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Articoli di riviste sul tema "Myth of femininity"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 6 febbraio 2022

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1

Singh, Raj Kishor. "Olympian Myth and Gender Performitivity in Angela Carter’s The Passion of New Eve." Interdisciplinary Journal of Management and Social Sciences 2, no. 1 (2021): 157–64. http://dx.doi.org/10.3126/ijmss.v2i1.36754.

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The Passion of New Eve is an Angela Carter’s critical response to the essentialism of the feminism of 1970s. People had assumption that female experience should be white, middle-class and heterosexual. This assumption has been distorted in the novel with the sense that, traditionally, gender is a social and cultural construct, and this has been illustrated in the story by showing how New Eve acquires womanhood through the socio-cultural situation in Zero’s harem and also while Eve is in love relationship with Tristessa. In her novel, Carter presents Evelyn as a model of gender transfer and acq

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Waraksa, Krzysztof, and Dominika Ziętek. "Seksmisja — mitologizacja ról płciowych w reklamach perfum. Analiza komparatystyczna." Dziennikarstwo i Media 10 (September 11, 2019): 75–91. http://dx.doi.org/10.19195/2082-8322.10.6.

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Sexmission — the mythologisation of gender roles in perfume advertising. A comparative analysisThe authors of perfume adverts put lot of emphasis on creating a consistent image of their addressees so that the addressees can identify with or aspire to them. The article is a presentation of the myth of femininity and masculinity extracted from 545 print adverts of fragrances offered by the online stores of the two biggest perfume retailers in Poland — Sephora and Douglas. The starting point of the analysis is a definition, proposed by Roland Barthes, of a new myth-like form — everyday mythology

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Huang, Yan. "The Construction of Femininity in Shopping." International Journal of English and Cultural Studies 2, no. 1 (2019): 57. http://dx.doi.org/10.11114/ijecs.v2i1.4296.

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In different historical stages, the nature of women has been explained from the religious myth, the moral principles, the scientific rationality and the psychological analysis. In the consumer society, the widespread consumption not only changes people’s daily life but also their social relations, world views and values. Men and women with the effect of commodities show different characteristics. The consumption generalization is the basic fact in the consumer society. Women, as the important consuming power, become the key target group for enterprises and media. In order to correspond with th

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Hansen, Kathryn Strong. "The Metamorphosis of Katniss Everdeen: The Hunger Games, Myth, and Femininity." Children's Literature Association Quarterly 40, no. 2 (2015): 161–78. http://dx.doi.org/10.1353/chq.2015.0020.

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Mohammadpour-Yazdi, Ahmad-Reza, Martin Jandl, and Abolghasem Esmailpour Motlagh. "Encapsulated Skin-Ego and Anti-Corporeal Manichaean Myth of Femininity in Transmission." Language and Psychoanalysis 9, no. 1 (2020): 26–45. http://dx.doi.org/10.7565/landp.v9i1.1702.

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We propose, within the context of a Skin Model of Ego Development (SMED), that Didier Anzieu’s work of the skin-ego is a useful entry point into understanding the Manichaean mythic view of femininity as creating an encapsulated skin-ego, that tends to enclose the feminine object in a defensive-isolative capsule, through culturally transmitted ideals, shaped by misogyny. Utilizing this perspective, the unconscious and the myth are seen as being, in general terms, intertwined and expressed in epidermal psychoanalytic dialogue. As a result, the psyche and the body are radically split from one ano

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Cedro, Carmel. "Just add nostalgia and stir: Mythmaking Australian femininity through Anzac Biscuits, collective commemoration and heteronormativity." Australasian Journal of Popular Culture 8, no. 2 (2019): 229–43. http://dx.doi.org/10.1386/ajpc_00007_1.

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Many sweet foods featured in contemporary Australian cookbooks are indelibly connected to culinary tradition and use nostalgia to encourage a sense of collective identity and experience. Anzac Biscuits exemplify this through ubiquity and familiarity, and the annual baking ritual becomes a collective commemoration that shapes ideologies of identity and myth, which are somewhat central to understanding the Australian experience. Yet the mythology around the biscuits is flawed. The recipe recognizable today as Anzac Biscuits can be traced from the 1920s onwards in Australian cookbooks, which call

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Kobayashi, Saki. "‘Battleship Femininity’ deconstructed: Unmasking the myth of Eva Dahlbeck and Ingmar Bergman." Journal of Scandinavian Cinema 11, no. 2 (2021): 217–34. http://dx.doi.org/10.1386/jsca_00049_1.

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The Swedish film star Eva Dahlbeck (1920–2008) is now remembered mainly for her contributions to Ingmar Bergman’s comedies in the 1950s. The epithet ‘Pansarskeppet kvinnligheten’ (‘Battleship Femininity’), allegedly given to her by the director, has integrated her stardom into the myth-making process driven by Bergman and the press. This can erroneously give him sole credit for Dahlbeck’s fame despite her already established star status. To reconsider such an auteurist misconception, this article examines Dahlbeck’s stardom from 1946 to 1956, drawing on Richard Dyer’s seminal theorization of a

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Avarvarei, Simona Catrinel. "Shakespeare’s Weird Sisters – In Between Outlandish Womanhood and Prophesing Moirae." Linguaculture 2017, no. 2 (2017): 107–17. http://dx.doi.org/10.1515/lincu-2017-0021.

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Abstract This study intends to map the meandering expression of otherness when womanhood constructs an epiphanic encounter with time and fortune. Hereinafter, hegemonic, oppressive masculinity meets peripheral, prophesying femininity in an intricate exercise of doing and becoming Shakespeare‘s Weird Sisters, forming a complex mythological construction, whose uniqueness arises from the duality of their personae, reflection of displaced femininity, somewhat grotesque, peripheral within the realm of marginality itself. They are not only weird expressions of the Other, they are the other self of t

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PENNOCK, CAROLINE DODDS. "WOMEN OF DISCORD: FEMALE POWER IN AZTEC THOUGHT." Historical Journal 61, no. 2 (2018): 275–99. http://dx.doi.org/10.1017/s0018246x17000474.

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AbstractThis article addresses the perennial debate over the origins and nature of female power by examining the significance of ‘Women of Discord’ in Aztec (more properly, Mexica) culture. Influential, but often troublesome, these formidable figures embody the complex significance of female power, rooted in women's privileged access to the awesome earth forces through childbirth. This chaotic energy lent cosmological and dynastic significance to the mytho-historical Women of Discord, but also led to a persistent female association with disorder which had tangible (and often overlooked) conseq

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Barringer, Judith M. "Atalanta as Model: The Hunter and the Hunted." Classical Antiquity 15, no. 1 (1996): 48–76. http://dx.doi.org/10.2307/25011031.

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Atalanta, devotee of Artemis and defiant of men and marriage, was a popular figure in ancient literature and art. Although scholars have thoroughly investigated the literary evidence concerning Atalanta, the material record has received less scrutiny. This article explores the written and visual evidence, primarily vase painting, of three Atalanta myths: the Calydonian boar hunt, her wrestling match with Peleus, and Atalanta's footrace, in the context of rites of passage in ancient Greece. The three myths can be read as male and female rites of passage: the hunt, athletics, and a combination o

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Gromkowska-Melosik, Agnieszka. "Kopciuszek: zagubiony szklany pantofelek i metamorfozy kobiecości." Studia Edukacyjne, no. 46 (January 19, 2020): 63–72. http://dx.doi.org/10.14746/se.2017.46.5.

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The article is devoted to the reconstruction of Cinderella myth in contemporary culture in the relation to the changing concepts of femininity. The Author takes into account several contexts of this issue. First, it can be understood in the terms of life as a lottery thanks to which in one moment a person is famous or rich (e.g. thanks to television success). Also, the author analyses the Cinderella in a light of sociological theory of competitive mobility. Besides sociotherapeutic Cinderella complex is analysed as well as feminist interpretation of Cinderella are reconstructed. The different

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Weinstein, Laura. "Unlawful Carnal Knowledge of Teenage Girls: Performing Femininity and the Myth of Absolute Liability." Éire-Ireland 49, no. 1-2 (2014): 69–91. http://dx.doi.org/10.1353/eir.2014.0005.

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Barnett, Michael D., Taylor M. Hale, and Kylie B. Sligar. "Masculinity, Femininity, Sexual Dysfunctional Beliefs, and Rape Myth Acceptance Among Heterosexual College Men and Women." Sexuality & Culture 21, no. 3 (2017): 741–53. http://dx.doi.org/10.1007/s12119-017-9420-3.

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Dampc-Jarosz, Renata. "Uta von Naumburg – eine „deutsche Ikone“ aus dem Mittelalter? Figurationen des Weiblichen im deutschen postmodernen Roman am Beispiel von Claudia und Nadja Beinerts "Die Herrin der Kathedrale"." Germanica Wratislaviensia 143 (December 17, 2018): 75–88. http://dx.doi.org/10.19195/0435-5865.143.5.

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Uta von Naumburg, die Gattin des Markgrafen Ekkehard II. von Meißen, lebte wahrscheinlich zwischen 1000 und 1043. In der deutschen Kulturtradition erfreut sie sich einer gewissen Popularität, jedoch nicht als eine historische Gestalt, sondern als Steinfigur im Westchor des Naumburger Domes. In den 30er Jahren des 20. Jahrhunderts wurde sie zum Symbol der deutschen Weiblichkeit erhoben und im nationalsozialistischen Sinne mythisiert. Von der Rezeption der Stifterin des Naumburger Domes ausgehend, strebt der vorliegende Beitrag an, am Beispiel des postmodernen historischen Romans von Claudia und

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Antonioli, Kathleen. "Colette française (et fille de zouave)." French Politics, Culture & Society 38, no. 1 (2020): 113–28. http://dx.doi.org/10.3167/fpcs.2020.380106.

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This article argues that French novelist Sidonie-Gabrielle Colette occupies a central position in the canon of French women’s writing, and that from this position her reception was deeply influential in the development of the myth of French singularity. After World War I, a style of femininity associated with Colette (natural, instinctive, antirational) became more largely synonymous with good French women’s writing, and writers who did not correspond to the “genre Colette” were excluded from narratives of the history of French women’s writing. Characteristics associated with Colette’s writing

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Gadpaille, Michelle. "Psyche’s Daughter of Today: Sara Jeannette Duncan and the New Woman." ELOPE: English Language Overseas Perspectives and Enquiries 4, no. 1-2 (2007): 59–68. http://dx.doi.org/10.4312/elope.4.1-2.59-68.

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The Canadian novelist Sara Jeannette Duncan (1861-1922) constructed a New Woman heroine in the fin-de- siecle novel; A Daughter of Today (1894). Written in the popular mode of the transatlantic novel; the work engages in debate on the appropriate construction of femininity in art and public life. The heroine; Elfrida Bell; descends from artist; to muse; to model; to painted image—a descent framed by a rival male artist and a hostile London art scene. Represented as Psyche; the heroine undergoes a quest and failure similar to the mythical one. Adaptation of the Psyche myth clarifies the positio

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Hale, Sadie E., and Tomás Ojeda. "Acceptable femininity? Gay male misogyny and the policing of queer femininities." European Journal of Women's Studies 25, no. 3 (2018): 310–24. http://dx.doi.org/10.1177/1350506818764762.

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While it represents a common form of gender-based violence, misogyny is an often-overlooked concept within academia and the queer community. Drawing on queer and feminist scholarship on gay male misogyny, this article presents a theoretical challenge to the myth that the oppressed cannot oppress, arguing that specific forms of gay male subjectivities can be proponents of misogyny in ways that are unrecognised because of their sexually marginalised status. The authors’ interest in the doing of misogyny, and its effects on specific bodies and subjectivities, leads them to discuss the extent to w

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Kompalic, Veronica Gonzalez. "The Disruption of Femininity Against the Tyrant: Reality and Myth of Sexual Discovery in Breillat's Fat Girl." Film Matters 8, no. 1 (2017): 22–25. http://dx.doi.org/10.1386/fm.8.1.22_1.

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Ancuta, Katarzyna. "The Waiting Woman as the Most Enduring Asian Ghost Heroine." Gothic Studies 22, no. 1 (2020): 81–97. http://dx.doi.org/10.3366/gothic.2020.0039.

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The waiting woman is a ghost who appears to be endlessly waiting – for recognition, for her lover, for a chance to reincarnate, or to exact revenge. In Asia, her roots can be found in early medieval Chinese records of the strange, arguably the oldest written ghost stories in the region. The romanticized version of this ghost, introduced in Tang Xianzu's drama Peony Pavillion ( Mudan ting, 1598), influenced many writers of Japanese kaidan (strange) stories and merged with East and Southeast Asian ghostlore that continues to inspire contemporary local fiction and films. The article proposes to r

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Saglia, Diego. "The Moor's Last Sight : Spanish-Moorish exoticism and the gender of history in British Romantic poetry." Journal of English Studies 3 (May 29, 2002): 193. http://dx.doi.org/10.18172/jes.77.

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Legends and tales of Islamic Granada were among the most frequently re-elaborated exotic subjects in British Romantic literature. A popular theme in the early decades of the nineteenth century, Spanish Orientalism attracted both famous writers such as Lord Byron, Joanna Baillie, Washington Irving, Felicia Hemans or Letitia Landon, and less familiar ones such as Lord Porchester, George Moir and Lady Dacre. This essay concentrates on one component of the myth of Granada which enjoyed great diffusion in Romantic-period literature, the tale of the Moor's Last Sigh and the tears shed by the last Mu

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Tsai, Eva, and Hyunjoon Shin. "Strumming a place of one's own: gender, independence and the East Asian pop-rock screen." Popular Music 32, no. 1 (2013): 7–22. http://dx.doi.org/10.1017/s0261143012000517.

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AbstractThe first decade of the 21st century has seen a concurrent rise of pop-rock screen productions in Japan, South Korea and Taiwan, particularly feature films, documentaries and TV series informed by the guitar and/or band culture. This paper probes the popularisation of pop-rock in the region and asks what gender and sexual expressions have been mobilised in such productions and representations. The paper juxtaposes dominant gender tropes, such as the failing male rocker in search of rebirth (Korea), romantic youth pursuing authenticity (Japan), dazzling but also bedazzled rocker-girl on

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Ibatullina, G. M., and M. V. Alekseenko. "THE SOPHIAN MYTH IN THE NOVEL BY V.P. ASTAFYEV “THE SHEPHERD AND THE COWGIRL”." Bulletin of Udmurt University. Series History and Philology 29, no. 5 (2019): 839–47. http://dx.doi.org/10.35634/2412-9534-2019-29-5-839-847.

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The article discusses the figurative and semantic paradigms of the sophiological myth in the story by V.P. Astafyev “The Shepherd and the Cowgirl”. The image of the main character of the story Lucy is endowed with a number of symbolic connotations and has a complex archetypal structure. The Sophian archetype is represented here in its two invariants: the Christian and the Gnostic; the keys to understand the heroine are also the Theotokos archetype, the archetypes of the Virgin, the Beloved, the Mistress, Psyche, and the Kabbalistic archetype Shekhinah, which is closely related to the original

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Mandal. "“Eyes a man could drown in”: Phallic Myth and Femininity in John Fowles's The French Lieutenant's Woman." Interdisciplinary Literary Studies 19, no. 3 (2017): 274. http://dx.doi.org/10.5325/intelitestud.19.3.0274.

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Coughlan, Patricia. "‘So am I detached / From the fabric which claims me’ Women, Fabric, and Poetry." Review of Irish Studies in Europe 2, no. 1 (2018): 241–61. http://dx.doi.org/10.32803/rise.v2i1.1732.

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Women are immemorially associated with fabric, an association both metaphorical and metonymic, and one widespread in myth, legend and folklore. Spinning and weaving are bound up with women and femininity in fundamental ways, entwining socio-economic histories with deep and persistent trans-cultural symbolic and ideological systems. Women spinning or weaving are figures for both death and birth, and ancient equivalences represent gestation itself as a process of weaving. Drawing on Bracha Ettinger’s revisionary theorizing of maternal subjectivity as both seamless and a paradigm for human creati

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Filipczak, Dorota. "Made to Connive: Revisioning Cinderella in a Music Video. From Disney to Arthur Pirozkhov: A Case Study." Text Matters, no. 10 (November 24, 2020): 67–78. http://dx.doi.org/10.18778/2083-2931.10.04.

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The article focuses on the way in which music videos can subvert and refigure the message of literature and film. The author sets out to demonstrate how a music video entitled “Зацепила” by Arthur Pirozkhov (Aleksandr Revva) enters a dialogue with the recent Disney version of Cinderella by Kenneth Branagh (2015), which, in turn, is an attempt to do justice to Perrault’s famous fairy tale. Starting out with Michèle Le Dœuff’s comment on the limitations imposed upon women’s intellectual freedom throughout the centuries, Filipczak applies the French philosopher’s concept of “regulatory myth” to i

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Brown, A. S. "Aphrodite and the Pandora complex." Classical Quarterly 47, no. 1 (1997): 26–47. http://dx.doi.org/10.1093/cq/47.1.26.

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What have the following in common: Epimetheus, Paris, Anchises, and the suitors of Penelope? The ready answer might be that it must have something to do with women, for it requires no great thought to see that the attractions of femininity proved the undoing of three of them, while for Anchises life was never to be the same again after his encounter with Aphrodite. But suppose we add to our first group such figures as Zeus, Priam, Polynices, and Eumaeus? The fates of all these characters as they, appear at certain points in the poetry of Homer, Hesiod, and others give expression i to a network

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Jackson, Susan A., and Herbert W. Marsh. "Athletic or Antisocial? The Female Sport Experience." Journal of Sport Psychology 8, no. 3 (1986): 198–211. http://dx.doi.org/10.1123/jsp.8.3.198.

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The purpose of this study was to examine relations between women's involvment in sports and three psychological constructs: role conflict, sex-role identification, and multidimensional self-concepts. The three groups comprised female powerlifters competing in a national championship (n = 30), high school female athletes (n = 46), and high school female nonathletes (n = 46). Role conflict was not substantial except for a few specific areas related to conflicting expectations of appropriate female and athlete behavior. Both athletic groups scored substantially higher on masculinity (M) and on se

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Zuseva-Özkan, Veronika B. "“Female Rebellion” in Anna Barkova’s Play Nastasya Kostyor (1923)." Studia Litterarum 6, no. 1 (2021): 228–49. http://dx.doi.org/10.22455/2500-4247-2021-6-1-228-249.

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The article examines the figure of the woman warrior and the theme of the “female rebellion” in the hitherto understudied play by Anna Barkova Nastasya Kostyor (1923) in the context of gender studies. Characters, motifs, and the play’s plot are placed against the background of the Barkova’s early work that heavily focused on the “woman question” and invented “new” femininity drawing from the archetypal image of the female warrior in literature and art. The author argues that in this play, Barkova for the first time relates the figure of female warrior to eschatological ideas and utopianism of

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Bychkov, Victor. "Certain aesthetic aspects of art of the Symbolists." Философия и культура, no. 2 (February 2020): 50–65. http://dx.doi.org/10.7256/2454-0757.2020.2.32137.

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This article is dedicated to examination of the main creative motifs of the artists of Symbolism: eternal femininity, living landscape, mythological and religious images in their not uncommon intersection in a single artwork and expressed by fine artistic means. The goal is set to demonstrate how such pointers as Maurice Denis, Odelon Redon, Gustave Moreau, Franz von Stuck and Mikhail Vrubel, using the means of artistic reflection of the listed thematic lines, were able to create the unique symbolic images. Special attention is given to the symbolist specificity of creative expression, embrace

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Faustino, Maria João. "Digital Pygmalion: the symbolic and visual construction of the feminine in CoverDoll online magazine." Comunicação e Sociedade 32 (December 29, 2017): 251–68. http://dx.doi.org/10.17231/comsoc.32(2017).2760.

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This study aims to question and problematize the construction of gendered meanings and visual codes in the digital context. Rooted in the theoretical framework of cyberfemism, it analyzes the visual and linguistic content of CoverDoll, a monthly e-zine thematically devoted to sex dolls. The Pygmalion myth is proposed as the symbolic framework of CoverDoll, since the linguistic and pictorial devices that support a simulated subjectivity seem to reproduce its main backdrop: the feminine is constructed as alterity and a product of male desire. The analysis of CoverDoll’s portfolio and fictional d

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Mishra, Indira Acharya. "Feminist Voice in Abhi Subedi's Agniko Katha." Researcher: A Research Journal of Culture and Society 4, no. 2 (2020): 12–22. http://dx.doi.org/10.3126/researcher.v4i2.34619.

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This article analyzes Abhi Subedi's play, Agniko Katha, from a feminist perspective. Feminist critics blame that the classics of literature are partly responsible for creating and perpetuating the myth about 'eternal feminine.' They claim that there are only two images available for women in patriarchal literature. One is the image of a virtuous passive woman and the other is the promiscuous selfish woman. The author of such literary texts rewards the virtuous woman whereas they punish the promiscuous one. Feminists argue that the underlying message of this method is: if a woman wants to survi

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Summers, Jane, Rumman Hassan, Derek Ong, and Munir Hossain. "Australian Muslim women and fitness choices – myths debunked." Journal of Services Marketing 32, no. 5 (2018): 605–15. http://dx.doi.org/10.1108/jsm-07-2017-0261.

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Purpose The purpose of this paper was to better understand the underrepresentation of Muslim women living in Australia in physical activity and in group-fitness classes in particular. The authors contend that the Australian fitness industry has ignored the needs of this group through stereotypical islamophobic views focusing on religious dictates as the prime barrier for participation of this group. This study debunks this myth showing that motivations for exercise are complex and multi-faceted. Design/methodology/approach The authors conducted interviews and a focus group with 27 Muslim women

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Muhsen., Assist Instr Alaa Sadoon. "Search for Identity and Self-Realization in Toni Morrison'sBeloved." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 214, no. 2 (2018): 143–52. http://dx.doi.org/10.36473/ujhss.v214i2.638.

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This paper aims at exploring the search for identity and the ways in which Toni Morrison has systematically recast the image and reconstructed the identity of African American women in her novel Beloved. She employs different means such as pure black writing, love and myth by which she re-opens new doors for the African American women to achieve and reconstruct their identities in the community of slavery. Drawing upon womanist and postmodern theories of identity construction, and incommensurability, this paper argues that African American femininity is relationally constructed. In essence, bl

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Chevtayev, Arkadiy. "Symbolics of the Soul in the «Black and Blue» Book of Poems by A. Ladinsky (On the Question of the Artistic World Specifics)." Izvestia of Smolensk State University, no. 2 (54) (September 4, 2021): 31–51. http://dx.doi.org/10.35785/2072-9464-2021-54-2-31-51.

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The article considers a representation of the soul and its symbolism in the  «Black and Blue» (1930), the first book of poems by A. Ladinsky in the aspect of  poetic anthropology. As a representative of the Parisian poetic branch of the first  emigration wave, A. Ladinsky constructs a unique artistic universe based on the  opposition of the earthly and heavenly aspects of human existence. The poet’s  work reflects the conceptual understanding of the dichotomy, expressed by the  physical-material «bottom» and the divine-spiritual «top», produces the actual-&#

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Mrovlje, Maša. "Virile Resistance and Servile Collaboration." Theoria 67, no. 165 (2020): 37–64. http://dx.doi.org/10.3167/th.2020.6716503.

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The article aims to expose and contest the gendered representation of betrayal in resistance movements. For a theoretical framework, I draw on Simone de Beauvoir’s critique of masculinist myths of femininity in The Second Sex, combined with contemporary feminist scholarship on the oppressive constructions of female subjectivity in debates on war and violence. I trace how the hegemonic visions of virile resistance tend to subsume the grey zones of women’s resistance activity under two reductive myths of femininity – the self-sacrificial mother and the seductive femme fatale – while obscuring th

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Davis, Aimee. "Adapting Elaine: Tennyson’s “The Lady of Shalott” and Feminist Young Adult Novels." ALAN Review 44, no. 3 (2017): 36–46. http://dx.doi.org/10.21061/alan.v44i3.a.4.

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One of the hallmarks of young adult literature is its focus on adolescent protagonists who struggle to reconcile what they want with what they are supposed to want. Indeed, some of the most enduring works of young adult literature, from L. M. Montgomery’s Anne of Green Gables (2006) to Judy Blume’s Forever (1975), place their young characters at a crossroads between cultural convention and individual desire. Foundational scholarship in the field of young adult fiction has suggested a recurring conflict in novels for young readers in which a protagonist finds himself or herself directly at odds

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Vachhani, Sheena J., and Alison Pullen. "Home is where the heart is? Organizing women’s work and domesticity at Christmas." Organization 18, no. 6 (2011): 807–21. http://dx.doi.org/10.1177/1350508411416404.

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This article critically discusses domestication and women’s work in household organization at Christmas, a case of meta-organizing which fuels commercialization. Located in the growing body of work on contesting femininity that challenges traditional notions of femininity, we problematize the binary divide between women’s work at home and commercial organizations. By considering Christmas as a set of ritualistic activities replete with myths of femininity, we explore how the home—a major site of festival activity—constructs gender through the public/private divide. This division has been centr

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Jayamanne, L. "Hunger For Images, Myths of Femininity in Sri Lankan Cinema 1947-1989." Comparative Studies of South Asia, Africa and the Middle East 12, no. 1 (1992): 57–75. http://dx.doi.org/10.1215/07323867-12-1-57.

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Novokshonova, Nataliia. "Mythologization of the woman and her image in the discourses of postmodern mass culture." Grani 23, no. 5 (2020): 28–38. http://dx.doi.org/10.15421/172050.

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The intellectual context of the early 21st century, defining new topics and subjects of research, is de facto blurring the boundaries between high and low culture, emphasizing mass culture as a phenomenon that appears to be a means of seeking distractions in the real world. In the problematic field of postmodernism, mass culture represents how an ordinary person describes himself/herself as an individual in temporal and local dimensions. When contemporary culture represents a woman in the mainstream media, a woman is by definition the primary object of creating mythologemes, usually related to

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Kuczek, Magdalena. "Czas wyboru. O „Morfinie” Szczepana Twardocha." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 15 (December 13, 2017): 165–73. http://dx.doi.org/10.24917/3932.

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Days of Choice. About Morfina (Morphine) by Szczepan Twardoch The purpose of this article is to show the way of presenting the national identity issues, which are present in the Morphine by Szczepan Twardoch. The unclear situation of main character is a starting point of my reflections. He is situated between Polishness and Germanness, femininity and masculinity, being active and being passive. In my analysis I concentrate on patterns into which the main character cannot (or perhaps does not want to) be written, and which have theirs roots in Polish national myths and stereotypes.Key words: Mo

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Boyle, Ellexis, Brad Millington, and Patricia Vertinsky. "Representing the Female Pugilist: Narratives of Race, Gender, and Disability in Million Dollar Baby." Sociology of Sport Journal 23, no. 2 (2006): 99–116. http://dx.doi.org/10.1123/ssj.23.2.99.

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Clint Eastwood’s Million Dollar Baby won five Academy Awards but also came under attack from female boxers and disability activists. Ostensibly a drama about a tenacious woman’s quest to become a professional fighter and the male coach who assists her, Million Dollar Baby appears to insert a radical portrayal of femininity, female athleticism, and power into the male-dominated genre of boxing films and, more generally, a media that has been largely hostile to female boxing. We explore the extent to which the female lead can be viewed as a transgressive figure along with the discourses of conta

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Kudaibergenova, Diana T. "Between the state and the artist: Representations of femininity and masculinity in the formation of ideas of the nation in Central Asia." Nationalities Papers 44, no. 2 (2016): 225–46. http://dx.doi.org/10.1080/00905992.2015.1057559.

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After the Soviet collapse, the newly independent states of Central Asia found themselves in the process of forming their own national “imagined communities.” This was done to legitimize their existing territorial integrity, their rights to their titular ethnicities, and the position of political elites. This process expressed itself through the creation of particular symbols, myths, and rituals which distinguished the nation but were also used to legitimize the nation's right to exist. The symbolic and ideological construction was influenced by the former Soviet era. For example, symbolically

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Cwynar-Horta, Jessica. "The Commodification of the Body Positive Movement on Instagram." Stream: Interdisciplinary Journal of Communication 8, no. 2 (2016): 36–56. http://dx.doi.org/10.21810/strm.v8i2.203.

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Since 2012 there has been a heightened presence of the body positive movement on Instagram. Women who occupy non-normative bodies use the platform to post selfies to challenge dominant ideals of feminine beauty, including the demands to produce smooth skin, adhere to body size norms, and avoid bodily fluids. This has been accompanied by a barrage of media outlets advising their readers on the top body positive accounts they need in their life to boost their body confidence, and how to be body positive on Instagram for more self-love (Irish Examiner, 2016; Burke 2015; Vino, 2015; O'Reilly, 2016

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Belova, Darya Nikolaevna. "Light symbolism of female mythological images as a spiritual foundation of Japanese and Chinese cultures." Культура и искусство, no. 11 (November 2020): 75–92. http://dx.doi.org/10.7256/2454-0625.2020.11.34358.

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This article analyzes female principle reflected in the images of goddesses of Japanese and Chinese mythology associated with the solar cult and light symbolism. An attempt is made to trace the role of female principle in the mythological phenomenon of Sky and its connection with Earth. The subject of this research is the Japanese and Chinese myths and legends, iconographic images of goddesses and their resemblance in foxes (Kitsune) in the religious painting of the XIII &ndash; early XX centuries. In the course of this work, the author applies comparative-historical and iconographic metho

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DOY, G. "Looking into Degas: Uneasy Images of Women and Modern Life * Myths of Sexuality: Representations of Women in Victorian Britain * Vision and Difference: Femininity, Feminism and the Histories of Art." Journal of Design History 3, no. 2-3 (1990): 191–94. http://dx.doi.org/10.1093/jdh/3.2-3.191.

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Vlasova, Olha. "GENDER MARKERS OF THE SOCIAL TEMPORALITY AS THE DE-CONFLICTICTING FACTORS IN THE UKRAINIAN SOCIETY." Almanac of Ukrainian Studies, no. 27 (2020): 37–41. http://dx.doi.org/10.17721/2520-2626/2020.27.6.

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The analysis of the gender temporality as some measurement of the social time is presented in the article with the accent on the transformation processes which nowadays determine the life of the Ukrainian society. The peculiarities of the philosophical interpretation of the social time phenomenon are under research concerning also the archaic meanings, which are present in the contemporary Ukrainian culture, and are supported by the patriarchal gender stereotypes. The latter is of great significance because those factors have a great impact on the processes of modelling the contemporary gender

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Intezar, Hannah. "Speaking Pictures, Silent Voices: Female Athletes and the Negotiation of Selfhood." Integrative Psychological and Behavioral Science, October 7, 2020. http://dx.doi.org/10.1007/s12124-020-09577-6.

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Abstract Combining Mikhail Bakhtin’s (1990) theoretical position on Architectonics and Erving Goffman’s (1979) writings on visual content analysis, the aim of this paper is to explore how female athletes are caught in a complex matrix of power, post – feminist neoliberalism, and self – presentation. The visual images they choose to portray are, therefore, perfect for determining how this cohort of women negotiates social discourses around identity and femininity. Appropriating the Bakhtinian notion of architectonic unity, not only provides an alternative theoretical lens for enquiries concerni

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Ostrowska, Elżbieta. "Representations of Female Sexuality in Polish cinema after 1989." Kinema: A Journal for Film and Audiovisual Media, April 10, 2005. http://dx.doi.org/10.15353/kinema.vi.1109.

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REPRESENTATIONS OF FEMALE SEXUALITY IN POLISH CINEMA AFTER 1989: LIBERATION OR COMMODIFICATION? IN CONSIDERING the issue of female sexuality in Polish cinema after 1989 it is necessary to locate it within the broader context of the Polish ideological discourse on femininity and the representation of sexuality in Polish cinema. First, it can be claimed that specific historical circumstances resulted in the domination of national issues over that of gender, and that gender roles were predominantly defined according to the demands of the national ideology of Polishness. The origins of the Polish

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Andersen, Grethe Schmidt. "Kvinder og andre dæmoner - Singhalesiske kvindebilleder i myter og ritualer." Religionsvidenskabeligt Tidsskrift, no. 8 (May 19, 1986). http://dx.doi.org/10.7146/rt.v0i8.5433.

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Singhalese Buddhism in it popular form associates female identity and the life-threatening forces symbolized as demons. Demons (yakku) are low and polluted beings, persecuting humans, and placed beneath the gods and Buddha in the lower part of the hierarchical pantheon of the Sinhalese. This article is concerned with the aspects of the demonic in its relationship to female identity, whose core in cultural definition is the female reproduction potentials connected with the concept of ritual pollution. On the basis of a myth on the constitution and development of the demon Gara Yaka it is shown

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"VI. Gender." New Surveys in the Classics 24 (1999): 69–83. http://dx.doi.org/10.1017/s0533245100030133.

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Historians and anthropologists use the term ‘gender’ to denote the social meanings and cultural constructions of femininity and masculinity instead of the physical connotations of sex. Although anthropologists have also done some work on concepts of masculinity, recent studies of Greek religion have mainly analysed positions and representations of women, in so far as they have focused on gender differences at all. We will therefore first look at some elements of the female life cycle and daily life (§ 1), then look at representations of women in art and myth and at goddesses as possible role m

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