Bibliografie tematiche / MegaUpload

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Letteratura scientifica selezionata sul tema "MegaUpload"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 26 luglio 2025

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Articoli di riviste sul tema "MegaUpload"

1

Peukert, Christian, Jörg Claussen, and Tobias Kretschmer. "Piracy and box office movie revenues: Evidence from Megaupload." International Journal of Industrial Organization 52 (May 2017): 188–215. http://dx.doi.org/10.1016/j.ijindorg.2016.12.006.

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2

Palmer, Darren, and Ian J. Warren. "Global Policing and the Case of Kim Dotcom." International Journal for Crime, Justice and Social Democracy 2, no. 3 (2013): 105–19. http://dx.doi.org/10.5204/ijcjsd.v2i3.105.

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Abstract (sommario):
In early 2012, 76 heavily armed police conducted a raid on a house in Auckland, New Zealand. The targets were Kim Dotcom, a German national with a NZ residency visa, and several colleagues affiliated with Megaupload, an online subscription-based peer-to-peer (P2P) file sharing facility. The alleged offences involved facilitating unlawful file sharing and United States federal criminal copyright violations. Following the raid, several court cases provide valuable insights into emerging ‘global policing’ practices (Bowling and Sheptycki 2012) based on communications between sovereign enforcement
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3

Danaher, Brett, and Michael D. Smith. "Gone in 60 Seconds: The Impact of the Megaupload Shutdown on Movie Sales." International Journal of Industrial Organization 33 (March 2014): 1–8. http://dx.doi.org/10.1016/j.ijindorg.2013.12.001.

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4

Moreno, Muñoz Miguel. "Propiedad intelectual, seguridad y control de las comunicaciones en Internet. Impacto sociocultural del fenómeno Megaupload." Gazeta de Antropología 28 (2012), no. 2/art. 10 (2012): 1–23. https://doi.org/10.5281/zenodo.2564778.

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Abstract (sommario):
La conceptualizaci&oacute;n del debate sobre la <strong>protecci&oacute;n de los derechos de autor</strong> en t&eacute;rminos de <strong>ciberseguridad</strong> introduce un sesgo inequ&iacute;vocamente autoritario en diversas propuestas legislativas presentadas al Senado y al Congreso de Estados Unidos entre 2011 y 2012. Numerosas organizaciones defensoras de los <strong>derechos civiles</strong> y de una <strong>Internet libre</strong> han advertido de las consecuencias, puesto que sus promotores tienen sobrada capacidad para presionar en las instancias de toma de decisiones de otros pa&iac
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Peukert, Christian, and Jörg Claussen. "Piracy and Movie Revenues: Evidence from Megaupload." SSRN Electronic Journal, 2012. http://dx.doi.org/10.2139/ssrn.2176246.

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López-Borrull, Alexandre. "Megaupload, y el día de la marmota de los derechos de autor." COMeIN, no. 8 (February 15, 2012). http://dx.doi.org/10.7238/c.n8.1209.

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Recuerdo cuando daba clase para futuros químicos en una universidad presencial; cuando tocábamos el tema de la propiedad intelectual e industrial, hacía levantar la mano a todos aquellos alumnos que querrían patentar alguno de sus inventos, como por ejemplo un medicamento nuevo o un proceso químico innovador. La mayoría levantaban la mano. A continuación, mientras tenían la mano levantada, les pedía que aquellos que descargaran o hubieran descargado alguna vez un archivo de la red de forma ilegal, bajaran la mano. También, la mayoría las bajaban. ¿Era una paradoja? ¿Era una incoherencia fruto
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7

Danaher, Brett, and Michael D. Smith. "Gone in 60 Seconds: The Impact of the Megaupload Shutdown on Movie Sales." SSRN Electronic Journal, 2013. http://dx.doi.org/10.2139/ssrn.2229349.

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8

Clares Gavilán, Judith. "La creciente oferta y el aumento de actores de vídeo bajo demanda (VoD) en España." COMeIN, no. 42 (March 15, 2015). http://dx.doi.org/10.7238/c.n42.1518.

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Abstract (sommario):
Con la llegada de ciertos proyectos de vídeo a la carta al mercado español, como iTunes (2010) o Google Play (2012), la espera de Netflix (2011/2015) y Amazon (2012/2015) o el anuncio de la creación de Ultraviolet (2010), un portal de VoD que agrupa a los principales proveedores de contenido (entre ellos, a las majors de Hollywood), junto al cierre de Megaupload en 2012 por el FBI en Estados Unidos, se ha observado un interés creciente por parte de los medios de comunicación por el mercado del VoD en España. Este hecho, sin embargo, no tendría sentido en sí mismo si la propia industria en Espa
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9

Moreno Muñoz, Miguel. "Propiedad intelectual, seguridad y control de las comunicaciones en Internet. Impacto sociocultural del fenómeno Megaupload." Gazeta de Antropología, December 2012. http://dx.doi.org/10.30827/digibug.23357.

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10

Krause, Till. "From Niche Narrative to Audio Blockbusters." M/C Journal 27, no. 2 (2024). http://dx.doi.org/10.5204/mcj.3031.

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Abstract (sommario):
Introduction For the past ten years, a transformative trend has emerged in the consumption of journalistic content, diverging significantly from its traditional engagement pathways. This evolution is characterised by the allure of serial journalistic podcasts such as Serial, which have seamlessly integrated narrative techniques typically reserved for fiction into journalistic storytelling (Kulkarni et al.). These podcasts have leveraged episodic structures, suspenseful build-ups, and dramatic climaxes to foster a level of engagement akin to fiction's grip on audiences. This shift towards addic
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Tesi sul tema "MegaUpload"

1

Majek, Dee. "Big Content's Big Blunders : Anti-piracy measures in the entertainment and copyright industries." Thesis, Stockholms universitet, Institutionen för mediestudier, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-107225.

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Abstract (sommario):
This thesis examines the on-going anti-piracy and anti-file sharing measures taken by media conglomerates and big content as misguided attempts at addressing changing consumer expectations and social and technological norms. These measures include legislation such as the Stop Online Piracy Act (SOPA), Preventing Real Online Threats to Economic Creativity and Theft of Intellectual Property Act (PIPA), Anti-Counterfeiting Trade Agreement (ACTA), and Cyber Intelligence Sharing and Protection Act (CISPA); and litigation against both extremes of the spectrum: from the world's largest file sharing s
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Capitoli di libri sul tema "MegaUpload"

1

Gaines, Jane M. "Copying Technologies." In The Oxford Handbook of Silent Cinema. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780190496692.013.15.

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Abstract (sommario):
Abstract This chapter compares two technologies a century apart and two entrepreneurs who figured out how to circulate copies of popular moving-image entertainment before US copyright law caught up with technological change. Early cinema’s “Pirate King,” Siegmund Lubin, founder of the Philadelphia Lubin Company, is contrasted with Kim Dotcom, whose Megauploads company pioneered the cyberlocker storage as a means of distributing popular television and motion pictures on the internet. Intellectual property doctrine is tested as another way of approaching technological change over the cinema cent
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