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Articoli di riviste sul tema "Myth of Sisyphus"

Autore: Grafiati

Pubblicato: 7 luglio 2024

Ultima modifica: 15 giugno 2025

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1

Herman, Joseph. "The Myth of Sisyphus." Annals of Internal Medicine 119, no. 6 (1993): 534. http://dx.doi.org/10.7326/0003-4819-119-6-199309150-00019.

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Spelletich, Kal. "The Myth of Sisyphus." Leonardo 36, no. 5 (2003): 359. http://dx.doi.org/10.1162/leon.2003.36.5.359.

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Gay, Spencer B. "The Myth of Sisyphus." Journal of the American College of Radiology 4, no. 12 (2007): 868. http://dx.doi.org/10.1016/j.jacr.2007.05.005.

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Stivers, Camilla. "Public Administration's Myth of Sisyphus." Administration & Society 39, no. 8 (2008): 1008–12. http://dx.doi.org/10.1177/0095399707309814.

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Dominas, Konrad. "Autolycus and Sisyphus – Some Words about the Category of Trickster in Ancient Mythology." Studia Religiologica 53, no. 3 (2020): 203–12. http://dx.doi.org/10.4467/20844077sr.20.014.12754.

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The goal of this article is to juxtapose the trickster model suggested by William J. Hynes in the text Mapping the Characteristics of Mythic Tricksters: A Heuristic Guide with the stories of Sisyphus and Autolycus. A philological method proposed in this article is based on a way of understanding a myth narrowly, as a narrative with a specific meaning, which can be expressed in any literary genre. According to this definition, every mythology which is available today is an attempt at presenting a story of particular mythical events and the fortunes of gods and heroes. Therefore, stories about S

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Debrock, Mark. "Du milieu favorable aux promesses des technologies de l'information et de la communication." ReCALL 11, no. 1 (1999): 13–18. http://dx.doi.org/10.1017/s0958344000002044.

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Dans le tout recent ouvrage New Technologies for learning: contribution of ICT to innovation in education, les auteurs rapprochent les merveilles multimédiatiques du mythe de Sisyphe:“In the history of education the introduction of any new technological tool was accompanied with high expectations regarding its innovating power for learning and instruction. After a period of sporadic use, and some disappointment about the obtained learning outcomes, the arrival of any new technological tool generated a new set of expectations, limited use and resulting frustration. This is what we call the ‘Myt

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Hjorth, Daniel. "In the Tribe of Sisyphus: Rethinking Management Education from an “Entrepreneurial” Perspective." Journal of Management Education 27, no. 6 (2003): 637–53. http://dx.doi.org/10.1177/1052562903257938.

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In this article, Camus’s reading of the myth of Sisyphus provides an “entrepreneurial” perspective on management education. Traditionally management has been constrained by the conceptually limiting horizon of management knowledge and practice, with an emphasis on control and efficiency. As such, learning processes have come to reproduce a manipulable homo oeconomicus. Sisyphus’s desire to create, the “absurdity” of his dignified revolt, in short, his “entrepreneurship,” exemplify a transformative and playful force central to learning processes. Embracing the opening toward a metaphorical styl

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Okpo, Friday Romanus. "The Myth of Sisyphus in Richard Wright’s Native Son." SAGE Open 11, no. 2 (2021): 215824402110061. http://dx.doi.org/10.1177/21582440211006147.

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The identification of archetypes in literary texts follows the path of deep structural analysis, as surface reading will dwell ordinarily at the level of incidents. This research is driven by the configuration of the myth of Sisyphus in Richard Wright’s Native Son. Our claim is that the myth figures in the text as a shade of the crime and punishment sequence, with an absurdist twist. This claim is substantiated following the archetypal literary theory, which employs to a great extent the methods of discourse analysis. The novel has often been read along the ideological questions that racism ra

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Serra, Antonio, and Marcelo Jiménez. "Rotational atherectomy and the myth of Sisyphus." EuroIntervention 16, no. 4 (2020): e269-e272. http://dx.doi.org/10.4244/eijv16i4a45.

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Blanchet, Nadia P. "The Myth of Sisyphus and Physician Burnout." Plastic and Reconstructive Surgery 144, no. 1 (2019): 154e—155e. http://dx.doi.org/10.1097/prs.0000000000005763.

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Garcia, Richard. "Diversity in Pediatrics: The Myth of Sisyphus." Journal of the National Medical Association 110, no. 5 (2018): 501–3. http://dx.doi.org/10.1016/j.jnma.2017.12.009.

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Morice, Marie-Claude. "Chronic total occlusion: The myth of Sisyphus." Catheterization and Cardiovascular Interventions 64, no. 4 (2005): 412. http://dx.doi.org/10.1002/ccd.20322.

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Donaldson, Stuart, and Donald Moss. "Special Issue: Challenges Affecting Successful Biofeedback Treatment." Biofeedback 44, no. 1 (2016): 1–3. http://dx.doi.org/10.5298/1081-5937-44.1.07.

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The cover of this issue of Biofeedback shows a depiction of the mythical Sisyphus, condemned for all eternity to push an immense boulder up a hill, only to watch it roll back down the hill. The myth serves as a symbol for all of the medical and nonbiofeedback factors that can hinder biofeedback and neurofeedback treatment. It is our hope that this Special Issue may aid future practitioners to escape the fate of Sisyphus. (Thanks to Shutterstock for this photo).

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Kerner, Aaron, and Rachel Mertz Hart. "On a happy journey?" Short Film Studies 4, no. 1 (2014): 47–50. http://dx.doi.org/10.1386/sfs.4.1.47_1.

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Matka beautifully re-envisions Albert Camus’ The Myth of Sisyphus (1955), raising questions of burdens and fulfilment. Matka is an existential exploration of the human spirit, that here is contextualized by potential limits.

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Sánchez-Pardo, Esther. "Photopoetics: Sisyphus Outdone, the Apostrophal Subject and the Elusive Image." Open Cultural Studies 4, no. 1 (2020): 84–95. http://dx.doi.org/10.1515/culture-2020-0008.

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AbstractIn Sisyphus Outdone (2012), Nathanaël’s particular tribute to Albert Camus’ The Myth of Sisyphus (1942), the reader faces a challenging hybrid text in which the verbal and visual dimensions intermingle to produce an idiosyncratic type of narrative. Fragmentary, elliptical, a web of quotations, dictums, and meditations on the difficult condition of the individual in the current image-saturated scenario of the first decades of the 21st century, the text manages to propose a rigorous reflection upon crucial aspects of representation from History and temporality, to the Subject now, photog

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Anokhina, Anna Valentinovna. "INTERPRETATION OF ANTIQUE MYTH IN R. MERLE’S PLAYS “SISYPHUS AND DEATH” AND “NEW SISYPHUS”." Philological Sciences. Issues of Theory and Practice, no. 12-3 (December 2018): 427–31. http://dx.doi.org/10.30853/filnauki.2018-12-3.1.

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Jamiołkowski, Andrzej. "Kategoria bohatera absurdalnego w Kamieniu na kamieniu Wiesława Myśliwskiego oraz Sońce Ignacego Karpowicza." Studia Slavica XXVII, no. 1 (2023): 123–32. http://dx.doi.org/10.15452/studiaslavica.2023.27.0010.

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The article is an attempt to find elements of the concept of the absurd man presented by Albert Camus in the essay The Myth of Sisyphus in selected texts of polish rural prose. The heroes of Kamień na Kamieniu and Sońka, in a way similar to the mythical Sisyphus, whom Camus presents as a model of a person overcoming the absurdity of existence, deal with the nonsense of existence. The attitudes presented by the characters presented are driven by quiet, inconspicuous heroism, the symptom of which is the disagreement with the lack of a deeper meaning that accompanies their existence.

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Ljungberg, Karl. "HIV vaccine development: the myth of Sisyphus modernized?" Expert Review of Vaccines 6, no. 6 (2007): 879–82. http://dx.doi.org/10.1586/14760584.6.6.879.

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Min Lee, Chung. "Nuclear Sisyphus: the myth of denuclearising North Korea." Australian Journal of International Affairs 61, no. 1 (2007): 15–22. http://dx.doi.org/10.1080/10357710601142476.

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Guerado, E. "The Myth of Sisyphus. The refounding of SECOT." Revista Española de Cirugía Ortopédica y Traumatología (English Edition) 64, no. 4 (2020): 229–35. http://dx.doi.org/10.1016/j.recote.2020.06.002.

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Proven, Thom. "Camus and modern psychiatry: The Myth of Sisyphus." British Journal of Psychiatry 210, no. 1 (2017): 30. http://dx.doi.org/10.1192/bjp.bp.116.185132.

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Lamb, Mathew. "Re-Examining Sartre’s Reading of The Myth Of Sisyphus." Philosophy Today 56, no. 1 (2012): 100–111. http://dx.doi.org/10.5840/philtoday201256129.

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Tursunova, Narguisa. "«UNTYPICAL»NOVEL BY ALBERT CAMUS." INTERNATIONAL JOURNAL OF WORD ART 6, no. 3 (2020): 34–39. http://dx.doi.org/10.26739/2181-9297-2020-6-5.

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Albert Camus, one of the outstanding representatives of the philosophy of existentialism of the twentieth century, who expressed his life position and creative credo through diverse genres: essays, short stories, novels, dramaturgies, and journalistic articles, received the common name "Conscience of the West" during his lifetime. The most famous works of the author-essays "The Myth of Sisyphus", "Stranger", "Fall", "Caligula", "Plague", "Demons", "Rebellious man", etc.

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Raffalovich, Daniel C. "The Deaths of Sisyphus: Structural Analysis of a Classical Myth." Anthropologica 30, no. 1 (1988): 87. http://dx.doi.org/10.2307/25605249.

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Plant, Bob, and Katarzyna Kręglewska. "Absurdity, Incongruity and Laughter. Philosophy." Tekstualia 4, no. 59 (2019): 73–94. http://dx.doi.org/10.5604/01.3001.0013.6437.

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In The Myth of Sisyphus, Camus advocates scornful defi ance in the face of our absurd, meaningless existence. Although Nagel agrees that human life possesses an absurd dimension, he objects to Camus’ existentialist „dramatics”. For Nagel, absurdity arises from the irreducible tension between our subjective and objective perspectives on life. The article offers a critical reconstruction of Camus’ and Nagel’s positions, and elaborates Nagel’s critique of Camus in order to argue that humour is an appropriate response to absurdity.

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Arsh, Megha. "Absence of Objective Correlative in Albert Camus's The Myth of Sisyphus." Integrated Journal for Research in Arts and Humanities 3, no. 1 (2023): 135–38. http://dx.doi.org/10.55544/ijrah.3.1.24.

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This research paper explores the concept of the absence of the objective correlative in Albert Camus's influential philosophical essay, "The Myth of Sisyphus." The objective correlative is a literary device used to evoke specific emotions in the reader through the presentation of external objects that correlate with the internal experiences of characters. However, in Camus's work, the absence of the objective correlative becomes evident, as the protagonist's experience of the absurd defies easy representation. This paper examines the implications of this absence, analyzing the impact on the re

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Plant, Bob. "Absurdity, Incongruity and Laughter." Philosophy 84, no. 1 (2009): 111–34. http://dx.doi.org/10.1017/s0031819109000060.

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AbstractIn The Myth of Sisyphus, Camus recommends scornful defiance in the face of our absurd, meaningless existence. Although Nagel agrees that human life possesses an absurd dimension, he objects to Camus’ existentialist ‘dramatics’. For Nagel, absurdity arises from the irreducible tension between our subjective and objective perspectives on life. In this paper I do two things: (i) critically reconstruct Camus’ and Nagel's positions, and (ii) develop Nagel's critique of Camus in order to argue that humour is an appropriate response to absurdity.

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Liang, Yixu. "The Expression of the Absurd in Attack on Titan." Lecture Notes in Education Psychology and Public Media 9, no. 1 (2023): 7–11. http://dx.doi.org/10.54254/2753-7048/9/20230014.

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This paper aims to analyze Eren Yeager in Japan manga Attack on Titan from the aspect of the absurdism of Camus. In their work, Eren Yeager demonstrates a series of actions and thoughts while he realizes his objective. When he does this, his actions share a significant content of similarity that is also mirrored in Sisyphus in the Greek myth, the same evidence of the absurd. In this article, I argue that Eren Yeager can also be considered an example of the wild.

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Jenkins, Gary W. ":The Myth of Sisyphus: Renaissance Theories of Human Perfectibility." Sixteenth Century Journal 41, no. 3 (2010): 877–78. http://dx.doi.org/10.1086/scj40997400.

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Shobeiri, Ashkan, Wan Roselezam Wan Yahya, and Arbaayah Ali Termizi. "Making Sense of the Absurdity of Life in Camus’s the Myth of Sisyphus." International Journal of the Arts in Society: Annual Review 4, no. 5 (2010): 1–14. http://dx.doi.org/10.18848/1833-1866/cgp/v04i05/35713.

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Mavrogeni, Sophie I., Elisa Sfendouraki, George Markousis-Mavrogenis, et al. "Cardio-oncology, the myth of Sisyphus, and cardiovascular disease in breast cancer survivors." Heart Failure Reviews 24, no. 6 (2019): 977–87. http://dx.doi.org/10.1007/s10741-019-09805-1.

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Moklytsia, Mariia. "Psychoanalytic and Existentialist Versions of Don Juanism: Lesia Ukrainka’s The Stone Host." Kyiv-Mohyla Humanities Journal, no. 8 (December 24, 2021): 34–44. http://dx.doi.org/10.18523/kmhj249178.2021-8.34-44.

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The article substantiates the necessity of psychoanalytical and existential methodology in interpreting Lesia Ukrainka’s drama Kaminnyi hospodar (1912; The Stone Host), including the works of José Ortega y Gasset and Miguel de Unamuno on Don Quixote, Albert Camus on absurd characters (The Myth of Sisyphus. Essay on the Absurd), and Jacques Lacan’s The Mirror Stage. Biographical data testify to the critical attitude of the writer to world treatments of the legend. Her challenge to tradition was bold and conscious. It is regarded that the main point of Lesia Ukrainka’s polemics with tradition co

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Dangas, George, and Asaad A. Khan. "Rolling the rock uphill during left main stenting: The Sisyphus myth in percutaneous coronary intervention?" Catheterization and Cardiovascular Interventions 96, no. 4 (2020): 762–63. http://dx.doi.org/10.1002/ccd.29290.

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Omeje, Greg, and Chibuzo Onunkwo. "The Reconfiguration of Sisyphean Myth in Hemingway’s The Old Man and the Sea and Akwanya’s Orimili." International Journal of Applied Linguistics and English Literature 8, no. 6 (2019): 86. http://dx.doi.org/10.7575/aiac.ijalel.v.8n.6p.86.

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A literary work fascinates scholars and critics in different ways which may be based on literary experience or interest. In whichever perspective, literature engages the mind with multiplicity of interpretations. Hemingway’s The Old Man and the Sea and Akwanya’s Orimili have been studied in varied ways but no study, as far as this research is concerned, has looked at either or both texts from the view of configuration of the myth of Sisyphus. Here is a reading that intends to look at the mythic patterns in the two works with respect to the characters of Santiago and Ekwenze Orimili, the protag

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Joung, Hyesun. "Rebellion against the Absurdity of Life: focused on The Myth of Sisyphus and The Four Books." Asia Cultural Creativity Institute 3, no. 1 (2023): 23–41. http://dx.doi.org/10.54385/cbt.2023.2.2.23.

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Yan Lianke is internationally recognized as one of the three great masters of modern Chinese literature, along with Yuhua and Moyen. In China, however, many of his books are banned. Yan Lianke wants to be able to write freely, to reflect reality, and to capture in his own way the memories of a past that has been selectively erased in Chinese history. This article considers absurdity and rebellion to focus on Yan Lianke’s work, and to explore this, we first look to Camus’s The Myth of Sisyphus and The Stranger to understand the meaning of absurdity and rebellion. By examining the personal and h

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Joung, Hyesun. "Rebellion against the Absurdity of Life: focused on The Myth of Sisyphus and The Four Books." Asia Cultural Creativity Institute 3, no. 1 (2023): 23–41. http://dx.doi.org/10.54385/cbt.2023.3.1.23.

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Yan Lianke is internationally recognized as one of the three great masters of modern Chinese literature, along with Yuhua and Moyen. In China, however, many of his books are banned. Yan Lianke wants to be able to write freely, to reflect reality, and to capture in his own way the memories of a past that has been selectively erased in Chinese history. This article considers absurdity and rebellion to focus on Yan Lianke’s work, and to explore this, we first look to Camus’s The Myth of Sisyphus and The Stranger to understand the meaning of absurdity and rebellion. By examining the personal and h

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Ahashan, Mohammad, and Dr Sapna Tiwari. "Nihilism and Nothingness in The Play Entitled The Birthday Party (1957) With Special Reference To The Existential Philosophy." SMART MOVES JOURNAL IJELLH 6, no. 2 (2018): 9. http://dx.doi.org/10.24113/ijellh.v6i2.3580.

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The two world-wars and its massive destruction and horror had a great impact on human mind. Inevitably complete cynicism , pessimism , alienation , nothingness , existentialism reflected in the literature of that time. Pinter's play The Birthday Party (1957) is based on the philosophy of existentialism which later on became the source for the " Theatre of the Absurd ". Albert Camus and Jean-Paul Sartre gave the philosophy of existentialism according to which the universe and man's experience in it are meaningless. All attempts by human mind to understand the world are futile . All philosophica

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Varley, Julia. "Dramaturgy According to Daedalus: the Odin Teatret Production of ‘Mythos’." New Theatre Quarterly 17, no. 2 (2001): 110–22. http://dx.doi.org/10.1017/s0266464x00014536.

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This is not only the story of an actor whose character began as Clytemnestra and became Daedalus, but of how the slow and arduous discovery of that character helped to form and transform the Odin Teatret production of Mythos – a collage of characters and places, their relationships rooted not in cause and effect but in action and reaction – and of how that production itself emerged by following both actual and metaphysical threads through the Cretan labyrinth. The search takes the form of a funeral wake which is interrupted by the arrival of Oedipus, Cassandra, Daedalus, Odysseus, Medea, Orphe

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Weegmann, Martin, and Christine English. "Beyond the Shadow of Drugs: Groups with Substance Misusers." Group Analysis 43, no. 1 (2010): 3–21. http://dx.doi.org/10.1177/0533316409357131.

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The myth of Sisyphus speaks to an excruciating cycle of relief and suffering that is central in addiction. This article considers the long shadow cast by drug use, which often constitutes a psychic takeover of personality, with healthier aspects of the self and other interests subsumed by the seductive thrall of intoxication. Such shadows can manifest in groups that promote sober dialogue and eschew anti-dialogue/group process. A means of strengthening psychic muscle, psychodynamic groups are shown to temper the destructive pull towards euphoric or mindless states. In recovery there is a provo

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Fadillah, Umi Nur. "Existentialism as Portrayed in Stoner." Poetika 10, no. 2 (2022): 151. http://dx.doi.org/10.22146/poetika.v10i2.76410.

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The purpose of this study is to analyze a novel titled Stoner (1965) written by an American academic and author, John Williams. Stoner follows the life of William Stoner, a professor of English Literature. Stoner comes from an impoverished farming family with a unique existential ethics. He works his way to become a university instructor and learns the magnitude of passion in the success of life. This study uses Lucien Goldmann’s Genetic Structuralist theory. The goals of this research are: 1) to analyze the structure of the literary work; 2) to understand the historical background that influe

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Li, Shuheng. "The Multilayered Meaning of Camus’ Absurdity as Seen in Caligula and the Stranger." Journal of Education, Humanities and Social Sciences 24 (December 29, 2023): 90–94. http://dx.doi.org/10.54097/22wa7361.

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Albert Camus’s literary works and philosophical ideas have had a profound impact on the world. After the two world wars, Europe, tormented by the catastrophe of war, was in a climate of resentful reflection, exploration of the future and skepticism about old values. When the old order is shaken and called into question, man’s everyday life becomes a concrete manifestation of absurdity. The world is absurd, is the subjective feeling of many characters in Camus’ books. The term “absurdity”, a key term in Camus’s life, evolved and developed throughout his work. In this paper, it examines two of C

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Piccart-Gebhart, M. "De-escalation of adjuvant systemic therapy for breast cancer: the Myth of Sisyphus of the 21st century." Breast 32 (March 2017): S1. http://dx.doi.org/10.1016/s0960-9776(17)30055-3.

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Nayak, Santosh Kumar. "Pedagogical Suicide, Philosophy of Nihilism, Absurdity and Existentialism in Albert Camus’ The Myth of Sisyphus and Its Impact on Post-Independence Odia Literature." International Journal of Trend in Scientific Research and Development Volume-2, Issue-3 (2018): 812–29. http://dx.doi.org/10.31142/ijtsrd11113.

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Downie, R. S. "The value and quality of Life." European Review 8, no. 1 (2000): 1–7. http://dx.doi.org/10.1017/s1062798700004506.

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A medical view on ‘the value of life’ can be inferred from medical accounts of the quality of life: a life has value if it embodies certain qualities. Scales have been developed to quantify quality of life. While the term ‘quality of life’ is used frequently in everyday discourse, perceptions of what it might actually mean differ greatly and are often incompatible. This incompatibility can be illustrated through an examination and extension of the Greek myth of Sisyphus. The different models explored in this paper rest on ‘significant toil’, ‘choice’, ‘happiness or well-being’, or ‘social fact

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Tubali, Shai. "When the silent universe speaks. Testing Camus’ notion of the absurd in the alien encounters of "Contact" and "Arrival"." Aesthetic Investigations 3, no. 2 (2020): 327–46. http://dx.doi.org/10.58519/aesthinv.v3i2.11942.

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Albert Camus' concept of absurdity - as articulated in his works The Stranger, The Myth of Sisyphus, and The Rebel - outlines a metaphysics of inherent struggle between the human mind that strives for unity and clarity and an inhumanly silent universe. When an absurd mind realises its own inescapable frontiers of knowing, meaning, separation and mortality, Camus argues, it has the Sisyphean choice to embrace such a universe nevertheless, while forever retaining the spirit of revolt that defies it. In this essay I analyse, side by side, two first-contact films - Robert Zemeckis' Contact (

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Verhulst, Pim. "“A thing I carry about with me”." Samuel Beckett Today / Aujourd’hui 31, no. 1 (2019): 114–29. http://dx.doi.org/10.1163/18757405-03101009.

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Abstract This article discusses Sisyphus as a recurrent (philosophical) image in Samuel Beckett’s work. Starting from his prewar reading notes, it moves on to the 1940s and the radio play All That Fall (1956), which is studied in light of Albert Camus’s essays Le Mythe de Sisyphe (1942) and L’ Homme révolté (1951). By focussing on how the radio play deals with the absurd, revolt, suicide and murder, the article reads All That Fall as one of Beckett’s most critical but overlooked engagements with Camus, merging classical and modern versions of the character Sisyphus.

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Alzouabi, Lina. "Samuel Beckett’s Waiting for Godot: The Dual Motif." European Journal of Language and Culture Studies 1, no. 6 (2022): 24–30. http://dx.doi.org/10.24018/ejlang.2022.1.6.44.

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Following two world wars, the human essence was affected by pessimism and a loss of faith. As a result, new existentialist literature was produced, resulting in a new wave of absurdist fiction plays. The theatre of the absurd was first termed by Martin Esslin, whereas the term ‘absurd’ was first used by Albert Camus in his classic essay ‘The Myth of Sisyphus’. Samuel Beckett’s “Waiting for Godot,” a tragic comedy, (1952) is among the most mysterious dramas of the twentieth century that represents the philosophy of absurdism. By adopting the philosophy of theatre of the absurd in analyzing “Wai

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Saleha Malik and Mr. M. Athar Tahir. "Pakistani Sisyphean Heroes in Taufiq Rafat’s Foothold." Creative Launcher 4, no. 2 (2019): 18–26. http://dx.doi.org/10.53032/tcl.2019.4.2.03.

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The protagonist of Foothold, Saleem, wanders off into the wilderness to seek faith like Buddha. He does not give up his quest as he returns home to his family and friends, and learns that faith can be found and practised amongst his community. A close reading of the text proves that Saleem bears the qualities of a Sisyphean Hero as outlined by Albert Camus. Other characters have also been subjected to a similar scrutiny to prove whether they are Sisyphean Heroes or not. Furthermore, the close reading of Foothold renders an insight into the generation of the Sixties who experienced decolonizati

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f, f. "A Study on Yan Lianke's Novel 『四書』". Society for Chinese Humanities in Korea 85 (31 грудня 2023): 411–29. http://dx.doi.org/10.35955/jch.2023.12.85.411.

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Abstract (sommario):

Yan Lianke's novel 『四書』 is set in the context of the anti-right struggle, the Great Leap Forward movement, and the Great Famine. State violence is dealt with through intellectuals who were subject to labor reform in the Wishin District along the Yellow River. On the other hand, we considered the human dignity of not being dominated by animal instincts for survival in extreme situations where violence is rampant. In the novel, the general causal relationship is collapsed, and reality and unreal appear in a mixture. This collapse and mixture is a novel device. The search for a mixture of the unr

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Alkhouli, Khitam. "Autobiographic Resonances in the Orks of Fadwa Tuqan." Dirasat: Human and Social Sciences 49, no. 5 (2022): 443–53. http://dx.doi.org/10.35516/hum.v49i5.3493.

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Abstract (sommario):

This study explores autobiographic resonances in the works of Palestinian writer and poet Fadwa Tuqan who wrote her biography in two parts: A Mountainous Journey, 1985, and the Most Difficult Journey 1993. Focusing on a range of devices that combine narrative, dialogue, and straightforward documentation, her autobiographic works merge the literary and the historic, the social and the political, with protest poetry featuring as a prominent form in her oeuvre. This study focuses on exploring the following themes: The Sisyphean aspect: Incorporating the semantics of futility of perseverance using

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