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Tesi sul tema "Museums – Philosophy"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 30 gennaio 2023

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1

Edmundson, Jane, and University of Lethbridge Faculty of Fine Arts. "Dr. Soanes' Odditorium of Wonders : the 19th century dime museum in a contemporary context." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Arts, c2013, 2013. http://hdl.handle.net/10133/3426.

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19th century dime museums were a North American phenomenon that flourished in urban centres from the mid- to late-1800s. Named thusly due to their low admission cost, dime museums provided democratic entertainment that was promoted to all classes as affordable and respectable. The resulting facilities were crammed with art, artifacts, rarities, living human curiosities, theatre performances, menageries, and technological marvels. The exhibition Dr. Soanes’ Odditorium of Wonders strives to recapture the spirit and aesthetic of the dime museum to invoke wonder in the viewer and to combine art, a

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2

Roberts, Randy C. "Museums as Sites of "Being in Conversation": A Hermeneutic Phenomenological Study." Antioch University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1373833371.

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3

Chung, Y. S. S. "Transitions : the history and philosophy of County Archaeological Society museums in mid-nineteenth-century England." Thesis, University of Cambridge, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597689.

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As a link between academia and the public, museums are institutions that produce and exhibit knowledge. The significance of this knowledge lies in that it forms what is regarded as collective knowledge. Museums have always created this significance through the three functions of preservation, research, and communication of objects. It is of particular interest in this dissertation to see the process in which museums began to emerge as agents in creating collective knowledge. Like museums, prehistoric archaeology as a distinct scientific field of investigation comes to the foreground in England

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4

McGhie, Lisa-Maree. "Archaeology and authenticity in select South African museums, and public entertainment spaces." Pretoria : [s.n.], 2007. http://upetd.up.ac.za/thesis/available/etd-02072007-130253.

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5

Butts, David James. "Maori and museums : the politics of indigenous recognition : a thesis presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Museum Studies at Massey University, Palmerston North." Massey University. School of Maori Studies, 2003. http://hdl.handle.net/10179/251.

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As a result of colonialism indigenous peoples have been marginalised within their own customary territories. In an analysis of the politics of cultural recognition Tully (1995) proposes the reconceptualisation of the 'common ground': sites, including public museums, within which different cultures negotiate their relationships within the modern nation-state, where the rights of indigenous peoples can be recognised on the basis of the principles of mutual recognition, continuity and consent. This thesis examines the impact of the politics of indigenous recognition on the evolving relationships

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6

Sippel, Elizabeth. "The role of memory, museums and memorials in reconciling the past : the Apartheid Museum and Red Location Museum as case studies." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1005773.

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When South Africa became a democracy, many of its cultural institutions were tainted by the stigma of having been tools for the production and propagation of apartheid ideology. This thesis examines two key facets of post-apartheid museums and memorials. Firstly, how they have repositioned themselves as institutions of cultural and social standing. Secondly, their role as tools of nation building, social change, and creators of national collective memory within the new democratic South Africa. Through an analysis of cultural memory theory pertaining to museology, this study elaborates on the m

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7

Cheung, Chi-wai, and 張志偉. "Museum of Chinese Science and Technology." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31982712.

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8

Morakinyo, Olusegun Nelson. "A historical and conceptual analysis of the African Programme in Museum and Heritage Studies (APMHS)." Thesis, University of the Western Cape, 2011. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_5648_1346401876.

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<p>In 1998 the University of the Western Cape together with the University of Cape Town, and the Robben Island Museum introduced a Post-graduate Diploma in Museum and Heritage Studies. This programme was innovative in that not only did it bring together two universities in a programme where the inequalities of resources derived from their apartheid legacies was recognised, but it also formally incorporated an institution of public culture that was seeking to make a substantial imprint in the post-apartheid heritage sphere as part of its structure. In 2003 this programme attracted substantial f

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9

Lauer, John. "The war and race museum : adding African-American history to the Cyclorama." Thesis, Georgia Institute of Technology, 1994. http://hdl.handle.net/1853/23097.

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10

Hansen, Paul. "The Immaculate Perception project : exhibition creation and reception in a New Zealand regional art museum : thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University, Palmerston North, New Zealand." Massey University. School of Maori Studies, 2003. http://hdl.handle.net/10179/249.

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Internationally, museums have increasingly come under review since Bourdieu's (1969) research focused on art gallery visiting patterns and cultural codes. Museums exist within a post-modern milieu that demands a more democratic approach to defining their cultural and educational role within society. Over the last decade in particular, art museums, criticised for being elitist and insular within their communities, have been challenged to be more inclusive, accessible and relevant to their local communities.The literature suggests that a review of the core mission and the culture of museums is r

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11

Freestone, Mellor Paula. "Sir George Scharf and the problem of authenticity at the National Portrait Gallery." Thesis, University of Oxford, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.728997.

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12

Bernardo, Ana Cristina de Aça Castel-Branco e. Almeida. "Formação estética e cidadania-o Palácio da Pena como património artístico e museu histórico de artes aplicadas." Master's thesis, Instituições portuguesas -- UCP-Universidade Católica Portuguesa -- -Faculdade de Ciências Humanas (Lisboa), 1998. http://dited.bn.pt:80/29847.

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13

Sido, Anna E. "Making History: How Art Museums in the French Revolution Crafted a National Identity, 1789-1799." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/663.

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This paper compares two art museums, both created during the French Revolution, that fostered national unity by promoting a cultural identity. By analyzing the use of preexisting architecture from the ancien régime, innovative displays of art and redefinitions of the museum visitor as an Enlightened citizen, this thesis explores the application of eighteenth-century philosophy to the formation of two museums. The first is the Musée Central des Arts in the Louvre and the second is the Musée des Monuments Français, both housed in buildings taken over by the Revolutionary government and present t

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14

Higgins-Linder, Melissa M. "Case Study of the Columbus Museum of Art's Teaching for Creativity Summer Institute." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1499353441955593.

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15

Geise, Susanne Seybold. "From Ambiguity to Perspicuity: Applying Burke's Pentad as a Means of Preserving and Expanding the Discourse Community of Blacksmithing History in Hancock County." University of Findlay / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=findlay1525801452672734.

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16

Thomson, Katherine J. M. "The art museum at the end of art, Arthur C. Danto's Philosophy of art and its implications for the posthistorical museum." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0010/MQ31259.pdf.

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17

Wunderlich, Antonia. "Der Philosoph im Museum die Ausstellung "Les Immatériaux" von Jean François Lyotard." Bielefeld Transcript, 2006. http://d-nb.info/98874743X/04.

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18

Erskine-Loftus, Pamela F. "What is the relationship western museological practice and philosophy and display in the Sharjah art museum, United Arab Emirates?" Thesis, University of Newcastle Upon Tyne, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531734.

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19

Campbell, Louise. "Arkivverksamhet på museum. En studie av arkivverksamheten på Nationalmuseum och Upplandsmuseet." Thesis, Uppsala University, Department of ALM, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-101441.

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20

Roberts, Kristopher. "your little voice: An autoethnographic narrative on philosophy, technology, relationships, and the arts." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1525293031814062.

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21

Dargaj, Matthew Richard. "Maurice Merleau-Ponty and Jean-Luc Nancy: A Shared Concern about Retrospection at the Art Museum." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1309048986.

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22

Werner, Petra. "Ett medialt museum : lärandets estetik i svensk television 1956-1969." Doctoral thesis, Södertörns högskola, Estetik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-30912.

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This thesis investigates the aesthetic interpretation of learning processes in television produced and broadcast in Sweden between 1956 and 1969. The thesis explores how these programmes are linked to concepts of Bildung by their aesthetics, by which the intangible cultural heritage is entrusted in the form of oral and visual traditions, storytelling and games/play, where learning is the common denominator. The programmes are divided into three categories: aesthetics of attentiveness, aesthetics of tale/storytelling and aesthetics of play. The detailed, thick, descriptions of the programmes em

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23

Hänle, Martina [Verfasser], and Heinz [Akademischer Betreuer] Mandl. "Präimplantationsdiagnostik, ja oder nein? : Förderung einer informierten und gut begründeten Entscheidung im Bereich Medizinethik mit einer multimedialen Lernumgebung im Museum / Martina Hänle. Betreuer: Heinz Mandl." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2012. http://d-nb.info/1026653622/34.

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24

Mouraviev, Sergueï Nikititch, and Héraclite d'Éphèse. "Poétique et philosophie chez Héraclite. Introduction à la problématique." Paris 4, 1996. http://www.theses.fr/1996PA040130.

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La thèse a pour but de montrer que le texte des fragments d'Héraclite, tout en étant incontestablement philosophique de par son contenu, est un texte éminemment poétique de par son langage, un langage extrêmement sophistiqué qu'il est absolument indispensable de connaitre pour accéder à la totalité de son message. La thèse se divise en quatre parties et des annexes. La partie historique comprend une édition, avec traduction et commentaire, des témoignages anciens sur le style et l'obscurité légendaire du philosophe et un historique des recherches modernes sur la question de Schleiermacher à no

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25

Lancha, Janine. "Muses, poètes, philosophes, scènes littéraires et dramatiques dans les mosaïques des provinces occidentales de l'Empire romain : Ier - IVe s. ap. J.-C." Paris 10, 1989. http://www.theses.fr/1989PA100074.

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Etablit un catalogue analytique de 117 no de mosaïques illustrant des sujets de la culture gréco-romaine et découvertes dans les provinces occidentales (Italie exclue). Un assez grand nombre de ces documents, en Hispanie et en gaule sont pratiquement inédits. La richesse de cette documentation permet de tracer, dans la synthèse qui suit le catalogue, les lignes directrices d'une histoire des mentalités, et du rôle de la culture dans la romanisation des provinces, dans le cadre de la vie terrestre et privée. L'examen des sources littéraires des sujets illustres dans les mosaïques et celui des t

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26

La, Follette Tavia. "Sites of Passage: Art as Action in Egypt and the US-- Creating an Autoethnography Through Performance Writing, Revolution, and Social Practice." Antioch University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1365450771.

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27

Jones, Jared. "Winging It: Human Flight in the Long Eighteenth Century." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1565963832584991.

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28

Rocha, Eva. "Antithetical Commentaries on X, Y and the Disruption of Being." VCU Scholars Compass, 2016. https://scholarscompass.vcu.edu/etd/4278.

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Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the

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29

Leveau, Pierre. "Épistémologie de la conservation du patrimoine : ontologie d'un domaine, ergologie d'une discipline." Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3088.

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Ce mémoire est une mise à jour philosophique du modèle conceptuel défini par Aloïs Riegl dans son ouvrage sur Le culte moderne des monuments. Pour faire cet aggiornamento, nous présentons dans une première partie ce modèle et l'énigme qu'il contient. Dans la deuxième, nous décrivons le paradigme que les premières communautés patrimoniales adoptèrent dans l'Entre-Deux-Guerres pour la résoudre, puis nous introduisons dans la troisième les concepts qui ancrent leur paradigme dans le monde actuel et nous formulons l'énigme qu'il pose maintenant aux professionnels. Historiquement, nous démontrons a

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30

Dlamuka, Mxolisi Chrisostomas. "Identities, memories, histories and representation : the role of museums in twentieth century KwaZulu-Natal." Thesis, 2003. http://hdl.handle.net/10413/10394.

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The history of museums in South Africa dates back to 1825 when the South African Museum (SAM) was established in Cape Town. Initially museums in South Africa were established for science and local history was seen as peripheral. Nevertheless, this began to change during the early 1920s as artifacts of historical nature gained popularity, saving them from historical oblivion in museums. Museums themselves broadened their role to become major centres of both scientific and historical knowledge. When museums started to include historical artifacts, they entered a terrain which was influenced by a

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31

Philp, Angela. "Museums and the public sphere in Australia : between rhetoric and practice." Phd thesis, 2006. http://hdl.handle.net/1885/109229.

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32

Cairns, Susan Jane. "The museum qua: the evolution of a knowledge institution in an era of pervasively networked information infrastructure." Thesis, 2015. http://hdl.handle.net/1959.13/1062779.

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Professional Doctorate - Doctor of Philosophy (PhD)<br>The introduction of digital networked technologies, including the Internet, as the fundamental basis for communication in developed societies has added new dimensions of complexity to the museum’s task of epistemological and cultural perpetuation. As the digital network grows, as multivectoral connections between people and data become possible, aggregated along multiple, complex dimensions, knowledge is being transformed on multiple fronts. New tools and technologies for knowledge work alter the problems of knowledge and the ways such pro

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33

Fitzpatrick, Peter Gerard Media Arts College of Fine Arts UNSW. "The Doulgas Summerland collection." 2007. http://handle.unsw.edu.au/1959.4/44257.

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The Douglas Summerland Collection is a fictional "monographically based history"1. In essence this research is concerned with the current debates about history recording, authenticity of the photograph, methods of history construction and how the audience digests new 'knowledge'. The narrative for this body of work is drawn from a small album of maritime photographs discovered in 2004 within the archives of the Port Chalmers Regional Maritime Museum in New Zealand. The album contains vernacular images of life onboard several sailing ships from the nineteenth and twentieth centuries, including

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34

Dibley, Ben. "Expositions : theory, culture, museum." Phd thesis, 2004. http://hdl.handle.net/1885/146406.

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35

Legget, Jane Anne. "Mapping what matters in New Zealand museums : stakeholder perspectives on museum performance and accountability : a thesis presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Management and Museum Studies, Massey University Albany, Auckland, New Zealand." 2006. http://hdl.handle.net/10179/1546.

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Accountability for museum performance was investigated in the context of New Zealand's public museums. Governing bodies account for museum performance through published annual reports, while performance assessment assists museum managers to achieve museums' objectives. Museum professionals also have expectations of museums. This research questioned whether museums were reporting on the aspects of their performance that mattered to a wider range of stakeholders. The research is both descriptive and exploratory. A nationwide survey of museum directors gathered data about performance assessment a

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36

KANG, CHIA-CHI, and 康家綺. "An Analysis for Management Philosophy of the First Mountaineering Museum in Taiwan." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/d3335s.

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碩士<br>康寧大學<br>休閒管理研究所<br>105<br>"Dēngshān gùshì guǎn" is the first mountaineering museum in the country. Although still in a pioneering stage, the representation by tangible or intangible collections of mountain equipments and interesting stories of individual and perceived experiences is main aim to practice the characteristics of museum. The hardware and software in this museum is currently all created by the personal resources. As such a scale of a private museum, the efforts of the curator are quite rare and commendable. The soul of the museum, Curator Dìng-Guó Shào, nicknamed "Goat", is a

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37

Webb, Guiniviere Marie. "Origins and philosophy of the Butler Art Gallery and Labor Museum at Chicago Hull-House." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-12-2602.

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Jane Addams influenced the lives of many immigrant Chicagoans through offering a variety of community oriented services including art education programs at the Hull-House. This study examines the origins and philosophy of both the Butler Art Gallery and Labor Museum, and discusses each program’s role for residents, visitors, and guests of Hull-House. In addition to providing a historical basis for Jane Addams as an art educator, this study discusses the techniques for community organization that were utilized by Hull-House residents, including Jane Addams and Ellen Gates Starr.<br>text

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38

Nawa, Christine. "Sammeln für die Wissenschaft?" Master's thesis, 2005. http://hdl.handle.net/11858/00-1735-0000-000D-F1CC-C.

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39

Curtin, Abby. "Rethinking Landscape Interpretation: Form, Function, and Meaning of the Garfield Farm, 1876-1905." Thesis, 2014. http://hdl.handle.net/1805/5852.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>The landscape of James A. Garfield’s Mentor, Ohio home (now preserved at James A. Garfield National Historic Site) contains multiple layers of historical meanings and values. The landscape as portrayed in political biographies, political cartoons, and other ephemera during Garfield’s 1880 presidential campaign reveals the existence of the dual cultural values of agrarian tradition and agricultural progress in the late nineteenth century. Although Garfield did not depend on farming exclusively for his livelihood, he, like many agricul

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40

Peterson, Erik C. "Playing, learning, and using music in early Middle Indiana." Thesis, 2013. http://hdl.handle.net/1805/3804.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>This thesis is a study of how people in the nine counties of central Indiana learned, appreciated, and performed music from 1800 to 1840. A concluding proposal for a public history application of this research is included.

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