Bibliografie tematiche / Haikau

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  1. Articoli di riviste
  2. Tesi
  3. Libri
  4. Capitoli di libri
  5. Atti di convegni
  6. Rapporti di organizzazioni

Letteratura scientifica selezionata sul tema "Haikau"

Autore: Grafiati
Pubblicato: 29 luglio 2024
Ultima modifica: 31 luglio 2025

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Articoli di riviste sul tema "Haikau"

1

スエナガ, エウニセ SUENAGA Eunice. "ブラジル・ポルトガル語俳句の中のモデルニスタ詩人の痕跡 ―ギリェルミ・ヂ・アウメイダの作風と影響― TRACES OF THE MODERNIST POET IN THE BRAZILIAN PORTUGUESE HAIKAI: STYLE AND INFLUENCES OF GUILHERME DE ALMEIDA". Oriental Renaissance: Innovative, educational, natural and social sciences 3, № 20 (2023): 186–91. https://doi.org/10.5281/zenodo.8094470.

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<strong>ABSTRACT</strong> <em>This presentation aims to analyze the unique haiku (haikai) style of a Brazilian poet named Guilherme de Almeida (1890-1969), one of the organizers of the Modern Art Week in S&atilde;o Paulo in 1922, who created his own style of haikai in the first half of the twentieth century. Despite not being the first to introduce the haiku to Brazil, nor the one who first wrote the haiku in Portuguese, he is the most famous one, and consequently contributed enormously for the spreading of this poetry form in the country. In his article titled &ldquo;My haikais&rdquo; publish
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Tavares, Débora Fernandes. "ENTREVISTA COM TERUKO ODA." Estudos Japoneses, no. 42 (November 10, 2019): 145–52. http://dx.doi.org/10.11606/issn.2447-7125.v0i42p145-152.

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Teruko Fujino Oda (1945-) é poeta e exerce um papel importante na disseminação do haikai no Brasil. Filha de imigrantes japoneses e sobrinha de Hidekazu Masuda (1911-2008), o Mestre Goga, um dos fundadores do Grêmio Haicai Ipê, desde a infância Teruko Oda viu-se cercada pela natureza onde vivia no interior de São Paulo e pela prática do haikai. À frente da coordenação do Grêmio Haicai Ipê desde 2012, nesta entrevista inédita concedida em março de 2017, Teruko conta-nos sobre o seu primeiro contato com o haikai, sobre as atividades desenvolvidas pelo Grêmio Haicai Ipê e suas expectativas para o
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Sá, Michele Eduarda Brasil de, and Cacio José Ferreira. "Bacellar and Beça: an exercise of Haiku Translation." Afluente: Revista de Letras e Linguística 9, no. 25 (2024): 01–11. https://doi.org/10.18764/2525-3441v9n25.2024.04.

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Haiku as a poetic genre is widespread in many places around the world. In Brazil, where there is the largest population of Japanese descendants apart from Japan itself, haikai was assimilated in two ways: through Brazilian poets writing in Portuguese and immigrant poets writing in Japanese. Haikai in Portuguese was assimilated and adapted, combining it with local vocabulary related to the equally specific nature of each region. In Amazonas, two of the greatest exponents of haikai are the poets Luiz Bacellar and Aníbal Beça. This paper briefly presents some of their poems found in the books "Sa
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4

Graceillia, Eugenie, and Soni Mulyawan Setiana. "RANCANGAN MEDIA HAIKU NO HAJIMARI SEBAGAI MEDIA ALTERNATIF PEMBELAJARAN NIHON BUNKASHAKAI NYUUMON." MAHADAYA: Jurnal Bahasa, Sastra, dan Budaya 1, no. 2 (2021): 229–40. http://dx.doi.org/10.34010/mhd.v1i2.5753.

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Penelitian ini bertujuan untuk mengetahui rancangan dari aplikasi media Haiku No Hajimari sebagai media alternatif dalam pembelajaran Nihon Bunkashakai Nyuumon. Media ini dibuat menggunakan aplikasi Thunkable.. Metode yang digunakan dalam penelitian ini yaitu metode pengembangan model ADDIE (Analysis, Design, Development, Implementation, dan Evaluation). Media ini membahas tentang perkembangan haikai mulai dari zaman Pramodern. Dalam penelitian ini, terdapat penjelasan mengenai media Haiku No Hajimari mulai dari rancangan tampilan pembuka hingga menu credit. Media ini dirancang untuk membantu
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Lange, Moritz Wulf. "Die Anfänge der deutschsprachigen Haiku-Dichtung." Zeitschrift für Germanistik 34, no. 3 (2024): 679–89. http://dx.doi.org/10.3726/92175_679.

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Abstract Auf Deutsch könne man keine Haiku schreiben – diese Ansicht vertrat Prof. Erwin Jahn, der in Japan Jahrzehnte lang Deutsche Literatur gelehrt hatte, am 13. Februar 1960 in einem seitdem immer wieder zitierten1 Artikel in der FAZ.2 Sechzig Jahre später ist das Haiku (das in der Literatur aus historischen Gründen gelegentlich auch als Hokku oder Haikai bezeichnet wird) fest in der deutschsprachigen Literatur etabliert. Bedeutende zeitgenössische Lyrikerinnen und Lyriker – alle im Folgenden Genannten haben den Büchner-Preis erhalten – kommen immer wieder auf das Haiku zurück, sei es mit
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Oliveira, Ana Maria Abrahão dos Santos. "ENTRE O VERBAL E O VISUAL: O HAIKAI E A FOTOGRAFIA NA POÉTICA DE PAULO LEMINSKI." A Cor das Letras 8, no. 1 (2017): 117. http://dx.doi.org/10.13102/cl.v8i1.1570.

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Este artigo pretende discutir a poética de Paulo Leminski, em espe-cial, o haikai, destacando sua relação com a fotografia. Primeiramente apre-senta um breve resumo sobre a questão do olhar desde a Antigüidade Clássi-ca até a Modernidade. Será discutida também a mesma questão, dando ênfase à poesia moderna, em especial, os haikais, relacionando-a com o olhar fotográfico.
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SILVA, B. A., R. R. M. LEITE, and M. S. REBOITA. "Haiyan and Haima typhoons: Characteristics During Formation, Maturation and Dissipation." Anuário do Instituto de Geociências - UFRJ 41, no. 3 (2018): 37–53. http://dx.doi.org/10.11137/2018_3_37_53.

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PHILIPPINI, Paulo, and Glauco CAZÉ. "Brasil - Japão, a literatura unida por poucas palavras: do haiku ao haicai/senryuu." LUMEN 31, no. 1 (2022): 73–89. http://dx.doi.org/10.24024/23579897v31n1a2022p73089.

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Luqyana, Mahdiah, та Tri Mulyani Wahyuningsih. "MAKNA DUA HAIKU BERUNSUR BUAH 柿」(KAKI) KARYA MASAOKA SHIKI: PENDEKATAN SEMIOTIK RIFFATERRE". Alayasastra 17, № 1 (2021): 1–18. http://dx.doi.org/10.36567/aly.v17i1.787.

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ABSTRAKPenelitian ini membahas pemaknaan dua haiku yang berunsur buah kaki「柿」. Tujuan penelitian menemukan keterkaitan makna dua haiku berunsur buah kaki. Metode penelitian yang digunakan deskriptif kualitatif menggunakan teori Semiotika Riffaterre.Teknik analisis meliputi memilih teks, membaca berulangkali, mengidentifikasi, membuat hipotesis, dan membuat kesimpulan. menggunakan studi pustaka. Sumber data penelitian dua haiku yang berunsur buah kaki karya Masaoka Shiki. Hasil penelitian menunjukkan (1) Pembacaan heuristik pada kedua haiku menceritakan tentang Shiki. Hasil pembacaan hermeneuti
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Rizqiana, Novia Aliefta, and Desy Irmayanti. "PERBANDINGAN ESTETIKA WABI SABI PADA HAIKU KARYA MATSUO BASHO DAN MASAOKA SHIKI DALAM BUKU WABI SABI KARYA MARK REIBSTEIN." AKIRA: Jurnal Bahasa, Budaya, dan Sastra Jepang 1, no. 1 (2023): 1–18. http://dx.doi.org/10.25139/akira.v1i1.5865.

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Penelitian ini meneliti tentang perbandingan estetika wabi sabi pada haiku karya Matsuo Basho dan Masaoka Shiki pada buku Wabi Sabi karya Mark Reibstein. Penelitian ini bertujuan mendeskripsikan estetika wabi sabi pada buku cerita anak Wabi Sabi karya Mark Reibstein yang meliputi, (1) Estetika wabi dan sabi pada haiku karya Matsuo Basho, (2) Estetika wabi dan sabi pada haiku karya Masaoka Shiki, (3) Persamaan dan perbedaan estetika wabi sabi pada haiku karya Matsuo Basho dan Masaoka Shiki. Penelitian ini menggunakan metode penelitian kualitatif, karena menggunakan data deskriptif kata yang ber
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Tesi sul tema "Haikau"

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Savornin, Sabine. "De la réception du haiga en France ou de la relation entre poésie et peinture, entre mot et image." Aix-Marseille 1, 2010. http://www.theses.fr/2010AIX10024.

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Depuis la japonisme, soit la seconde moitié du XIXe siècle, les études et expositions sur l'art japonais n'ont cessé de se mulitplier. Toutefois, ce sont généralement les mêmes oeuvres et artistes nippons qui sont mis en avant : d'une part les ukiyo-e avec Hokusai, Hiroshige ou Utamaro pour la peinture, d'autre part les haiku avec essentiellement Basho pour la poésie. Aussi se posait cette question : pourquoi le haiga est-il peu connu en France alors que la forme poétique à laquelle il se rattache - le haikai - y est largement connue et appréciée ? Notre hypothèse de départ est la suivante : l
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Smith, Steven Lyle. "Haiku Seasons." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2695/.

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Haiku Seasons is a choral work that uses several haiku to portray moments in nature. Spread throughout the performance space, four choirs (SATB, 3/part) depict larger parts of the pastoral scene (i.e., mountains, the moon, etc.). Soloists depart from the choirs in order to perform solo, duo, trio, and quartet passages, which take place throughout the work. If enough singers are available, individual soloists may be used. The soloist groups display the more intimate moments of the scenes (i.e., sparrows, a blade of grass, etc.). The intent of Haiku Seasons is to create an image of nature isola
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Araujo, Rodrigo Michell dos Santos. "Haikai do mundo haikai de mim : o nada na poesia de Paulo Leminski." Pós-Graduação em Letras, 2014. https://ri.ufs.br/handle/riufs/5750.

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Esta dissertação investiga a produção de haikais do poeta curitibano Paulo Leminski, tomando como corpus de análise sua produção das décadas de 1970 e 1980, período de maior intensidade artística, a partir das obras Caprichos e Relaxos (1983) e La vie en close (1994). A investigação será possível mediante a constituição - pelo caminho das críticas literárias brasileira e francesa, de Benedito Nunes a Maurice Blanchot - de um espaço interseccional em que (i) a obra literária possa se abrir para o mundo, reatando os liames com o real; (ii) a literatura e a filosofia possam dialogar, sem nenhuma
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Nunes, Roberson de Sousa. "Haikai e performance: imagens poéticas." Universidade Federal de Minas Gerais, 2011. http://hdl.handle.net/1843/ECAP-8HCP4D.

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This thesis is dedicated to studies on haiku and performance, aiming to establish intersection points between the former, a kind of Japanese poetry, and the latter, a field of action and reflection which combines theory and practice. Starting from reference pathways regarding both forms, the research seeks to generate a dialogue between Western and Eastern ways of thinking, focused on artistic doings, in order to merge concepts and practices, and to contribute to the emergence of an up-to-date, transdisciplinary performatic critic. The art works used as examples in this study aimed to demonstr
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Bueno, Iury Carlos. "Barthes, fotografia, haikai: a isenção do sentido." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20166.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-06-20T12:21:48Z No. of bitstreams: 1 Iury Carlos Bueno.pdf: 1651121 bytes, checksum: 664b6ab8d7f434050b9d7ee5f566ad59 (MD5)<br>Made available in DSpace on 2017-06-20T12:21:48Z (GMT). No. of bitstreams: 1 Iury Carlos Bueno.pdf: 1651121 bytes, checksum: 664b6ab8d7f434050b9d7ee5f566ad59 (MD5) Previous issue date: 2017-06-09<br>The present research is dedicated to a reflection on the possible relations between photography and haikai in the work of Roland Barthes, including those works of the author that can illustrate them: The Empi
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Hirashima, Cezar Katsumi. "O Haikai nas artes visuais: tradução intersemiótica." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/27/27131/tde-21072009-202225/.

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Com base na teoria da tradução intersemiótica desenvolvida por Julio Plaza, o objetivo central desta pesquisa é analisar o processo de recriação das formas estéticas em traduções intersemióticas de haikai para o universo das artes visuais. Mais especificamente, trata-se de considerar as especificidades desse tipo de poema em seus aspectos sintáticos, semânticos e pragmáticos e analisar como são obtidas as equivalências nesses níveis no processo de transmutação intersígnica. Além disso, tendo em vista a importância dos meios de produção artística, especialmente no caso da tradução intersemiótic
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Wang, Xiaoxiao. "The Second Home Phenomenon in Haikou, China." Thesis, University of Waterloo, 2006. http://hdl.handle.net/10012/1010.

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Second home ownership is a new and booming phenomenon in China. Although it has been widely discussed in newspaper, radio and other mass media, it has not raised much academic concern. This study is a preliminary research in this field. <br /><br /> In western counties, second home growth has caused a series of socio-economic impacts to the host community, including housing price inflation, displacement of local people, disruption of local service, etc. These effects identified by western literatures are examined in the context of Haikou, China. <br /><br /> Through appl
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Lucas, Martin. "Haiku in Britain : theory, practice, context." Thesis, Cardiff University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.599896.

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The subject of this thesis is the haiku poem, which is now established as a viable form in English. The possibilities of the form - and its kindred forms of tanka, renga and haibun - are exemplified by my own creative writing, presented in Chapter Seven. This presentation is supported by nine further chapters dealing successively with haiku history, theory, practice and context. The chapters on haiku history offer an outline of the development of the form in Japan, together with discussion of its initial adaptation to the English-language context in North America. Chapter Four, on haiku theory
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Oliva, Dante. "El haiku. Camino de matsuo bashoo." Anthropía, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/77958.

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Cisneros, Cox Alfonso. "Estética y Brevedad en el Haiku." Foro Jurídico, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/119913.

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Libri sul tema "Haikau"

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Mora, Pat. Yum! mmmm! qué rico!: Brotes de las Américas. Lee & Low Books, 2009.

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1947-, Katō Sadahiko, and Miura Jakkai, eds. Haikai jinbutsu binran: Tsuketari, Haika jinbutsu binran. Yumanishobō, 1999.

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O'Mara, Joan Hertzog. The Haiga genre and the art of Yosa Buson (1716-84). University Microfilmes International, 1998.

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Fukumoto, Ichirō. Haiku geijutsuron. Chūsekisha, 2000.

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Kubota, Motomi. Yojō no fukken: Gendai haiku no wasuremono. Tōkyō Shiki Shuppan, 1999.

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Matsuoka, Kiyoshi. Gendai haiku hyōronshi. Kadokawa Shoten, 2005.

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Hakubutsukan, Tateyama Shiritsu. Haikai-zanmai: Haiku ga hakobu Edo bunka : kikakuten zuroku. Tateyama Shiritsu Hakubutsukan, 2004.

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Yosa, Buson. Botsugo 220-nen Buson. Shibunkaku Shuppan, 2003.

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1943-, Fukumoto Ichirō, ed. Sanseidō meika meiku jiten. Sanseidō, 2005.

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Aiba, Shin, and Nishiyama Matsunosuke. Matsumoto Kinkeijō no haiku: Aru Meiji haidan gaishi. Nagata Shobō, 1989.

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Capitoli di libri sul tema "Haikau"

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Selden, Kyoko, and Mark Selden. "Haiku." In The Atomic Bomb: Voices from Hiroshima and Nagasaki. Routledge, 2015. http://dx.doi.org/10.4324/9781315700236-13.

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Michaela, Morgan. "Haiku." In How to Teach Poetry Writing: Workshops for Ages 8–13. Routledge, 2019. http://dx.doi.org/10.4324/9781315103693-11.

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Evans, Brian. "3D Haiku." In Practical 3D Printers. Apress, 2012. http://dx.doi.org/10.1007/978-1-4302-4393-9_5.

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Guy, Elizabeth. "Four Haiku." In Reflect & Write. Routledge, 2021. http://dx.doi.org/10.4324/9781003237686-88.

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Guy, Elizabeth. "Four Haiku." In Reflect & Write. Routledge, 2021. http://dx.doi.org/10.4324/9781003237686-84.

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Lee, Laura. "Four Haiku." In Reflect & Write. Routledge, 2021. http://dx.doi.org/10.4324/9781003237686-71.

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Needle, Cynthia. "Four Haiku." In Reflect & Write. Routledge, 2021. http://dx.doi.org/10.4324/9781003237686-50.

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Katona, Cynthia Lee. "Four Haiku." In Reflect & Write. Routledge, 2021. http://dx.doi.org/10.4324/9781003237686-19.

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Katona, Cynthia Lee. "Four Haiku." In Reflect & Write. Routledge, 2021. http://dx.doi.org/10.4324/9781003237686-33.

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Kazalarska, Zornitza. "Warum gerade Haiku? – Jiří Valochs Haiku-Interventionen." In Haiku – Epigramm – Kurzgedicht. Böhlau Verlag, 2021. http://dx.doi.org/10.7788/9783412513481.249.

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Atti di convegni sul tema "Haikau"

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Moody, Kenneth J. "Corrosion Protection of H-3 Highway Facilities Oahu, Hawaii." In CORROSION 1991. NACE International, 1991. https://doi.org/10.5006/c1991-91538.

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Abstract One final portion of the Federal Highway System involves a 10.7-mile (17.22 kilometer) section on the Island of Oahu in Hawaii. The H-3 Highway connects Honolulu and the Haiku side of the island and involves approximately 5,200 feet (1,585 meters) of double tunnel through the volcanic soils of the Koolau Mountain Range. Portions of one elevated section traverses the Omega VLF Transmitter Station at Haiku. The project presented a unique design challenge due to the combination of marine, combustion exhaust, volcanic soil, and interference environments. This paper discusses the investiga
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Liu, Zhanliang, and Zhuoni Fan. "Research on Forecasting the Throughput of Hainan Ports." In 2024 Sixth International Conference on Next Generation Data-driven Networks (NGDN). IEEE, 2024. http://dx.doi.org/10.1109/ngdn61651.2024.10744140.

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Shang, Chunjing, Yifan Yang, Zhuangqin Yin, Yanrong Li, and Lance Liu. "Prediction and Analysis on the Amount of Construction Decoration Waste in Haikou, Hainan Province." In International Conference on Construction and Real Estate Management 2013. American Society of Civil Engineers, 2013. http://dx.doi.org/10.1061/9780784413135.147.

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Helgason, Ingi. "Beat Haiku." In the 7th Nordic Conference. ACM Press, 2012. http://dx.doi.org/10.1145/2399016.2399142.

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Obara, Hideto, Naoko Tosa, and Michihiko Minoh. "Hitch haiku." In the international conference. ACM Press, 2007. http://dx.doi.org/10.1145/1255047.1255108.

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Tosa, Naoko, Hideto Obara, Michihiko Minoh, and Seigow Matsuoka. "Hitch haiku." In the 2nd international conference. ACM Press, 2007. http://dx.doi.org/10.1145/1306813.1306821.

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Tosa, Naoko. "Hitch-Haiku." In SIGGRAPH07: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2007. http://dx.doi.org/10.1145/1280120.1280203.

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Šimbelis, Vygandas 'Vegas', Elsa Vaara, Pedro Ferreira, Jarmo Laaksolahti, and Kristina Höök. "Delete by Haiku." In CHI '17: CHI Conference on Human Factors in Computing Systems. ACM, 2017. http://dx.doi.org/10.1145/3027063.3049781.

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Junnan, Ye, Saiya Wang, Yue Wu, and Haoyue Liang. "Unconscious Design Method of Haipai Cultural Tourism Souvenirs Based on Extensional Narrative Theory." In 2024 AHFE International Conference on Human Factors in Design, Engineering, and Computing (AHFE 2024 Hawaii Edition). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005625.

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Abstract (sommario):
Haipai culture is unique to Shanghai and holds significant cultural value. Tourism souvenirs,as a key value-added industry in tourism, naturally serve as carriers for conveying local cultural essence and play a crucial role in promoting and disseminating Haipai culture. To address the current issues of severe homogenization, lack of depth, and insufficient emotional resonance in Shanghai tourism souvenirs, this paper explores an unconscious design approach for these souvenirs based on Extenics and narrative theory. Firstly, the KANO model is utilized to filter and categorize target user needs,
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Chen, C., Z. S. Wu, S. J. Sun, Z. H. Ding, and Z. W. Zhao. "MUF Variability at Haikou, China." In 2008 8th International Symposium on Antennas, Propagation & EM Theory (ISAPE - 2008). IEEE, 2008. http://dx.doi.org/10.1109/isape.2008.4735232.

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Rapporti di organizzazioni sul tema "Haikau"

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Tran, Minh, and Reinna Bermudez. Durable Solutions for People Displaced by Typhoon Haiyan in Tacloban, Philippines. Stockholm Environment Institute, 2022. http://dx.doi.org/10.51414/sei2022.050.

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This research assesses the impacts of displacement on quality of life and human rights in resettlement villages in Tacloban, a city in Region VIII of the Philippines that was hit the hardest by Typhoon Haiyan in 2013. Typhoon Haiyan, one of the most powerful tropical storms ever recorded, displaced over four million people in the Philippines. To understand the long-term impacts of displacement from this disaster, SEI and the Philippines’ national-level independent Commission on Human Rights (CHR) began research in 2020 on the development implications of disaster displacement and durable soluti
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2

Englebretson, Ronald E., and Richard D. Gilmore. Severe Weather Guide - Mediterranean Ports. 15. Haifa. Defense Technical Information Center, 1988. http://dx.doi.org/10.21236/ada199674.

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3

Hill, L. J., M. Russell, W. F. Barron, P. LaRocco, and Z. Shen. A prefeasibility study of energy resource options in Hainan, China. Office of Scientific and Technical Information (OSTI), 1992. http://dx.doi.org/10.2172/10190984.

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4

Hill, L. J., M. Russell, W. F. Barron, P. LaRocco, and Z. Shen. A prefeasibility study of energy resource options in Hainan, China. Office of Scientific and Technical Information (OSTI), 1992. http://dx.doi.org/10.2172/6988491.

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5

Bednarski, J. M., and L. J. Leonard. Photographic record of the tsunami impacts on western Haida Gwaii following the Mw 7.8 Haida Gwaii earthquake on October 28, 2012. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2016. http://dx.doi.org/10.4095/298808.

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6

Aaron Hogan, Aaron Hogan. How do roots vary? An exploration of root functional traits across an environmental gradient in Hainan, China. Experiment, 2017. http://dx.doi.org/10.18258/9485.

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7

Reyes, Celia, Aubrey Tabuga, Nicoli Arthur Borromeo, Arkin Arboneda, and Carlos Cabaero. Towards a More Inclusive Agricultural Insurance Program. Philippine Institute for Development Studies, 2020. https://doi.org/10.62986/dp2019.38.

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Abstract (sommario):
Typhoons, pests, and other natural calamities cause the country, particularly the agricultural sector, significant damages. For instance, Typhoons Yolanda (Haiyan) and Ompong (Mangkhut) have caused PHP 35 billion and PHP 27 billion worth of agricultural damages, respectively, based on estimates by the Department of Agriculture. Given that a third of the country’s workforce depend on the agriculture sector, it is crucial that efforts are undertaken towards mitigation of the effects of these shocks and risks. One of these efforts is agricultural insurance as provided for by the Philippine Crop
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8

Fogarassy, J. A. S., and W. C. Barnes. The middle Cretaceous Haida Formation: a potential hydrocarbon reservoir in the Queen Charlotte Islands, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1989. http://dx.doi.org/10.4095/127401.

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9

Rosenberger, A., A. Bird, M. E. Turek, et al. Strong motion data from the magnitude 7.7 "Haida Gwaii" earthquake on October 27, 2012 (local time). Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2013. http://dx.doi.org/10.4095/292275.

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10

Samsonov, S. V., and M. Czarnogorska. Ground deformation produced by 2012 M7.8 Haida Gwaii earthquake in Canada mapped with RADARSAT-2 DInSAR. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2013. http://dx.doi.org/10.4095/293325.

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