Accedi

Bibliografie tematiche / Music composition

Indice

Articoli di riviste
Tesi
Libri
Capitoli di libri
Atti di convegni
Rapporti di organizzazioni

Letteratura scientifica selezionata sul tema "Music composition"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

Cita una fonte nei formati APA, MLA, Chicago, Harvard e in molti altri stili

Scegli il tipo di fonte:

Consulta la lista di attuali articoli, libri, tesi, atti di convegni e altre fonti scientifiche attinenti al tema "Music composition".

Accanto a ogni fonte nell'elenco di riferimenti c'è un pulsante "Aggiungi alla bibliografia". Premilo e genereremo automaticamente la citazione bibliografica dell'opera scelta nello stile citazionale di cui hai bisogno: APA, MLA, Harvard, Chicago, Vancouver ecc.

Puoi anche scaricare il testo completo della pubblicazione scientifica nel formato .pdf e leggere online l'abstract (il sommario) dell'opera se è presente nei metadati.

Articoli di riviste sul tema "Music composition"

1

Guntriana, Kadek, and Garwa I Ketut. "Music Composition Kaliyuga | Komposisi Musik Kaliyuga." GHURNITA: Jurnal Seni Karawitan 3, no. 3 (2023): 263–72. http://dx.doi.org/10.59997/jurnalsenikarawitan.v3i3.2092.

Testo completo

Abstract (sommario):

Kaliyuga merupakan salah satu zaman paling akhir di antara Yuga lainnya pada suatu siklus perkembangan zaman Agama Hindu di Bali, yang dikenal dengan nama Catur Yuga. Zaman Kaliyuga disebut dengan zaman kegelapan atau disebut juga dengan zaman kehancuran. Karya tabuh kreasi ini terinspirasi dari sisi negatif sifat manusia pada zaman Kaliyuga, yang pada diri manusia raganya dipenuhi dan dikuasai oleh sifat Adharma. Pencipta menciptakan karya tabuh kreasi yang berjudul Kaliyuga dengan menggunakan media ungkap barungan gamelan Gong Kebyar. Pencipta memiliki ketertarikan untuk mentransfomasikannya

Gli stili APA, Harvard, Vancouver, ISO e altri

2

Bisma, I. Wayan Arya, and I. Wayan Suharta. "Music Composition “Entik” | Komposisi Musik “Entik”." GHURNITA: Jurnal Seni Karawitan 2, no. 4 (2022): 257–65. http://dx.doi.org/10.59997/jurnalsenikarawitan.v2i4.1203.

Testo completo

Abstract (sommario):

Pertumbuhan akar selalu berkembang membentuk cabang-cabang baru sehingga terbentuk fisik yang sangat unik dengan jalinan-jalinan yang tidak teratur yang menjadikan bentuk fisik akar tersebut terlihat rumit. Fenomena tersebut merangsang pikiran penulis untuk mentransfernya kedalam bentuk karya seni komposisi karawitan yang berjudul Entik. Fenomena tersebut diinterpretasikan dengan mengolah cakupan nada, jalinan-jalinan pola dan jalinan-jalinan antar instrumen, pengembangan fungsi instrument, ritme, tempo dan dinamika yang diolah secara minimalis, yang dipresentasikan menggunakan media ungkap ga

Gli stili APA, Harvard, Vancouver, ISO e altri

3

Ekalawaya, I. Gede Mekel, I. Nyoman Kariasa, and I. Wayan Diana. "Music Composition Ngiyang | Komposisi Musik Ngiyang." GHURNITA: Jurnal Seni Karawitan 2, no. 4 (2022): 249–56. http://dx.doi.org/10.59997/jurnalsenikarawitan.v2i4.1199.

Testo completo

Abstract (sommario):

Ngiyang merupakan penggabungan dari dua kata yang menjadi satu yaitu ngibur dan melayangan. Tujuan dari garapan ini, yaitu ingin mendalami lebih jauh terhadap komposisi karya tabuh kreasi baru gong kebyar yang sudah penata rancang dan bagaimana cara penata dapat menumbuhkan sesuatu hal baru didalam bentuk garapan ini sebagai eksperimen yang penata lakukan. Karya seni karawitan Ngiyang ini tercipta melalui metode yang dijalani dengan proses kreatifitas yang selalu berkaitan dengan waktu, tempat, situasi dan kondisi tentunya diimbangi dengan pengalaman penata didalam dunia Seni Karawitan sehingg

Gli stili APA, Harvard, Vancouver, ISO e altri

4

Adiputra, Kadek Agus Pusaka, and Tri Haryanto. "Music Composition Makules | Komposisi Musik Makules." GHURNITA: Jurnal Seni Karawitan 2, no. 2 (2022): 86–96. http://dx.doi.org/10.59997/jurnalsenikarawitan.v2i2.406.

Testo completo

Abstract (sommario):

Karya musik Makules dilatar belakangi dengan melihat suatu fenomena dimana dewasa ini para komposer di Bali khususnya yang ada di lingkungan penata yakni di daerah Tabanan dalam menciptakan komposisi musik baru lebih dominan mengolah elemen-elemen musik seperti ritme, melodi, dinamika, dan harmoni. Sedikit komposer yang mengolah warna suara atau timbre. Dari fenomena tersebut penata mendapatkan inspirasi melakukan sesuatu yang berbeda. Obsesi mengantarkan pada abstraksi pemikiran dengan ketertarikan ingin mengolah warna suara, menciptakan kesan baru dengan mongolah timbre atau warna suara seba

Gli stili APA, Harvard, Vancouver, ISO e altri

5

Purba, Albiner, Ibnu Sina, and Sastra Munafri. "Andung-Andung Ni Sordam." Musica: Journal of Music 3, no. 2 (2023): 123. https://doi.org/10.26887/musica.v3i2.3928.

Testo completo

Abstract (sommario):

Komposisi musik Andung-andung Ni Sordam merupakan komposisi yang terinspirasi dari instrumen musik tradisional dan kesenian tradisional Batak Simalungun yaitu Sordam dan Andung-andung. Komposisi ini menggunakan idiom musik dan karakter suara alat musik Sordam. Andung-Andung Ni Sordam merupakan musik komposisi gaya Fantasia yang digarap dalam bentuk tiga bagian dengan format orkestra. Dalam komposisi musik ini melodi dan pola ritme yang berangkat dari Andung-andung dan Sordam diambil sebagai gagasan yang digarap dalam sebuah komposisi musik instrumental. Dalam penggarapan komposisi musik Andung

Gli stili APA, Harvard, Vancouver, ISO e altri

6

Harahap, Irwansyah. "MERANGKAI WARNA: EKSPLORASI LARAS “PELOG” DALAM PERMAINAN ‘OUD ARABIS BERBASIS GARAPAN “WORLD MUSIC”." MELAYU ARTS AND PERFORMANCE JOURNAL 2, no. 2 (2020): 149. http://dx.doi.org/10.26887/mapj.v2i2.974.

Testo completo

Abstract (sommario):

ABSTRACT This writing generally discusses the term “world music” and various musical creative approaches that have been done. This writing also descriptively reviews the composition of “Merangkai Warna” in the context of melodist’s idea, instrument, concept building, and musical practice in musical composition. The musical composition “Merangkai Warna” is a musical composition inspired from the conception of world music. This composition is a form of musical exploration, namely through a set of musical instrument ‘oud Arabis, it tried to fuse and synthesize musical idioms and aesthetics via th

Gli stili APA, Harvard, Vancouver, ISO e altri

7

Adu-Gilmore, Leila. "Accessing marginalized musics through adaptable, culturally sustaining music technology modules." Journal of Popular Music Education 7, no. 3 (2023): 317–34. http://dx.doi.org/10.1386/jpme_00130_1.

Testo completo

Abstract (sommario):

Black music technology has innovated across genres such as dub, hip hop, techno and Afrobeats, redefining music as we know it. Music research subfields (performance, composition, musicology, technology) have historically excluded black musics but music education has begun to include them. Critical Sonic Practice Lab created a culturally-sustaining music technology toolkit and modules in Accra, Ghana. We exploit music technology’s constant evolution, engaging critical sonic practice’s intersectional approaches to the continuum of improvisation and composition, and music theory. Adjusting teachi

Gli stili APA, Harvard, Vancouver, ISO e altri

8

Ihsan, Andi. "STRUKTUR MUSIKAL POMPANG: SUATU KAJIAN BENTUK DAN KOMPOSISI MUSIK TRADISIONAL DI KABUPATEN MAMASA." JURNAL IMAJINASI 6, no. 2 (2022): 144. http://dx.doi.org/10.26858/i.v6i2.38729.

Testo completo

Abstract (sommario):

Penelitian ini bertujuan untuk mendeskripsikan dan menganalisis bentuk dan komposisi musik Pompang sebagai salah-satu musik tradisional yang ada di kabupaten Mamasa. Penelitian ini adalah penelitian analisis deskriptif dengan pendekatan kualitatif. Pengumpulan data dilakukan melalui observasi, studi dokumen, dan wawancara, yang selanjutnya dianalisis dengan cara mereduksi data, display dan selanjutnya verifikasi data. Hasil penelitian menunjukkan bentuk lagu pada musik pompang di kabupaten Mamasa terdiri atas dua bentuk yaitu (1) bentuk lagu dua bagian dan (2) bentuk lagu tiga bagian. Komposis

Gli stili APA, Harvard, Vancouver, ISO e altri

9

Sanjaya, Singgih. "New Composition Concept for Keroncong Music in the Oboe Concerto with Keroncong and Orchestra." International Journal of Creative and Arts Studies 5, no. 2 (2018): 75–85. http://dx.doi.org/10.24821/ijcas.v5i2.2413.

Testo completo

Abstract (sommario):

this research aims to design a new concept in keroncong music creation with an explorative method. Keroncong is one kind of entertainment musics in indonesia that has a long existece and evolved up to today. Keroncong music is a musical mixture of a western diatonic music with Javanese gamelan music. the term of keroncong comes from the sound “...crong crong crong...” on the ukulele instrument that played rasquardo. an instrumentation music consists of: vocals, violin, flute, cak, cuk, cello, guitar, and bass. during this moment, keroncong is basically just served as a vocal accompaniment musi

Gli stili APA, Harvard, Vancouver, ISO e altri

10

Kariasa, I. Nyoman, and I. Kadek Tunas Sanjaya. "Introduction to Contemporary Music “Ngegong” | Pengantar Musik Kontemporer “Ngegong”." GHURNITA: Jurnal Seni Karawitan 1, no. 1 (2023): 11–19. http://dx.doi.org/10.59997/jurnalsenikarawitan.v1i1.141.

Testo completo

Abstract (sommario):

“Ngegong'' is a work of contemporary musical composition that uses eight types of gong instruments used in various types of Balinese gamelan barungan as a medium of expression. The eight gong instruments in question are, gong lanang and wadon (in gong kebyar), gong tanggung (in gamelan bebarongan), gong bor ber (gong bheri), gong pulu (geguntangan), also gong ageng and gong alit (in gamelan selonding ensemble). The composer wants to embody his imagination into contemporary musical compositions that highlight the diversity of Balinese gong instruments.The creating process of this musical compos

Gli stili APA, Harvard, Vancouver, ISO e altri

Più fonti

Tesi sul tema "Music composition"

1

Stylianou, Constantinos Yerolemou. "Music composition." Thesis, Royal Holloway, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.427954.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

2

Bunch, M. R. B. "Composition, music." Thesis, University of Edinburgh, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.642214.

Testo completo

Abstract (sommario):

1. SIRIUS. String quartet in five movements: C, B, A, K, S Approximate duration: 68 minutes 2. Justine: Overture for dance – “The Silvery Crescent Moon” / “The Dance of the Clown”. Full orchestra. Approximate duration: 18 minutes. 3. “The Great Gate of the Capital of Kiev”. Chamber orchestra. Approximate duration: 10 minutes. An arrangement and expansion of the original piece of the same title, as composed by Modest Petrovich Moussorgsky for his piano suite, <i>Pictures at an Exhibition</i>. 4. i6. Song for small ensemble (counter-tenor, viola, harp and piano). Approximate duration: 10 minutes

Gli stili APA, Harvard, Vancouver, ISO e altri

3

Benson, John Stuart. "Music composition." Thesis, University of Salford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400828.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

4

Carvalho, Sara. "Music composition." Thesis, University of York, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367491.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

5

Renwick, Brendon. "Music composition." Thesis, University of York, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.259823.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

6

MacMillan, James. "Music composition." Thesis, Durham University, 1987. http://etheses.dur.ac.uk/10283/.

Testo completo

Abstract (sommario):

The works in this folio are not so much concerned with stylistic unity and consistency as with balancing a strongly subjective expression with the need to shape the music into an effective dramatic (or even melodramatic) entity. In achieving a successful fusion of these priorities the eight works gradually unfold various approaches to handling melodic, rhythmic, harmonic and textural parameters. In preserving and enhancing that which is purely instinctual there is an emerging realization throughout the folio that it has to be submitted to some exercise of the intellect, incorporating a degree

Gli stili APA, Harvard, Vancouver, ISO e altri

7

Cashian, Philip. "Music composition." Thesis, Durham University, 1996. http://etheses.dur.ac.uk/10284/.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

8

Carcas, Gillian Ruth. "Music composition." Thesis, Durham University, 1995. http://etheses.dur.ac.uk/10193/.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

9

Archbold, Paul. "Music composition." Thesis, Durham University, 1998. http://etheses.dur.ac.uk/10188/.

Testo completo

Abstract (sommario):

The attached portfolio is a selection of works that I have composed since October 1990. The selection includes most of the concert music written in this period but excludes the incidental music that I wrote for three productions of Astra Theatre (Woyzeck, Macbeth arid Th~e White Scourge), and incidental music to The Beggar's Opera (written for the St Magnus Festival, Orkney). Two chamber works, with which I was never satisfied, are also omitted: Catch for Three for three oboes, composed for a project for children with special needs and Chimaeric Visions for free bass accordion and percussion.

Gli stili APA, Harvard, Vancouver, ISO e altri

10

Mulvey, Grainne. "Composition portfolio : ten compositions and commentaries." Thesis, University of York, 1998. http://etheses.whiterose.ac.uk/10860/.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Più fonti

Libri sul tema "Music composition"

1

Cormier, Stephen M. Modal music composition. 3rd ed. Inman & Artz Publishers, 2010.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

2

Cormier, Stephen M. Modal music composition. Inman & Artz Publishers, 2004.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

3

Winsor, Phil. Automated music composition. University of North Texas Press, 1989.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

4

Brindle, Reginald Smith. Musical composition. Oxford University Press, 2002.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

5

Young, Gregory, and Steve Roens. Insights into Music Composition. Routledge, 2022. http://dx.doi.org/10.4324/9781003205869.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

6

1918-, Mehta R. C., Indian Musicological Society, and Seminar on "Bandish-the Key Concept to Music and its Forms" (1990 : Bombay, India), eds. Composition in Indian music. Indian Musicological Society, 1993.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

7

Jarrett, Scott. Music composition for dummies. Wiley, 2008.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

8

Robert, Morris. Composition with pitch-classes: A theory of compositional design. Yale University Press, 1987.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

9

Brindle, Reginald Smith. Musical composition. Oxford University Press, 1986.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

10

Caesar, Rodolfo. The composition of electroacoustic music. University of East Anglia, 1992.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Più fonti

Capitoli di libri sul tema "Music composition"

1

Manzo, V. J. "Algorithmic Composition." In Teaching Electronic Music. Routledge, 2021. http://dx.doi.org/10.4324/9780367815349-8.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

2

Cope, David. "Algorithmic Music Composition." In Patterns of Intuition. Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-9561-6_19.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

3

Dostál, Martin. "Evolutionary Music Composition." In Handbook of Optimization. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-30504-7_37.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

4

Barrett, Natasha. "Spatial music composition." In 3D Audio. Routledge, 2021. http://dx.doi.org/10.4324/9780429491214-9.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

5

Warwick, Jacqueline. "Composition." In Music, Gender, and Sexuality Studies. Routledge, 2022. http://dx.doi.org/10.4324/9781003042655-3.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

6

Zattra, Laura. "Collaborating on composition." In Live Electronic Music. Routledge, 2017. http://dx.doi.org/10.4324/9781315776989-4.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

7

Chakraborty, Soubhik, Guerino Mazzola, Swarima Tewari, and Moujhuri Patra. "Seminatural Composition." In Computational Musicology in Hindustani Music. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-11472-9_9.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

8

Young, Gregory, and Steve Roens. "Building Upon Prior Music." In Insights into Music Composition. Routledge, 2022. http://dx.doi.org/10.4324/9781003205869-5.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

9

Thesen, Thomas Paul. "Music and Sound." In Composition for the 21st ½ century. CRC Press, 2022. http://dx.doi.org/10.1201/b22148-19.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

10

de Alencar, Marcelo Sampaio. "Study of Melody and Composition." In Music Science. River Publishers, 2022. http://dx.doi.org/10.1201/9781003338895-15.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Atti di convegni sul tema "Music composition"

1

Botticelli, Cosimo, Roberto De Prisco, Nicola Lettieri, Luigi Lomasto, Delfina Malandrino, and Rocco Zaccagnino. "Visual Music Perception for Stochastic Music Composition." In 2024 28th International Conference Information Visualisation (IV). IEEE, 2024. http://dx.doi.org/10.1109/iv64223.2024.00060.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

2

Prapussornchaikul, Thanapat, and Tad Gonsalves. "Generative AI in Music and Mood Composition." In 2024 6th International Workshop on Artificial Intelligence and Education (WAIE). IEEE, 2024. https://doi.org/10.1109/waie63876.2024.00020.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

3

Anaie, Shireen, and Lise Safatly. "Generative AI in Arabic Music: Composition and Innovation." In 2025 5th IEEE Middle East and North Africa Communications Conference (MENACOMM). IEEE, 2025. https://doi.org/10.1109/menacomm62946.2025.10911005.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

4

Tirupathi, P., N. Ramana, and Gade Sathwika. "Mood Based Music Composition with Transformers and Fuzzy Logic." In 2024 IEEE 16th International Conference on Computational Intelligence and Communication Networks (CICN). IEEE, 2024. https://doi.org/10.1109/cicn63059.2024.10847386.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

5

Poddar, Kishan, and Bhanu Sharma. "Enhancing Music Composition with Marker-Based Augmented Reality Technology." In 2024 4th International Conference on Sustainable Expert Systems (ICSES). IEEE, 2024. https://doi.org/10.1109/icses63445.2024.10763174.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

6

Vinay, Kotha, Garnipudi Srenik, and Krishnaveni N. "Dynamic Music Composition System Using LSTM and Transformer Networks." In 2025 Fourth International Conference on Smart Technologies, Communication and Robotics (STCR). IEEE, 2025. https://doi.org/10.1109/stcr62650.2025.11020414.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

7

Temple, Mark D. "DNA Sonification Using 8-Channel Audio for Data Analyses and Music Composition." In ICAD 2024: The 29th International Conference on Auditory Display. International Community for Auditory Display, 2024. http://dx.doi.org/10.21785/icad2024.016.

Testo completo

Abstract (sommario):

DNA sequences contain vast amounts of biological data and computer algorithms play an important role in processing these data for human inspection. Here we describe an updated computer-generated auditory display tool to be used as stand-alone audio or as a complement to a visual display for DNA sequence inspection. The auditory display uses musical notes to represent the data in relation to the process of gene expression or DNA replication. Given the use of musical notes in the auditory display raises the possibility these may be considered algorithmic music. To pursue this notion further the

Gli stili APA, Harvard, Vancouver, ISO e altri

8

Armitage, Joanne, and Ng Kia. "Multimodal Music Composition." In Electronic Visualisation and the Arts (EVA 2013). BCS Learning & Development, 2013. http://dx.doi.org/10.14236/ewic/eva2013.7.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

9

Wiriyachaiporn, Panida, Kankawee Chanasit, Atiwong Suchato, Proadpran Punyabukkana, and Ekapol Chuangsuwanich. "Algorithmic Music Composition Comparison." In 2018 15th International Joint Conference on Computer Science and Software Engineering (JCSSE). IEEE, 2018. http://dx.doi.org/10.1109/jcsse.2018.8457397.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

10

Fu, Tao-yang, Tsu-yu Wu, Chin-te Chen, Kai-chu Wu, and Ying-ping Chen. "Evolutionary interactive music composition." In the 8th annual conference. ACM Press, 2006. http://dx.doi.org/10.1145/1143997.1144301.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Rapporti di organizzazioni sul tema "Music composition"

1

Möllenkamp, Andreas. Paradigms of Music Software Development. Staatliches Institut für Musikforschung, 2014. http://dx.doi.org/10.25366/2022.99.

Testo completo

Abstract (sommario):

On the way to a more comprehensive and integrative historiography of music software, this paper proposes a survey of the main paradigms of music software development from the 1950s to the present. Concentrating on applications for music composition, production and performance, the analysis focusses on the concept and design of the human-computer-interaction as well as the implicit user.

Gli stili APA, Harvard, Vancouver, ISO e altri

2

Haddad, Joanne. Reproduction of 'Good Reverberations? Teacher Influence in Music Composition since 1450'. Social Science Reproduction Platform, 2022. http://dx.doi.org/10.48152/ssrp-4zww-p927.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

3

Duch, Michael. Performing Hanne Darboven's Opus 17a and long duration minimalist music. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481276.

Testo completo

Abstract (sommario):

Hanne Darboven’s (1941-2009) Opus 17a is a composition for solo double bass that is rarely performed due to the physical and mental challenges involved in its performance. It is one of four opuses from the composers monumental 1008 page Wünschkonzert (1984), and was composed during her period of making “mathematical music” based on mathematical systems where numbers were assigned to certain notes and translated to musical scores. It can be described as large-scale minimalism and it is highly repetitive, but even though the same notes and intervals keep repeating, the patterns slightly change t

Gli stili APA, Harvard, Vancouver, ISO e altri

4

Pasupuleti, Murali Krishna. Decentralized Creativity: AI-Infused Blockchain for Secure and Transparent Digital Innovation. National Education Services, 2025. https://doi.org/10.62311/nesx/rrvi125.

Testo completo

Abstract (sommario):

Abstract The convergence of artificial intelligence (AI) and blockchain technology is transforming the creative economy by enabling secure, transparent, and decentralized innovation in digital content creation, intellectual property management, and monetization. Traditional creative industries are often constrained by centralized platforms, opaque copyright enforcement, and unfair revenue distribution, which limit the autonomy and financial benefits of creators. By leveraging blockchain’s immutable ledger, smart contracts, and non-fungible tokens (NFTs), digital assets can be authenticated, to

Gli stili APA, Harvard, Vancouver, ISO e altri

5

Pedersen, Gjertrud. Symphonies Reframed. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481294.

Testo completo

Abstract (sommario):

Symphonies Reframed recreates symphonies as chamber music. The project aims to capture the features that are unique for chamber music, at the juncture between the “soloistic small” and the “orchestral large”. A new ensemble model, the “triharmonic ensemble” with 7-9 musicians, has been created to serve this purpose. By choosing this size range, we are looking to facilitate group interplay without the need of a conductor. We also want to facilitate a richness of sound colours by involving piano, strings and winds. The exact combination of instruments is chosen in accordance with the features of

Gli stili APA, Harvard, Vancouver, ISO e altri

6

Mayas, Magda. Creating with timbre. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.686088.

Testo completo

Abstract (sommario):

Unfolding processes of timbre and memory in improvisational piano performance This exposition is an introduction to my research and practice as a pianist, in which I unfold processes of timbre and memory in improvised music from a performer’s perspective. Timbre is often understood as a purely sonic perceptual phenomenon. However, this is not in accordance with a site-specific improvisational practice with changing spatial circumstances impacting the listening experience, nor does it take into account the agency of the instrument and objects used or the performer’s movements and gestures. In m

Gli stili APA, Harvard, Vancouver, ISO e altri

Offriamo sconti su tutti i piani premium per gli autori le cui opere sono incluse in raccolte letterarie tematiche. Contattaci per ottenere un codice promozionale unico!