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Letteratura scientifica selezionata sul tema "Music bands"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 26 luglio 2025

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Articoli di riviste sul tema "Music bands"

1

González Sánchez, Igael. "La tuba sinaloense en la renovación de la música regional mexicana del siglo XXI." Frontera norte 36 (January 1, 2024): 1–20. http://dx.doi.org/10.33679/rfn.v1i1.2371.

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This article reflects on the importance of tuba on banda and Mexican regional music, under the actual expansion of tuba and accordion bands. This approach retrieves documental sources and notes of participant observation about musicians of bands and conjuntos in Tijuana. In contrast to other studies concerning banda music groups in Mexico, the present work highlights the musical exchanges to and from the United States as catalysts for the technical development of the instrument and its adoption in popular bands. This vision brings a cross-border approach to the studies on the development of ba

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2

Álvarez, Ricardo. "From the Streets to the Stage." Journal of World Popular Music 12, no. 1 (2025): 67–90. https://doi.org/10.1558/jwpm.33139.

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This article examines two professional brass bands from Central Chile, La Bandalismo from Valparaíso and Banda Conmoción from Santiago, which have built successful careers in the contemporary music scene by merging infectious dance rhythms and diverse musical styles with a strong commitment to activism. The study investigates how these bands’ artistic paths and public roles demonstrate a balance between entertaining audiences and engaging with social causes, positioning activism as a key, yet not exclusive, aspect of their identity within Chilean popular music. Drawing on fieldwork and semi-

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3

O'Loughlin, Niall. "Wind Bands." Musical Times 129, no. 1739 (1988): 29. http://dx.doi.org/10.2307/964987.

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4

Dordzro, John-Doe. "BRASS BAND MUSIC IN GHANA: THE INDIGENISATION OF EUROPEAN MILITARY MUSIC." African Music: Journal of the International Library of African Music 11, no. 2 (2020): 141–63. http://dx.doi.org/10.21504/amj.v11i2.2318.

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Local brass bands have become an indispensable factor in weddings, processions, rituals of birth or death, at Christmas and New Year festivities in many parts of the globe. Remains of European brass bands are widely distributed throughout Africa, India, Indonesia, Latin America, and the Caribbean. )ese bands are of both military and missionary origin. They are an important component of the nineteenth and early twentieth-century colonial expressive culture. Despite their uniqueness and widespread presence across the world, brass bands have received limited attention in Ghana. )is paper aims to

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Fei, Fei Zhang Yimiao Su. "The Development and Change of Three Local Yunnan Bands from the Perspective of Urban Music Anthropology." Multicultural Education 9, no. 5 (2023): 48. https://doi.org/10.5281/zenodo.7950574.

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<em>This paper selects three local bands from Yunnan Province whose music integrates innovation and heritage, focusing on the diversity of performance and music. The fusion of multi-ethnic folk tunes, songs and dances, and instrumental music frames the collision and fusion of tradition and modernity. With folk music as their foundation, the three bands have rich experience in arranging ethnic music during the transformation and change of the band's musical style, and have come out with a characteristic musical path, which has certain significance for the development of bands in Yunnan and

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Radócz, Miklós. "Wind Bands for Hungarian Community Music." Central European Journal of Educational Research 3, no. 1 (2021): 90–97. http://dx.doi.org/10.37441/cejer/2021/3/1/9355.

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The scholarly study of community bands as music communities can be considered a relatively young trend even on an international level. Despite this fact, there is more and more research done on the potential effects they may have on society and music education. Our national literary records on wind bands, however, are mainly focused on their historical background and their legacy in the military. Thus, there is an insufficient amount of information provided on the aspects of sociology and pedagogy. Besides the literary comparison done in our research, we also study the resupply of our national

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7

Saputra, Pardian. "EKSISTENSI DAN ADAPTASI GRUP BAND THRASH METAL DAN ROCK DI NEGERI SYARIAT." Aceh Anthropological Journal 2, no. 2 (2018): 114. http://dx.doi.org/10.29103/aaj.v2i2.1161.

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Fatwa ulama no. 12 of 2013 on Art and Culture of Other Arts in Islamic Syariat in Banda Aceh, should the band with the rock music genre not be able tosurvive for long periods in ‘Aceh. But in reality bands of music genre Thrash Metal and Rock is still survive and present with real in public space in Aceh. This study looks at how the development, existence, and adaptation of the bands Inverno and Cronic in Banda Aceh. The Cronic band was formed in 1999, while Inverno was formed in 2011 in Banda Aceh. From interviews with the band Cronic and personnel about the existence and adaptation Inverno t

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Bayoumy, Tarneem. "Music Bands in the Old Kingdom." Journal of Tourism, Hotels and Heritage 1, no. 1 (2020): 40–54. http://dx.doi.org/10.21608/sis.2020.40171.1000.

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Wang, Shuang. "Music, social media and public pedagogy: indie music in the post-Cantopop epoch." Asian Education and Development Studies 7, no. 1 (2018): 42–52. http://dx.doi.org/10.1108/aeds-03-2017-0022.

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Purpose Hong Kong’s musical scene is rapidly changing along with the evolving media landscape. The purpose of this paper is to examine the new way of Cantopop production and dissemination in the new media ecosystem. Furthermore, this study calls for a reconceptualization of the process of Cantopop listening and sharing as a form of public pedagogy within the online public space. Design/methodology/approach Based on the investigation into two of the leading local indie bands Kolor and Supper Moment, this study explores the implications that social media and participatory culture have for these

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Berezhnyk, Sviatoslav. "Creative Achievements of the Leading Music Bands of Ukraine." Culture and Arts in the Modern World, no. 18 (June 15, 2017): 25–46. https://doi.org/10.31866/2410-1915.18.2017.155685.

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The article is devoted to the examination of modern Ukrainian variety art and show business. The purpose of the article is to analyze the creative achievements of young national bands and artists in the international music arena and define their cultural value to Ukrainian culture and art. The problem setting is conditioned by the lack of information in scientific sources about the development of modern music culture in Ukraine during the past decade. The scientific novelty of the article is based on the exploraton of the main trends in popular music and the

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Tesi sul tema "Music bands"

1

Kirtner, Ellen R. "Bands and Brands: The Relationship Between Bands and the Commercials They Soundtrack." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1376767931.

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Chaffee, Christopher Lloyd. "Music as Advertising: The Story of the Armco Band." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1069350175.

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Behr, Adam. "Group identity : bands, rock and popular music." Thesis, University of Stirling, 2010. http://hdl.handle.net/1893/3051.

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Since rock became the subject of academic study, its attendant ideology has been scrutinised and its mythical and Romantic components exposed. Largely absent from this account has been a thorough analysis of the phenomenon of the ‘band’. The role of individual acts and the wider contexts in which they worked has been discussed at the expense of an examination of an important form of music-making. This thesis seeks to address that gap. Using a mixture of literary research and ethnography, I present an overall picture of the band as a modus operandum, charting its evolution during the emergence

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Helbing, Rachel. "Women and Steel Bands in Trinidad." Miami University Honors Theses / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1111087466.

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Hebert, David Gabriel. "Music competition, cooperation and community : an ethnography of a Japanese school band /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11402.

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French, Gillian. "Follow the band : community brass bands in the Scottish Borders." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/9482.

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This thesis presents research into the history and contemporary context of brass bands in the Scottish Borders. It discusses how the survival of the brass bands in the Scottish Borders can be accounted for over the last 150 years, in particular with regard to the continuity of their interaction with the community which has enabled them to overcome cultural, social and demographic changes. The textile industry which provided a stimulus for the formation of the brass bands in the nineteenth century has largely disappeared, but the traditional role of the bands has been carried forward to the pre

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Houser, Russell John. "An examination of wind band transcriptions." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2008. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

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Williamson, Brad A. "A study of Ohio high school band directors' perceived preparation for teaching high school marching band through participation in a collegiate marching band, marching band technique classes, and methods courses." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1243463233.

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Hartz, Jason Michael. "The American community band history and development /." Huntington, WV : [Marshall University Libraries], 2003. http://www.marshall.edu/etd/descript.asp?ref=232.

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Theron, Susara Margaretha. "Die perserverance kersfeesorkes as verteenwoordigende voorbeeld van gemeenskasmusiek in die Wes-Kaap." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/5134.

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Thesis (MMus (Music))--University of Stellenbosch, 2010.<br>AFRIKAANSE OPSOMMING: Die Kersfeesorkeste is ‟n Christelike tradisie binne die Kleurling-gemeenskap van die Wes-Kaap wat dissipline en goeie waardes by lede van hierdie gemeenskap inboesem en musiek in voorheen benadeelde en minderbevoorregte sektore van die samelewing bevorder. Die geskiedenis en agtergrond van die Kersfeesorkeste is soortgelyk aan dié van die Kaapse Klopse en die Maleierkore, wat veral prominent na vore kom tydens die Kersfees- en Nuwejaarsfeestelikhede in die Kaap. Alhoewel hierdie drie groepe ‟n nou verbintenis to

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Libri sul tema "Music bands"

1

Koerner, Julie. Big bands. Friedman/Fairfax Publishers, 1992.

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National Band Association (U.S.), ed. Selective music list for bands. 8th ed. National Band Association, 2001.

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National Band Association (U.S.)., ed. Selective music list for bands. 4th ed. National Band Association, 1997.

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National Band Association (U.S.), ed. Selective music list for bands. 8th ed. National Band Association, 2001.

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5

Fröhlich, Frank. Bands in Dresden. 4th ed. Fröhlich-Verlag, 1996.

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Fröhlich, Frank. Bands in Dresden. 5th ed. Fröhlich-Verlag, 1998.

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Claghorn, Charles Eugene. Popular bands and performers. Scarecrow Press, 1995.

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Durman, Laura. Pop bands. Franklin Watts, 2011.

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9

Calonita, Jen. Battle of the bands. Little, Brown Books for Young Readers, 2016.

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Gagné, Denise. Theory worksheets for beginning bands. J. Weston Walch, 1988.

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Capitoli di libri sul tema "Music bands"

1

Shevock, Daniel J., and Vincent C. Bates. "Bands and Orchestras." In Music Lessons for a Living Planet. Routledge, 2024. http://dx.doi.org/10.4324/9781003130543-12.

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Bennett, Andy. "Tribute Bands, Self-Tribute and ‘Classic Albums Live’." In Popular Music Heritage. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08296-2_7.

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Kleinschmidt, Nicolas. "On Bands' Collective Authorship of Songs." In The Ontology of Music Groups. Routledge, 2024. http://dx.doi.org/10.4324/9781003454151-13.

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Lasagni, Giulia. "On the Persistence of Alternative Rock Bands." In The Ontology of Music Groups. Routledge, 2024. http://dx.doi.org/10.4324/9781003454151-6.

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Porello, Daniele. "A Radical Interpretation of Bands as Variable Embodiments." In The Ontology of Music Groups. Routledge, 2024. http://dx.doi.org/10.4324/9781003454151-5.

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Santamarina-Campos, Virginia, José Luis Gasent-Blesa, Pau Alcocer-Torres, and Mª Ángeles Carabal-Montagud. "The Intangible Cultural Landscape of the Banda Primitiva de Llíria." In Music as Intangible Cultural Heritage. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_6.

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AbstractThe Banda Primitiva de Llíria is presented as an open heritage resource, which has been built on the uses, values and symbols assigned to it by the local town of Llíria and its inhabitants over the musical society’s two centuries of history. This work focuses on analysing how this musical phenomenon contributes to positioning creativity and cultural industries at the centre of local development, reinforcing the identity elements of Llíria and the Valencian Region. It intends to support the safeguarding, respect and awareness of one of the oldest civic bands in Spain, providing greater

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Catalá-Pérez, Daniel, and Gabino Ponce-Herrero. "Music for the Moors and Christians Festivities as Intangible Cultural Heritage: A Specific Genre for Wind Bands in Certain Spanish Regions." In Music as Intangible Cultural Heritage. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_7.

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AbstractThis chapter makes a brief approach to the origins and evolution of both wind bands and the Moors and Christians festivals, especially in the Valencian Region, tracing the lines that connected both phenomena at a specific moment in history. The indissoluble relationship that has united them since then has created a musical genre that has not only become one of the most recognisable signs of Valencian society’s identity, but also a treasure of its intangible cultural heritage, and a fundamental part of the economic activity of musical societies in the context of what certain authors cal

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Carabal-Montagud, María Ángeles, Guillem Escorihuela-Carbonell, Virginia Santamarina-Campos, and Javier Pérez-Catalá. "The Impact of the COVID-19 Pandemic on Musical Societies in the Valencian Region, Spain." In Music as Intangible Cultural Heritage. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_8.

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AbstractThe aim of this study is to analyse the impact of the COVID-19 pandemic on musical societies in the Valencian Region, which were declared as an Asset of Intangible Cultural Interest in 2018. These cultural societies, which include over 1,100 bands, have had to make changes to adapt to the global pandemic. They are made up of symphonic bands, music schools, choirs, orchestras and other musical groups. Their social structure involves a large part of the Valencian Region’s population which, to some extent, becomes part of the creative process and transfer of musical languages, such as cul

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Cray, Ley David Elliette. "Bands, Personas and the Evaluative Import of (Some) Social Ontology." In The Ontology of Music Groups. Routledge, 2024. http://dx.doi.org/10.4324/9781003454151-4.

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Reddington, Helen L. "Détournement and female punk bands of the 1970s." In Rethinking Difference in Gender, Sexuality, and Popular Music. Routledge, 2018. http://dx.doi.org/10.4324/9781315660455-3.

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Atti di convegni sul tema "Music bands"

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Lin, Yuheng. "Comparison of Music Composing Software: Nyquist IDE, Audacity, and Garage Band." In International Conference on Data Analysis and Machine Learning. SCITEPRESS - Science and Technology Publications, 2024. https://doi.org/10.5220/0013512700004619.

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Yin, Han, Mou Wang, Jisheng Bai, Dongyuan Shi, Woon-Seng Gan, and Jianfeng Chen. "Sub-Band and Full-Band Interactive U-Net with Dprnn for Demixing Cross-Talk Stereo Music." In 2024 IEEE International Conference on Acoustics, Speech, and Signal Processing Workshops (ICASSPW). IEEE, 2024. http://dx.doi.org/10.1109/icasspw62465.2024.10627597.

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Al Qalyubi, Ken Kalang, Nur Ahmadi, and Dessi Puji Lestari. "Comparative Evaluation of Fine-Tuned Hybrid Transformer and Band-Split Recurrent Neural Networks for Music Source Separation." In 2024 Asia Pacific Signal and Information Processing Association Annual Summit and Conference (APSIPA ASC). IEEE, 2024. https://doi.org/10.1109/apsipaasc63619.2025.10849272.

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Dudenina, Svetlana, and Valery Korablev. "Approaches to Organization of Music Bands with Nontraditional Composition." In 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.91.

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Socican, Igor. "The New Orleans and Chicago styles aspects from the perspective of the jazz double bass." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.05.

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The author aims to outline some aspects of the New Orleans and Chicago Jazz styles, to show the importance of the ethnic, geographical, and legal factors in the emergence of New Orleans Jazz in the early 1900s and its later derivation into the Chicago Style in the 1920s. There are examined the beneficial predecessor factors of these styles — the evolution of street brass band orchestras (marching bands), the spirituals, the blues and ragtime and their stylistic features, collective improvisation, the call-and-response principle, that have been the base for the development of jazz music in gene

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Tcacenco, Victoria. "The problem of studying the new ontological forms of non-academic musical culture in the Republic of Moldova during the first decades of the 21st century." In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.19.

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The article is dedicated to the new ontological forms of popular music in the Republic of Moldova during the first two decades of the 21st century. The author offers the main characteristics of virtual culture, its connections with modern subcultures and modern sub-cultural styles. The basic types of subculture — game, rebel and style — are identified and the virtual phenomena of Moldovan popular music phenomena are exemplified. Among them are: rapper Mani, the Project Carla’s Dreams, the Wax Road and POT rock music bands. As a conclusion the following trends are sketched: there is an increase

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Socican, Igor. "The role of the double bass during The swing era of the classical jazz period." In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.15.

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The author aims to outline the significance of the double bass, within the jazz tradition, during the classical jazz period of the swing era. The importance of the factors that contributed to the popularization of jazz, implicitly, swing is demonstrated, such as: electrification; extensive involvement of recording studios and production of music discs, broadcasting through the radio stations, etc. Attention is paid to the professionalization of the musicians due to the increase in their number in the bands, the use of specific elements such as riffs, swing feel, etc.

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Nastas, Natalia, Valeriu Filipov, Igor Arsene, and Ecaterina Lungu. "The methodology efficiency of intensifying the instructional-educational process in the physical education lessons with the help of functional music in doing homework." In The International Scientific Congress "Sports. Olimpysm. Health". SOH 2023. 8th Edition. The State University of Physical Education and Sport, 2025. https://doi.org/10.52449/soh23.38.

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Actuality. The musical support becomes a beneficial and rational factor for carrying out the motor activity. Positive emotions as a result of using music in the activity carried out contribute to a large extent to avoiding the feeling of overfatigue, conditioning the increase in work capacity. The use of functional music as a psycho-pedagogical factor requires students to possess an artistic sense, but also a special training of the physical education teacher. The teacher must be competent in the selection of exercises, music, sports inventory (gymnastics rope, hoop, various weight objects, st

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Fakhrtabatabaie, Ashkan, and Skyler G. Jennings. "Evaluating Tenney's critical band using a computational model of the human cochlea." In Future Directions of Music Cognition. The Ohio State University Libraries, 2021. http://dx.doi.org/10.18061/fdmc.2021.0048.

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Takatama, Mirai, and Wonseok Yang. "Remote Cheering System with Voice in Live Streaming." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001753.

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In recent years, live streaming has become the mainstream. Because the music live has been canceled or postponed by the influence of the new coronavirus infection. Even now that the number of infected people is decreasing, hybrid live performances with both concert and live streaming are being held. Live streaming can reduce travel costs and time, so it has the merit of being able to watch it easily. However, it is difficult to feel a sense of unity and presence, and it does not create more excitement than concert. It has become a problem in the music industry. In order to solve this problem,

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Rapporti di organizzazioni sul tema "Music bands"

1

Health hazard evaluation report: HETA-2011-0129-3160, noise evaluation of elementary and high school music classes and indoor marching band rehearsals - Alabama. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 2012. http://dx.doi.org/10.26616/nioshheta201101293160.

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