Bibliografie tematiche / Murder – England – Fiction

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Letteratura scientifica selezionata sul tema "Murder – England – Fiction"

Autore: Grafiati
Pubblicato: 29 luglio 2024
Ultima modifica: 30 luglio 2024

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Articoli di riviste sul tema "Murder – England – Fiction"

1

Gaskill, Malcolm. "Reporting murder: Fiction in the archives in early modern England∗." Social History 23, no. 1 (1998): 1–30. http://dx.doi.org/10.1080/03071029808568018.

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2

O’Brien, Ellen L. "“THE MOST BEAUTIFUL MURDER”: THE TRANSGRESSIVE AESTHETICS OF MURDER IN VICTORIAN STREET BALLADS." Victorian Literature and Culture 28, no. 1 (2000): 15–37. http://dx.doi.org/10.1017/s1060150300281023.

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Abstract (sommario):
To say that this common [criminal] fate was described in the popular press and commented on simply as a piece of police news is, indeed, to fall short of the facts. To say that it was sung and balladed would be more correct; it was expressed in a form quite other than that of the modern press, in a language which one could certainly describe as that of fiction rather than reality, once we have discovered that there is such a thing as a reality of fiction.—Louis Chevalier, Laboring Classes and Dangerous ClassesSPEAKING OF NINETEENTH-CENTURY FRANCE, Louis Chevalier traces the bourgeoisie’s elisi
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3

MacMillan, Ken, and Melissa Glass. "Murder and Mutilation in Early-Stuart England: A Case Study in Crime Reporting." Journal of the Canadian Historical Association 27, no. 2 (2017): 63–91. http://dx.doi.org/10.7202/1040562ar.

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Although historians have long recognized that crime pamphlet authors were not very faithful reporters, it has been difficult for them to establish precisely how much fiction this literature contained because of the limited availability of other sources with which to compare them. Using a case study approach, this essay examines two murder pamphlets, both written in 1606, that describe the murder of a young boy, Anthony James, the mutilation of his sister, Elizabeth, and the conviction and execution of their alleged assailants, Agnes and George Dell. The presence of two pamphlets describing the
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4

David, Alison Matthews. "First Impressions: Footprints as Forensic Evidence in Crime in Fact and Fiction." Costume 53, no. 1 (2019): 43–66. http://dx.doi.org/10.3366/cost.2019.0095.

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As skilled ‘detectives’, dress historians are experts in closely reading surviving artefacts and using them to glean evidence of the lives of those who made and wore them. With shoes and footwear, this rich, object-based approach can yield new information that challenges established histories. This article turns traditional object analysis on its head by interrogating instead the impressions and traces that objects leave behind, taking a forensic approach to footwear. It examines the rise of scientific policing and the history of footprints as a key form of evidence in crime fact and fiction.
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ÖZTEKİN, Sercan. "Wilkie Collins’in The Woman in White ve No Name Adlı Eserlerinde Gayrimeşruluk ve Yasalar." Cankaya University Journal of Humanities and Social Sciences, Special Issue: Wilkie Collins (January 28, 2024): 67–76. http://dx.doi.org/10.47777/cankujhss.1418501.

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Victorian sensation novels, in addition to their scandalous topics such as fraud, murder, adultery, bigamy, and madness, refer to Victorian laws and their construction by social and cultural standards. As a significant sensation novelist, one of the most important subjects Wilkie Collins calls for attention is illegitimacy, a social, political, and literary topic he recurrently employs in his fiction. In his novels The Woman in White (1860) and No Name (1862), he dwells on this issue, motivating the characters’ crimes and scandalous acts. In both novels, illegitimate characters act illegally t
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Sun, Dawei. "Detective Fiction in Victorian England." Scientific and Social Research 6, no. 1 (2024): 42–46. http://dx.doi.org/10.26689/ssr.v6i1.5511.

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This paper explores the origins and evolution of detective fiction, debunking the myth surrounding SherlockHolmes’ famous quote and highlighting his enduring popularity. It traces the genre’s inception back to Edgar Allan Poe’sThe Murders in the Rue Morgue in 1841 and underscores the societal and political changes in 18th and 19th centuryEngland that paved the way for its rise. With the growth of the middle class and the demand for accessible entertainment,periodicals emerged as a key medium for short stories, with detective fiction becoming a prominent genre. This paper alsoemphasizes how Art
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Orlando, Emily J. "Edith Wharton and the Architect." Edith Wharton Review 37, no. 1 (2021): 43–59. http://dx.doi.org/10.5325/editwharrevi.37.1.0044.

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Abstract To date, the only scholarly attention paid to the two abandoned Wharton novels called “The Keys of Heaven” has focused on the “Praslin version,” a retelling of a murder-suicide from 1840s Paris. The “Olney-Beecher version” concerns a woman named Catherine Beecher, her would-be lover Jacob Olney, and her husband, a New England architect who sounds a lot like Ogden Codman Jr., with whom Wharton wrote The Decoration of Houses. This overlooked material evidently from the mid-1920s should be of interest to scholars for the potential light it sheds on her writing from the period and on the
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8

Gibson, Mary Ellis. "The Criminal Body in Victorian Britain: The Case of The Ring and the Book." Browning Institute Studies 18 (1990): 73–93. http://dx.doi.org/10.1017/s009247250000287x.

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“For the choice of subject we have nothing but condemnation. It is Mr Browning's luck” (Litzinger 331). Thus the reviewer for Chamber's Journal in 1869 summed up his reaction to the subject matter of Browning's The Ring and the Book. Indeed, this account of Browning's subject has seemed satisfactory to all but the biographically inclined of Browning's critics. Browning's subject—a grisly murder and its attendant trials—can easily enough be explained by reference to his account of discovering his historical sources in Book 1 of The Ring and the Book or by a general discussion of Browning's pers
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Eyring, Mary Kathleen. "Choosing Death: The Making of Martyrs in Early American Criminal Narratives." American Literature 91, no. 4 (2019): 691–719. http://dx.doi.org/10.1215/00029831-7917272.

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Abstract In 1701 Puritan minister John Rogers published the criminal narrative of Esther Rodgers, who had been convicted of infanticide and executed. Esther Rodgers appears in Rogers’s Death the Certain Wages of Sin not as a depraved criminal or even a repentant sinner but as a courageous Christian martyr. Much of the productive recent scholarship on Rodgers studies the way her criminal status operated in the public sphere generally or print culture specifically, but the literary construction of her legal criminal status reveals a larger negotiation over marginalized individuals’ ability to co
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Franks, Rachel. "A Taste for Murder: The Curious Case of Crime Fiction." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.770.

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Introduction Crime fiction is one of the world’s most popular genres. Indeed, it has been estimated that as many as one in every three new novels, published in English, is classified within the crime fiction category (Knight xi). These new entrants to the market are forced to jostle for space on bookstore and library shelves with reprints of classic crime novels; such works placed in, often fierce, competition against their contemporaries as well as many of their predecessors. Raymond Chandler, in his well-known essay The Simple Art of Murder, noted Ernest Hemingway’s observation that “the goo
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Tesi sul tema "Murder – England – Fiction"

1

Venable, Elisha. "Representative fictions two studies of murder in England, 1828-1852 /." Diss., 2001. http://catalog.hathitrust.org/api/volumes/oclc/48574305.html.

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Libri sul tema "Murder – England – Fiction"

1

Eleanor, Sullivan, and Dorbandt Chris, eds. Murder in New England. Curley, 1992.

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2

Gaskill, Malcolm. Reporting murder: Fiction in the archives of early modern England. Methuen, 1998.

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3

Simon, Brett. Murder unprompted: A Charles Paris murder mystery. Vista, 1997.

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4

Kingsley-Smith, Terry. Dame murder. Dales, 2009.

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5

Myers, Amy. Murder at Plum's. Headline, 1990.

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6

Butler, Gwendoline. Witching murder. Chivers, 1991.

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7

Copyright Paperback Collection (Library of Congress), ed. Maid to murder. Berkley Prime Crime, 1999.

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8

Butler, Gwendoline. Coffin on Murder Street. Chivers Press, 1993.

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9

(Editor), Eleanor Sullivan, and Chris Dorbandt (Editor), eds. Murder in New England. Castle, 1989.

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10

Murder in New England. Davis Publications, Incorporated, 1989.

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Capitoli di libri sul tema "Murder – England – Fiction"

1

"Class, Violence, and Mid-Victorian Penny Fiction: “Murder Made Familiar”?" In Youth of Darkest England. Routledge, 2005. http://dx.doi.org/10.4324/9780203997215-8.

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2

Lehman, David. "Rex Stout." In The Mysterious Romance of Murder. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501763625.003.0014.

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This chapter details the strengths of Rex Stout as an author of detective fiction, particularly in his mysteries starring Nero Wolfe. Here, the chapter argues that Stout's singular achievement was to refresh and refashion the partnership of mastermind sleuth and good-hearted narrator. He adapted the model of Sherlock Holmes and Dr. Watson from late Victorian England to metropolitan Manhattan, circa 1935–1965. The cogitation is done by the obese, beer-drinking, orchid-loving detective with the imperial name who does not budge from his West Thirty-fifth Street brownstone; his right-hand man-about-town Archie Goodwin does the work on the ground and tells the tale. The chapter asserts that one reads a Nero Wolfe mystery not for the plot or puzzle but for the richness of the two leading characters and the evocation of New York City as the capital of glamour.
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Drizou, Myrto. "Transatlantic Lloronas: Infanticide and Gender in Mary E. Wilkins Freeman and Alexandros Papadiamantis." In New Perspectives on Mary E. Wilkins Freeman. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399504478.003.0006.

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This chapter analyzes Freeman’s representation of infanticide from a transatlantic perspective. Through a comparative reading of Freeman’s short story “Old Woman Magoun” and the turn-of-the-century Greek novella A Murderess by Alexandros Papadiamantis, the chapter argues that the murder of female infants or (infantilized) female children is an act of resistance against a patriarchal system that commodifies women on the marriage market. Both texts weave a gender critique that conveys women’s restorative power and evokes a transgressive genealogy of monstrous motherhood epitomized by La Llorona, the wailing or weeping woman in Meso-American mythology. In this sense, Freeman’s fiction can be read not only as New England or US literature but also as world literature, a broader nexus of literary and mythic texts, which retell old myths in new contexts of global historical relevance.
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Rowson, Martin. "Apple-blossom in June–– again." In The Literary Detective. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780192100368.003.0071.

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Abstract In Is Heathcliff a Murderer? I defended what is thought to be Jane Austen’s most egregious ‘error’ in her fiction, arguing that it was no error at all if one read it aright. The company go for a picnic to the grounds of Donwell Abbey. It is ‘the middle of June’, ‘almost Midsummer’, as we are precisely informed (the actual day can be calculated as the 22nd of the month). Strawberries are in prospect:‘the best fruit in England –– every body’s favourite’. They are in plentiful supply, we understand. It has been a good crop –– and on time. During a quiet moment on the expedition, standing on a hill, Emma gazes at the Surrey landscape spread out before her. It is ‘a sweet view –– sweet to the eye and the mind. English verdure, English culture, English comfort, seen under a sun bright, without being oppressive.’
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