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Letteratura scientifica selezionata sul tema "Iconology"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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Articoli di riviste sul tema "Iconology"

1

Andersson, Fred. "Avbildade tecken & avbildningar som tecken. Ikonologins och semiotikens delade skäl." ICO Iconographisk Post. Nordisk tidskrift för bildtolkning – Nordic Review of Iconography, no. 1 (August 23, 2016): 4–33. https://doi.org/10.69945/ico.vi1.25712.

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Title: Depicted Signs and Depictions as Signs – Common Reasons for Iconology and Semiotics The aim of this article is to describe some common reasons and origins of modern Icono-logy and Semiotics, and to question the dichotomy which is sometimes made between these disciplines. When emblematics and iconology were established in the Sixteenth Century, first with Andreas Alciatus’ Emblemata and later with Cæsare Ripa’s Iconologia, poetic imagery and rhetorical figures were primary points of reference. Rather than separating visual and verbal capacities, these authors merely affirmed that both vi

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2

Davison, Jane. "Icon, iconography, iconology." Accounting, Auditing & Accountability Journal 22, no. 6 (2009): 883–906. http://dx.doi.org/10.1108/09513570910980454.

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3

Sinha, Chris. "Iconology and Imagination." Cultural Dynamics 5, no. 1 (1992): 57–82. http://dx.doi.org/10.1177/092137409200500104.

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4

Brown, Lee B., and W. J. T. Mitchell. "Iconology: Image, Text, Ideology." Journal of Aesthetics and Art Criticism 45, no. 2 (1986): 211. http://dx.doi.org/10.2307/430568.

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5

Topper, David, and W. J. T. Mitchell. "Iconology: Image, Text, Ideology." Leonardo 22, no. 3/4 (1989): 449. http://dx.doi.org/10.2307/1575437.

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6

Elsner, Jaś, and Katharina Lorenz. "The Genesis of Iconology." Critical Inquiry 38, no. 3 (2012): 483–512. http://dx.doi.org/10.1086/664548.

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7

Dick, B. F., and W. J. T. Mitchell. "Iconology: Image, Text, Ideology." World Literature Today 61, no. 1 (1987): 169. http://dx.doi.org/10.2307/40142719.

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8

Rheinberger, Hans-Jörg. "Iconology: Image, text, ideology." Studies in History and Philosophy of Science Part A 25, no. 4 (1994): 647–54. http://dx.doi.org/10.1016/0039-3681(94)90055-8.

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9

Van Den Heuvel, Charles. "Henri van de Waal’s (1910-1972) unfinished Beeldleer: Exploring new potentials of an iconological classification for the history of the arts." Oud Holland – Journal for Art of the Low Countries 137, no. 4 (2024): 201–36. https://doi.org/10.1163/18750176-13704004.

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Henri van de Waal (1910-1972), well-known for his development of Iconclass, also worked on a classification system of the arts that has remained unknown to many, entitled ‘Beeldleer’ (Iconology).This article explores the new potentials of Beeldleer, despite its unfinished and occasionally outdated character, to complement historical debates on iconology, and for future application in digital art history. Firstly, it will be demonstrated, using unpublished archival documents of the development of Beeldleer, why it is a necessary addition to Iconclass to fully understand Van de Waals approaches

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Gallegos, Eduardo, and Jaime Otazo. "To travel is to Look, to Look is to Relate." Journeys 21, no. 2 (2020): 67–89. http://dx.doi.org/10.3167/jys.2020.210204.

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Generally, analyzes of Otto Nordenskjöld’s trip to the Antarctic (1901-1904) ignore the preparations that required a previous trip to Chilean-Argentine Patagonia (1894-1897). Even more, these analyzes forget the Colonial dimension of this expedition. This paper intends to fill this void considering for the analysis two images present in the Swedish travel story. The concept of iconology is proposed here as a link between the image (icons) and the story (logos). The aim is to analyze the iconology to discuss the meaningful configuration of an identity gaze—the Europeans—and a gaze on the othern

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Tesi sul tema "Iconology"

1

Wikramagamage, Chandra. "Principles of Buddhist iconology /." Polgasovita (Sri Lanka) : Academy of Sri Lankan culture, 1997. http://catalogue.bnf.fr/ark:/12148/cb370849024.

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2

Maçaranduba, Pedro Ernesto Rodrigues. "Encenações do desejo: contribuições para a iconologia do pornô." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/59/59141/tde-12122017-110913/.

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A pesquisa acadêmica sobre pornografia permaneceu por um longo período monopolizada pela lógica texts and effects; ou seja, a investigação se orientava pela busca de consequências (em âmbitos individual, interpessoal e social) supostamente desencadeadas pelo consumo de materiais pornográficos. Essa linha de pesquisa contribuiu para a polarização do debate científico, fomentando a conformação de retóricas pró e antipornografia. Embora esse tipo de pesquisa ainda prevaleça nas publicações internacionais, desde o final da década de 1980 novos estudos passaram a interrogar a pornografia sob outras

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3

Gambling, Stella. "Iconology in The Merchant of Venice." Thesis, University College London (University of London), 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325295.

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Thompson, Marc. "Mimbres iconology, analysis and interpretation of figurative motifs." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ47916.pdf.

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5

Yeh, Grace I.-chun. "Asian fighters in U.S. minority literature iconology, intimacy, and other imagined communities /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1481671281&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Serva, Leão Pinto. "A “fórmula da emoção” na fotografia de guerra: como as imagens de conflitos se relacionam com a tradição iconográfica explorada por Aby Warburg." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20631.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-12-05T13:17:47Z No. of bitstreams: 1 Leão Pinto Serva.pdf: 8064382 bytes, checksum: d00f2189fa468bbe9388bd17152b07c9 (MD5)<br>Made available in DSpace on 2017-12-05T13:17:47Z (GMT). No. of bitstreams: 1 Leão Pinto Serva.pdf: 8064382 bytes, checksum: d00f2189fa468bbe9388bd17152b07c9 (MD5) Previous issue date: 2017-11-10<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This research seeks to identify the element responsible for the attractiveness of war photography, considering that conflict scenes are respo

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Vale, Charles Vasconcelos. "A imagem inquieta: pÃs- produÃÃo e sobrevivÃncia no cinema de Gus Van Sant." Universidade Federal do CearÃ, 2017. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=20274.

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nÃo hÃ<br>A presente pesquisa propÃe fazer uma anÃlise iconolÃgica de parte da obra do cineasta norte- americano Gus Van Sant, utilizando para tanto dois conceitos fundamentais, a saber, PÃs- ProduÃÃo (BOURRIAUD, 2009) e SobrevivÃncia (WARBURG, 2013; DIDI- HUBERMAN, 2013). Selecionamos, para isso, cinco de seus principais filmes, sendo eles respectivamente: Psicose (1998), Gerry (2002), Elefante (2003), Last Days(2005) e Paranoid Park(2007), por acreditar que eles dÃo fÃlego as anÃlises e os conceitos supracitados. Noprimeiro momento tentamos pensar essa filmografia a partir de procedimentos a

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Sutcliffe, Tami [Verfasser]. "The Iconology of Pinterest : Exploring Naming Behavior in Personal Digital Image collections / Tami Sutcliffe." Munich : GRIN Publishing, 2015. http://d-nb.info/1126252522/34.

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Berry, Christine A. (Christine Alyce). "Juan Bautista Maino's Adoration of the Shepherds: An Analysis of Iconography, Iconology, and Style." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278375/.

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This thesis investigates the iconography, iconology, and style of Juan Bautista Maino s Adoration of the Shepherds (1615-1620) located at the Meadows Museum, Dallas, Texas. The study begins with an overview of general information on Maino and his works. Chapter 2 explores the evolution of the Adoration of the Shepherds depiction in art, while examining social and political factors which may have influenced Maino's iconographical choices. Chapter 3 is a comparative analysis of the Meadows Adoration of the Shepherds to two other Adoration of the Shepherds by Maino, revealing a stylistic progress

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Brandão, Antonio Jackson de Souza. "Iconofotologia do barroco Alemão." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8144/tde-15122008-151940/.

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A presente Tese propõe uma nova abordagem da leitura de textos do período conhecido por Barroco e, para isso, fez-se necessário criar novos termos que correspondessem a essa expectativa: a iconofotologia e poemas fotográficos. Para que um leitor contemporâneo possa ler e compreender textos daquele período, teria de ter acesso a uma chave sígnica a que somente os leitores do Barroco tinham acesso: as iconologias. No entanto, esse referencial se perdeu, por isso temos de substituí-lo por um outro, a partir do acervo imagético-fotográfico de que dispomos hoje e que chamamos de iconofotológico. A

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Libri sul tema "Iconology"

1

G, Kippenberg Hans, ed. Approaches to iconology. E.J. Brill, 1985.

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2

Malla, Mala. Lord Vishnu: An iconology. Ashok Hada, 2012.

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1937-, Sarma Inguva Karthikeya, ed. Iconology of the Hindus. Caxton Publications, 1988.

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4

Erdberg, Eleanor von. Ancient Chinese bronzes: Terminology and iconology. Siebenberg-Verlag, 1993.

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5

Axel, Bolvig, and Lindley Phillip, eds. History and images: Towards a new iconology. Brepols, 2003.

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Bakker, Hans. The Vākāṭakas: An essay in Hindu iconology. E. Forsten, 1997.

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7

1961-, Kitagawa Hiroshi, ed. Ōsaka zuzōgaku: Kinsei no shomin seikatsu = Osaka iconology. Tōhō Shuppan, 2005.

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8

Tachikawa, Musashi. Mandara no kamigami: Bukkyō no ikonorojī = Nepalese Buddhist iconology. Arina Shobō, 1987.

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9

Osamu, Nakayama. Images of their glorious maker: Iconology in Milton's poetry. Macmillan Languagehouse, 2002.

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editor, Szőnyi György Endre, ed. The iconology of law and order: (legal and cosmic). JATEPress, 2012.

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Capitoli di libri sul tema "Iconology"

1

Tsakiridou, C. A. "Cappadocian Iconology." In The Orthodox Icon and Postmodern Art. Routledge, 2024. http://dx.doi.org/10.4324/9781003265825-7.

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2

Hönes, Hans Christian. "Flat Iconology." In Art Historiography and Iconologies Between West and East. Routledge, 2024. http://dx.doi.org/10.4324/9781003137528-7.

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Sears, Elizabeth. "Iconology vs. Iconography." In Art Historiography and Iconologies Between West and East. Routledge, 2024. http://dx.doi.org/10.4324/9781003137528-5.

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Kalinowski, Lech. "Iconology or Iconography?" In Art Historiography and Iconologies Between West and East. Routledge, 2024. http://dx.doi.org/10.4324/9781003137528-4.

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Barnard, Malcolm. "Semiology, Iconology and Iconography." In Approaches to Understanding Visual Culture. Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-11046-6_8.

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6

Mažeikis, Gintautas. "Iconology and Critical Theory." In Critical Theory and Symbolic Thinking. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-91413-3_3.

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Purgar, Krešimir. "Introduction." In The Iconology of Abstraction. Routledge, 2020. http://dx.doi.org/10.4324/9780429262500-1.

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Crowther, Paul. "Abstraction and Transperceptual Space." In The Iconology of Abstraction. Routledge, 2020. http://dx.doi.org/10.4324/9780429262500-10.

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Cernuschi, Claude. "The Visualization of Temporality in the Abstract Paintings of Barnett Newman 1." In The Iconology of Abstraction. Routledge, 2020. http://dx.doi.org/10.4324/9780429262500-11.

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Lessard, Bruno. "Rethinking Abstraction Post-phenomenologically: Michel Henry and Henri Maldiney." In The Iconology of Abstraction. Routledge, 2020. http://dx.doi.org/10.4324/9780429262500-12.

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Atti di convegni sul tema "Iconology"

1

Bandalo, Visnja. "INTERDISCIPLINARITY OF LITERARY ICONOLOGY OF GIORGIO MANGANELLI." In 8th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS Proceedings 2021. SGEM World Science, 2021. http://dx.doi.org/10.35603/sws.iscss.va2021/s09.53.

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2

Tao, Y., and B. Zhu. "Least-Squares High Resolution Processing Method based on Iconology." In 85th EAGE Annual Conference & Exhibition - Workshop Programme. European Association of Geoscientists & Engineers, 2024. http://dx.doi.org/10.3997/2214-4609.202410050.

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3

Chen, Yimo. "Study of image evolution on the iconology theories and methodology." In IV International Scientific and Practical Conference, chair Ariunaa Shajinbat. Publishing house Sreda, 2023. http://dx.doi.org/10.31483/r-106594.

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Abstract (sommario):

Due to the development and innovation of technology, a new steering has taken place in the traditional artistic paradigm. In this new context, the use of: iconology research methods on the basis of the evolution of images, which summarizes image generation methods. and a series of art works were drawn based on the results of the research.

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Wang, YuLin. "Analysis of Monet’s “Water Lilies” Based on E.H.Gombrich’s Theory of Iconology." In 2022 International Conference on Social Sciences and Humanities and Arts (SSHA 2022). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220401.006.

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Rovenko, Elena. "ERWIN PANOFSKY�S ICONOLOGY AND THE ANALYSIS OF MUSICAL COMPOSITION: ON SEARCHING NEW SEMANTIC STRATEGIES." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.08.

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The paper offers a renewed interest for Erwin Panofsky�s iconology, which consists of the applying of this concept and analytical method to musical art per se. Although Panofsky himself did not intend to introduce his methodology into the sphere of music, he establishes correlations between some musical compositions and painting. Thus, Panofsky felt the presence of certain general laws of the formation of structure of the artistic whole in painting and music. In terms of iconology, music, like painting, presupposes the original hermeneutic algorithm, which consists of three steps. Firstly, the

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Azzahra, Fatimah, and Sahriyadi. "Iconography and iconology of traditional Acehnese architecture: Heuristic study of Rumoh Aceh in Aceh Besar districts." In PROCEEDINGS OF THE 1ST INTERNATIONAL CONFERENCE ON ARTIFICIAL INTELLIGENCE, ADVANCED MATERIALS, AND MECHATRONICS SYSTEMS: AIAMMS2023. AIP Publishing, 2024. https://doi.org/10.1063/5.0249080.

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Shao, Heng, and Xin Wen. "The Intersection of Iconology and AI: A Study on the Reconstruction of Dream of the Red Chamber Illustrations in Manchu Artistic Style." In ICADI 2024: 2024 International Conference on Artificial Intelligence, Digital Media Technology and Interaction Design. ACM, 2024. https://doi.org/10.1145/3726010.3726031.

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De Sousa Carvalho, Rafael. "VIOLENTAS APARIÇÕES FANTASMAIS: ICONOLOGIA POLÍTICA E ERRÂNCIA EM DORA LONGO BAHIA." In 30º Encontro Nacional da ANPAP - (RE)EXISTÊNCIAS. Even3, 2022. http://dx.doi.org/10.29327/30enanpap2021.384030.

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Lourenço, Emília Vicente. "Resgate da memória em Cândido Portinari." In Encontro da História da Arte. Universidade Estadual de Campinas, 2006. http://dx.doi.org/10.20396/eha.2.2006.3856.

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Abstract (sommario):

O presente trabalho, fragmento da pesquisa em desenvolvimento no Programa de Pósgraduação do Instituto de Artes da Universidade de Brasília, tem como objetivo analisar o fenômeno da memória dentro do campo antropológico. Para tanto, foi utilizado como aporte pictórico o projeto em cartão para mosaico da obra “Jesus e os Apóstolos”, de Cândido Portinari. O objetivo norteador do trabalho é o estudo da lacuna existente entre o projeto e o mosaico, que não chegou a ser realizado, e o resgate da “memória de esquecimento”, correspondido entre os anos de 1958 e 2003. A questão da simbologia presente

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Rizolli, Marcos, and Mariana Fontes. "A FANTASIA NO TRABALHO FOTOGRÁFICO DE CHARLES DODGSON: UM OLHAR ENTRE A ICONOLOGIA E A SEMIÓTICA." In VII World Congresson Communication andArts. Science and Education Research Council (COPEC), 2014. http://dx.doi.org/10.14684/wcca.7.2014.196-200.

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