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Tesi sul tema "Music competitions"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 1 agosto 2024

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1

Michalak, Filip. "Piano Competitions : Preparation and Purpose." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2854.

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2

Hurst, Craig Willmore. "A Nationwide Investigation of High School Band Directors' Reasons for Participating in Music Competitions." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc277760/.

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The purpose of this study was to assess on a national level, high school band directors' reasons for their bands' participation in six different types of competitive music activities, identify important reasons for participation in competitive music activities, and examine if statistically significant differences existed between the magnitudes of importance reasons for participation when subjects' responses were grouped by type of competitive activity, frequency of participation in a competitive activity, and by groupings of U. S. states similar in terms of general participation in competitive

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3

McKerrell, Simon Alasdair. "Scottish competition bagpipe performance : sound, mode and aesthetics." Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/4809.

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This study is an ethnomusicological analysis of Scottish competition bagpiping, examining three fundamental aspects of performance: sound aesthetics, performance aesthetics and the modal complex of the core repertoire. Through a mixture of discussions, modal analysis and reflections upon performance, it deconstructs the music of the 2/4 competition pipe march and the aesthetics surrounding competition performance. Focussing on a small number of the world's leading Highland bagpipers, this research demonstrates how overall sound combined with the individual choices about repertoire and how to p

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4

Theron, Susara Margaretha. "Die perserverance kersfeesorkes as verteenwoordigende voorbeeld van gemeenskasmusiek in die Wes-Kaap." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/5134.

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Thesis (MMus (Music))--University of Stellenbosch, 2010.<br>AFRIKAANSE OPSOMMING: Die Kersfeesorkeste is ‟n Christelike tradisie binne die Kleurling-gemeenskap van die Wes-Kaap wat dissipline en goeie waardes by lede van hierdie gemeenskap inboesem en musiek in voorheen benadeelde en minderbevoorregte sektore van die samelewing bevorder. Die geskiedenis en agtergrond van die Kersfeesorkeste is soortgelyk aan dié van die Kaapse Klopse en die Maleierkore, wat veral prominent na vore kom tydens die Kersfees- en Nuwejaarsfeestelikhede in die Kaap. Alhoewel hierdie drie groepe ‟n nou verbintenis to

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Goodman, Kimberlee Ruthe. "The commissioned works of the National Flute Association for the Young Artist and High School Soloist Competitions." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1196186122.

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6

Laufer, Gil, and Alexander Åblad. "Spirit in the Screen : The effect of CuePilot on the viewer's experience in live broadcasted music competitions." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-279486.

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The use of media technology to pre-program the camera work of performances (with tools such as CuePilot) became a state-of-theart solution in live broadcasted music competitions and events, allowing to create technologically advanced and more appealing live performances. In this paper we study how the use of such solutions affect the viewer’s experience, assuming that preprogrammed camera work results in a more unified experience compared to manual camera work. The paper also investigates whether pre-programmed camera work is noticeable by the viewers. To study these effects an experiment was

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7

Allgeier, Anthony Joseph III. "The Works for Clarinet Commissioned by the Concours International d'Exécution Musicale de Genève: A Critical Survey and Performance Guide." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc31524/.

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Beginning in 1939, the Concours International d'Exécution Musicale de Genève (CIEM; Geneva International Music Competition) is unique among international music competitions in its multidisciplinary approach. To date, fifteen works have been commissioned for clarinet for the years in which the clarinet was involved. The most well-known of these works is the unaccompanied work by Heinrich Sutermeister, Capriccio for Solo Clarinet in A, written in 1946 for the 1947 competition. This work is a staple in the unaccompanied clarinet repertoire. However, the other fourteen works commissioned for the c

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8

Rottcher, Janette. "Die bydrae van Unisa se Oorsese Musiekstudiebeurs vir Voordraers tot die ontwikkeling van musiek in Suid-Afrika." Diss., University of Pretoria, 2011. http://hdl.handle.net/2263/30716.

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In hierdie studie word die invloed van Unisa se Oorsese Musiekstudiebeurs vir Voordraers op musiekontwikkeling in Suid-Afrika ondersoek. Ten einde hierdie doel te bereik, is twee navorsingsmetodes gevolg. Eerstens is ’n literatuurstudie gedoen. Daardeur is die loopbane van gevestigde en aspirerende uitvoerende kunstenaars ondersoek, die term ‘professionele musikus’ omskryf, die invloed van formele en informele musiekonderrig op jong musiekstudente bestudeer en ook die verhouding tussen ’n onderwys- en uitvoerende loopbaan bloot gelê. Tweedens is ’n vraelys aan al die beskikbare Unisa Oorsese M

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9

Du, Toit-Pearce Minette. "Eisteddfod in Suid-Afrika met spesifieke verwysing na die Paarl Vallei Eisteddfod." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2945.

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Thesis (MMus (Music))--University of Stellenbosch, 2009.<br>The purpose of this thesis is twofold. In the first instance, it is to document the origins and history of the eisteddfod in general, and more specifically, in South Africa. In the second instance, this thesis will attempt to describe the meaning and role of the eisteddfod in South Africa. This will be achieved with the help of a case study, which will require that a local eisteddfod be researched and discussed. As a result of involvement with eisteddfods over a period of twenty-five years (first as a participant and later as a teache

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10

Remy, Jeannine Irene. "A historical background of Trinidad and Panorama competitions with an analysis of Ray Holman's 1989 Panorama arrangement of "Life's Too Short"." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185401.

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This document is directed toward those who have little knowledge about Trinidad, its people, the Carnival activities, and the Panorama competition. This research work should help summarize the evolution of steel drums while providing a transcription of a Panorama score for further scholarly study. The first part of this lecture document includes a brief history and evolution of Trinidad, its people, and musical developments through Carnival. The second portion reports and discusses field research with the Trintoc Invaders in preparation for the 1989 and 1990 Panorama competitions. The third pa

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11

Lees, Jennifer Anne, University of Western Sydney, of Arts Education and Social Sciences College, and School of Humanities. "Eisteddfoditis : the significance of the City of Sydney Eisteddfod in Australian cultural history 1933-1941." THESIS_CAESS_HUM_Lees_J.xml, 2003. http://handle.uws.edu.au:8081/1959.7/714.

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This thesis documents the early history of the City of Sydney Eisteddfod from its beginning in 1933 until it recessed in 1941 for the duration of the Pacific War. Eisteddfods had long been commonplace in Australia, but this competition began for political rather than cultural reasons in 1932, when organisers of the Harbour Bridge celebrations decided that since the spectacular edifice had made Sydney an icon on the world map, the city needed to cultivate a more sophisticated image. In observing events that led to its establishment, the project looks at the technological revolution of the 1920s

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12

Hirvonen, A. (Airi). "Pikkupianisteista musiikin ammattilaisiksi:solistisen koulutuksen musiikinopiskelijat identiteettinsä rakentajina." Doctoral thesis, Oulun yliopisto, 2003. http://urn.fi/urn:isbn:9514269365.

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Abstract The aim of the present study was to work out how students of soloist music education construct their identities in their life stories and what they narrate about the meaning of significant persons, instrumental teachers and instrumental studies for the advancement of their studies. In addition, it was worked out what the soloist students narrate about their performances in music competitions and how recognition achieved in music competitions appears in their stories. Research problems were solved by using narrative-biographical approach and the data were collected by interviewing five

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13

Wulfsberg, Joanna Christine. "Singing turkish, performing Turkishness| Message and audience in the song competition of the international Turkish olympiad." Thesis, The University of Arizona, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1589575.

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<p> Turkey's most controversial religious figure is the Muslim cleric and author Fethullah Gülen, whose followers have established around one thousand schools in 135 countries. Since 2003, the Gülen-affiliated educational non-profit TÜRKÇEDER has organized the International Turkish Olympiad, a competition for children enrolled in the Gülen schools. The showpiece of this event is its song contest, in which students perform well-known Turkish songs before live audiences of thousands in cities all over Turkey and reach millions more via television broadcasts and the Int

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14

Lees, Jennifer Anne. "Eisteddfoditis : the significance of the City of Sydney Eisteddfod in Australian cultural history 1933-1941." Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/714.

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This thesis documents the early history of the City of Sydney Eisteddfod from its beginning in 1933 until it recessed in 1941 for the duration of the Pacific War. Eisteddfods had long been commonplace in Australia, but this competition began for political rather than cultural reasons in 1932, when organisers of the Harbour Bridge celebrations decided that since the spectacular edifice had made Sydney an icon on the world map, the city needed to cultivate a more sophisticated image. In observing events that led to its establishment, the project looks at the technological revolution of the 1920s

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15

Lekakul, Great. "Prachan : music, competition, and conceptual fighting in Thai culture." Thesis, SOAS, University of London, 2017. http://eprints.soas.ac.uk/26516/.

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Hebert, David Gabriel. "Music competition, cooperation and community : an ethnography of a Japanese school band /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11402.

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17

Okorie, Chijioke Ifeoma. "Open and freemium music business models in Africa - copyright and competition consequences." Doctoral thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/28396.

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This thesis considers how South Africa and Nigeria can apply copyright and competition laws to regulate the open and freemium music business model that involves the use of copyright-protected music content to generate revenue from advertising. To enhance their competitiveness and escape copyright infringement liability, the firms that deploy the business model impose contractual terms to explain their use of protected content and direct the actions of platform users. Using case law from the Court of Justice of the European Union (CJEU), the thesis argues that although these terms result in fre

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18

Frabboni, Maria Mercedes. "Collective management of music rights : a test of competition and industrial organisation theories." Thesis, Queen Mary, University of London, 2009. http://qmro.qmul.ac.uk/xmlui/handle/123456789/456.

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The management of music rights is currently carried out in a collective manner, by national organisations known as collecting societies. These organisations issue licences to commercial users, monitor their uses, collect royalties and distribute remuneration to rights holders. Collecting societies emerged as a response to the difficulty for authors to authorise personally every use of their work. They subsequently evolved into large and highly structured institutions that aggregate the interests of a wide and scattered array of rights holders. Collecting societies perform their activities with

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19

Musgrave, George. "Creativity, capital and entrepreneurship : the contemporary experience of competition in UK urban music." Thesis, University of East Anglia, 2014. https://ueaeprints.uea.ac.uk/53431/.

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This thesis explores how a competitive marketplace is experienced by creative labour in the context of UK urban music by employing an experimental ethnographic research approach. Between 2010-2013, observations, interviews and textual analysis were conducted with two case-study ‘MCs’, alongside reflexive autoethnographic analysis of the author’s own career as an unsigned artist. The findings contribute to the study of competitiveness by highlighting how it is understood from the perspective of producers, as well as to a wider body of qualitative academic literature exploring the ways in which

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20

Kanellopoulou, Evgenia. "Test for echo : competition law and the music industries from a business model perspective." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31351.

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The thesis asks whether there is a role for competition law and policy in the music industries. It is argued that there is a need for updated competition policy in order to safeguard both end consumer welfare and the competitive process in these markets, characterised by fast-paced developments and business model innovation. Indeed, the past two decades saw the music industries undergo seismic changes, as even the term 'music industries' was not in use as such before the advent of the internet era and the decline in sales of recordings in physical format. Soon it became obvious that the tradit

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21

Kaye, D. Bondy Valdovinos. "Same song, new dance: analyzing market structure and competition in the digital music aggregation industry." Thesis, Kansas State University, 2016. http://hdl.handle.net/2097/32644.

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Master of Science<br>Department of Journalism and Mass Communications<br>Angela Powers<br>Technological revolutions of the past century have fueled dynamic paradigm shifts across a broad spectrum of mass media industries. This study examines an innovative new market segment in the music recording industry: digital music aggregation. Digital music aggregators are music distributors that directly connect artists, any creator of musical content, to digital music vendors, online music stores such as iTunes or digital music streaming services such as Spotify. Digital music aggregator companies offe

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22

Tucker, Olivia Gail. ""Everybody is Good Enough": Band Teacher Agency in a Highly Competitive Environment." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707234/.

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Relations between music education structures and teacher agency are under-researched and under-theorized, and scholars have indicated that the traditions and competitions of school bands in the U. S. may constrain educator agency. The need for research on teacher agency in competitive environments is compounded by policy trends toward administrators' use of festival scores in music educator evaluations. The purpose of this instrumental case study was to investigate band teacher agency in a highly competitive music education environment. I used the chordal triad of agency as the primary theoret

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Griffin, Amanda Jane. "The amateur competition movement : shaping identity through participation in the Manx Music Festival, 1892-2005." Thesis, Durham University, 2006. http://etheses.dur.ac.uk/2941/.

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The aim of this dissertation is to consider the thesis that the amateur competitive music festival is a contributor to the formation and maintenance of ideas and ideals of identity. The research begins by considering the advent, growth and spread of the amateur competition festival and how these festivals shaped the musical identity of the British Isles and the personal identity of those participating In the festivals. The dissertation then focuses upon the Isle of Man as the locus of the research considering how identity formation is a complex process shaped both by history "and the personal

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24

Scannell, Daniel A. "Sound Judgment: Auditory – but not Visual – Information Reveals Musical Competition Winners." Thesis, Boston College, 2014. http://hdl.handle.net/2345/3867.

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Thesis advisor: Ellen Winner<br>Previous research reported that people can successfully determine the winner of a musical competition when viewing a six second film clip of the performer without sound (Tsay, 2013, 2014); in contrast, when given an audio-only film clip or a clip that combined auditory and visual information, people perform at chance. Given the well-known publication bias in psychology (Ioannidis, 2005), this surprising and counterintuitive finding begs replication. In Study 1, 112 participants were randomly assigned to a sound, video, or video-plus-sound condition and were aske

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Swehla, Kelli L. "An examination of a competition set for your active high school jazz band: “Hay Burner” by Sammy Nestico, “A Child is Born” by Thad Jones, “The Next Chapter” by Patty Darling, “Uchibeng Wow-Wow” by Michael Philip Mossman." Kansas State University, 2015. http://hdl.handle.net/2097/20360.

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Master of Music<br>School of Music, Theatre, and Dance<br>Frank Tracz<br>The following report is an in depth research and analysis project based on the graduation requirement for a Masters in Music degree from Kansas State University. The product of this project was a performance at the Iowa Jazz Championships by the Xavier High School Jazz Band One (Cedar Rapids, IA), Kelli L. Swehla, director. This performance was held on March 31, 2015, at the Community Choice Credit Union Convention Center (part of the Iowa Events Center), in Des Moines, IA. The repertoire included Hay Burner by Sammy N

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Ripley, Angela N. "Surviving Set Theory: A Pedagogical Game and Cooperative Learning Approach to Undergraduate Post-Tonal Music Theory." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437583773.

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Duerksen, Jessica Anne. "“It’s festival time again”: Sounding Tensions with/in an A/R/Tographical Inquiry into Participation in Competition Music Festivals." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/32989.

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Reflecting on my musical past, my annual participation in competition music festivals in solo and ensemble categories at the local and provincial levels shaped my music education as well as my development as a music educator. I inquire into how re/visiting moments of tension in my lived experiences as a participant in competition music festivals can facilitate my current praxis as artist, researcher and teacher. My inquiry is informed by understandings of a/r/tography as an arts-based educational research methodology. I inquire into these sites of music-making drawing on a theoretical framewor

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Groulx, Timothy J. "An Examination of the Influence of Band Director Teaching Style and Personality on Ratings at Concert and Marching Band Events." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1650.

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This descriptive correlational study examined the relationship between high school band directors' teaching style and personality and their ratings in marching and concert band festivals using the Five-Factor Model of personality and Gumm's Music Teaching Style Inventory. The sample (N=176) consisted of 46% of all high school band directors in Florida. Criterion variables included marching and concert festival ratings, state concert band ratings, Florida Marching Band Coalition marching competition scores, frequency of attendance of these last two events, and the balance between marching and c

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Hoffman, Kenneth Lloyd Jr. "Ohio Band Directors' Perceptions of Large Group Adjudicated Events." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397662993.

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Souchaud, Alexandrine. "Les pianistes amateurs en concours : mises à l’épreuve pour une reconnaissance ?" Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040090/document.

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Dans une volonté de comprendre le sens des pratiques instrumentales au fil du quotidien d’adultes musiciens amateurs, cette thèse propose d’analyser l’expérience de pianistes, qui, parallèlement à leurs vies professionnelles et privées, ont décidé un jour de se lancer un défi : passer un concours de musique. De leurs aspirations à prendre part à ce type de manifestation à leur présentation/prestation devant les jurys en passant par la phase de préparation au concours, nous inviterons le lecteur à suivre le cheminement et l’engagement de ces musiciens amateurs tout au long de cette aventure mus

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Brennan, John Michael. "Show Design and Wind Arranging for Marching Ensembles." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397561909.

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Lundequist, Per. "Spatial clustering and industrial competitiveness : Studies in economic geography." Doctoral thesis, Uppsala : Department of Social and Economic Geography, Uppsala University, 2002. http://publications.uu.se/theses/99-2002-0429140456/.

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Čep, Jaroslav. "Podnikatelský záměr." Master's thesis, Vysoké učení technické v Brně. Fakulta podnikatelská, 2010. http://www.nusl.cz/ntk/nusl-222538.

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The aim of the thesis is to create business plan which is focused on “revitalization” of disco club in Libina village, work up analysis of present condition, make a proposal changes that provides improvement of competition standing of company. In the end find out whether this business plan including proposal of changes will be profitable or not to aplicate.

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Caillat, Maud. "Confrontation culturelle Est-Ouest pendant la Guerre froide par le biais du concours Marguerite Long (1947 à 1979)." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040121.

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Quel rôle le Concours international Marguerite Long joue-t-il dans le contexte de la Guerre Froide, en tant que vecteur culturel où s’affrontent deux écoles opposées d’un point de vue esthétique, à savoir les Écoles de piano française et soviétique ? L’objectif de cette thèse est de comprendre les mécanismes du concours Marguerite Long et leur impact sur le jeu pianistique qui, depuis les années cinquante jusqu’à la fin des années soixante-dix, évolue considérablement sous l’impulsion des succès de l’École russo-soviétique. Le lien apparent entre concours et politique internationale est décons

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chen, mei-lin, and 陳美霖. "Taiwan the strategy of industrializing the music competitions." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/48676275647004079791.

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碩士<br>國立中山大學<br>劇場藝術學系碩士班<br>99<br>英文摘要 The main subject of this thesis is to discover the strategy of industrializing the music competitions held in Taiwan. Case study and interview key persons were ways employed to collect materials, and Delphi Method was used later for further examination. Because of the geographical limitation on this subject, the author first explained the connection between the music competitions and the culture and education condition in Taiwan’s society. In the second chapter, the urge of industrialize the music competitions was revealed from cultural, economical,

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Nzimande, Sipho Justice. "Choral competitions : a critical appraisal of their relevance to music education in KwaZulu." Thesis, 1993. http://hdl.handle.net/10530/730.

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Submitted in fulfilment or partial fulfillment of the requirements for the degree of Master of Education in Music in the Faculty of Education at the University of Zululand, 1993.<br>A big question for the researcher is whether the current school choir competitions have positive or negative effects on the choristers and the rest of the community. Therefore the aim of this study is to look for the possibilities of enriching this choral practice or drawing everyone's realisation to the effects that exist in choral competitions. The procedure of interviews and questionnaires has been employed beca

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CHEN, HUI-HSIN, and 陳慧欣. "A Discussion of Selected Trumpet Repertoires in the 7 International Music Competitions from 2000-2018." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/zhfv94.

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碩士<br>東吳大學<br>音樂學系<br>107<br>There are several international music competitions established for more than half a century, include: Internationaler Musikwettbewerb der ARD München, the Budapest Music Competition and Prague Spring International Music Competition. Despite those international competitions, there are some international competitions held just for brass instruments, which are: Jeju International Brass Competition and International Competition “Città di Porcia”. Moreover, there are some competitions conducted mainly just for solo trumpet, such as: Ellsworth Smith International Trumpet

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Brunt, Shelley Dorothy. "Performing community : Japan’s 50th Kōhaku song contest." Thesis, 2006. http://hdl.handle.net/2440/70157.

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"South African choral music (Amakwaya) : song, contest and the formation of identity." Thesis, 2002. http://hdl.handle.net/10413/3083.

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Amakwaya refers to the tradition and performance practice of choirs in South Africa that emerged from the mission-schools in the nineteenth century and is manifest today in the annual competitions held by various Teachers' Associations or company-sponsored events like the National Choir Festival. This choral practice, combining Western music styles with African tradition, bears the marks - both social and aesthetic - of colonial and missionary influences, and is closely linked to the emerging black middle class, their process of negotiating identity, and their later quest for a national cultur

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Chung, Ming-chih, and 鍾明芝. "The Selective Status and Guidance Principles of Six Frequently Chosen Pieces for Elementary-Leavel Cildren Chorus Group B in the 2002-2010 National Student Music Competitions." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/dk47vz.

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碩士<br>國立臺南大學<br>音樂學系碩士班<br>99<br>The purpose of this research is to realize the selective status of Frequently Chosen Pieces (FCP) for Elementary-level Children Chorus Group B in Taiwan’s National Student Music Competitions (NSMC), and to confer the guidance principles for the Six Frequently Chosen Pieces (SFCP). In the beginning of study, the author collected all 130 optional pieces from elementary-level children chorus group B of NSMC, and there were 26 pieces had been chosen repeatedly by chorus in different performance. The author also analyzed the pieces in accordance with chosen times an

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Tung, Hao-yun, and 董皓雲. "A Study on the Impact of Cheer Music to the Professional Baseball League Competitions in Taiwan: Using Brothers-Elephants and Sinon-Bulls from the Second Half of the 2004 Baseball Season as Example." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/38621746062229968568.

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碩士<br>東吳大學<br>音樂學系<br>95<br>The history of the development of Taiwan’s baseball, as an exercise, has been more than a hundred years. However, there hasn’t been any nonverbal or any other kind of record on the cheer music during the ball games. Thus, this essay will firstly confirm, by researching and organizing the sources of baseball history, the beginning of Taiwan’s baseball cheer music. And to build up a complete system and chart for the development of Taiwan’s baseball cheer music. Secondly, this study has compiled ninety-eight songs of live cheer music from Brothers-Elephants and Sinon-B

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Lee, Hsi-fei, and 李析霏. "Key Success Factors of Music Ensemble : Using the Pingtung County Music Competition as Example." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/88878613224814644322.

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碩士<br>國立屏東教育大學<br>音樂學系<br>99<br>The purpose of this research was to locate the key success factors of music ensemble through an analysis of the operation strategies, the coaching techniques, and the administrative support from the school. This research employed a qualitative research method. Techniques utilized in this research included semi-structured interview, participant observation, document analysis. The research objects include music teachers and staffs of the four winning teams of the Pingtung County Music Competition from 2005 to 2008. This research was conducted from February, 2010 t

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Coles, Drew Xavier. "Perceptions of Success Among Music Professionals." Thesis, 2019. https://doi.org/10.7916/d8-fnch-ek86.

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The primary purpose of this study was to investigate the subjective and objective career success perceptions of music school graduates who now identify as professional musicians. This study approached that purpose in four ways. First, the study examined how musicians conceptualized success compared to the literature. Second, the study investigated how musicians conceptualize how success is shown in themselves relative to how it appears in others. Third, the study examined if and how musicians attribute the success that they have achieved in their careers to the institutional preparation they r

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"Playing to win: A cultural sociology of the international music competition." YALE UNIVERSITY, 2009. http://pqdtopen.proquest.com/#viewpdf?dispub=3342731.

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45

Kwak, Na-Young. "Selected repertoire from the Gillet International Oboe Competition & the International Oboe Competition of Tokyo, 1995-2005." 2006. http://hdl.handle.net/1903/9714.

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Hsiang-Yun, Tseng, and 曾湘雲. "An Examination on The Relationship between Market Competition And Music Diversity :A Study on Taiwan’s Popular Music Industry." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/11352977973831562055.

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Abstract (sommario):

碩士<br>國立交通大學<br>傳播研究所<br>92<br>This study examines the relationship between market competition and music diversity in Taiwan’s popular music industry. A probability sampling using the top-10 hits from 1990-2003 as the population frame was adopted and 664 albums were selected for content analysis by the study. Based on the data available in Taiwan, this study identified two years, 1993 and 1996, as the changing points of market competition in Taiwan’s popular music industry. The data analysis shows that degree of music diversity increased after several music channels began broadcasting in Taiw

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"A Phenomenological Investigation of Competition in High School Bands." Doctoral diss., 2016. http://hdl.handle.net/2286/R.I.40764.

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abstract: This study investigates the lived experience of competition in high school band and the manner in which competition influences and frames band curricula. A hermeneutic phenomenological method based on the works of van Manen and Vagle was used to investigate what it was like for participants to be in competition. A theoretical framework organized around Schwab's commonplaces of education was used to interpret findings related to the curricular areas of the teacher, learner, subject matter, and milieu. I examined data through a lens incorporating principles of John Dewey's philosophy r

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Huang, Wei-Pin, and 黃薇儐. "Competition Strategy in Digital Music Industry-A case of Apple Computer, Microsoft, SONY." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/56733810978274167566.

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Abstract (sommario):

碩士<br>國立臺灣大學<br>商學研究所<br>93<br>The purpose of this research is not only to analyze activities and competition between systems and corporations in digital music industry which with network effect, but also to predict the future development as well as market power switch in this industry. Based on system competition theory and co-opetition theory as framework, this research analyzed the competition strategy of Apple computer, Microsoft and SONY in each dimension, including customer, supplier, complementor and competitor side. According to the analysis result, the conclusions are as follows: DRM

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Su, Li-Min, and 蘇麗敏. "Critical success factors of National student music competition of recorder ensemble in elementary school." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/prvt8n.

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Abstract (sommario):

碩士<br>國立彰化師範大學<br>資訊管理學系所<br>102<br>Recorder Ensemble Competition is one of the largest activities held by The Ministry of Education for elementary schools group competitions within annual “National Student Music Competition ". However, in the process of teachers’ training education, the training education of grouping students for such competitions is not complete and well organized, so as the instructors are not with expertise and well knowledge in group training and thus causing the situation of insufficient preparation for competitions. Therefore, the main purpose of this research is to pr

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Calonico, Robert Michael. "Competitive jazz festivals: what motivates Northern California instrumental music teachers to participate in them?" Thesis, 2016. https://hdl.handle.net/2144/16839.

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Abstract (sommario):

In this study, I explored the motivations of high school instrumental music teachers to participate in competitive jazz festivals, specifically those sponsored by the California Music Educators Association (CMEA) Bay Section. I was interested in learning the specific needs participation in competitive festivals satisfied for high school music educators. Based on the tenets of Self-Determination Theory (SDT), I investigated whether the three basic psychological needs of autonomy, competency, and relatedness were among the needs being satisfied. I was curious whether an individual’s background i

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