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Letteratura scientifica selezionata sul tema "Little magazine"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 27 aprile 2022

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Articoli di riviste sul tema "Little magazine"

Bailey, Lauren R., e Yoo‐Kyoung Seock. "The relationships of fashion leadership, fashion magazine content and loyalty tendency". Journal of Fashion Marketing and Management: An International Journal 14, n. 1 (2 marzo 2010): 39–57. http://dx.doi.org/10.1108/13612021011025429.

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PurposeThe purpose of this study is to examine the influence of fashion magazine content on consumer loyalty behavior and to analyze the differences in fashion magazine content preference and loyalty tendency toward fashion magazines among the identified fashion consumer groups according to their level of fashion innovativeness and opinion leadership.Design/methodology/approachA structured questionnaire was developed to collect data on the variables in the study. The data analysis consisted of exploratory factor analysis, multiple regression, multivariate analysis of variance (MANOVA), analysis of variance (ANOVA), and descriptive statistics including means, frequencies, and percentiles.FindingsSix fashion magazine content dimensions were identified. The results revealed that fashion magazine content was significantly related to loyalty tendency toward a fashion magazine. In addition, respondents' preference for fashion magazine content and their loyalty tendency varied according to fashion consumer group and their level of fashion innovativeness and opinion leadership.Research limitations/implicationsThe study has practical implications for fashion magazine editors and marketers regarding how to incorporate fashion magazine readers' wants and needs in relation to the magazine's content, how to position their magazines for targeting different groups of shoppers, and how to allocate the features of fashion magazines in order to promote readership and loyalty toward the fashion magazine.Originality/valueDespite the importance of fashion magazines as an information source, little research has been conducted to analyze fashion magazine content and its influence on loyalty tendency.

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Bulson. "The Little Magazine, Remediated". Journal of Modern Periodical Studies 8, n. 2 (2018): 200. http://dx.doi.org/10.5325/jmodeperistud.8.2.0200.

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Reilly, Deborah. "Little Magazine Interview Index". Serials Review 11, n. 2 (giugno 1985): 5–19. http://dx.doi.org/10.1080/00987913.1985.10763610.

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Reilly, Deborah. "Little Magazine Interview Index". Serials Review 11, n. 4 (dicembre 1985): 15–21. http://dx.doi.org/10.1080/00987913.1985.10763648.

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Reilly, Deborah. "Little Magazine Interview Index". Serials Review 13, n. 3 (settembre 1987): 77–83. http://dx.doi.org/10.1080/00987913.1987.10763773.

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Schofer, Yvonne, e Barbara Richards. "Little Magazine Interview Index". Serials Review 15, n. 1 (marzo 1989): 87–90. http://dx.doi.org/10.1080/00987913.1989.10763881.

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Schofer, Yvonne, e Barbara Richards. "Little Magazine Interview Index". Serials Review 15, n. 4 (dicembre 1989): 19–42. http://dx.doi.org/10.1080/00987913.1989.10763917.

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Schofer, Yvonne, e Barbara Richards. "Little Magazine Interview Index". Serials Review 16, n. 4 (dicembre 1990): 33–45. http://dx.doi.org/10.1080/00987913.1990.10763969.

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Schofer, Yvonne, e Barbara Richards. "Little Magazine Interview Index". Serials Review 17, n. 4 (dicembre 1991): 51–67. http://dx.doi.org/10.1080/00987913.1991.10764027.

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Schofer, Yvonne, e Barbara Richards. "Little Magazine Interview Index". Serials Review 18, n. 4 (dicembre 1992): 69–85. http://dx.doi.org/10.1080/00987913.1992.10764114.

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Tesi sul tema "Little magazine"

Bratton, Francesca Amelia. "Hart Crane and the little magazine". Thesis, Durham University, 2017. http://etheses.dur.ac.uk/11996/.

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This thesis examines Hart Crane’s oeuvre through a detailed appraisal of his publishing history in little magazines. The main contention of this thesis is that Crane’s relationships with his periodical publishers shaped his poetic development, and that new light is shed on these works through their recontextualisation in their original periodical contexts. This raises a secondary question: how does Crane’s publication in journals and his relationships with editors affect the reception of his poetry, and can patterns established in his immediate reception be found in later criticism. This study takes a new approach in its methodology, both in relation to existing studies of Crane, and as a way of dealing with a writer’s body of work. By examining, as D. F. McKenzie has put it, ‘the sociology of texts’ and their ‘processes of transmission, including production and reception’, forgotten contexts of Crane’s poetry are able to emerge. As well as uncovering new works by Crane, an examination of Crane’s periodical networks highlights the influence of particular strands of Modernism on his development, such as ‘post-Decadent’ forms advanced in Greenwich Village journals, the American Futurist experiments active in American magazines based in Europe, and the proto-Surrealist experiments with metaphor that inform Crane’s own associative aesthetic. This study also traces the interconnections between poetic form and publishing. Crane’s long poems, 'The Bridge', ‘For the Marriage of Faustus and Helen’ and the ‘Voyages’, were all published in fragments in a number of different journals, and these publishing formats are found to be aesthetically significant for these texts, and articulate Crane’s wider interest in fragment and collage forms.

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Murphy, Terry. "Dissident culture : the little magazine in England, 1894-1941". Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368660.

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Kane, Louise. "The little magazine in Britain : networks, communities, and dialogues (1900-1945)". Thesis, De Montfort University, 2014. http://hdl.handle.net/2086/10237.

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This thesis examines several lesser-known British modernist magazines published between 1900-45 within the context of networks, communities, and dialogues. The magazines it examines are T. P.'s Weekly (1902-16), The Acorn (1905-6), The Tramp (1910-11), Rhythm (1911-13), The Blue Review (1913), Signature (1915), To-day Incorporating T. P.'s Weekly (1916-7), To-day (1917-23), The Athenaeum (1919-21), The Apple (1920-22), The Adelphi (1923-55), Close-Up (1927-33), Seed (1933) and Life and Letters To-Day (1935-45). Primarily, the thesis aims to 'test out' different types of methodologies that critics have used to interpret literary texts (and sometimes non-literary texts) as possible routes or avenues into periodical study. My approach is cross-disciplinary and adapts many different approaches, some of which have been previously applied to periodicals, but most of which have not. The commonality between these methodologies is the fact that they all participate, to some degree, in a sense of network(s), a concept that, this thesis contends, offers a lens through which we can develop, extend, and refine the study of little magazines. The Introduction provides a more detailed outline of these methodologies and a survey of literature relating to the study of little magazines. Chapter 1 explores magazines through the high/low culture dichotomy that continues to dominate our conception of the modernist field and considers how the dichotomy's implied idea of networks of difference impacts upon how we study, consider, and categorise little magazines. Chapter 2 uses quantitative methods to probe the possibility that a periodical can 'shift' between networks and applies a diachronic methodology which considers periodicals as operating within 'longitudinal' networks. Chapter 3 utilises an editor-based methodology to show how this figure is key in generating a periodical's sense of network. Chapter 4 explores the little magazine as a nexus point for different groups of writers and artists and examines the ways in which networks exist on and between the pages of magazines. Chapter 5 reverses the second chapter's focus by using a synchronic methodology to explore how three late modernist magazines participate in a 'lateral network'. The Conclusion evaluates the efficacy and feasibility of the various approaches tested in each chapter and proposes some new methodologies through which we might continue to study and discuss periodicals.

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Deysel, Jurgens Johannes Human. "The subversive Afrikaner an exploration into the subversive stance of the little magazine Stet (1982-1991) /". Pretoria : [s.n.], 2007. http://upetd.up.ac.za/thesis/available/etd-10082008-092133.

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Irvine, Dean J. (Dean Jay). "Little histories : modernist and leftist women poets and magazine editors in Canada, 1926-56". Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37900.

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This study incorporates archival and historical research on women poets and editors and their roles in the production of modernist and/or leftist little-magazine cultures in Canada. Where the first three chapters investigate women poets who were also magazine editors and/or members of magazine groups, the fourth chapter takes account of women magazine editors who were not themselves poets. Within this framework, the dissertation relates women's editorial work and poetry to a series of crises and transitions in Canada's leftist and modernist little-magazine cultures between 1926 and 1956. This historical pattern of crisis and transition pertains at once to the poetry of Dorothy Livesay, Anne Marriott, P. K. Page, and Miriam Waddington and to the little-magazine groups in which they and other women were active as editors and/or contributing members. Chapter 1 deals with Livesay's editorial activities and poetry in the context of two magazines of the cultural left, Masses and New Frontier, between 1932 and 1937. Chapter 2 concerns Livesay, Marriott, their involvement in poetry groups in Victoria and Vancouver, and their publications in Contemporary Verse and Canadian Poetry Magazine, between 1935 and 1956. Chapter 3 addresses the poetry of Page and Waddington published in Preview and First Statement from 1942 to 1945, their poetry appearing in Contemporary Verse from 1941 to 1952--53, and their editorial activities in and/or relationships to these Montreal and Victoria - Vancouver magazine groups between 1941 and 1956. Chapter 4 documents the histories of some often forgotten women who edited modernist or leftist little magazines in Canada between 1926 and 1956. These core chapters are prefaced and concluded by histories of the antecedents to and descendants of Canadian modernist and leftist magazine cultures.

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Weaver, Angela L. "Public Negotiation: Magazine Culture and Female Authorship, 1900-1930". Miami University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=miami1259611809.

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Vowles, Christopher George. "The little become big? : Ambit and London's little magazines, 1959-1999". Thesis, Goldsmiths College (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434911.

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Kingham, Victoria. "Commerce, little magazines and modernity : New York, 1915-1922". Thesis, De Montfort University, 2010. http://hdl.handle.net/2086/3899.

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This thesis examines the theme of commerce in four magazines of literature and the arts, all published in New York between 1915 and 1922. The magazines are The Seven Arts (1916-1917), 291 (1915-1916), The Soil (1916-1917), and The Pagan (1916-1922). The division between art and commerce is addressed in the text of all four, in a variety of different ways, and the results of that supposed division are explored for each magazine. In addition ‘commerce’ is also used in this thesis in the sense of conversation or communication, and is used as a way to describe them in the body of their immediate cultural environment. In the case of The Seven Arts, as discussed in Chapter 1, the theme of commerce with the past, present, and future is examined: the way that the magazine incorporates the European classical past and rejects the more recent intellectual past; the way it examines the industrial present, and the projected future of American arts and letters. In the case of The Soil and 291 (the subjects of Chapters 2 and 3) there is extensive commerce between them in the sense of intercommunication, a rival dialogic demonstrating both ideological and economic rivalry. These two chapters comprise an extensive examination of the relationship between the magazines, and shows how much of this involves commerce in the financial sense. The fourth magazine, The Pagan, is concerned with a different sense of commerce, in the form of its rejection of the American capitalist system, and is critically examined here for the first time. The introduction is a survey of examples from the whole field of American periodicals of the time, particularly those immediately relevant to the magazines described here, and acts to delineate the field of scholarship and also to justify the particular approach used. The conclusion provides a summary of the foregoing chapters, and also suggests ways in which each magazine approaches the dissemination, or ‘sale’ of the idea of the new.

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Date, Naoyuki. "Ezra Pound's editorship of the American 'little magazines', 1912-19". Thesis, University of York, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423777.

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Wheeler, Belinda. "EXPANSIVE MODERNISM: FEMALE EDITORS, LITTLE MAGAZINES, AND NEW BOOK HISTORIES". OpenSIUC, 2011. https://opensiuc.lib.siu.edu/dissertations/411.

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The resurgence of modern periodical studies has expanded our understanding of “littleqrdquo; magazines and the editors behind them, but many studies continue to be restricted to the 1920s, examine male editors, and focus on well–established literary journals, rather than the subversive magazines that expanded the reign of modernism in the years from 1910 to 1950. These studies, though fascinating, privilege a select few and leave many lost to the archive. The new theory of book history and those who evaluate the book as a material object that is designed to circulate among a range of publics provide powerful and useful frameworks for recognizing the significance of what had previously been considered mere data. This study focuses on several neglected female little magazine editors who, despite various obstacles, powerfully intervened in the modernism debates throughout the 1910s through to the late 1940s by shaping successful publications to invite public appreciation of values they espoused. Unlike canonical modernist figures such as Ezra Pound and T.S. Eliot who championed an elite style of modernism that was usually inaccessible to most, Lola Ridge, Gwendolyn Bennett, Caresse Crosby, and Kay Boyle encouraged diversity and fostered heterogeneity by selecting and juxtaposing material by new writers and artists who moved easily around and over the borders separating high art and mass culture, who recovered marginalized voices from history, and who appealed for social justice. Further, their traditional and non–traditional roles while they served as editors show that in many cases being an editor meant more than just choosing works and arranging them. One chapter is devoted to Lola Ridge, the American literary editor of Broom (1922-1923). Ridge was a cosmopolitan modernist who welcomed a broad audience to Broom and invited readers to champion styles of writing and artwork that contained strong social commentary with American subjects, instead of copying European models that many argued were created for art's sake. Another chapter focuses on African American poet, graphic artist and literary columnist, Gwendolyn Bennett, who held several editorial roles at Opportunity, Fire!!, and Black Opals, from the mid–1920s until the early 1930s. A heterodox modernist, Bennett skillfully discussed and placed artistic work by members of the New Negro movement next to the work by their forefathers, subsequently fostering congeniality between the two conflicting literary groups and promoting a united front during the development of the Harlem Renaissance. She also promoted co–operation between black and white artists and writers with her universally themed poetry, graphic art, and literary column. Chapter four centers on Black Sun Press book publisher, novelist, and poet, Caresse Crosby, owner and editor of Portfolio (1945-1948), who challenged artistic reception on both sides of the Atlantic by bringing glamorous modernism to her unbound journal of eclectic work. Crosby promoted co–operation between artists and writers from conflicting World War II countries through the placement and types of materials she published on the pages of her magazine. The epilogue calls for scholars to expand their view of the modernist project and recover the often “hidden” work by overlooked female little magazine editors. Like Ridge, Bennett, and Crosby before her, Kay Boyle (This Quarter 1927-1929), who can be linked to each editor (directly or indirectly), relied on her trusted network of friends as she edited This Quarter. Her editorial support for young and experienced artists who used innovative styles and her commitment to social justice parallels her colleagues' dedication to the modernist project. These women's labor, the significant literary time periods they worked in, the different genres, critical content, and styles of modernism they championed, and the social formations their journals produced expanded the base of modernism and reinvigorated American art and literature between the Wars, leaving a legacy for future artists and writers.

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Libri sul tema "Little magazine"

Görtschacher, Wolfgang. Little magazine profiles: The little magazines in Great Britain, 1939-1993. Salzburg [Austria]: University of Salzburg, 1993.

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Fulton, Len. The Directory of small press & magazine editors & publishers. 2^a ed. Paradise, Calif: Dustbooks, 1989.

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Anstey, Robert G. 1998 publicity source list and Canadian small magazine directory. Vernon, B.C: West Coast Paradise Pub., 1998.

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Śatapathī, Prabhākara. Sāhityare biplaba o liṭlamāgājina: Sahityare biplaba o little magazine. Bhūbaneśvara: Ethenā Buks, 2014.

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The little magazine Others and the renovation of American poetry. Aldershot, Hants, England: Ashgate Pub, 2006.

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The literary press and magazine directory. Brooklyn, NY: Soft Skull Press, 2006.

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Irvine, Dean. Editing modernity: Women and little-magazine cultures in Canada, 1916-1956. Toronto: University of Toronto Press, 2007.

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Irvine, Dean J. Editing modernity: Women and little-magazine cultures in Canada, 1916-1956. Toronto: University of Toronto Press, 2008.

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The Bell magazine and the representation of Irish identity: Opening windows. Dublin: Four Courts Press, 2012.

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Gender and activism in a little magazine: The modern figures of the Masses. Burlington, VT: Ashgate Pub. Co., 2011.

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Capitoli di libri sul tema "Little magazine"

Bazin, Victoria. "The modernist little magazine". In The Routledge Companion to the British and North American Literary Magazine, 183–91. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429274244-20.

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Matchett, Rio. "The Little Review". In The Routledge Companion to the British and North American Literary Magazine, 305–14. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429274244-33.

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Diaz, Joanne, e Ian Morris. "The little magazine in the twenty-first century". In The Routledge Companion to the British and North American Literary Magazine, 243–51. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429274244-26.

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Grenby, M. O. "The Lilliputian Magazine Young Gentleman & Lady’s Golden Library". In Little Goody Two-Shoes and Other Stories, 1–86. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-27429-8_1.

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Churchill, Suzanne W. "Little Magazines". In A Companion to Modernist Poetry, 172–84. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118604427.ch14.

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Zoppi, Sergio. "Mezzogiorno e fascismo". In Studi e saggi, 213–24. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-455-7.09.

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The relationship between Southern Italy and fascism is a little explored theme. The contribution reflects on this subject presenting unpublished conclusions: it starts from a volume by the author named after the monthly magazine 'Il Saggiatore' (Naples 1924-1925) by Gherardo Marone and expands the reflection through a more recent book by Zoppi dedicated to the magazine 'Questioni meridionali', also published in Naples, from 1934 to 1943. The three editors of 'Questioni meridionali' - Giuseppe Cenzato, an entrepreneur who was also the soul of the company, Francesco Giordani, a young chemical scientist, and Gino Olivetti, a politician and industrialist – despite being fascists, they created a periodical that showed how the 'Southern question', never mentioned by the dictatorship, remained, however, alive in its tragic backwardness. Every year, two large issues of the magazine were released, characterized by one or more original studies and always accompanied by extensive bibliographic reviews. Among the topics, analysed by a group of highly qualified scholars and often in comparison with the North of Italy, the following emerged: the railway network, tourism, the demographic and health situation, the birth rate, the difficulties of the construction industry, ports, the economic and production context. The magazine pays particular attention to the city of Naples and its housing drama and to the southern tax system, a primary source of backwardness starting with the problem of local government.

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Bulson, Eric. "Little exiled magazines". In Little Magazine, World Form. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231179768.003.0005.

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Chapter Four looks at some of the most prominent “exile” magazines produced by British and American editors who fled to countries across Europe to combat this increased Anglo-American provincialism. Broom (1921-24), Secession (1922-24), Gargoyle (1921-22), The Exile (1927-28), Tambour (1929-30), This Quarter (1925), the transatlantic review (1924-25), and transition (1927-38) represent a collective attempt to establish an international system for production and distribution that worked in reverse. Instead of producing magazines in England or America, they published them in European cities and had them transported back across the Atlantic Ocean and the English Channel. This story about the “little exiled magazine,” as Malcolm Cowley called it, doesn’t end here. In the 1930s and 1940s, it became a lifeline for so many of the critics and writers, who fled the Fascists and Nazis, and came to include anti-fascist communist magazines such as Das Wort (a German language magazine printed in Russia) and Surrealist magazines such as VVV and Dyn (one printed in New York City, the other in Mexico City). Taking the long view of the little magazine’s exilic history and geography allows us to foreground a political reality that is so often ignored or forgotten.

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Harris, Dianne. "Magazine Lessons". In Little White Houses, 58–81. University of Minnesota Press, 2013. http://dx.doi.org/10.5749/minnesota/9780816653324.003.0003.

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Bulson, Eric. "Little magazine, worldwide network". In Little Magazine, World Form. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231179768.003.0002.

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The first chapter tackles the seemingly straightforward question: where was the little magazine network? As a way to get started, I examine some of the diagrams and maps created by little magazine makers in Spain, France, and Poland to try and figure out where their magazines were going in the world. In doing so, I explain that this “worldwide network of periodicals,” a term first used by the Polish Constructivist Henri Berlewi in 1922, did not rely for its effects on actual connectivity. In fact, these early attempts to visualize “the worldwide network” reveal how much disconnection, both voluntary and involuntary, played a formative role in the way that little magazines could begin to imagine where they were and with whom. Emphasizing the effects of disconnection enables us to think about the geography and history of the little magazine on a global scale, looking less for the circulation of texts and authors and more for the causes behind bouts of isolation and the formation of alternative, and very often non-Western, routes of exchange.

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Bulson, Eric. "Afterword". In Little Magazine, World Form. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231179768.003.0008.

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I consider more recent attempts to digitize full runs of little magazines and make them accessible to a wider public, situating it in a more expansive archival history that includes earlier attempts to bind little magazines in the 1920s, transfer magazines to microfilm in the 1940s, reproduce them in book form in the 1960s, and reprint them as anastatic copies in the 1970s. In its most general terms, this ever-emerging archive of “digittle magazines,” as I call them, with their potential for entirely new modes of searching and cross referencing can transform our understanding of modernism’s legacy. But, I argue, this process, which is largely being funded and overseen by academic and commercial institutions, also threatens to anchor the little magazine in national literary traditions that can cut it off from a global itinerary in the past we are just beginning to map out and explain.

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Atti di convegni sul tema "Little magazine"

Wilkins, C. G., S. Croft, B. Daniels e S. Wardle. "Combined HRGS/PNCC Systems for the Assay of Plutonium Contaminated Waste Arising From the Drigg Retrieval Project". In ASME 2003 9th International Conference on Radioactive Waste Management and Environmental Remediation. ASMEDC, 2003. http://dx.doi.org/10.1115/icem2003-4804.

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Between 1959 and 1967, Plutonium Contaminated Material (PCM) was stored in the magazines at the Low Level Waste Facility at Drigg. However, PCM is now classified as Intermediate Level Waste — rather than Low Level Waste — and so a programme to remove the PCM is underway. In support of this programme a suite of safety related non-destructive assay instrumentation has been supplied to the Drigg Site in order to characterise the PCM prior to transportation. Three identical assay systems employing High Resolution Gamma Spectrometry (HRGS) and Passive Neutron Coincidence Counting (PNCC) have been installed in the new waste retrieval facilities on three of the PCM magazines. These Retrieval Module Monitors allow the fissile content and radionuclide inventory of individual items of PCM to be determined before they are placed with other items into 200 litre drums and transported across the Drigg site to a temporary drum storage facility. In addition, two assay systems of a different design have also been installed in a new PCM Drum export facility. The purpose of these Drum Monitors is to determine the fissile content and radionuclide inventory of drums of PCM that have been retrieved from the magazines before they are transported to Sellafield. Like the Retrieval Module Monitors, the Drum Monitors also uses the HRGS and PNCC techniques to measure drums of up to 400 litre capacity but in this case a scanning detector is used instead of three fixed gamma detectors. This paper describes the characteristics of both the Retrieval and Drum Monitors, the particular requirements for these systems and the means by which they were designed, built and tested in order to ensure that they delivered their primary safety function, which was to not underestimate the fissile content of the items of PCM they measure.

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