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Articoli di riviste sul tema "Jewelry, Ancient"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 29 luglio 2024

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1

GÜNEY, Hilmi, Menekşe SAKARYA, Hamide Tuba KIZILKAYA, and Esra VAROL. "EXAMINATION OF THE NECKLACE AND PENTANDS FOUND IN NİĞDE MUSEUM." Zeitschrift für die Welt der Türken / Journal of World of Turks 14, no. 2 (August 15, 2022): 259–72. http://dx.doi.org/10.46291/zfwt/140214.

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The tradition of using jewelry has always preserved its importance as a means of adornment. The most precious metals and gemstones have been used in the making of jewelry for a long time, and they have been produced by developing special techniques. Gemstone and precious metal processing started in ancient times as well as in every period with the aim of providing faith, fertility, magic, and good luck; In addition to these meanings from time to time, religious rituals also included purposes such as presenting gifts to the gods or the dead, an indicator of social privilege and status, an expre

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2

Henig, Martin, Adriana Calinescu, and Catherine Johns. "Ancient Jewelry and Archaeology." American Journal of Archaeology 101, no. 4 (October 1997): 808. http://dx.doi.org/10.2307/506863.

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3

Taylor, JV, E. Wright, A. Miller, and R. Stein. "SEM of Ancient Jewelry." Microscopy and Microanalysis 15, S2 (July 2009): 1512–13. http://dx.doi.org/10.1017/s1431927609099000.

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4

Chorievna, Gulmira Kattaeva. "The Lapis Lazuli Beads In Sapalli Culture And Ancient Near East." American Journal of Social Science and Education Innovations 03, no. 01 (January 31, 2021): 539–51. http://dx.doi.org/10.37547/tajssei/volume03issue01-95.

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Lapis lazuli is one of the most attractive semi-precious stones. Due to its peculiar blue color and its rareness, it has been used since the Neolithic Period for the manufacturing of precious objects and jewels (beads, gems, seals, small decorative artworks, etc.). Scientific analysis of jewelry which was made of the lapis lazuli can help to explore deeper cultural, economic, and political relations between the ancient oases of Central Asia and the Ancient Eastern civilizations. In this article, it is cited scientific pieces of evidence about the earliest and still existing deposits of lapis l

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5

SIMPSON, E. "Ancient Gold Jewelry at the Dallas Museum of Art * Ancient Jewelry and Archaeology." Journal of Design History 12, no. 3 (January 1, 1999): 293–97. http://dx.doi.org/10.1093/jdh/12.3.293.

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Rutkowska, Joanna. "Motywy roślinne i zwierzęce w nazwach biżuterii." Język. Religia. Tożsamość. 1, no. 29 (June 5, 2024): 121–30. http://dx.doi.org/10.5604/01.3001.0054.5830.

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Modern jewelry has its origins in ancient times. Among the jewelry motifs used by jewelers and other artists, some of the most popular are elements of fauna and flora, as evidenced by the assortment offered by the companies: Aparat, Kruk and Yes. Due to the very large cross-section and diversity of the analyzed material, it is difficult to make specific calculations regarding individual motifs. Most often, they appear in a series whose name includes the type of jewelry, the material from which the element is made, and the name of the floristic or faunal element, which means that all nomination

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7

Барбалат, О. В., та О. В. Школьна. "ВІЗАНТІЙСЬКО-КИЄВОРУСЬКІ ЕМАЛЬЄРНІ ТРАДИЦІЇ У ДИЗАЙНІ СУЧАСНИХ ЮВЕЛІРНИХ ВИРОБІВ УКРАЇНИ". Art and Design, № 2 (21 вересня 2020): 14–26. http://dx.doi.org/10.30857/2617-0272.2020.2.1.

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The purpose of this research is to understand the integration of the Byzantium-Kyivan Rus enameling traditions in modern Ukrainian jewelry design. The research is applied historical-cultural and artistic-design scientific approaches in combination with comparative and presentation methods. The results of the research prove the influence of Byzantine and Kyivan Rus enamel traditions on modern Ukrainian jewelry. The stylistic and artistic features of the items were examined on example of outstanding enamel jewelry of Byzantine and Kyivan Rus time. As a result the main principles of design requir

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8

Chernetsov, A. V. "Treasures of Staraya Ryazan’: Two Hundred Years of Research and New Discoveries." Herald of the Russian Academy of Sciences 92, S8 (December 2022): S684—S694. http://dx.doi.org/10.1134/s1019331622140039.

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Abstract This article is dedicated to study of the jewelry craft of Staraya Ryazan’. It has been prepared for the 200th anniversary of the discovery of the first hoard there (1822), which marked the beginning of the study of ancient Russian towns, the most important area in the science of Russian antiquities. The marks of the individual style of a craftsman who served representatives of the princely family (interpretation of the images of animals, birds, anthropomorphic figures, and elements of ornamentation, as well as features of the technique) are considered. Jewelry made by him was found i

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9

Jones, W. LaBier. "GEMME NUMMARIE." Sculpture Review 49, no. 2 (June 2000): 20–23. http://dx.doi.org/10.1002/j.2632-3494.2000.tb00132.x.

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The use of coins as personal adornments began at the end of the first century in ancient Rome when the imperial coinage was mounted as jewels. These were worn in rings, pendants, and brooches, conveying class and cultural distinction. In modern times Bulgari, one of the world's most highly regarded jewelry firms, continues this tradition of using ancient Greek and Roman coins in its designs. Bulgari refers to these as gemme nummarie, or coin gems.

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10

Choi, Jin. "An Inquiry into the Ancient Jewelry of Ancient Egypt Myth." Journal of the Korea Contents Association 9, no. 7 (July 28, 2009): 171–83. http://dx.doi.org/10.5392/jkca.2009.9.7.171.

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11

Belko, Tatyana V., Tatyana V. Kozlova, and Svetlana Yu Osipova. "Role of jewelry and accessories in traditional women`s Russian costume of the 16th–17th centuries." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 294–306. http://dx.doi.org/10.37816/2073-9567-2021-59-294-306.

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The paper conducts analysis of decor, accessories and jewelry in the context of traditional Russian costume of the 16th–17th centuries; it consists of an introduction and two parts. In the introduction, the authors note the importance of preserving and structuring information about ancient Russian accessories and costume jewelry for modern creative activity. The paper identifies socio-cultural significance of the ensemble of jewelry and costume in traditional Russian society. It examines the clothing of the South Russian and North Russian women's clothing complex, reflecting the specifics of t

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Бравина, Розалия Иннокентьевна, and Зинаида Ивановна Иванова-Унарова. "The Glow of Silver: The Traditional Ornaments of the Yakuts. From the Origins to the Present." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 2 (June 25, 2020): 51–62. http://dx.doi.org/10.26158/tk.2020.21.2.005.

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Ювелирное искусство народа саха исследуется в статье в междисциплинарном аспекте: изучаются истоки его возникновения, этнокультурные связи народов Евразии по материалам археологических памятников Позднего Средневековья, искусствоведческая характеристика украшений (традиции и новаторские черты в современном искусстве якутских ювелиров). В основу работы положен анализ находок из археологических раскопок якутских погребений XIV-XVIII вв., предметов из фондов музеев Республики Саха (Якутия) и Американского музея естественной истории в Нью-Йорке, а также авторских ювелирных изделий современных маст

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Maïga, Amina Ibrahim, and Abdoulaye Harouna. "Artistic Expressions in Tuareg Jewelry of Niger: Design, Craftsmanship, and Cultural Significance." Art and Society 3, no. 3 (June 2024): 61–69. http://dx.doi.org/10.56397/as.2024.06.07.

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This paper explores the artistic expressions found in Tuareg jewelry of Niger, delving into the intricate design elements, craftsmanship techniques, and the profound cultural significance these pieces hold. By examining the historical context and cultural background, we understand the evolution and enduring heritage of Tuareg jewelry. The study highlights traditional methods of jewelry making and the specific tools and materials used, shedding light on the artisans’ expertise and the symbolic meanings embedded in each piece. The cultural significance of Tuareg jewelry is analyzed through its r

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Tolkachov, Yu I., and O. Yu Zhurukhina. "GLASSWARE FROM THE EXCAVATIONS ON THE TERRITORY OF THE MEDZHYBOZH FORTRESS IN 2015." Archaeology and Early History of Ukraine 29, no. 4 (December 22, 2018): 226–29. http://dx.doi.org/10.37445/adiu.2018.04.10.

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Excavations conducted on the territory of the Medzhybozh Fortress in 2015, explored the cultural layer, in which among various archaeological material were found objects of glass. Finds are divided into three categories: vessels, jewelry, and decor elements. Most of them are jewelry: the bracelets and beads. The vessels, beads, and bracelets, according to their morphology and technology, have Ancient Rus’ origin. Some of the bracelets were produced in Byzantium. The fragments of the window glass belong, probably, to the later period.

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Qutayba Abdul Khaleq, Aya, and Nawal Mohsen Ali. "Luxury in jewelry design." Al-Academy, no. 108 (June 14, 2023): 385–96. http://dx.doi.org/10.35560/jcofarts108/385-396.

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The current research dealt with the presence of ornaments and jewelry since ancient times، which express the social، religious or emotional status of the person who adorns them، in addition to being distinguished by a distinct aesthetic and luxury، that is، in a sense closely related to the social and economic status of people، and we note that jewelry is considered a symbol of luxury and luxury، and hence The need to study luxury appeared in the design of ornaments and jewelry because it refers to the adornment elements that are made of metals and precious stones، which actually indicate sign

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Qutayba Abdul Khaleq, Aya, and Nawal Mohsen Ali. "Luxury in jewelry design." Al-Academy, no. 108 (June 14, 2023): 425–34. http://dx.doi.org/10.35560/jcofarts1132.

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Abstract (sommario):

The current research dealt with the presence of ornaments and jewelry since ancient times، which express the social، religious or emotional status of the person who adorns them، in addition to being distinguished by a distinct aesthetic and luxury، that is، in a sense closely related to the social and economic status of people، and we note that jewelry is considered a symbol of luxury and luxury، and hence The need to study luxury appeared in the design of ornaments and jewelry because it refers to the adornment elements that are made of metals and precious stones، which actually indicate sign

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Qutayba Abdul Khaleq, Aya, and Nawal Mohsen Ali. "Luxury in jewelry design." Al-Academy, no. 108 (June 14, 2023): 409–18. http://dx.doi.org/10.35560/jcofarts108/409-418.

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The current research dealt with the presence of ornaments and jewelry since ancient times، which express the social، religious or emotional status of the person who adorns them، in addition to being distinguished by a distinct aesthetic and luxury، that is، in a sense closely related to the social and economic status of people، and we note that jewelry is considered a symbol of luxury and luxury، and hence The need to study luxury appeared in the design of ornaments and jewelry because it refers to the adornment elements that are made of metals and precious stones، which actually indicate sign

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Kruglova, Maria G. "The evolution of the jewelry status in the history of culture and its role in intercultural interactions." Neophilology, no. 2 (2022): 401–8. http://dx.doi.org/10.20310/2587-6953-2022-8-2-401-408.

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It is interesting to consider the evolution of jewelry status in the history of culture and its role in intercultural interactions in the correlation of periods of conceptual social transformations. The purpose of the study is to examine the main cultural approaches to the development process, to identify current trends in the study of cultural diffusions in the context of jewelry art. The motives and functions of jewelry are analyzed, the systematization carried out allows us to determine the place of jewelry in intercultural interactions on the example of ancient Asian cultures (Tibet, Mongo

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Renard, Stéphane. "La glyptique : du berceau des civilisations à nos jours, un art millénaire en constante évolution." Gemmes 3 (March 20, 2024): 9–21. http://dx.doi.org/10.63000/dv5c4fh4r2.

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The art of stone or gem engraving was invented at the dawn of civilizations. It has played an essential role in the history of art and culture from its start to nowadays, evolving over the centuries to become a means of artistic expression. The earliest forms of glyptic art were observed among ancient Mesopotamia and Egypt, around 4,000 BC. Engraved cylindrical seals and scarabs served both as objects of art and means of personal identification. Glyptic art reached its first peak in Greece and Rome. Talented artisans produced intaglios featuring mythological motifs, portraits, and historical s

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Asangulova, A., A. Sulaimanova, and N. Tsybov. "Ethnic Features and Types of Traditional Women’s Decorative Jewelry of the Kyrgyz People." Bulletin of Science and Practice, no. 4 (April 15, 2023): 559–73. http://dx.doi.org/10.33619/2414-2948/89/72.

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The research on the features of ancient traditional women’s jewelry contributes to the implementation of the tasks devoted to preserving the cultural heritage of Kyrgyzstan and the study of folk-art objects. Such research will expand the possibilities of studying the dynamics of the evolutionary transformation of the ethnic culture of the Kyrgyz people. The nature, functional significance, and design of traditional jewelry have always been closely linked to the customs and rituals common to the nomadic way of life of the Kyrgyz. The purpose of our research is to analyze and classify the ethnic

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Abdulkhakimovich Mamarajabov, Gayrat. "Traditional Clothes and Jewelry of Surkhandarya Oasis." International Journal of Multicultural and Multireligious Understanding 8, no. 12 (December 4, 2021): 227. http://dx.doi.org/10.18415/ijmmu.v8i12.3273.

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In the oasis of Surkhandarya, local craftsmen sew traditional shoes, make such shoes as takaki, charik, hakkari, mokkas, tashtovan. In the Surkhan oasis, women wore jewelry such as beads, earrings, rings and bracelets, which were worn and sewn on the forehead, hair, ears, neck, arms, legs and chest. In the Surkhandarya oasis, which combines ancient and national costumes of Uzbeks, women's clothes are rich in historical and factual materials. Women's clothing is divided into winter, spring, summer, autumn clothes depending on the seasons; casual, holiday and ceremonial clothing according to the

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22

Hamidi Musa, Haider, and Ruwaida Faisal Mosa Al Nawab. "The use of metal in ancient Syria in the manufacture of jewelry (ornamental tools in the third and second millennium BC and the molds used in their manufacture)." Al-Academy, no. 110 (December 15, 2023): 51–68. http://dx.doi.org/10.35560/jcofarts1191.

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This research sheds light on the use of metal in the manufacture of jewelry, which is represented by ornamental tools in the period between the third and second millennium BC, in addition to the most important molds used in their manufacture. Man has been interested in metals since early ages, and was able to make tools that he uses in his daily life, especially jewelry. And the Syrian people got acquainted with the types of minerals, their characteristics, and how to deal with them. Minerals played an effective and prominent role in the economy of ancient Syria. Trade with those countries and

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23

Kawer, Sonya M. "PERHIASAN PADA SUKU KOMBAI, BOVEN DIGOEL (Jewelery of Kombai Tribe, Boven Digoel)." Jurnal Penelitian Arkeologi Papua dan Papua Barat 6, no. 2 (June 3, 2017): 169–77. http://dx.doi.org/10.24832/papua.v6i2.30.

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Tribal jewelry Kombai also know their traditions and culture. This tradition has been introduced by their ancestors in ancient times. This paper to learn about the form and function of accessories or jewelry Kombai Tribe. The method of data collection is done with literature, field surveys, and analysis using Ethnoarchaeology approach. In the form of jewelry is jewelry Kombai tribal head or crown of the head, nose ornaments, decorations arm, necklaces, body decoration, penis sheath for men, skirts for women tassel, and ornate legs. All these accessories are made or derived from the nature arou

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Макаренко, Зоя, Zoya Makarenko, Юлия Жилкова, Yuliya Zhilkova, Марина Бережная, and Marina Berezhnaya. "Items of jewelry art of pre- Mongolian Russia in the collections of Russian museums." Services in Russia and abroad 10, no. 4 (September 22, 2016): 122–31. http://dx.doi.org/10.12737/20189.

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The article deals with the question of exhibiting of jewelry art items of pre-Mongolian Russia in Russian museums. Public and private museums that were opening in the Russian Empire contributed to preservation of the cultural heritage of the country. When they were emerging, many private collectors donated part or all of their collections to state. This was especially promoted by opening of the Historical Museum in 1883 for the general public. Exhibits of public museum were replenished by the collections of Uvarovs, Kropotkins, Shcherbatovs, Golitsyns. The fate of collection of the outstanding

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Fayzulla, Ochildiev. "The Craftsmanship Of The Emirate Of Bukhara At The Second Half Of The XIX Century - The Beginning Of The XX Century." American Journal of Interdisciplinary Innovations and Research 02, no. 11 (November 14, 2020): 33–38. http://dx.doi.org/10.37547/tajiir/volume02issue11-07.

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This article describes the development of handicrafts in the second half of the XIX century and the beginning of the XX century in the Emirate of Bukhara. In the Emirate of Bukhara from ancient times developed weaving, embroidery, tanning, carpet weaving, pottery, blacksmithing, coppersmithing, carving, jewelry, painting and other crafts.

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Prokopovich, L. V. "Sacred scarab in jewelry of ancient Egypt: the symbol interpretation problem." Odes’kyi Politechnichnyi Universytet. Pratsi, no. 1 (March 31, 2015): 202–9. http://dx.doi.org/10.15276/opu.1.45.2015.33.

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Agalarzade, Anar, and Samir Karimov. "The golden winged bull (griffins) images in ancient religions." Археология Казахстана, no. 4 (22) (December 29, 2023): 101–11. http://dx.doi.org/10.52967/akz2023.4.22.101.111.

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The article analyzes images of fantastic animals accidentally discovered on the territory of the Lerik district in southeastern Azerbaijan. These noteworthy discoveries are currently stored in the valuables collection of the National Museum of History of Azerbaijan. These objects testify to the high development of art in ancient times. Considering the resemblance of these images to those in West Asian regions, it is evident that Azerbaijan's ancient metalworking and jewelry art had extensive connections. This can be linked to religious beliefs, cultural-ethnic ties, and longstanding trade rela

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RUVALCABA-SIL, J. L., G. DEMORTIER, and A. OLIVER. "EXTERNAL BEAM PIXE ANALYSIS OF GOLD PRE-HISPANIC MEXICAN JEWELRY." International Journal of PIXE 05, no. 04 (January 1995): 273–88. http://dx.doi.org/10.1142/s0129083595000319.

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Pre-Hispanie funerary gold jewelry artefacts (900–1325 A.D.) from Mexico (Oaxaca) were studied by PIXE. A 2,7 MeV proton beam was used in an external beam set-up to determine the elemental composition in various regions of each item. Some of the flattest regions were analyzed at normal and grazing beam incidence to determine whether elemental compositions are different in the bulk by comparison with the surface. The results provide relevant information about the metallurgical techniques, like alloy casting, gilding and soldering processes used by ancient mesoamerican goldsmiths.

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Valério, Pedro, Rui J. C. Silva, António M. M. Soares, M. Fátima Araújo, Lídia Baptista, and Ever Calvo. "Microanalytical Study of Ancient Gold Jewelry: Mediterranean Impact on the Early Iron Age Technology in Southwestern Iberia." Microscopy and Microanalysis 25, no. 4 (June 18, 2019): 1061–73. http://dx.doi.org/10.1017/s1431927619014582.

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AbstractThe gold technology in Iberia underwent an important development during the Early Iron Age (EIA) following the arrival of new technological skills from the Mediterranean region, including the use of filigree, granulation, and brazing. This work presents the microanalytical study of EIA gold jewels (22 spherical beads and four tongue pendants) recovered from three graves in southern Portugal. The set of jewelry, showing an extraordinary stylistic resemblance, was characterized by optical microscopy, micro energy-dispersive X-ray spectrometry and scanning electron microscopy with X-ray m

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Ильгар гызы Алиева, Гюлана. "Ancient city type settlements of Lowland Karabakh." SCIENTIFIC WORK 71, no. 10 (October 23, 2021): 36–39. http://dx.doi.org/10.36719/2663-4619/71/35-39.

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The archaeological research indicated a large number and significant density of settlements of different times on the territory of Azerbaijan, which is mainly due to the fact that there were all the necessary conditions for the emergence of settlements. The decisive condition for their emergence has always been the presence of certain material prerequisites for life, as well as the possibility of defending a given area. The analysis of archaeological materials draws a picture of life in the cities of Albania in the period of antiquity. These cities were administrative and trade and craft cente

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Di Martino, Daniela, Enrico Perelli Cippo, Antonella Scherillo, Zsolt Kasztovszky, Ildikó Harsányi, Imre Kovács, Zoltán Szőkefalvi-Nagy, Roberta Cattaneo, and Giuseppe Gorini. "An Archaeometallurgical Investigation on Metal Samples from the Chiaravalle Cross." Heritage 2, no. 1 (March 9, 2019): 836–47. http://dx.doi.org/10.3390/heritage2010055.

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The production and manufacturing techniques of metals involve expertise, and the study of ancient artifacts relies on interdisciplinary skills. Metalworking processes used in the production of jewelry masterpieces can, for example, give indications on the provenance of an ancient object of an unknown origin and the techniques used. In this regard, metallic samples from the Chiaravalle Cross (a beautiful processional cross with a complex structure, dating to the 13th century) have been studied, combining bulk and point measurements. Neutron-based experiments (like Prompt Gamma Activation Analys

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Chiriu, Daniele, Francesca Assunta Pisu, Pier Carlo Ricci, and Carlo Maria Carbonaro. "Application of Raman Spectroscopy to Ancient Materials: Models and Results from Archaeometric Analyses." Materials 13, no. 11 (May 28, 2020): 2456. http://dx.doi.org/10.3390/ma13112456.

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Numerous experimental techniques of analysis find applications in many branches of the archaeometry. Among them, Raman spectroscopy carved out a niche in the field of diagnostic and conservation of cultural heritage. The exceptional ability to predict and discover the structural properties of materials set for Raman spectroscopy, an exclusive role among the analytic techniques, is further boosted when it is coupled with mathematical or statistical models able to deepen the studied phenomena. In this work, we present a review of recent studies where pairing Raman spectroscopy and mathematical m

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Bower, Bruce. "Humans: Early iron beads came from space: Ancient Egyptians worked meteorites into jewelry." Science News 184, no. 7 (September 24, 2013): 11. http://dx.doi.org/10.1002/scin.5591840709.

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Silaiev, Oleksandr. "Decorative application with lion’s image from the excavations near village Mizhgirya (Volyn region)." Materials and studies on archaeology of Sub-Carpathian and Volhynian area 24 (December 23, 2020): 387–95. http://dx.doi.org/10.33402/mdapv.2020-24-387-395.

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The article is explaining a unique bronze application, which was discovered during the excavation season 2017 on Mizhgirya-3 site – two-layered settlement of Early Iron Age and Age of Principalities. This item was uncovered amid the upper earth sediments, largely destroyed by plowing, thus making it impossible to determine the exact chronological interpretation. Based on the analysis of creative stylistics and technological features of this piece of craftsmanship, an excessive pursuit was commenced for the parallels in the imageries and designs of decorative ornaments, particularly inherent to

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Рахматуллина, Зугура, та Гульнур Хусаинова. "Традиционные украшения башкирских женщин: этнокультурный взгляд из XXI века". Уфимский археологический вестник 23, № 2 (2023): 320–30. http://dx.doi.org/10.31833/uav/2023.23.2.010.

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A number of researchers of studies on Bashkirs consider women’s national embellishments. Nonetheless, the analysis of the existing literature and specialized sources reveals insufficiency of the researches and publications. They hardly review the role of the traditional women’s jewelry in human life during the era of globalization and unification in many aspects, including the aesthetics. The age of constantly changing contemporary fashion makes ethnic ornaments a striking and authentic component of a female image. These ornaments gain the new stylish life, but maintain their original cultural

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Scrivano, S., B. Gómez-Tubío, I. Ortega-Feliu, F. J. Ager, A. I. Moreno-Suárez, M. A. Respaldiza, M. L. de la Bandera, and A. Marmolejo. "Identification of soldering and welding processes in ancient gold jewelry by micro-XRF spectroscopy." X-Ray Spectrometry 42, no. 4 (April 24, 2013): 251–55. http://dx.doi.org/10.1002/xrs.2482.

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Shkolna, Olga, and Ostap Kovalchuk. "Balamuts as Traditional Ukrainian Jewelry of the 19th – Early 21st Centuries." Demiurge: Ideas, Technologies, Perspectives of Design 6, no. 2 (December 1, 2023): 353–65. http://dx.doi.org/10.31866/2617-7951.6.2.2023.292162.

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Abstract (sommario):

The purpose of the research is to determine the sources of inspiration and artistic features of balamuts in Ukrainian folk costumes of the 19th – early 21st centuries. Research methods are ontological, hermeneutic, axiological, historical-genetic, historical-chronological, comparative, socio-cultural, iconographic, and art analysis. The research toolkit is designed to help understand the sources of inspiration and artistic features of balamuts in Ukrainian folk costumes. The scientific novelty is based on the introduction into scientific circulation of the essence of the concept of “balamut” i

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Kormysheva, E. E. "Features of the Hellenistic culture of ancient Sudan." Orientalistica 5, no. 2 (June 29, 2022): 224–42. http://dx.doi.org/10.31696/2618-7043-2022-5-2-224-242.

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The article examines the main features and specificity of the formation of the Hellenistic culture in ancient Sudan. To assess the nature of the Hellenistic influence on the culture of Meroe, the author analyzes the characteristic features of the region's architecture, reliefs of temple complexes, painting and decoration of walls, items of minor art, jewelry, which had been obtained during archaeological excavations. The author explores the ways of penetration of Greek culture directly and through Egypt, as a result of which the Hellenistic culture of Meroe becomes the result of the syncretisa

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Anokhina, Evgeniia. "Two Clay Female Figurines in the Pushkin State Museum of Fine Arts, Moscow." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 3 (2022): 245. http://dx.doi.org/10.31857/s086919080017602-9.

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Abstract (sommario):

The paper continues a series of publications of female nude figurines from the Ancient Egyptian collection of the Pushkin State Museum of Fine Arts. It deals with two unusual handmade clay figurines of the late Middle Kingdom and the early New Kingdom (I, 1a 5889, I, 1a 7076) which are examined in the context of other figurines of this type. Their iconography is characterized by a disproportionate head with discoid headdress, broad shoulders, small breasts, arms stretched along body, slim waist, broad hips, marked enlarged pubic triangle, navel, dimples above the buttocks, prominent rounded bu

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Colomban, Philippe. "Polymerization degree and Raman identification of ancient glasses used for jewelry, ceramic enamels and mosaics." Journal of Non-Crystalline Solids 323, no. 1-3 (August 2003): 180–87. http://dx.doi.org/10.1016/s0022-3093(03)00303-x.

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Foster, Karen Polinger. "Opium Art and Truffle Texts in the Aegean and Ancient Near East." Studies in Ancient Art and Civilisation 27 (December 22, 2023): 77–111. http://dx.doi.org/10.12797/saac.27.2023.27.04.

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Abstract (sommario):

From the third millennium BC on, the opium poppy was exploited by the civilizations of the Aegean and Near East. While the terms for it in the ancient languages of the region are still unknown, the distinctive features of the harvest-ready seed pod would seem to find reflection in numerous works of Minoan, Mycenaean, Mesopotamian, and related art. This paper proposes that the corpus of opium imagery is far more extensive than previously recognized, including pins, finials, jewelry, seals, vessels, and weapons. It would also seem that certain elite women played vital roles in ancient opium matt

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Serikov, Yu B. "NEOLITHIC BONE PRODUCTS OF THE MIDDLE URALS: SOURCES, TYPES, MANUFACTURING TECHNIQUES." Izvestiya of Samara Scientific Center of the Russian Academy of Sciences. History Sciences 5, no. 3 (2023): 144–59. http://dx.doi.org/10.37313/2658-4816-2023-5-3-144-159.

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Abstract (sommario):

The main sources of Neolithic bone products are cave and peat sites. All Neolithic bone products can be divided into 4 groups: weapons (456 copies), domestic and household items (22 copies), works of art (2 copies) and jewelry (112 copies).The technique of making bone products in the early Neolithic is practically no different from the Mesolithic. The ancient craftsmen used techniques such as padding, scraping, planing, cutting and shearing with stone chopping tools, sawing, grinding, polishing, as well as cutting grooves. The widespread use of chemical softening of bone and the use of turning

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Grimaldi, David, and Rob Desalle. "The Scientific Romance with Amber." Paleontological Society Special Publications 7 (1994): 295–308. http://dx.doi.org/10.1017/s2475262200009606.

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Abstract (sommario):

For at least 10 millenia, a special mystique has surrounded amber. This is probably due to the warmth of its color and touch, its lightness, and the small organisms that are sometimes found in it. Some of the oldest Mesolithic artifacts are amber carvings from Europe, and a rich folklore about origins of amber existed among the ancient Greeks, Assyrians, and Romans. The true origins of amber, as a fossilized resin that bled from trees, was first recognized by the Roman natural historian, Pliny the Elder. By the Renaissance Period, amber was used for elaborate figurines, carved bowls, jewelry,

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Kazakov, Aleksandr, and Olga Kazakova. "Huns in the East: The Polychrome Style." Ancient Civilizations from Scythia to Siberia 28, no. 2 (February 6, 2023): 358–67. http://dx.doi.org/10.1163/15700577-20221412.

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Abstract (sommario):

Abstract The Great Migration period is closely connected with the culture of ancient multi- ethnic society known as the Huns. Although the Hunnic archaeology is well developed, there are still many issues to be solved. One of them is where was the eastern border of the Hunnic culture marking the areas of their influence. The article tries to answer the question and presents materials, which at present are the most eastern finds of polychrome style objects that became markers for the Huns’ burials. They were found on the Eras’ka River burial in the Kalmanskii District of the Altai Territory, Ru

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BABYCH, Antonina, Tymofii LYPSKY, and Anna RADIKOVA. "MODERN METHODS AND ANCIENT TECHNOLOGIES OF RESTORATION AND RESTORATION OF SHOES." Herald of Khmelnytskyi National University. Technical sciences 311, no. 4 (August 2022): 204–8. http://dx.doi.org/10.31891/2307-5732-2022-311-4-204-208.

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Abstract (sommario):

Restoration and restoration of shoes – a delicate, complex, often jewelry. It requires professionalism, experience, creative and creative approach and innate artistic taste of the master. In addition, restoration work often requires special equipment and materials for a number of rare and complex operations to completely restore the product and give it its original appearance or, conversely, “aging” of new shoes at the request of the customer. Shoe restoration allows a specialist to create using standard and non-standard materials, classic and advanced methods and techniques for replacing worn

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Pavlova, Anzhelika N. "A costume in the funeral rituals of the Mari people." Finno-Ugric World 12, no. 4 (December 25, 2020): 423–29. http://dx.doi.org/10.15507/2076-2577.012.2020.04.423-429.

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Abstract (sommario):

Introduction. Burial rites, which are a traditional object of research in archeology and ethnography, are one of most stable elements of ethnic culture. The costume and its individual elements took an important place in the funeral and memorial rites. The study of these rituals can reveal new aspects of the spiritual culture of the Mari people. Materials and Methods. The work is based on the comparison of archaeological and ethnographic materials, culturogical approach, methods of semantic, cultural and anthropological research. Results and Discussion. The reference of funeral and memorial rit

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Belyakov, Andrey. "Gifts to the Pokrovsky Monastery in Suzdal (In the Footsteps of a Ring of Maria Temryukovna)." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 2 (April 2023): 125–35. http://dx.doi.org/10.15688/jvolsu4.2023.2.11.

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Abstract (sommario):

Introduction. It is not always possible to trace the fate of certain museum exhibits from documents. Methods and materials. This work examines the history of movement in various collections of a gold ring with the seal of the second wife of Tsar Ivan IV, Maria Temryukovna. Analysis. After the tsarina’s death, it was deposited in the Pokrovsky Suzdal monastery for the memorial of her soul. For two centuries this monastery served as a place where former tsarist wives and representatives of the highest Moscow aristocracy were tonsured. Over time, it concentrated a significant collection of women’

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Arieni, Fildzah Nadya, Dhea Halimah, and Ira Audita. "Implementasi Metode Fuzzy Sugeno Pada Penentuan Harga Emas 24 Karat pada Kota Medan." Brahmana : Jurnal Penerapan Kecerdasan Buatan 1, no. 2 (June 30, 2020): 116–20. http://dx.doi.org/10.30645/brahmana.v1i2.27.

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Abstract (sommario):

Gold is one of the most precious precious metals by the public because gold prices tend to be stable and increase every month, gold investment has also developed quite rapidly. Gold can be invested in various forms such as gold bars and gold in the form of jewelry that has value to add to the wearer's appearance besides that there is also gold in the form of ancient currency coins that have historical value and are usually kept by collectors, gold is one form of investment that is not influenced by trends in society because gold is bought by everyone at any time. The purpose of this study was

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Prokopenko, Yury. "Status Items from the Crypt “Kamennaya Mogila” (Stone Grave) of the 3rd – 2nd Centuries BC (Southern Outskirts of Zheleznovodsk)." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 3 (June 2022): 56–73. http://dx.doi.org/10.15688/jvolsu4.2022.3.4.

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Abstract (sommario):

Introduction. The article is devoted to the analysis of objects discovered during the excavation of the “Kamennaya mogila” (Stone Grave) kurgan on Medovaya mountain (southern outskirts of Zheleznovodsk). Methods and materials. The comparative typological method was used as a worker. It is based on classification by material, processing method, shape, ornamentation, as well as on the study of types of gold jewelry, glass and black-glazed dishes, bronze horse plate foreheads and cheek pads, etc. Analysis. The typological and chronological analysis was carried out on gold jewelry (plaques, rings,

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S., KIREEV. "V.D. KUBAREV IN THE ARCHAEOLOGICAL COLLECTION OF ANOKHIN NATIONAL MUSEUM OF THE ALTAI REPUBLIC." Preservation and study of the cultural heritage of the Altai Territory 27 (2021): 371–77. http://dx.doi.org/10.14258/2411-1503.2021.27.56.

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In 2021, we celebrate the 75th anniversary of the birth of Doctor of Historical Sciences, employee of the Institute of Archaeology and Ethnography, V.D. Kubarev. The article notes a great contribution of the scientist to the study of the archaeological cultures of Altai and Mongolia, the discovery of more than a thousand new sites of antiquity. Anokhin National Museum of the Altai Republic has a large collection of materials consisting of 747 units of almost all historical periods, transferred to scientists in different years. Among them are several deer stones and ancient Turkic statues, mate

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