Bibliografie tematiche / Men of the Deeps (Musical group)

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Letteratura scientifica selezionata sul tema "Men of the Deeps (Musical group)"

Autore: Grafiati
Pubblicato: 29 luglio 2024
Ultima modifica: 31 luglio 2025

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Articoli di riviste sul tema "Men of the Deeps (Musical group)"

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Bailey, Betty A., and Jane W. Davidson. "Adaptive Characteristics of Group Singing: Perceptions from Members of a Choir Forhomeless Men." Musicae Scientiae 6, no. 2 (2002): 221–56. http://dx.doi.org/10.1177/102986490200600206.

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There is considerable evidence to suggest that music has adaptive characteristics. Individuals use recorded music to transform the emotional landscape to coincide with transitory needs and desires. Also, music has frequently been reported to provoke uncommon emotional and physical reactions often referred to as peak experiences. In many cultures, that have limited industrial and technological development, active participation in musical activities is pervasive and all individuals are considered musical. In contrast, the musical elitism that has evolved in the Western world intimates that music
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Kazimov A.G., Kazimova L.A., and Aliyeva D.M. "Psychophysiological correlates of musical therapeutic influences at young men with neurotic frustration." NATIONAL JOURNAL OF NEUROLOGY 7, no. 1 (2021): 46–51. http://dx.doi.org/10.28942/nnj.v7i1.318.

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Abstract (sommario):
Research of age-related features in psychophysiological parameters dynamics under procedures of medical resonance therapeutic music (МРТМ) at practically healthy young men of 15-18 years and young men of the same age group with neurotic frustration was carried out. Procedures МРТМ made taking into account individual preferences in musical fragments, possess expressed аnti stress effects. Effects of МРТМ in essential degree are defined by individual preferences in musical fragments surveyed in a choice, and, on the other hand - depend on age and individual and typologicalfeatures of recipients.
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Kazimov, A. G., L. A. Kazimova, D. M. Aliyeva, and X. I. Hasanov. "PSYCHOPHYSIOLOGICAL CORRELATES OF MUSICAL THERAPEUTIC INFLUENCES AT YOUNG MEN WITH NEUROTIC FRUSTRATION." National Journal of Neurology 1, no. 07 (2015): 46–51. http://dx.doi.org/10.61788/njn.v1i15.08.

Testo completo
Abstract (sommario):
Research of age-related features in psychophysiological parameters dynamics under procedures of medical resonance therapeutic music (МРТМ) at practically healthy young men of 15-18 years and young men of the same age group with neurotic frustration was carried out. Procedures МРТМ made taking into account individual preferences in musical fragments, possess expressed аnti stress effects. Effects of МРТМ in essential degree are defined by individual preferences in musical fragments surveyed in a choice, and, on the other hand - depend on age and individual and typological features of recipients
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4

Söderman, Emma, and Anna Lundberg. "”Du förstår, men du förstår ingenting.”." Socialvetenskaplig tidskrift 27, no. 3-4 (2021): 291–308. http://dx.doi.org/10.3384/svt.2020.27.3-4.3666.

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 In the following article, based on two years of participatory ethnographic fieldwork with the No Border musical, as well as interviews with 16 of the musical’s 30 participants, community theatre is investigated in a context of deportability. We analyse the working process in the theatre group, in which actors with and without resident permits participated, through the concept of politics of translation. We show how inequalities due to the constant threat of deportation for several members were brought to the forefront during the work process of creating the musical. It concerned risks o
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Muhammad Syafe’i. "Upaya Mengembangkan Kecerdasan Musikal Melalui Permainan Persepsi Bentuk Musikal Pada Anak Kelomok B di TK Pertiwi Tanjung Juwiring Klaten." SALIHA: Jurnal Pendidikan & Agama Islam 1, no. 2 (2018): 71–85. http://dx.doi.org/10.54396/saliha.v1i2.14.

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This study aims to develop musical intelligence group B children in TK Pertiwi Desa Tanjung District Juwiring Klaten Lesson Year 2012/2013 through the game of musical form perception. This research is a classroom action research (PTK). In this research, the students are group B in TK Pertiwi Desa Tanjung Kecamatan Juwiring Klaten District Lessons Year 2012/2013 as many as 18 children, consist of 12 men and 6 women. This research was conducted in two cycles each cycle consisting of planning stage, action stage, observation, reflection. Children's musical intelligence data was collected through
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MOOK, RICHARD. "White Masculinity in Barbershop Quartet Singing." Journal of the Society for American Music 1, no. 4 (2007): 453–83. http://dx.doi.org/10.1017/s1752196307070423.

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AbstractThis article explores the cultural work of white masculinity in barbershop quartet singing in two historical contexts: the barbershop revival of the 1920s and 1930s and barbershop's struggle for survival in twenty-first century Philadelphia. It first details how revivalists attempted to re-create Victorian white masculinity by codifying and promoting a barbershop musical style and repertory that fostered closeness between men. By performing their musical style in public, masculine spaces, and admitting only white men to their gatherings, the organizers of the Barbershop Harmony Society
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Durán, Lucy. "Ngaraya: Women and musical mastery in Mali." Bulletin of the School of Oriental and African Studies 70, no. 3 (2007): 569–602. http://dx.doi.org/10.1017/s0041977x07000845.

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AbstractThis article aims to contribute to an understanding of the evaluation of musical artistry in Africa, through Mali as a case study. The discussion focuses on the informal discourses of the occupational group of Mande artisan-musicians known as jeli (pl. jeliw, jalilu), concerning the ideal of musical greatness, signified by the polysemic term ngaraya; while there is consensus about the ideal, there is much debate about who qualifies. Drawing on extensive interviews and fieldwork with leading jeliw over the past twenty years, it pays special attention to the views of and about Malian wom
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Cygańska, Anna Katarzyna, Michał Kaczorowski, and Beata Rodzik. "The Musculoskeletal Pain Intensity and Interference Questionnaire for Musicians: Assessment of Patient-Related Outcomes among Professional Orchestra Musicians in Poland—A Cross-Sectional Study." Journal of Clinical Medicine 13, no. 16 (2024): 4751. http://dx.doi.org/10.3390/jcm13164751.

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Background: Musculoskeletal pain is one of the reasons for a musician’s inability to play an instrument. An assessment of the localization, intensity, and interference of those complaints is important among musicians because of the risk of occupational disease. Assessment by validated tools is especially important and serves as an indicator to take up proper preventive or treatment actions. The aim of the study was to assess the prevalence of playing-related musculoskeletal disorders (PRMDs) and the relationships with PRMDs’ impact on playing musical instruments among Polish professional orche
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Meals, Cory D. "Diversity and Disparity in Band, Choir, and Orchestra Repertoire Lists: An Exploratory Analysis." Bulletin of the Council for Research in Music Education, no. 244 (2025): 27–47. https://doi.org/10.5406/21627223.244.02.

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Abstract This study investigated the gender identity, ethnicity, and vital status of 3,125 composers whose 24,273 works are featured on state-approved repertoire lists across wind band, choir, and orchestra disciplines in five geographically noncontiguous states. These lists influence scholastic musical activity through their prescriptive role in repertoire selection for ensemble performance evaluations. The analysis confirmed significant demographic disparities, with White male composers dominating all disciplines and state lists. White composers constituted more than 90% of the available wor
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Fehr, Marcie, and Pauline Greenhill. "“Our Brommtopp is of Our Own Design”." Ethnologies 33, no. 2 (2013): 145–79. http://dx.doi.org/10.7202/1015029ar.

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In the past and to some extent the present, various Euro North American and other cultural groups marked the period from Christmas Eve to Twelfth Night with rowdy, disguised, playful/ludic or carnivalesque behaviour that mainstream Euro North Americans associate more with Halloween than with this holiday season. Many such customs, termed the “informal house visit” involve a group (usually young men) who perambulate from one location to another within a community. They include performative aspects–often dancing and singing–as well as the expectation of a reward--usually food and/or drink--and s
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Più fonti

Tesi sul tema "Men of the Deeps (Musical group)"

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Sakadakis, Stella. ""Where do the boys go?" : tracking the development of careers in the music industry." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=55453.

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Musical careers develop along particular trajectories as a consequence of the relationships that are established between the musician and the industry. This thesis studies the nature of these relationships and the manner in which they contribute to the development of a musical career. The dichotomy between the artistic concerns of the musician and the economic interests of the industry that informs many popular music studies is re-oriented in light of the economic interests that are inherent in the musician's pursuit of a musical livelihood. The importance of commercial success in the maintena
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Libri sul tema "Men of the Deeps (Musical group)"

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O'Donnell, John C. The Men of the Deeps: A journey with North America's only coal miners chorus. Cape Breton University Press, 2016.

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2

Hardy, James Earl. Boyz II Men. Chelsea House Publishers, 1996.

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Hardy, James Earl. Boyz II Men. Chelsea House Publishers, 1996.

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Henderson, Rita Elizabeth. The Boyz II Men success story: Defying the odds. Aynderson Press, 1995.

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Blayney, David. Sharp dressed men: ZZ Top behind the scenes from blues to boogie to beards. Hyperion, 1994.

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Thompson, Dave. Red Hot Chili Peppers: True men don't kill coyotes. Virgin, 1993.

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7

Dalton, Linda S. Playing in the sand with Boyz II Men: The making of the video Water runs dry. L.S. Dalton, 1996.

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Marten, Neville. The Kinks: Well respected men. Castle Communications, 1996.

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1960-, Wapshott Tim, ed. Mercury and Me. Bloomsbury, 1995.

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Morris, Nathan, Michael McClary, Shawn Stockman, and Wanya Morris. Boyz II Men: Us II You. Harpercollins, 1995.

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Capitoli di libri sul tema "Men of the Deeps (Musical group)"

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Gordon, Catherine E. "Sacred Songs, Pleasure, and the Triumph of Popular Taste." In Catholicism as Musical Discourse. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197567203.003.0007.

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Abstract Chapter 7 presents an analysis of four collections of sacred songs published between 1699 and 1705. Despite Louis XIV’s religious conversion after 1680 and a turn toward austere piety at court, the more pleasant and positive side of religious devotion dominated most sacred songs at the end of the century. Collections also included several songs for two or more singers that, for the first time, required male voices. The majority of sacred lyrics were not written by members of the clergy, but rather by some of the most well-known poets and authors of the day. Instead of women singing sa
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Hill, Edwin. "Black Transnationalism and Sketches of Mediterranean Noir." In Transpositions. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781789621112.003.0012.

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This chapter explores how Jean-Claude Izzo transposes black Atlantic musical culture into the aesthetic, cultural, and geographic settings of the Mediterranean noir. This essay locates Izzo’s aesthetic within a history of opaque relations between the textual, the visual, and the sonic that participate in the constitution of blackness in noir fiction. It focuses on Izzo’s neo-noir trilogy, set in his hometown Marseille, which includes the novels Total Khéops (1995), Chourmo (1996), and Soléa (1998). From beginning to end, Izzo marks his texts under the sound/sign of musical culture: Total Khéop
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Hamilton, C. Mark. "Meetinghouses." In Nineteenth-Century Mormon Architecture and City Planning. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195075052.003.0005.

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Abstract The meetinghouse was to become the most common building type within the hierarchy of Mormon architecture. It served the congregational needs of a ward, the basic ecclesiastical unit within the church, serving the weekly devotional needs of the Saints as community hall and, often, as school.1 “In pioneer Utah the ward was more than the basic ecclesiastical unit-it was the most important political unit and, except for the family, the most important social unit as well The ward was the unit of welfare, the unit from which younger men (and later women) were called on missions to proselyte
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Deaville, James, and Kirstin Bews. "Viva Viagra." In The Possibility Machine. University of Illinois Press, 2023. http://dx.doi.org/10.5622/illinois/9780252045417.003.0011.

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A 2007-9 television advertising campaign for Pfizer’s erectile-dysfunction medication Viagra parodied Elvis’s iconic song “Viva Las Vegas” from his eponymous 1964 movie. One of the commercials presents a group of middle-aged men singing and playing “Viva Viagra” in a roadhouse, the original words altered to accommodate the monogamous heteronormative lifestyle promoted by the company. This chapter positions the ad within broader discourses of Presley’s evolving musical style and sexual persona, his relationship with Las Vegas, and direct-to-consumer pharmaceutical marketing. By situating the sp
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Boyle, OP, Elizabeth Michael. "Call and Response." In Preaching with Their Lives. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823289646.003.0008.

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“Call and Response: American Dominican Artists and Vatican II” describes the work of fifteen American Dominican artists as each exemplifies or anticipates the priorities of the Second Vatican Council. Each artist personifies the response to a specific call: to reanimate the original scriptural and historical roots of the religious congregation, to provide leadership in liturgical renewal, to feed the spiritual hungers of the poor, to spread the gospel of justice through contemporary means of social communication. As Dominicans, these artists fulfill their vocation to preach the gospel in the m
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Belonick, Paul. "Moderatio, Modestia, and Temperantia." In Restraint, Conflict, and the Fall of the Roman Republic. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197662663.003.0003.

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Abstract Chapter 2 describes restraining pressures to which the Romans gave the names modus, modestia, moderatio, and temperantia, and examines them in three different arenas: vis-à-vis aristocratic fellows; relating to luxury or lust; and as affecting the Republic’s operation as a whole. The Romans believed that restraint in these three arenas overlapped to support the proper functioning of the Republic. A man able to array these restraining qualities in public and in private would fill his offices well and take orderly part in the distribution of honors because he could operate well with sup
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Kennedy, Michael. "War." In Portrait of Elgar. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198163657.003.0012.

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Abstract Ernest Newman, writing in the Musical Times of September 1914 on ‘The War and the Future of Music’, remarked that in England Elgar was still ‘the one figure of impressive stature’. It was nearly fifteen years since the Variations had first been played and the English musical scene in that time had been transformed. Yet much remained the same. Parry was still director of the Royal College of Music, Stanford still taught there and was still Professor at Cambridge, Mackenzie was still Principal of the Royal Academy of Music, Brodsky was still Principal of the Royal Manchester College of
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Sawyer, R. Keith. "Sociology." In Explaining Creativity. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195161649.003.0007.

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Abstract No partial intelligence can so separate itself from the general mass as not to be essentially carried on with it.... The most profound thinker will therefore never forget that all men must be regarded as coadjutors in discovering truth. —Auguste Comte, Positivism (1842/1854, vol. 2, p. 522) Art is the social within us, and even if its action is performed by a single individual, it does not mean that its essence is individual. —Lev Vygotsky, The Psychology of Art (1971, p. 249) The great problems are handed on from generation to generation, the individual acting not primarily as an ind
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