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Tesi sul tema "Imaginary"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 25 luglio 2025

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1

Weisbard, Daniel J. "Imaginary spaces /." Online version of thesis, 2007. http://hdl.handle.net/1850/5869.

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2

Gustafson, Sean. "Imaginary Interfaces." Phd thesis, Universität Potsdam, 2013. http://opus.kobv.de/ubp/volltexte/2013/6896/.

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Abstract (sommario):
The size of a mobile device is primarily determined by the size of the touchscreen. As such, researchers have found that the way to achieve ultimate mobility is to abandon the screen altogether. These wearable devices are operated using hand gestures, voice commands or a small number of physical buttons. By abandoning the screen these devices also abandon the currently dominant spatial interaction style (such as tapping on buttons), because, seemingly, there is nothing to tap on. Unfortunately this design prevents users from transferring their learned interaction knowledge gained from traditio
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3

Davis, J. F. "Imaginary desires." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1463498/.

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This thesis assesses the case for introducing an imaginative counterpart to desire. The first chapter considers what an imaginative counterpart is, and some initial worries related to introducing an imaginative counterpart to desire. The second chapter considers whether our third person mindreading abilities, and a puzzle about what mental states motivate children’s pretend play, give us reason for introducing i - desires. The third chapter considers whether we have to introduce i - desires to make sense of the desires we apparently direct towards fictional characters. I will argue that introd
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4

Andrews, Susan Lesley, University of Western Sydney, of Performance Fine Arts and Design Faculty, and School of Design. "An imaginary other." THESIS_FPFAD_SD_Andrews_S.xml, 1997. http://handle.uws.edu.au:8081/1959.7/458.

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This research paper focuses on a specific period in western art history. The eighteenth and ninteenth centuries held fascination for the author as it marked the beginnings of modern science, a time when the artist and scientist collaborated in a mythical search for a key to unlock the mysterious realm to the unknown. The artist/scientist set on course to discover a new frontier thought to be buried somewhere in woman's body.The paper has been formulated into three chapters. The author has examined how the representation of the body of woman was reduced to a stereotype in both art and science.
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5

Williams, Bryden John. "'A Hydrological Imaginary’." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17891.

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My work questions the ongoing dialogue between technology and nature. This dialogue is most evident in landscapes and their respective ecosystems, specifically rivers. These bodies of water are a fluid mirror reflecting a wavering view of ourselves, a constructed human presence within the natural environment. This thesis offers a way of understanding these pipelines, dams, canals and attendant infrastructures in a conceptual manner. These encapsulating forms that interrupt, shape and utilise the natural realm are the facades of a hydrological imaginary. ‘A Hydrological Imaginary’ addresses thi
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6

Andrews, Susan Lesley. "An imaginary other." Thesis, View thesis, 1997. http://handle.uws.edu.au:8081/1959.7/458.

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Abstract (sommario):
This research paper focuses on a specific period in western art history. The eighteenth and ninteenth centuries held fascination for the author as it marked the beginnings of modern science, a time when the artist and scientist collaborated in a mythical search for a key to unlock the mysterious realm to the unknown. The artist/scientist set on course to discover a new frontier thought to be buried somewhere in woman's body.The paper has been formulated into three chapters. The author has examined how the representation of the body of woman was reduced to a stereotype in both art and science.
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7

Andrews, Susan Lesley. "An imaginary other /." View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030915.151821/index.html.

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8

Scaringi, Vanessa Cristina [UNESP]. "Deusa das noites: personagens (des)veladas." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/90138.

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Abstract (sommario):
Made available in DSpace on 2014-06-11T19:24:19Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-08-23Bitstream added on 2014-06-13T18:20:37Z : No. of bitstreams: 1 scaringi_vc_me_rcla.pdf: 515188 bytes, checksum: 7c0ffc7a9b0243e31fea5c68cc6fbcef (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>O curso do imaginário vai para uma esfera coletiva, além do individual. É um dinamismo que surgiu desde a mitologia e que perpassa séculos, transformando-se em si mesmo e antecipando aquilo que ainda não foi vivido. Em um mundo de sonhos, fantasias, imagens, memóri
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9

ARANTES, HAENDEL MOTTA. "THE IMAGINARY IN ANALYSIS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=8286@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>O que o curso de uma análise opera no registro Imaginário? Para tratar a questão, a pesquisa parte do exame do conceito freudiano de realidade psíquica, articulando-o à tríade de registros lacaniana - Real, Simbólico, Imaginário. Em seguida, examina o conceito de fantasia em Lacan, amarração matriz por onde é erguida a cena imaginária para um sujeito. Por fim, no interior da experiência clínica, localiza o caminho de uma reconstrução síntese da fantasia, a avançar segundo os passos do recordar, repetir, elaborar apontados e
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10

Kazimierczak, Karolina Agata. "Translating Imaginary Aliens,Transgressing Imaginary Scholars : Invented Languages and the Performances of Fan/Scholarship." Thesis, Lancaster University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531700.

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11

Mountian, Ilana. "Drugs, gender and social imaginary." Thesis, Manchester Metropolitan University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.409499.

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12

Kilbourne, Philip E. "The Imaginary Invalid: Directing Project." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392817620.

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13

Maher, Sean William. "Noir and the urban imaginary." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/42216/1/Sean_Maher_Thesis.pdf.

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Noir and the Urban Imaginary is creative practice based PhD research comprising critical analysis (40%) exegesis (10%) and a twenty-six minute film, The Brisbane Line (50%). The research investigates intersection of four elements; the city, the cinema, history and postmodernity. The thesis discusses relationships between each of the four elements and what cinematic representation of cities reveals about modern and postmodern urban experience and historicisation. Key concepts in the research include, 'urbanism', 'historiography', 'modernity', 'postmodernity', 'neo-noir'.
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14

Mousset-Becouze, Chloé. "Du symbolisme comme chambre noire de l'imaginaire photographique." Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30018/document.

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Évoquer l'existence d'un imaginaire photographique pose un problème d'ordre idéologique quant au statut de la photographie. Pour tenter de démontrer l'existence de cet imaginaire, il faut se pencher sur un mouvement qui, en son temps, réfléchit à cette notion de manière fondamentale: le mouvement symboliste. Aussi est-il nécessaire de se demander en quoi le symbolisme est fondateur de l’imaginaire photographique ? A cette époque la photographie est largement intégrée dans un système positiviste, elle est la technique scientifique d’enregistrement par excellence, ayant pour trait caractéristiqu
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15

Scaringi, Vanessa Cristina. "Deusa das noites : personagens (des)veladas /." Rio Claro : [s.n.], 2011. http://hdl.handle.net/11449/90138.

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Orientador: César Donizetti Pereira Leite<br>Banca: Romualdo Dias<br>Banca: Silvio Donizetti de Oliveira Gallo<br>Resumo: O curso do imaginário vai para uma esfera coletiva, além do individual. É um dinamismo que surgiu desde a mitologia e que perpassa séculos, transformando-se em si mesmo e antecipando aquilo que ainda não foi vivido. Em um mundo de sonhos, fantasias, imagens, memórias de muitas cenas que fascinam, encantam, seduzem, (des)velam, surge Afrodite - a deusa das noites - de diversas faces e personagens dançantes de tempos (ir)reais que se fazem passado, presente e futuro. Muitos s
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16

Ek, Adam. "Extracting social networks from fiction : Imaginary and invisible friends: Investigating the social world of imaginary friends." Thesis, Stockholms universitet, Institutionen för lingvistik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-145659.

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This thesis develops an approach to extract the social relation between characters in literary text to create a social network. The approach uses co-occurrences of named entities, keywords associated with the named entities, and the dependency relations that exist between the named entities to construct the network. Literary texts contain a large amount of pronouns to represent the named entities, to resolve the antecedents of pronouns, a pronoun resolution system is implemented based on a standard pronoun resolution algorithm. The results indicate that the pronoun resolution system finds the
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17

Figueiredo, Luiz Manoel Silva. "Serre's conjecture over imaginary quadratic fields." Thesis, University of Cambridge, 1996. https://www.repository.cam.ac.uk/handle/1810/251594.

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18

Sherman, Alan James. "The imaginary universe of Jacques Benoit." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/29531.

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This thesis is a study of three of the.literary works of Jacques Benoit: Jos Carbone, Les Princes and Gisèle et le serpent. It will be an attempt to combine different spatial elements of the texts, literal and symbolic, in order to define and explore the imaginary universe of our author. In our first text, Jos Carbone, we look to establish the role of the unconscious. The background predominance of night and dark elements, unseen invaders, habitations, in short, the forest in general appears as a metaphor for the unconscious mind of the hero Jos Carbone. In our analysis, we attempt to explore
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19

Punt, Michael. "Early cinema and the technological imaginary." Amsterdam : Amsterdam : [s.n.] ; Universiteit van Amsterdam [Host], 2000. http://dare.uva.nl/document/81706.

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20

Schindler, Samuel Karl. "The imaginary entities that make science." Thesis, University of Leeds, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491819.

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In this thesis, I investigate the role unobservables play in scientific explanations, the naturalness of explanations, and the fertility (or developmental potential) of theories. Realist accounts (in particular, the causal-mechanistic account) require unobservables to be real for them to fulfil an explanatory function in theories. Antirealist counts do not assign any particular role to unobservables and marginalise the explanatory power of theories, their naturalness, and their developmental potential as merely of pragmatic interest.
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21

Barry, Desmond. "The escape of the imaginary author." Thesis, University of South Wales, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.591056.

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This creative/critical overview of the novels A Bloody Good Friday, The Chivalry o/Crime and Cressida's Bed by Desmond Barry, and Far South by David Enrique Spellman, will examine some of the literary influences in the composition of the novels, as well as the development of the author from naive dilettante, influenced by the Beats, to heteronymous voice of the Far South Project and the creation of an imaginary author. The overview examines some of the underlying psychological and philosophical matrices out of which the novels were born and the influence of writers such as William S. Burroughs
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22

Davis, P. A. J. "The 'imaginary resistance' of Dryden's Virgil." Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.598392.

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Locke ridiculed Filmer's account of the monarchist doctrine of passive resistance. Where 'Men may not strike again', he remarked, they are reduced to 'imaginary <I>Resistance</I>'. That 'imaginary' begs a question since when Locke was writing the word could still be used in the neutral sense of 'imaginative', though he himself was using it pejoratively to mean 'fanciful' or 'non-existent'. The question of what 'imaginary' defiance can achieve against real political '<I>Force</I>' was pertinent at the time Locke's remark was published particularly to John Dryden, who, deprived for his Roman Cat
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23

Ramirez, Genaro Zalpa. "The imaginary world of Mexican comics." Thesis, University of York, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288065.

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24

Foley, James Jardine. "Emergence of the Scottish economic imaginary." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/23497.

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Scotland’s economic capacity to prosper independently of Britain has become a key political issue, dominating the independence referendum of 2014 and continuing to influence British politics since. Often, that debate centres on the contested terms of how we imagine or construct Scotland as an economic entity. Thus, it offers a major opportunity to study the broader issue in critical social science of how economies are “imagined”. However, to date most studies of Scotland’s economy comes from the discipline of economics or from the policy profession. This study aims to address this gap. It high
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25

Christakos, Yiannis. "Personal mapping : memories and imaginary maps." Thesis, University of East London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532511.

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The discussion in this report considers the framework to my research, my developing methodology and an evaluating synopsis of my professional practice as an artist during my doctorate period. My painting research is approached in the following ways: First is the use of line, as an expressive and visual medium, that is distinct in my work. When I come to the need for pictorial representation, line is perhaps the visual element with the most extensive use in my practice. Second is the development of mapping, viewed as a grid of drawn lines and the use of cartographical language in the drawing pr
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26

Leman, Lucia. "Byron's "Manfred" and the Greek imaginary." Thesis, University of Nottingham, 2014. http://eprints.nottingham.ac.uk/13972/.

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Using Jerome J. McGann’s suggestion that the earliest fragments of Manfred might have been written during his Levantine Tour (c 2 July 1809 – 14 July 1811), this thesis aims to offer a new perspective on Byron’s Manfred, taking into account issues inherent in Byron’s patrician upbringing, his experience of Ottoman Greece, his notion of a Classical tradition, and his previous Byronic heroes. The majority of motifs previously perceived as “Gothic” can thus be seen in a new light, namely, as “Greek”. Another inspiration for a “Greek” reading of Manfred has been the fact that Western-European form
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27

Kang, Joong-Hoon. "Experiment in Three Imaginary Musical Scenes." University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1014845542.

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28

Peake, Bryce. "The social imaginary and social imagination." Waltham, Mass. : Brandeis University, 2009. http://dcoll.brandeis.edu/handle/10192/23242.

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29

Clifford, Reginald A. "Critical mediation : tracking the social imaginary." Thesis, Loughborough University, 1999. https://dspace.lboro.ac.uk/2134/35473.

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Since the pioneering work of Harold Innes and Marshal McLuhan, accounts of social and cultural change that assign a key role to innovations in media have enjoyed considerable currency. These Medium Theories, as Joshua Meyrowitz has usefully dubbed them, are particularly concerned with how the shift from oral to literate to electronic media has successively reconfigured both cultural systems and their everyday deployment. This model of mediation suffers from major weaknesses however. It is media-centric, crudely deterministic, ethnocentric, and takes no account of patterns of social inequality.
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30

Rando, Martin Andréa. "Des jeux de miroirs au miroir du prince. : Le traitement des savoirs dans le Roman de Perceforest." Thesis, Université Grenoble Alpes (ComUE), 2017. http://www.theses.fr/2017GREAL030/document.

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Immense œuvre médiévale, le Roman de Perceforest réinvente la généalogie arthurienne en montrant la mise en place progressive d’une monarchie chrétienne. Celle-ci émerge sur une île peuplée d’enchanteurs et de fées, célèbre pour ses merveilles et ses monstres et sur laquelle règnent deux nouveaux rois, Betis et Gadiffer. Pourtant, les passages merveilleux recèlent de multiples références aux savoirs antiques et médiévaux qui permettent au lecteur averti de voir l’habile illusionniste derrière le magicien, la femme médecin derrière la fée et le phénomène naturel derrière le pouvoir fabuleux d’u
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31

Ashcroft, Catherine. "Imaginary companions : phenomenology and the child's response." Thesis, University of Southampton, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268650.

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32

Wiszniewski, Witold Roman School of Philosophy UNSW. "Time, quasi-temporal change and imaginary numbers." Awarded by:University of New South Wales. School of Philosophy, 2006. http://handle.unsw.edu.au/1959.4/23401.

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The thesis is mainly concerned with the argument for dynamic time. Accepting McTaggart???s proof of the unreality of time, it is argued however, that any description of dynamic time involving static concepts must lead to a contradiction. It is shown that the contradiction arising from this proof is equivalent to the contradiction posed by Aristotle???s definition of change: change is the possession of incompatible properties. A special case of such a change is quasi-temporal change, defined as the possession of incomparable properties at the same time. Furthermore it is claimed that change is
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33

Bök, Christian. "Pataphysics, the poetics of an imaginary science." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0020/NQ27282.pdf.

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34

Martini, Chandra. "Alien others : speculative hybrids in imaginary worlds." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43381.

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Hybridity plays a principal role in both J. R. R. Tolkien’s The Silmarillion and Octavia E. Butler’s Xenogenesis trilogy, crystallizing in the treatment of the origin of species. Through these texts I investigate how the generic condition of speculative fiction (SF), in its claims to unreality, opens up an imaginative space in which to excavate hybridity as a site of tension between the concepts of race and species. I draw on the theoretical constructs of hybridity and posthumanism, particularly as formulated by Robert Young in the first case and Cary Wolfe in the second, to argue that these c
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35

Gustafson, Sean [Verfasser], and Patrick [Akademischer Betreuer] Baudisch. "Imaginary Interfaces / Sean Gustafson. Betreuer: Patrick Baudisch." Potsdam : Universitätsbibliothek der Universität Potsdam, 2013. http://d-nb.info/1045443239/34.

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36

Bordoni, Silvia. "Imaginary homeland : romantic women writers and Italy." Thesis, University of Nottingham, 2004. http://eprints.nottingham.ac.uk/13190/.

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The aim of this work is to investigate the importance of Italy, as a real and imaginary country, in British Romanticism, particularly in women's writings. Since the heyday of the Grand Tour, Italy has been approached as an alien and distant country, but also as a liberating and stimulating reality. Italy as an 'other country' constitutes an important element in the delineation of British Romanticism. The opposition between North and South, which was developed and consolidated by Romantic authors, constitutes the theoretical frame for this work. As part of southern Europe, Italy stands in oppos
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37

Barker, David. "Imaginary readers : the novels of Alison Lurie." Thesis, University of Newcastle Upon Tyne, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245711.

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38

Oda, Yukari. "The formation of Emily Brontës imaginary world". Thesis, University of Liverpool, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.441937.

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39

Gaffney, Eamonn Andrew. "Aspects of imaginary time thermal field theory." Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627526.

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40

Skeen, Michael P., and L. Lee Glenn. "Imaginary Link Between Alcoholism and Energy Drinks." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etsu-works/7505.

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41

Gallo, Sara C. "Lost Horizon : Domestic, cartographic and imaginary space." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1283894506.

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42

Stenner, Rachel. "The typographic imaginary in early modern literature." Thesis, University of Bristol, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681347.

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This thesis contributes to critical discussions of the changes wrought by developing print technologies on the literary cultures of England in the late fifteenth and sixteenth centuries. It adds to these discussions by attending specifically to the ways in which the figurative content of texts was altered by the technology of printing. The thesis argues that certain texts describe the people, places, and processes of printing in ways that can be characterised as developing and engaging a typographic imaginary. The typographic imaginary is posited as a literary phenomenon shared by different wr
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43

Bidgood, Lee. "Real Imaginary Place in Czech Bluegrass Songs." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1081.

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Abstract (sommario):
Bluegrass is a music form often considered to be necessarily or uniquely connected to Appalachia. Significant popular and scholarly discourses (Malone, Negus, etc.) support the sense of a homological relationship (Middleton, Born, Murphy) linking certain rural spaces with country musics. At the same time, bluegrass has a broad and varied global appeal. Abroad, bluegrass is often a part of "Americanism," the negotiation of cultural elements from the United States--and is subject to an array of different cultural politics. This presentation presents an analysis and contextualization of three Cze
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44

Mathé, Jean-Gérard. "L'imaginaire français dans la littérature coloniale de la Tunisie (1881-1956)." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30030.

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L’imaginaire des français ayant émigré en Tunisie au cours de la période coloniale dite du Protectorat fut particulièrement riche ; en attestent les témoignages des nombreux auteurs qui se sont essayés à le traduire sur le papier. La présente thèse se propose de mettre à l’étude l’ère coloniale de la Tunisie d’un point de vue littéraire, via une approche systémique des textes et du regard posé par les auteurs sur un exil consenti dans la Tunisie française. Un exil, mais aussi un retour en Métropole, pour nombre d’entre eux, qui vécurent la fin du Protectorat et la difficulté d’un nouvel exil d
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45

Boukhris, Linda. "Imaginaire national et imaginaire touristique au Costa Rica : le tourisme comme fabrique du territoire et de la nation." Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010702.

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Le Costa Rica a connu un véritable tournant touristique de son économie à partir des années 1990, fort d'une identité basée sur la représentation d'un petit État pacifique sans armée ainsi que la représentation mythifiée d'une nature sauvage et préservée. Ce travail interroge le discours sur 1'« exception» costaricienne déployé dans le cadre de la mise en tourisme du pays. Une généalogie de la composition de ces images permet d'établir l'étroite relation entre l'imaginaire touristique et l'imaginaire national. En effet, l'imaginaire touristique se nourrit des principaux attributs historiques d
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46

Palmer, Ryan. "Enchanting Irruptions : Wonder, Noir, and the Environmental Imaginary." Doctoral thesis, Uppsala universitet, Engelska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-334648.

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This thesis investigates narratives of re-enchantment and disenchantment in three contemporary U.S. novels, Lydia Millet’s Mermaids in Paradise, Karen Tei Yamashita’s Tropic of Orange, and Thomas Pynchon’s Inherent Vice. Drawing on key concepts from ecocritcism and affect theory, I argue that these novels interrogate narratives and affects associated with questions central to the Anthropocene: climate-related dilemmas, questions of environmental justice, and animal ethics. Situating these texts in relation to environmental discourses, I show how affects of wonder and re-enchantment are produce
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47

Ho, Andy C. T. "Imaginary charge quantum electrodynamics : a running coupling analysis." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0005/NQ34551.pdf.

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48

Christian, Laura. "Perverse implantations : cinema, seduction and the Foucaultian imaginary /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2006. http://uclibs.org/PID/11984.

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49

Bloom, Emily. "The impact of imaginary companions on social development." Lynchburg, Va. : Liberty University, 2008. http://digitalcommons.liberty.edu.

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Joseph, Maia. "Urban change and the literary imaginary in Vancouver." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/38137.

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In this dissertation, I examine literary responses to socioeconomic and spatial change in Vancouver, Canada—a city that has undergone recurrent, rapid, and intensive restructuring over the course of its history. Vancouver has received a significant amount of attention from urban studies scholars, and is home to a well-respected local planning culture. A vibrant, diverse, and critically engaged literary community has also long thrived in the city, with many authors writing about major issues related to Vancouver’s transformation, including population displacement, socioeconomic polarization, th
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