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Letteratura scientifica selezionata sul tema "Intermezzi"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 18 febbraio 2022

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Articoli di riviste sul tema "Intermezzi"

1

RICE, JOHN. "The Roman intermezzo and Sacchini's La contadina in corte." Cambridge Opera Journal 12, no. 2 (July 2000): 91–107. http://dx.doi.org/10.1017/s0954586700000914.

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The origins of the Roman intermezzo, an important and influential sub-genre of Italian comic opera, can be traced back to the 1730s, when the composer and librettist Benedetto Micheli wrote several two-part intermezzi for the Teatro Valle and other theaters in Rome for performance during the intermissions of spoken plays. The Valle cultivated the intermezzo with particular consistency during the next six decades, presenting works by many distinguished composers, including Sacchini, Paisiello, and Cimarosa. Sacchini's La contadina in corte, on a libretto derived from Giacomo Rust's three-act co

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2

Howell, Tim. "Brahms, Kierkegaard and Repetition: Three Intermezzi." Nineteenth-Century Music Review 10, no. 1 (June 2013): 101–17. http://dx.doi.org/10.1017/s1479409813000050.

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Schoenberg's ideas about ‘Brahms the progressive’ involve the close study of the composer's use of ‘developing variation’ technique, yet Brahms's music also contains a high incidence of repetition. In 1843, the Danish philosopher Søren Kierkegaard published a book called Repetition under the pseudonym, ‘Constantin Constantius’. As an encryption of his underlying philosophy, this pseudonym encapsulates both the constant nature of repetition – and its more subtle element of change. Thus stasis and dynamism, similarity and difference, are equally (and visibly) represented here. Kierkegaard's idea

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3

Bye, Antony, Emma Johnson, Malcom Martineau, RPO, and Groves. "Stanford: Clarinet Concerto; Three Intermezzi Finzi: Clarinet Concerto; Five Bagatelles." Musical Times 134, no. 1799 (January 1993): 46. http://dx.doi.org/10.2307/1002649.

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4

Newman, Karen. "The Politics of Spectacle: La Pellegrina and the Intermezzi of 1589." MLN 101, no. 1 (January 1986): 95. http://dx.doi.org/10.2307/2905518.

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5

Gaakeer, A. M. P. (Jeanne). "‘A Person’s a Person, No Matter How Small’: enige literaire intermezzi." Boom Strafblad 1, no. 1 (May 2020): 4–6. http://dx.doi.org/10.5553/bsb/266669012020001001002.

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6

Milhous, Judith. "WHAT ARE YOU READING?" Theatre Survey 51, no. 2 (October 18, 2010): 291–94. http://dx.doi.org/10.1017/s0040557410000359.

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What might one read for an opera course? I teach an occasional survey that looks at opera in the context of theatre. It is intended to demystify opera for those who have no experience of it but also to explore some nooks and crannies that even fans might not know well. The general layout is chronological, but local production schedules may mean that we start out of order or that there are interruptions. My concern is that students be somewhat prepared when they go to see an opera on the syllabus. Rather than choose warhorses for their own sake, I seek out pieces that offer historical, politica

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Conway, Paul. "John McCabe CD round-up." Tempo 58, no. 229 (July 2004): 53–54. http://dx.doi.org/10.1017/s0040298204290222.

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JOHN McCABE: Concerto for Piano and Wind Quintet; Musica Notturna; Fauvel's Rondeaux; Postcards for wind quintet. The Fibonacci Sequence. Dutton CDLX 7125.‘Old City New Image’. McCABE: String Trio; String Quartet No. 2. DAVID ELLIS: Trio for violin, viola and cello; String Quartet No. 1. Camerata Ensemble. Campion Cameo 2027.McCABE: Piano Concerto No. 2; Concertante Variations on a theme of Nicholas Maw; Six-Minute Symphony; Sonata on a Motet. Tamami Honma (pno), St Christopher Chamber Orchestra c. Donatas Katkus. Dutton CDLX 7133.‘Tenebrae’. McCABE: Variations; Intermezzi; Sostenuto (Study No

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Rietveld, ABM, and John D. Macfarlane. "Oefening Baart Kunst—“Exercise Bears (Gives Birth To) Art”: Symposium for and by the Allied Health Professions of the NVDMG, Medisch Centrum Haaglanden, Den Haag, February 5, 2011." Medical Problems of Performing Artists 26, no. 2 (June 1, 2011): 108–13. http://dx.doi.org/10.21091/mppa.2011.2017.

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On Saturday, February 5th, 2011, the Dutch Performing Arts Medicine Association (Nederlandse Vereniging voor Dans- en MuziekGeneeskunde, NVDMG) organized a Symposium for and by allied health care professionals, held in the Medisch Centrum Haaglanden (MCH, Medical Centre of The Hague). Allied health care professionals, such as physiotherapists, manual therapists, Mensendieck therapists, speech therapists, and foot therapists, form a vital and indispensable link in the chain of healthcare and cure for dancers, musicians, and singers. The intention of the symposium was to highlight the practical

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Quinziano, Franco. "Ecos cervantinos en los escenarios italianos del XVIII. Baretti y Corsetti: dos modelos de apropiación e inversión." Cuadernos de Estudios del Siglo XVIII, no. 26 (October 27, 2017): 111. http://dx.doi.org/10.17811/cesxviii.26.2016.111-135.

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RESUMENLa presencia del Quijote en los escenarios italianos del XVIII constituye aún un campo parcialmente abonado por la crítica. Las diversas recreaciones cervantinas del período nos hablan de una importante presencia y recepción de temas y motivos en la cultura italiana, siendo estas piezas —no sólo las óperas serias o bufas, sino también las composiciones cómicas breves— verdaderas canteras aún por explorar. En dicha perspectiva se examinan dos intermezzi de clara derivación quijotesca, Don Chisciotte a Venezia (Baretti) y Don Chisciotte nella selva di Alcina (Corsetti), en los que la figu

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10

Macenka, S. Р. "Literary Portrait of Fanny HenselMendelssohn (in Peter Härtling’s novel “Dearest Fenchel! The Life of Fanny Hensel‑Mendelssohn in Etudes and Intermezzi”)." Aspects of Historical Musicology 17, no. 17 (September 15, 2019): 195–212. http://dx.doi.org/10.34064/khnum2-17.13.

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Background. Numerous research conferences and scholarly papers show increased interest in the creativity of German composer, pianist and singer of the 19th century Fanny Hensel-Mendelssohn. What is particularly noticeable is that her life and creativity are subject of non-scholarly discussion. Writers of biographical works are profoundly interested in the personality of this talented artist, as it gives them material for the discussion of a whole range of issues, in particular those pertaining to the phenomena of female creativity, new concepts of music and history of music with emphasis on it

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Tesi sul tema "Intermezzi"

1

Heinrich, David Klinger Max. "Max Klinger's Intermezzi : a critical analysis /." Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09ARM/09armh469.pdf.

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2

Maluf, Shireen. "Paths not taken : structural-harmonic ambiguities in selected Brahms Intermezzi." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23342.

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One of the remarkable features of Brahm's B-flat major Intermezzo for piano, Op. 76, no. 4 is the ambiguity of its tonal definition. The work disclosed a contrapuntal tension between its fundamental structural-harmonic organization, which is based on an incomplete harmonic progression (V7-I), and its more remote intermediary tonal areas, which Brahms implies throughout the Intermezzo but to which he never wholly commits.<br>The aim of this investigation is to illustrate how tonal ambiguity is achieved though recurrent "incompletions" of the expected (or at least the more likely) harmonic progr

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3

Halbrštátová, Lada. "Intermezzo - Centrum pro rodiče a děti." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-240276.

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Abstract The main purpose of creating this object was to create a place where people having bad living situation will meet people who live regular lives. This is the reason why two floors were projected. The first floor is designed for social activities whereas the second floor is a housing part with apartments. The advantage of irregular but compact shape of the building is perfect connection between its functional parts. The object does not have any basement and it is placed in a little slopy bulit-up surroundings on the crossing of Tyršova and U Distance streets in Letohrad town. On the fir

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4

Olivier, Ryan K. "Musica speculativa| An exploration of the multimedia concert experience through theory and practice part I| Imaginary cognition| Interpreting the Topoi of intermedia electroacoustic concert works part II| Musica speculativa| A multimedia concert work in five movements and three intermezzi." Thesis, Temple University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3703038.

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<p> <i>Musica Speculativa</i> is a final project in two parts in which I explore, through both theory and practice, the role of metaphors in our understanding of reality with special attention given to the use of visual representation in multimedia concert works that employ electroacoustics. Part I, entitled, "Imaginary Cognition: Interpreting the Topoi of Intermedia Electroacoustic Concert Works," explores how metaphors play a core role in our musical experience and how aural metaphors can be enhanced by and ultimately interact with visual metaphors to create a contrapuntal intermedia experie

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SHELLARD, CARLOS ANDREAS DE ARAUJO. "THE NOMAD DICTIONARY: A CARTOGRAPHY OF INTERMEZZO." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2014. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=24769@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>O presente trabalho tem como objetivo formular reflexões acerca de aspectos e modulações do conceito e da prática do nomadismo, relacionando-os às viagens no mundo contemporâneo. Uma travessia de oito meses de duração, realizada pelo autor no ano de 2011 através de alguns países da África e Ásia, serve de fio condutor do trabalho. Impressões, experiências e acontecimentos vividos vão-se construindo, em contraponto a cit

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6

Håkansson, Sofi. "The [Post]industrial Intermezzo : - The Wave, Ripple and Current." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-171038.

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7

Mohr, Lutz. "Eine nordische Macht wird Nachfolger – das Brandenburger Intermezzo und danach …" Lutz Mohr, 2017. https://slub.qucosa.de/id/qucosa%3A7963.

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8

Nedorostová, Klára. "J.Brahms - Drobné klavírní skladby s přihlédnutím k intermezzům." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79435.

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Abstract (sommario):

this master´s thesis J. Brahms - small piano pieces deals with last piano compositions, especially with the opus 117. The work is divided into sic chapters. In the first one I outline the author´s life and his most important compositions. Then I concentrate on the value and sense of the term piano within the author´s work, also on the Brahms´ characteristic musical expression. I present the complex overview of the production dedicated to the instrument as well, of which the petite forms are focused on in more detail. Three intermezzi, op. 117 is dealt with the most widely, and I describe its p

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9

Smykowski, Adam. "Heinrich Heines Lyrisches Intermezzo in Vertonungen von Robert Schumann und Robert Franz /." Frankfurt am Main ; Bern ; Paris : P. Lang, 2002. http://catalogue.bnf.fr/ark:/12148/cb388348041.

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Campos, Luana Pereira Brant. "Hibridizações no cinema digital : Peter Greenaway no espaço intermezzo e nas potências do falso." reponame:Repositório Institucional da UnB, 2009. http://repositorio.unb.br/handle/10482/4283.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Artes, Departamento de Artes Visuais, Programa de Pós-Graduação em Arte, 2009.<br>Submitted by Larissa Ferreira dos Angelos (ferreirangelos@gmail.com) on 2010-04-05T15:13:09Z No. of bitstreams: 1 2009_LuanaPereiraBrantCampos.pdf: 5393645 bytes, checksum: 4e178b4345c44f66a8c341c796cd3846 (MD5)<br>Approved for entry into archive by Daniel Ribeiro(daniel@bce.unb.br) on 2010-04-19T18:51:03Z (GMT) No. of bitstreams: 1 2009_LuanaPereiraBrantCampos.pdf: 5393645 bytes, checksum: 4e178b4345c44f66a8c341c796cd3846 (MD5)<br>Made available i

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Libri sul tema "Intermezzi"

1

Zamberlan, Davide. Intermezzi. Latina: Tunué, 2005.

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2

Mamlok, Ursula. Five intermezzi: Guitar solo. New York: C.F. Peters, 1992.

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3

Anna, Vencato, ed. Intermezzi e farsette per musica. Venezia: Marsilio, 2008.

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4

Croce, Benedetto. Cultura e vita morale: Intermezzi polemici. Napoli: Bibliopolis, 1993.

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5

Vinci, Leonardo. Flacco e Servilia: Enrichetta e don Chilone : intermezzi. [Calabria]: A.M.A. Calabria, 1994.

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6

Liebste Fenchel!: Das Leben von Fanny Mendelssohn-Hensel erzählt in Etüden und Intermezzi. Köln: Kiepenheuer & Witsch, 2011.

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7

Serafini, Jacopo. Il fiorito oblio: Opera in tre atti, due intermezzi, un prologo e un epilogo. Napoli: Pagano, 2002.

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8

Il fiorito oblio: Opera in tre atti, due intermezzi, un prologo e un epilogo. Napoli: Pagano, 2002.

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9

Rossano, Antonio. Piccinni mi ha detto: Biografia a due voci, con intermezzi e un fuor d'opera. Bari: Levante, 2001.

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10

Piccinni mi ha detto: Biografia a due voci, con intermezzi e un fuor d'opera. Bari: Levante, 2001.

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Capitoli di libri sul tema "Intermezzi"

1

Brandl-Risi, Bettina. "Dramaturgien der Unterbrechung und der Diversität: Tableaux, Intermezzi, Nachspiele." In Handbuch Drama, 151–57. Stuttgart: J.B. Metzler, 2012. http://dx.doi.org/10.1007/978-3-476-00512-0_13.

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Budde, Ellen. "Inleiding." In Intermezzo, 9–11. Houten: Bohn Stafleu van Loghum, 2007. http://dx.doi.org/10.1007/978-90-313-9574-3_1.

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Budde, Ellen. "Voorwerp." In Intermezzo, 38–39. Houten: Bohn Stafleu van Loghum, 2007. http://dx.doi.org/10.1007/978-90-313-9574-3_10.

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Budde, Ellen. "Cadeaus voor jezelf." In Intermezzo, 43–44. Houten: Bohn Stafleu van Loghum, 2007. http://dx.doi.org/10.1007/978-90-313-9574-3_11.

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Budde, Ellen. "Mijn gesprekspartner." In Intermezzo, 45–46. Houten: Bohn Stafleu van Loghum, 2007. http://dx.doi.org/10.1007/978-90-313-9574-3_12.

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Budde, Ellen. "Drieluik over je mogelijkheden." In Intermezzo, 47–48. Houten: Bohn Stafleu van Loghum, 2007. http://dx.doi.org/10.1007/978-90-313-9574-3_13.

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Budde, Ellen. "Voorwerpen uit je tas/zak." In Intermezzo, 49–50. Houten: Bohn Stafleu van Loghum, 2007. http://dx.doi.org/10.1007/978-90-313-9574-3_14.

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Budde, Ellen. "Mijn schatkist." In Intermezzo, 51–52. Houten: Bohn Stafleu van Loghum, 2007. http://dx.doi.org/10.1007/978-90-313-9574-3_15.

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Budde, Ellen. "Drieluik met symbolen voor jezelf *." In Intermezzo, 53–54. Houten: Bohn Stafleu van Loghum, 2007. http://dx.doi.org/10.1007/978-90-313-9574-3_16.

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Budde, Ellen. "Wat handen kunnen zeggen." In Intermezzo, 55–56. Houten: Bohn Stafleu van Loghum, 2007. http://dx.doi.org/10.1007/978-90-313-9574-3_17.

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Atti di convegni sul tema "Intermezzi"

1

Heilmann, HP, and C. Heilmann. "Neuralgia n. intermedii – case report of a rare differential diagnosis of otalgia." In Abstract- und Posterband – 90. Jahresversammlung der Deutschen Gesellschaft für HNO-Heilkunde, Kopf- und Hals-Chirurgie e.V., Bonn – Digitalisierung in der HNO-Heilkunde. Georg Thieme Verlag KG, 2019. http://dx.doi.org/10.1055/s-0039-1686393.

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Silva, Ygor, João Almeida, Gabriel Macedo, and Anibal Bezerra. "Estudo das propriedades óticas de células solares de banda intermediária utilizando o método Split Operator." In MOL2NET 2018, International Conference on Multidisciplinary Sciences, 4th edition. Basel, Switzerland: MDPI, 2018. http://dx.doi.org/10.3390/mol2net-04-05774.

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3

de Almeida, João, Ygor Lacerda, Cassio Henrique, Gabriel Macedo, and Gabriel Marinho. "Fourier Grid Hamiltonian aplicado ao estudo das propriedades ópticas e de transporte de células solares de banda intermediária simuladas computacionalmente usando a linguagem Julia." In MOL2NET 2018, International Conference on Multidisciplinary Sciences, 4th edition. Basel, Switzerland: MDPI, 2018. http://dx.doi.org/10.3390/mol2net-04-05776.

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