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Articoli di riviste sul tema "Gypsy romance"

Autore: Grafiati

Pubblicato: 29 luglio 2024

Ultima modifica: 31 luglio 2025

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1

Chandler, David. "“These gipsy humanities”: G. P. R. James and the Fictionalization of Gypsies in the 1830s." Victorians Institute Journal 51 (November 1, 2024): 35–61. http://dx.doi.org/10.5325/victinstj.51.2024.0035.

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Abstract (sommario):

Abstract Studies of the representations of Gypsies in nineteenth-century English literature generally skirt the 1820s and 1830s, even though arguments have been made that there was a significant shift in the image of the Gypsy at this time, from a romantically unknowable figure to a familiar part of the British landscape and, increasingly, an alter ego for the writer. This article fills the gap and tests the argument by examining Edward Bulwer-Lytton’s The Disowned (1828) and, at greater length, G. P. R. James’s The Gipsy (1835). Both writers use the plot devices available to them as romance n

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2

Experiment, Editors. "Chapter 1: The Birth of the Cabaret: Variety Theaters, Dancing Girls and the Gypsy Romance." Experiment 12, no. 1 (2006): 57–85. http://dx.doi.org/10.1163/2211730x-90000021.

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3

Скигин, С. Б. "Galina Kareva, or the Story of One Prohibition." Музыкальная академия, no. 2(786) (June 28, 2024): 218–23. http://dx.doi.org/10.34690/405.

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В эссе профессор Высшей школы музыки имени Х. Эйслера в Берлине, пианист-аккомпаниатор Семён Скигин делится воспоминаниями о советской оперной певице, выдающейся исполнительнице старинных русских романсов, народной артистке РСФСР Галине Алексеевне Каревой, с которой ему посчастливилось сотрудничать в начале своей карьеры. Они предваряются рассуждениями о действенности запретов в искусстве, о «культурной» революции после 1917 года, о незавидной доле «легкого жанра» и гневных выступлениях в печати музыкантов, в числе прочих и Д. Д. Шостаковича, против работающих в нем композиторов, о судьбе стар

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4

Zhurkova, D. A. "The Role of Song in Leonid Gaidai’s Films." Art & Culture Studies, no. 1 (March 2023): 104–33. http://dx.doi.org/10.51678/2226-0072-2023-1-104-133.

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The article is devoted to Leonid Gaidai’s work with soundtrack. The emphasis is made on the analysis of both original and borrowed songs in the entire filmography of the director. In the first part of the article, the author analyses the principles of Gaidai’s work with various musical genres and outlines the range of musical genres and styles used by the director. The article investigates how their meaning (reputation) changes, refracted through the prism of the comedy genre, and discusses various ways in which the director interprets the genres of an old-time sentimental gypsy romance, folk

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5

Kupets, L. A. "Music of the Soviet Era as Public History (Based on Materials of the Arzamas Website)." Art & Culture Studies, no. 2 (June 2024): 186–219. http://dx.doi.org/10.51678/2226-0072-2024-2-186-219.

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This article is devoted to the phenomenon of Soviet music as presented in the Russian‐language educational project Arzamas (2015–2023). Posted in the public domain of the Internet, the materials on the Arzamas website fully fit into the interdisciplinary discourse of public history. In this article, the author selects and from the perspective of cultural recycling analyses an array of materials of the Soviet period presented on the website: from folk and Soviet mass songs, gypsy and classical romance (including romance in cinema) to jazz, symphony, ballet, and break dance. The article traces h

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6

Shubina, L. I. "«Actual intoning» in the vocalperforming practice of Tetiana Vierkina (based on the romance repertory)." Aspects of Historical Musicology 17, no. 17 (2019): 9–33. http://dx.doi.org/10.34064/khnum2-17.01.

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Background. Objectives and methodology of the research. An attempt is made to consider the vocal-performing work of the People’s Artist of Ukraine Tetiana Vierkina in the aspect of the “actual intoning” concept, which was developed in her PhD thesis. “Actual intoning” is interpreted by the researcher not only as the performer’s work, who turned the author’s text into the sound reality, into a living speech utterance, but also as the desire to fill her interpretation with relevant meanings that are significant for the modern era. The scientific work by T. Vierkina, devoted to the problems of in

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7

Piotrovska, A. G. "The Romany Musical Versatility: The Case of Gypsy Disco-Polo." Nasledie Vekov, no. 3(19) (September 30, 2019): 91–97. http://dx.doi.org/10.36343/sb.2019.19.3.009.

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Как известно, европейские цыгане всегда тяготели к определенным видам деятельности, из которых ближе всего им была музыка. Свидетельством природной музыкальности цыган в наши дни может служить, например, неизменная популярность таких творческих коллективов, как Gypsy Kings . Несмотря на восприимчивость цыган новым веяниям, постоянно обогащающим жанрово-стилистическую палитру их музыки, она всё ещё легко узнаваема и по-прежнему завораживает своим особым мелодико-ритмическим рисунком, своей романтической экспрессией и ни на что не похожей манерой исполнения. В данной статье поднят вопрос о сущно

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8

Antonenko, Ekaterina Andreevna. "Functions of the audio background in the film version of L.N. Tolstoy’s novella “The Kreutzer Sonata” (director M. Schweitzer, composer S. Gubaidulina)." PHILHARMONICA. International Music Journal, no. 2 (February 2021): 85–95. http://dx.doi.org/10.7256/2453-613x.2021.2.35078.

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The author of the article analyzes the film &ldquo;The Kreutzer Sonata&rdquo; (director M. Schweitzer, composer S. Gubaidulina) and defines the role of audio background consisting of music and sound effects in the development of the concept of the film version of the same-name novella by L.N. Tolstoy. Based on the comparison of the piece of writing and its screen adaptation, the author describes the functions of the audio background and the role of music as a drama factor. The author emphasizes the importance of timbre and sound principles since the sound characteristics help to define

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9

Piotrowska, Anna G. "Tsyganshchina (цыганщина) and Romani Musicians in Tsarist, Soviet and Post-Soviet Russia: Change and Continuity". European History Quarterly 52, № 4 (2022): 554–71. http://dx.doi.org/10.1177/02656914221097293.

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The main goal of this paper is to recognize and explain the specificity of the public presence of Romani musicians in Russia, predominantly in the long nineteenth century as well as in the new (Soviet and post-Soviet) political situation of the twentieth century. The article offers a historically oriented outline of the Romani musical traditions deeply embedded into the cultural, political and economic situation of the country. A special focus is placed on the phenomenon of the so-called ‘Gypsy choirs’ and their reception in Russia both by Russians and by foreigners, the latter being often sur

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10

Dunajeva, Jekatyerina. "Hra o romství: Divadlo Romen a jeho role při konstrukci romské identity v Sovětském svazu ve dvacátých a třicátých letech 20. století." Romano džaniben 26, no. 1 (2019): 95–109. https://doi.org/10.5281/zenodo.10447819.

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<em>Review article about: - Lemon, Alaina. 2000. Between two Fires: Gypsy Performance and Romani Memory from Pushkin to Postsocialism. Durham: Duke University Press, 320 s. - O´Keeffe, Brigid. 2013. New Soviet Gypsies: Nationality, Performance, and Selfhood in the Early Soviet Union. Toronto: University of Toronto Press, 328 s.</em>

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11

Lazarev, S. E. "“Her main patrons were labor and talent”. An unfinished song by Anastasia Vyaltseva (on the occasion of her 150th birthday)." Voprosy kul'turologii (Issues of Cultural Studies), no. 3 (February 18, 2021): 220–36. http://dx.doi.org/10.33920/nik-01-2103-03.

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The paper is dedicated to the Russian pop singer, operetta artist Anastasia Dmitrievna Vyaltseva (1871–1913) and is timed to coincide with a significant date — the 150th anniversary of her birth. The name of A.D. Vyaltseva is especially dear to her compatriots — residents of Bryansk and Orlov, who cherish the documents associated with her in museum expositions and archival funds. Remarkable is her very path — the “Russian Cinderella”, who came out of the lower classes, literally out of nowhere, and achieved all-Russian fame and extraordinary popularity among different strata of society. At tha

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12

Chinoy, Clara. "Brazzabeni, Micol, Cunha, Manuela Ivone y Fotta, Martin, eds. (2016). Gypsy Economy, Romani Livelihoods and Notions of Worth in the 21st Century. New York: Berghahn Books, 272 pp." Revista Andaluza de Antropología, no. 15 (2018): 211–15. http://dx.doi.org/10.12795/raa.2018.15.10.

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13

Kim, Irina, and Alexey Klykov. "STUDYING ANTHOCYANINS IN POTATO TUBERS (SOLANUM TUBEROSUM L.) UNDER THE CONDITIONS OF THE PRIMORSKY REGION." Bulletin of KSAU, no. 4 (December 27, 2024): 12–20. https://doi.org/10.36718/1819-4036-2023-4-12-20.

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Potato (Solanum tuberosum L.) is a source of antioxidants. Important antioxidants are substances of phenolic nature (anthocyanins) from a large group of plant pigments. Anthocyanins belong to the class of flavonoids and are synthesized in the peel and pulp of potato tubers. Pigmented potatoes can serve as a potential source of natural anthocyanins in order to obtain dietary foods, 40 potato varieties from the bioresource collection and breeding nurseries. Identification of anthocyanins was carried out by high performance liquid chromatography (HPLC) and second-order mass spectrometry. As a res

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14

Závodská, Milada. "Žákovská a studentská léta učitele Antonína Daniela." Romano džaniben 25, no. 1 (2018): 59–92. https://doi.org/10.5281/zenodo.10462680.

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<em>Antonín Daniel (1913–1996) – a greatly talented schoolchild, later a pupil of a secondary school, university student and finally a teacher by profession. The article describes his years at the elementary school, his student years at Ivančice secondary school and the final examination at the secondary school in Ti&scaron;nov (1936). Subsequently, the article deals with the period until 1939, when he was a student of the Masaryk University in Brno, and the period 1945–1948, when he continued with his – by war circumstances forcedly interrupted – studies a

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15

AYDIN, Mesiya, and İlknur AYDIN AVCI. "Factors Barring Disadvantaged Group Roma Women from Participating in Cervical Cancer Screening: Qualitative Analysis." Balıkesır Health Sciences Journal, July 7, 2022. http://dx.doi.org/10.53424/balikesirsbd.1050115.

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Objective: The research was carried out to examine the barriers perceived by Roma women, who are among the disadvantaged groups, regarding their cervical cancer early diagnosis behaviors. Materials and Methods: A descriptive phenomenological research method was used. The research was conducted with 20 participants between 16.12.2019 and 3.02.2020. The research data were analyzed by Giorgi in four basic steps proposed for descriptive phenomenological research.  Results: The mean age of the Romani women participating in the study is 38.9 ± 8.6 (min:30, max:59). It was determined that

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16

Hutcheon, Linda. "In Defence of Literary Adaptation as Cultural Production." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2620.

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   Biology teaches us that organisms adapt—or don’t; sociology claims that people adapt—or don’t. We know that ideas can adapt; sometimes even institutions can adapt. Or not. Various papers in this issue attest in exciting ways to precisely such adaptations and maladaptations. (See, for example, the articles in this issue by Lelia Green, Leesa Bonniface, and Tami McMahon, by Lexey A. Bartlett, and by Debra Ferreday.) Adaptation is a part of nature and culture, but it’s the latter alone that interests me here. (However, see the article by Hutcheon and Bortolotti for a discussi

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