Bibliografie tematiche / Installations (Art) – 21st century – Australia

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Letteratura scientifica selezionata sul tema "Installations (Art) – 21st century – Australia"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 1 febbraio 2022

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Articoli di riviste sul tema "Installations (Art) – 21st century – Australia"

Barashkov, Viktor V. "THE MAIN TRENDS OF AESTHETICAL MODERNIZATION OF CHRISTIAN RELIGIOUS IMAGES IN EUROPE AT THE BEGINNING OF THE 21ST CENTURY." Study of Religion, no. 2 (2018): 122–30. http://dx.doi.org/10.22250/2072-8662.2018.2.122-130.

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The article deals with the problem of dialogue between the church and contemporary art in Europe on the example of art installations in church space. The author analyses works of three contemporary artists: Christian Boltanski (“Na” - Old church in Amsterdam, 2017-2018), Bill Viola (“Martyrs”, 2014-, and “Mary”, 2016-, St. Paul Cathedral in London) and Stefan Knor (“Himmelwerd’s”, Cathedral in Bamberg, Germany, 2012). Christian Boltanski uses the fundamental theme of human obliteration for his art, strengthened by the space of the cathedral, functioned a long time as a crypt. Bill Viola gives

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Nie, Sen, and Yan Liu. "Analysis of Application of Digital Media Arts." Advanced Materials Research 989-994 (July 2014): 4223–25. http://dx.doi.org/10.4028/www.scientific.net/amr.989-994.4223.

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In 21st century, with the leaping advances in science and technology, computers and the rapid development of science and technology industry, formed by combining human intelligence and high-tech digital content industry that corresponds to the rapid development, and developing at an astonishing speed into a pillar industry of the knowledge economy in the new century. It is well known that digital media are based on digitized text, sound, images, Graphics, animation and video images as information carriers, through means of dissemination and development of science and technology. Basic characte

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Barrymore, Stuart J., and Jane Ballard. "Decommissioning – a path forward for Australia." APPEA Journal 59, no. 1 (2019): 25. http://dx.doi.org/10.1071/aj18143.

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Australia has embarked on a review of its decommissioning law and practice with a comprehensive discussion paper being issued by the Department of Industry, Innovation and Science. Initial stakeholder comments and submissions have been made, and the Department is now considering those submissions with a view to issuing recommendations to the Minister. The discussion paper ultimately proposes that new laws will be implemented to ensure that Australia has a 21st century fit-for-purpose decommissioning regime to apply to its offshore petroleum installations. After an overview of the review proces

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Burganova, Maria, and Julia Smolenkova. "Alexander Burganov: a New Code of Time and Space." Scientific and analytical journal Burganov House. The space of culture 16, no. 1 (March 10, 2020): 19–37. http://dx.doi.org/10.36340/2071-6818-2020-16-1-19-37.

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Summary: The article is devoted to the analysis of the work of Alexander Burganov, an outstanding contemporary sculptor and graphic artist. The study of the categories of Space and Time on the example of his works is the main theme of the article. The author believes that Time and Space in Burganov’s work are unique categories and correspond to reality least of all; the author gives examples of specific works and convinces that Burganov has modeled a bright, recognizable, unique personal code with the help of sculptures, graphic works, texts, installations, and artistic gestures. Today, this i

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González Zarandona, José Antonio. "Between destruction and protection: the case of the Australian rock art sites." ZARCH, no. 16 (September 13, 2021): 148–53. http://dx.doi.org/10.26754/ojs_zarch/zarch.2021165087.

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Can heritage be practiced and thought outside the binary of exaltation vs. denigration? To answer this question posed by the editors, this paper will analyse the destruction and protection of Indigenous heritage sites in Australia, where the destruction of significant cultural heritage sites, mainly Indigenous heritage sites, is the result of biased and outdated practice of cultural heritage that divides Indigenous heritage (prior 1788) from Australian heritage (after 1788). This rift has caused an immense damage to Indigenous heritage around the country as it shows how in Australia heritage i

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Schuster, J. Mark. "Cultural policy—state of the art “taking cultural policy into the 21st century’ Brisbane, Queensland, Australia, 28–30 June 1995." European Journal of Cultural Policy 2, no. 1 (October 1995): 185–88. http://dx.doi.org/10.1080/10286639509358011.

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Thorner, Sabra G. "The photograph as archive: Crafting contemporary Koorie culture." Journal of Material Culture 24, no. 1 (July 9, 2018): 22–47. http://dx.doi.org/10.1177/1359183518782716.

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In 2008, an Aboriginal Australian artist based in Melbourne, Australia, created a kangaroo-teeth necklace, revivifying an art/cultural practice for the first time in over a century. She was inspired to do so after viewing an 1880 photograph of an ancestor wearing such adornment. In this article, I bring the necklace and the photograph into the same analytical frame, arguing for the photograph as an archive itself. I consider the trajectories through which the 19th-century image has been replicated and circulated in various productions of knowledge about Aboriginal people, and how a 21st-centur

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Lavrentiev, Alexander. "Vyacheslav Koleichuk as the Engine of the Russian Kinetic Art. Imaginary dialogue at the exhibition." Scientific and analytical journal Burganov House. The space of culture 17, no. 1 (March 10, 2021): 95–117. http://dx.doi.org/10.36340/2071-6818-2021-17-1-95-117.

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The State Tretyakov Gallery hosts a significant exhibition “Laboratory of the Future. Kinetic Art in Russia”. Its significance, the influence of the artistic phenomenon of kinetic art itself on domestic art of the 20th and 21st centuries has not yet been fully determined. The exhibition emphasizes kinetic art as one of the central national trends in experimental artistic creativity of the 20th century, even as some kind of a tradition. On the one hand, the exhibition would have been impossible without the participation of the creators of the Russian avant-garde, the founders of abstract art, t

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Safitri, Ragil, and Sugirin Sugirin. "Senior high school students’ attitudes towards intercultural insertion into the ELT: Yogyakarta context." EduLite: Journal of English Education, Literature and Culture 4, no. 2 (September 4, 2019): 261. http://dx.doi.org/10.30659/e.4.2.261-274.

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Experts in English Language Teaching often consider culture as the fifth skill in foreign language learning as cultural literacy is a must in 21st-century learning. Thus, this study is to investigate students’ interest in the insertion of Big ‘C’ and little ‘c’ themes from different countries into the English classroom. In this study, the researcher distributed a questionnaire to 58 students in a senior high school in Yogyakarta. The study indicated that the respondents’ preferences were mostly about local culture (Yogyakarta and Indonesian culture), followed by target culture (culture of Engl

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BURKE, PETER. "Introduction." European Review 14, no. 1 (January 3, 2006): 99–103. http://dx.doi.org/10.1017/s1062798706000081.

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A preoccupation with hybridity is natural in a period like ours marked by increasingly frequent and intense cultural encounters. Globalization encourages hybridization. However we react to it, the globalizing trend is impossible to miss, from curry and chips – recently voted the favourite dish in Britain – to Thai saunas, Zen Judaism, Nigerian Kung Fu or ‘Bollywood’ films. The process is particularly obvious in the domain of music, in the case of such hybrid forms and genres as jazz, reggae, salsa or, more recently, Afro-Celtic rock. New technology (including, appropriately enough, the ‘mixer’

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Tesi sul tema "Installations (Art) – 21st century – Australia"

Wise, Gianni Ian Media Arts College of Fine Arts UNSW. "Scenario House." Awarded by:University of New South Wales. Media Arts, 2006. http://handle.unsw.edu.au/1959.4/26230.

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Scenario House, a gallery based installation, is comprised of a room constructed as a ???family room??? within a domestic space, a television with a looped video work and a sound componant played through a 5.1 sound system. The paper is intended to give my work context in relation to the processes leading up to its completion. This is achieved through clarification of the basis for the installation including previous socio-political discourses within my art practice. It then focuses on ways that the installation Scenario House is based on gun practice facilities such as the Valhalla Shooting

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Godfrey, Laura. "Contemplations of connection through the notion of boundaries : installations and ideas of paradox." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1272765.

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We are accustomed to meanings, signs, language, and the constraints, categories, and concepts which make-up what I acknowledge as boundaries. These are integral for interaction with people, with other forms of life, with landscapes, and with ourselves. Without boundaries there would not be progression or understanding with that which is "the other."Boundaries are categorized into four areas within these creative projects. They are environment, language, states of being, and destination. Within the categories various projects explore what create intangible separations which denote the boundary

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Cloete, Zelda. "Site-specificity in The educators new clothes by Mark Rautenbach." Diss., 2019. http://hdl.handle.net/10500/27031.

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Text in English, with summaries and keywords in English, Sesotho and Afrikaans<br>This study is an enquiry into how The educator’s new clothes by Mark Rautenbach is an example of site-specific art. The aim is to demonstrate how boundaries in TENC become blurred between site-specific performance, other art forms, and every-day activities. The key concepts explored are: Rautenbach’s approach to the concept of site, the connections that develop between his performance and each site that he travels to; his use of the art gallery and viewer participation. Through literature study relevant theory i

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Libri sul tema "Installations (Art) – 21st century – Australia"

1950-, Desmond Michael, and National Gallery of Australia, eds. Islands: Contemporary installations from Australia, Asia, Europe and America. Canberra: National Gallery of Australia, 1996.

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1945-, McCarthy Paul, and Whitney Museum of American Art., eds. Paul McCarthy: Central symmetrical rotation movement : three installations, two films. New York: Whitney Museum of American Art, 2008.

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Inside installations: Theory and practice in the care of complex artworks. [Amsterdam]: Amsterdam University Press, 2011.

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Lam, Centro Wifredo, and Mattress Factory, eds. Queloides: Race and racism in Cuban contemporary art = raza y racismo en el arte Cubano contemporâaneo. Pittsburgh, Pa: Mattress Factory, 2010.

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Starling, Simon. Simon Starling. London: The Showroom, 1995.

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Ken, Watson, Jones Jonathan, and Perkins Hetti 1965-, eds. Tradition today: Indigenous art in Australia. Sydney: Art Gallery of New South Wales, 2004.

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Angus, Fairhurst, Cahill James 1926-, Sadie Coles HQ, and Arnolfini (Organization), eds. Angus Fairhurst. London: PWP, in association with Sadie Coles HQ, 2008.

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Craddock, Sacha. Angus Fairhurst. London: PWP, in association with Sadie Coles HQ, 2008.

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Craddock, Sacha. Angus Fairhurst. London: PWP, in association with Sadie Coles HQ, 2008.

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Parochial, Singuhr-Hörgalerie in, ed. Singuhr-Hoergalerie in Parochial, 1996 bis 2006: Sound Art in Berlin = Singuhr-Hoergalerie in Parochial, 1996 to 2006. Heidelberg: Kehrer, 2010.

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