Accedi

Bibliografie tematiche / Music bands

Indice

Articoli di riviste
Tesi
Libri
Capitoli di libri
Atti di convegni
Rapporti di organizzazioni

Letteratura scientifica selezionata sul tema "Music bands"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 28 febbraio 2023

Cita una fonte nei formati APA, MLA, Chicago, Harvard e in molti altri stili

Scegli il tipo di fonte:

Consulta la lista di attuali articoli, libri, tesi, atti di convegni e altre fonti scientifiche attinenti al tema "Music bands".

Accanto a ogni fonte nell'elenco di riferimenti c'è un pulsante "Aggiungi alla bibliografia". Premilo e genereremo automaticamente la citazione bibliografica dell'opera scelta nello stile citazionale di cui hai bisogno: APA, MLA, Harvard, Chicago, Vancouver ecc.

Puoi anche scaricare il testo completo della pubblicazione scientifica nel formato .pdf e leggere online l'abstract (il sommario) dell'opera se è presente nei metadati.

Articoli di riviste sul tema "Music bands"

1

O'Loughlin, Niall. "Wind Bands". Musical Times 129, n. 1739 (gennaio 1988): 29. http://dx.doi.org/10.2307/964987.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

2

Dordzro, John-Doe. "BRASS BAND MUSIC IN GHANA: THE INDIGENISATION OF EUROPEAN MILITARY MUSIC". African Music: Journal of the International Library of African Music 11, n. 2 (22 novembre 2020): 141–63. http://dx.doi.org/10.21504/amj.v11i2.2318.

Testo completo

Abstract (sommario):

Local brass bands have become an indispensable factor in weddings, processions, rituals of birth or death, at Christmas and New Year festivities in many parts of the globe. Remains of European brass bands are widely distributed throughout Africa, India, Indonesia, Latin America, and the Caribbean. )ese bands are of both military and missionary origin. They are an important component of the nineteenth and early twentieth-century colonial expressive culture. Despite their uniqueness and widespread presence across the world, brass bands have received limited attention in Ghana. )is paper aims to address this lack by offering a comprehensive account of the contemporary situation of brass band music in Ghana. I trace the history of this musical world and explore the diverse ways military and missionary activities have shaped amateur brass band musical activities in Ghana. I discuss the distribution and band formations across Ghana, viewing it in five sections that detail different types of brass bands; church, town, service, school and “sharbo” bands. I continue by looking at the beginning, development, workings and indigenisation of European military music in local popular culture and provide an account of brass band music as observed in Ghana today. I argue that indigenisation is not a straightforward process of adaptation, rather, indigenisation is a process of ongoing aesthetic tensions and differences resulting in new musical forms and new forms of socialisation organised around musical performance.

Gli stili APA, Harvard, Vancouver, ISO e altri

3

Radócz, Miklós. "Wind Bands for Hungarian Community Music". Central European Journal of Educational Research 3, n. 1 (30 aprile 2021): 90–97. http://dx.doi.org/10.37441/cejer/2021/3/1/9355.

Testo completo

Abstract (sommario):

The scholarly study of community bands as music communities can be considered a relatively young trend even on an international level. Despite this fact, there is more and more research done on the potential effects they may have on society and music education. Our national literary records on wind bands, however, are mainly focused on their historical background and their legacy in the military. Thus, there is an insufficient amount of information provided on the aspects of sociology and pedagogy. Besides the literary comparison done in our research, we also study the resupply of our national bands in music schools, using available data from the the 2016/2017 Statistical Yearbook of Public Education. This paper serves mainly as a tool of problem identification, laying the groundwork for further researches done in this area.

Gli stili APA, Harvard, Vancouver, ISO e altri

4

Bayoumy, Tarneem. "Music Bands in the Old Kingdom". Journal of Tourism, Hotels and Heritage 1, n. 1 (1 novembre 2020): 40–54. http://dx.doi.org/10.21608/sis.2020.40171.1000.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

5

Wang, Shuang. "Music, social media and public pedagogy: indie music in the post-Cantopop epoch". Asian Education and Development Studies 7, n. 1 (2 gennaio 2018): 42–52. http://dx.doi.org/10.1108/aeds-03-2017-0022.

Testo completo

Abstract (sommario):

Purpose Hong Kong’s musical scene is rapidly changing along with the evolving media landscape. The purpose of this paper is to examine the new way of Cantopop production and dissemination in the new media ecosystem. Furthermore, this study calls for a reconceptualization of the process of Cantopop listening and sharing as a form of public pedagogy within the online public space. Design/methodology/approach Based on the investigation into two of the leading local indie bands Kolor and Supper Moment, this study explores the implications that social media and participatory culture have for these indie bands. In this study, the music content and promotion strategy of the two bands, as well as the role of their online audiences are studied. Findings Social media leads to more democratic cultural production and distribution. The strong online audience engagement serves as the foundation for the popularity of the two Cantopop indie bands. In their music practice, the lyrics appear to be in alignment with the goals and interests of the listeners, which gives rise to greater participation by its audiences through social media. Under the context of interactive internet culture, listening and sharing Cantopop can be seen as an educational force, thus reinforcing the values and attitudes. Originality/value While many important works have examined various aspects of Cantopop, little attention has been paid to the indie bands. This paper attempts to reveal the recent development of local indie bands as a site under the interactive internet culture. It also gives insights to the significant role of Cantopop played in public pedagogy.

Gli stili APA, Harvard, Vancouver, ISO e altri

6

Kang, Yeon Hee. "A Music · sociological Study of the Performances of Immigrants’ Bands: Centering on the Multinational Earthian Music Bands". Journal of Migration & Society 8, n. 2 (31 agosto 2015): 69. http://dx.doi.org/10.15685/jms.2015.08.8.2.69.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

7

Saputra, Pardian. "EKSISTENSI DAN ADAPTASI GRUP BAND THRASH METAL DAN ROCK DI NEGERI SYARIAT". Aceh Anthropological Journal 2, n. 2 (30 ottobre 2018): 114. http://dx.doi.org/10.29103/aaj.v2i2.1161.

Testo completo

Abstract (sommario):

Fatwa ulama no. 12 of 2013 on Art and Culture of Other Arts in Islamic Syariat in Banda Aceh, should the band with the rock music genre not be able tosurvive for long periods in ‘Aceh. But in reality bands of music genre Thrash Metal and Rock is still survive and present with real in public space in Aceh. This study looks at how the development, existence, and adaptation of the bands Inverno and Cronic in Banda Aceh. The Cronic band was formed in 1999, while Inverno was formed in 2011 in Banda Aceh. From interviews with the band Cronic and personnel about the existence and adaptation Inverno they found that the factors that affect their existence among other ways, through their consistency in the work and the support they received from various parties. he adaptations performed by Cronic and Inverno bands are through the adjustment of lyrics and the meaning of the song lyrics on the albums and singles that they release and make adjustments in terms of the outfit used when they concert as well as the theme song selection of each of their works

Gli stili APA, Harvard, Vancouver, ISO e altri

8

Sheldon, Deborah A. "Selecting Music for Beginning and Developing Bands". Journal of Music Teacher Education 6, n. 1 (settembre 1996): 6–15. http://dx.doi.org/10.1177/105708379600600103.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

9

O'Donnell, Patrick, e Steven McClung. "MP3 Music Blogs: Their Efficacy in Selling Music and Marketing Bands". Atlantic Journal of Communication 16, n. 2 (5 giugno 2008): 71–87. http://dx.doi.org/10.1080/15456870701840004.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

10

Taylor, Steve. "Channelling the darkness: Group flow and environmental expression in the music of Black Sabbath and Joy Division". Metal Music Studies 7, n. 1 (1 marzo 2021): 85–102. http://dx.doi.org/10.1386/mms_00033_1.

Testo completo

Abstract (sommario):

Although they superficially belong to different genres of music, Black Sabbath and Joy Division share a fundamental commonality in that their music was shaped by – and powerfully depicted – bleak urban industrial environments. This article highlights a number of specific ways in which both bands’ music depicted (and was influenced by) this environment, including an unusually bass-heavy sound, the repetitive and continuous quality of their music, an austerity of sound, the rigid structure of songs and performances and lyrical content. Both bands attained such a high – or pure – degree of environmental expression because they were examples of the phenomenon of ‘group flow’. I examine the aspects of group flow identified by psychologists and show how both bands exhibited these, including a highly cooperative creative process, a lack of conscious deliberation and a prolific and spontaneous output. It was their group flow that enabled the two bands to ‘channel’ their environment directly and powerfully.

Gli stili APA, Harvard, Vancouver, ISO e altri

Più fonti

Tesi sul tema "Music bands"

1

Kirtner, Ellen R. "Bands and Brands: The Relationship Between Bands and the Commercials They Soundtrack". Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1376767931.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

2

Behr, Adam. "Group identity : bands, rock and popular music". Thesis, University of Stirling, 2010. http://hdl.handle.net/1893/3051.

Testo completo

Abstract (sommario):

Since rock became the subject of academic study, its attendant ideology has been scrutinised and its mythical and Romantic components exposed. Largely absent from this account has been a thorough analysis of the phenomenon of the ‘band’. The role of individual acts and the wider contexts in which they worked has been discussed at the expense of an examination of an important form of music-making. This thesis seeks to address that gap. Using a mixture of literary research and ethnography, I present an overall picture of the band as a modus operandum, charting its evolution during the emergence of rock and presenting evidence that it has become a key means by which people enter and engage with the field of popular music. I suggest that debates about ‘authenticity’ in rock, in seeking to see through industry rhetoric have overlooked the way in which creativity in bands is closely connected to social interaction. My historical analysis brings to light the way in which the group- identified band has become embedded into popular music practice through the power of narratives.Two case studies, contextualised with archival material and interviews, form the basis for a model for collective creativity. By demonstrating how social action and narrative myth feed into one another, I argue that the group identity of a band is the core of the industrially mediated texts to which audiences respond. Our understanding of how authenticity is ascribed in popular music, and rock in particular, has paid too much attention to genre-based arguments and not enough to musical and social methods. I propose a way of revising this to take better account of rock as an actual practice.

Gli stili APA, Harvard, Vancouver, ISO e altri

3

Chaffee, Christopher Lloyd. "Music as Advertising: The Story of the Armco Band". University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1069350175.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

4

Helbing, Rachel. "Women and Steel Bands in Trinidad". Miami University Honors Theses / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1111087466.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

5

French, Gillian. "Follow the band : community brass bands in the Scottish Borders". Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/9482.

Testo completo

Abstract (sommario):

This thesis presents research into the history and contemporary context of brass bands in the Scottish Borders. It discusses how the survival of the brass bands in the Scottish Borders can be accounted for over the last 150 years, in particular with regard to the continuity of their interaction with the community which has enabled them to overcome cultural, social and demographic changes. The textile industry which provided a stimulus for the formation of the brass bands in the nineteenth century has largely disappeared, but the traditional role of the bands has been carried forward to the present day. Previous study of the social and cultural history of the brass band movement has concentrated on the history of brass banding in the North of England. Although research into the history of brass bands has been carried out in other areas of Britain such as the South of England this is the first in-depth study of these bands in a region of Scotland. This research follows previous studies of amateur music-making in specific locations by studying in detail the brass bands that exist in seven towns and one village of the Scottish Borders where the bands can date their formation to the mid-nineteenth century. Historical and archival research has provided most of the data relating to the first hundred years, including the use of individual band archives, local newspaper archives and museum records. Ethnographic methods, including interviews and participant observation, have provided the data for more recent times. Details of brass band repertoires have been extracted from various sources including musical examples taken from individual band libraries. A central research finding is the strong relationship of the brass bands with their local communities, particularly the support given to the bands by local people and the way in which the bands support their communities by providing music for civic and community events. The close relationship of the brass bands with their local communities has been fundamental in providing the means by which the bands have been sustained over time. There is a strong Scottish Borders identity that links the towns, especially through family ties, and this is also found in a musical repertoire with songs that are specifically connected to the region and to individual towns. By playing this music for civic and community events, especially at the time for the Common Ridings which are annual events unique to the Scottish Borders, the brass bands have provided a service to the community which has ensured their survival.

Gli stili APA, Harvard, Vancouver, ISO e altri

6

Hebert, David Gabriel. "Music competition, cooperation and community : an ethnography of a Japanese school band /". Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11402.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

7

Houser, Russell John. "An examination of wind band transcriptions". To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2008. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

8

Williamson, Brad A. "A study of Ohio high school band directors' perceived preparation for teaching high school marching band through participation in a collegiate marching band, marching band technique classes, and methods courses". Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1243463233.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

9

Hartz, Jason Michael. "The American community band history and development /". Huntington, WV : [Marshall University Libraries], 2003. http://www.marshall.edu/etd/descript.asp?ref=232.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

10

Galyen, Stephen Daniel. "Development of a structured method of mental practice and its effect on the performance of high school band students". [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0013520.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Più fonti

Libri sul tema "Music bands"

1

Koerner, Julie. Big bands. New York: Friedman/Fairfax Publishers, 1992.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

2

instrumentalist, Goodman Benny 1909-1986, Kyser Kay instrumentalist, Herman Woody 1913-1987 instrumentalist, Berigan Bunny 1908-1942 instrumentalist, Lunceford Jimmie instrumentalist, McCoy Clyde 1903-1990 instrumentalist, Ellington Duke 1899-1974 instrumentalist e Dorsey Tommy 1905-1956 instrumentalist, a cura di. Big bands. New York: Friedman/Fairfax Publishers, 1997.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

3

National Band Association (U.S.), a cura di. Selective music list for bands. 8^a ed. Nashville, TN: National Band Association, 2001.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

4

Wind bands and brass bands in school and music centre. Cambridge, [Cambridgeshire]: Cambridge University Press, 1985.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

5

Fröhlich, Frank. Bands in Dresden. 4^a ed. Dresden: Fröhlich-Verlag, 1996.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

6

Fröhlich, Frank. Bands in Dresden. 5^a ed. Dresden: Fröhlich-Verlag, 1998.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

7

Claghorn, Charles Eugene. Popular bands and performers. Lanham, Md: Scarecrow Press, 1995.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

8

Gagné, Denise. Theory worksheets for beginning bands. Portland, Me: J. Weston Walch, 1988.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

9

Durman, Laura. Pop bands. London: Franklin Watts, 2011.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

10

Calonita, Jen. Battle of the bands. New York: Little, Brown Books for Young Readers, 2016.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Più fonti

Capitoli di libri sul tema "Music bands"

1

Bennett, Andy. "Tribute Bands, Self-Tribute and ‘Classic Albums Live’". In Popular Music Heritage, 137–58. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08296-2_7.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

2

Santamarina-Campos, Virginia, José Luis Gasent-Blesa, Pau Alcocer-Torres e Mª Ángeles Carabal-Montagud. "The Intangible Cultural Landscape of the Banda Primitiva de Llíria". In Music as Intangible Cultural Heritage, 69–99. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_6.

Testo completo

Abstract (sommario):

AbstractThe Banda Primitiva de Llíria is presented as an open heritage resource, which has been built on the uses, values and symbols assigned to it by the local town of Llíria and its inhabitants over the musical society’s two centuries of history. This work focuses on analysing how this musical phenomenon contributes to positioning creativity and cultural industries at the centre of local development, reinforcing the identity elements of Llíria and the Valencian Region. It intends to support the safeguarding, respect and awareness of one of the oldest civic bands in Spain, providing greater visibility and creating positive recognition of the fundamental importance of this form of intangible cultural heritage for social cohesion and development, in an environment that is transformed into one of collective action, shared culture and creativity.

Gli stili APA, Harvard, Vancouver, ISO e altri

3

Catalá-Pérez, Daniel, e Gabino Ponce-Herrero. "Music for the Moors and Christians Festivities as Intangible Cultural Heritage: A Specific Genre for Wind Bands in Certain Spanish Regions". In Music as Intangible Cultural Heritage, 101–17. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_7.

Testo completo

Abstract (sommario):

AbstractThis chapter makes a brief approach to the origins and evolution of both wind bands and the Moors and Christians festivals, especially in the Valencian Region, tracing the lines that connected both phenomena at a specific moment in history. The indissoluble relationship that has united them since then has created a musical genre that has not only become one of the most recognisable signs of Valencian society’s identity, but also a treasure of its intangible cultural heritage, and a fundamental part of the economic activity of musical societies in the context of what certain authors call “the ecosystem of the Moors and Christians cluster”. Moors and Christians festivals are linked to the hiring of bands for musical accompaniment in parades and for the celebration of other activities, such as concerts, recreational performances and recordings which make up an essential part of many musical societies’ funding sources.

Gli stili APA, Harvard, Vancouver, ISO e altri

4

Carabal-Montagud, María Ángeles, Guillem Escorihuela-Carbonell, Virginia Santamarina-Campos e Javier Pérez-Catalá. "The Impact of the COVID-19 Pandemic on Musical Societies in the Valencian Region, Spain". In Music as Intangible Cultural Heritage, 119–37. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_8.

Testo completo

Abstract (sommario):

AbstractThe aim of this study is to analyse the impact of the COVID-19 pandemic on musical societies in the Valencian Region, which were declared as an Asset of Intangible Cultural Interest in 2018. These cultural societies, which include over 1,100 bands, have had to make changes to adapt to the global pandemic. They are made up of symphonic bands, music schools, choirs, orchestras and other musical groups. Their social structure involves a large part of the Valencian Region’s population which, to some extent, becomes part of the creative process and transfer of musical languages, such as cultural transmission and historical content. This teaching model includes a variety of strategies, such as generating community ties that go beyond the social dimension. Moreover, the process of transformation, adaptation and resilience followed by these musical societies in order to maintain their training routines and other tasks will be analysed through an ethnographic study. This aims to focus on the extent of the economic, social and pedagogical impact of COVID-19 on these organisations.

Gli stili APA, Harvard, Vancouver, ISO e altri

5

Reddington, Helen L. "Détournement and female punk bands of the 1970s". In Rethinking Difference in Gender, Sexuality, and Popular Music, 34–51. Abingdon, Oxon; New York, NY: Routledge, 2018. | Series: Routledge studies in popular music: Routledge, 2018. http://dx.doi.org/10.4324/9781315660455-3.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

6

Hebert, David G. "The World’s Finest School Bands and Largest Music Competition". In Landscapes: the Arts, Aesthetics, and Education, 3–10. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-2178-4_1.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

7

Pertusa, Antonio, Anssi Klapuri e José M. Iñesta. "Recognition of Note Onsets in Digital Music Using Semitone Bands". In Lecture Notes in Computer Science, 869–79. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/11578079_90.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

8

Schedl, Markus, e Gerhard Widmer. "Automatically Detecting Members and Instrumentation of Music Bands Via Web Content Mining". In Lecture Notes in Computer Science, 122–33. Berlin, Heidelberg: Springer Berlin Heidelberg, 2008. http://dx.doi.org/10.1007/978-3-540-79860-6_10.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

9

de-Miguel-Molina, María, e Virginia Santamarina-Campos. "Conclusions: Music as an Economic, Social, Cultural, Creative and Resilient Activity". In Music as Intangible Cultural Heritage, 139–44. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_9.

Testo completo

Abstract (sommario):

AbstractMusic, like many cultural and creative industries, can be analysed from symbolic, political and economic dimensions. It is a vibrant, highly resilient sector that has continued to evolve over time from prehistory to the present. Moreover, the music industry has developed in lockstep with technology, creating fascinating business models since the inception of the Internet, forcing companies and artists to adapt continuously to the new environment. This is also related to music customers, who change their preferences as new genres and trends appear. Governments are well aware of the opportunities that music affords to local development and have created public policies that boost the sector. On the other hand, music has also proved its educational role, and its function as an identity builder, especially in local environments where music is present in many festivities in the shape of bands. Mediterranean locations have a rich tradition in this type of musical societies and groups which create a collective identity that is transmitted from one generation to the next. Finally, music has not been immune to the crisis caused by the pandemic, though it has once again shown resilience in this respect, adapting rapidly to the new economic, societal and educational challenges that are currently affecting the entire world.

Gli stili APA, Harvard, Vancouver, ISO e altri

10

Herbert, Trevor, e Helen Barlow. "Bands of Music". In Music & the British Military in the Long Nineteenth Century, 38–62. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:oso/9780199898312.003.0002.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Atti di convegni sul tema "Music bands"

1

Dudenina, Svetlana, e Valery Korablev. "Approaches to Organization of Music Bands with Nontraditional Composition". In 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.91.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

2

Fakhrtabatabaie, Ashkan, e Skyler G. Jennings. "Evaluating Tenney's critical band using a computational model of the human cochlea". In Future Directions of Music Cognition. The Ohio State University Libraries, 2021. http://dx.doi.org/10.18061/fdmc.2021.0048.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

3

Takatama, Mirai, e Wonseok Yang. "Remote Cheering System with Voice in Live Streaming". In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001753.

Testo completo

Abstract (sommario):

In recent years, live streaming has become the mainstream. Because the music live has been canceled or postponed by the influence of the new coronavirus infection. Even now that the number of infected people is decreasing, hybrid live performances with both concert and live streaming are being held. Live streaming can reduce travel costs and time, so it has the merit of being able to watch it easily. However, it is difficult to feel a sense of unity and presence, and it does not create more excitement than concert. It has become a problem in the music industry. In order to solve this problem, we think it is necessary to pay attention to the presence or absence of audience sharing the same place and voice, which is a big difference between concert and live streaming. This study examines how to make it satisfactory live where we can feel a sense of unity and presence even if we are alone at home in a live streaming. To this end, we clarified the behavior of the audience watching concert and analyzed how to cheer.Therefore, we conducted a survey of the excitement of it based on the pyramid of Freytag.We investigated the behavior of the audience from concert videos of idols, singers and rock bands. As a result, audience’s cheering method has three types of cheering: those using voice, those using hands and those using entire body. Cheering using voice plays an important role in deciding the excitement.Live streaming has comments, social tipping, and posting on SNS as a service. However, none of them share the voice of the audience. This analysis clarified the reason why live streaming is not more exciting than concert. Thereby we considered that sharing emotions aloud between the audience create a sense of unity in live streaming. From the above, we produce a live streaming cheering system using voice. This system uses the call program to communicate with other audiences, visualize the voice of the audience and project it on the screen. It’s mechanism that increases the number of effects that express excitement as the audience’s voice gets louder. We produce it to use TouchDesigner. Moreover, subjects watched the concert video with this system. we experimented with whether the subject felt a sense of unity and presence compared to conventional live streaming. Subjects were able to shout even more by sharing voices with other audiences and visualizing their voices. In addition, conventional live streaming shared emotions by discussing their impressions with other audiences using SNS. By contrast, this system can share emotions directly through the call program, which makes it more exciting. On the other hand, subjects have an opinion that it would be better to project effects tailored to the concept of songs and concerts on the screen so that the audience would not get bored. Therefore, this system is room for the development. From this experiment, the remote cheering system using voice improve the concert experience at home.

Gli stili APA, Harvard, Vancouver, ISO e altri

4

Husin, Nanang, e Achmad Hidayanto. "Performance for Justice Perception Framework Analysis on Digital Music Service". In Proceedings of The 2nd International Conference On Advance And Scientific Innovation, ICASI 2019, 18 July, Banda Aceh, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.18-7-2019.2288593.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

5

Chowdhury, Shreyan, Tanaya Guha e Rajesh M. Hegde. "Music Tempo Estimation Using Sub-Band Synchrony". In Interspeech 2017. ISCA: ISCA, 2017. http://dx.doi.org/10.21437/interspeech.2017-1000.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

6

Acquavella-Rauch, Stefanie. "Musikalische Schaffensprozesse 2.0 – Inkorporation audiovisueller Medien der populären Musik in Methoden der digitalen Edition". In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.101.

Testo completo

Abstract (sommario):

The project “Creational Processes in Music 2.0 – Incorporating audiovisual media of popular music into methods of digital editions” aims to document, evaluate and thus investigate dimensions of musical creation processes that have not previously been ascertainable. It focuses on group related creativity, using qualitative research and ethnographical methods in order to investigate the self-perception of group members on the one hand, while on the other hand the creative process was documented and analyzed directly (module 2). The Melodic Hardcore Band Close to the Distance thankfully agreed to be interviewed in module 1 and to take part in a passive participant observation in module 2. In a third project module, current tools of digital musical editions were explored regarding their possibilities of incorporating audiovisual sources in order to gain a deeper insight into the ethnographically collected material.

Gli stili APA, Harvard, Vancouver, ISO e altri

7

Zhang, Johan Xi, Mads Graesboll Christensen, Joachim Dahl, Soren Holdt Jensen e Marc Moonen. "Sub-band implementation of the Harmonic MUSIC algorithm". In ICASSP 2009 - 2009 IEEE International Conference on Acoustics, Speech and Signal Processing. IEEE, 2009. http://dx.doi.org/10.1109/icassp.2009.4959582.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

8

"Saing-Waing: The Burmese Music Band in Thailand". In April 18-19, 2017 Kyoto (Japan). DiRPUB, 2017. http://dx.doi.org/10.15242/dirpub.ea0417019.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

9

Qiu, Zhaolin, Yufan Ren, Canchen Li, Hongfu Liu, Yifan Huang, Yiheng Yang, Songruoyao Wu et al. "Mind Band: A Crossmedia AI Music Composing Platform". In MM '19: The 27th ACM International Conference on Multimedia. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3343031.3350610.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

10

Grisé, Adam. "Music Education Through Cultural Immersion: Preservice Music Teachers' Experiences in a Caribbean-American Steel Band". In 2019 AERA Annual Meeting. Washington DC: AERA, 2019. http://dx.doi.org/10.3102/1442995.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Rapporti di organizzazioni sul tema "Music bands"

1

Health hazard evaluation report: HETA-2011-0129-3160, noise evaluation of elementary and high school music classes and indoor marching band rehearsals - Alabama. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, maggio 2012. http://dx.doi.org/10.26616/nioshheta201101293160.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Offriamo sconti su tutti i piani premium per gli autori le cui opere sono incluse in raccolte letterarie tematiche. Contattaci per ottenere un codice promozionale unico!