As for the digital platform Sharek, it shows how the channel involves the Arab spectator in the process of spreading and archiving information