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Tesi sul tema "Narrative painting"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 1 agosto 2024

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1

Wilson, Gina Strecker. "Narrative Painting." PDXScholar, 1992. https://pdxscholar.library.pdx.edu/open_access_etds/4527.

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2

Nowicki, Andrzej Jan. "The gloaming : narrative in contemporary painting." Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/8202.

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Abstract (sommario):

Also available online.<br>The key to understanding my project lies in the assumption that the task of representation for contemporary painting is different from that of newer media such as photography and film. I see the role of painting as being the representation of the past; an engagement with history. Many of the painters who have inspired my way of seeing are artists who re-imagined the role of pre-modernist narrative painting and re-asserted it in contemporary practice. Contemporary narrative painting occupies a different role from that of its pre-modernist predecessors, such as Romantic

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3

Coutts, Maryanne. "Using narrative strategies in contemporary figurative painting." Thesis, Federation University Australia, 1999. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/165036.

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"This project applies an analysis of narrative, its elements, strategies and devices to figurative painting within the practical project of producing visual narrative fiction."<br>Doctor of Philosophy

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4

Ator, Robin A. "Boudica : an illustrated narrative." PDXScholar, 1988. https://pdxscholar.library.pdx.edu/open_access_etds/3823.

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Abstract (sommario):

I study painting and composition for its own sake, and in this program I am pursuing it from a narrative or pictorial stance, much as did earlier artists, and doing so in contemporary terms. Distinguished examples of illustrators could include such artists as Raphael, Michelangelo, Rembrandt and Rubens, and modern practitioners such as Wyeth and Baskin. The illustrator needs not only control of his means, but also other qualities in addition to those of a studio painter. He needs an imagination that will allow portrayal of scenes and viewpoints that can't be arranged in a studio. The artist's

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5

Green, Alexandra Raissa. "Buddhist narrative in Burmese murals." Thesis, SOAS, University of London, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367563.

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6

Ng’ok, Ivy Chemutai. "A counter-narrative analysis of psychological riot in contemporary painting." Thesis, Rhodes University, 2018. http://hdl.handle.net/10962/60458.

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I am rioting against a system of my own beliefs about the world. In my mind, I struggle to overcome these beliefs, hence, I construct the psychological riot as ‘the disturbance of the mind’. In this mini-thesis, I argue that it exists in the psyche too. This definition of psyche becomes painterly. My psychological riot is difficult to trace, let alone paint. The beliefs that I target are patriarchy within a post-colonial context. I use theories that are simultaneously psychological and corporeal. They address violence colonialist system. The psychological riot is an practical submission.

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7

Matino, Gabriele. "Venetian istorie : re-evaluating Giovanni Mansueti's narrative painting (1500-30's)." Thesis, University of Nottingham, 2014. http://eprints.nottingham.ac.uk/14255/.

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This thesis challenges existing studies on Giovanni Mansueti (active 1485-1526/27) that have generally tended to undervalue his contribution to Venetian narrative painting. Rather, drawing on extensive primary research my work demonstrates how Mansueti was one of the major interpreters of the “eyewitness style”, in fact a master able to picture the unique requirements and expectations of his various patrons. Chapter 1 analyses Mansueti’s little-known cycle in the church of San Martino, Burano (The Betrothal of the Virgin, The Adoration of the Shepherds and The Flight into Egypt, c. 1510), with

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8

Fry, Jasmine R. "Experiencing the spiritual: Viewership and narrative painting in the early seicento." Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1442915.

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9

Batenburg, Nancy G. "Telling tales and painting pictures: A narrative inquiry into the professional learning of Northern Territory primary teachers." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/90063/4/Nancy_Batenburg_Thesis.pdf.

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This thesis narrates the professional learning experiences of seven Northern Territory teachers. It outlines the evolution from traditional professional development in schools to an active, responsive professional learning agenda. With increasing demands on teachers, standardisation and the quest for improved student outcomes, key themes in the re-storied narrative emerge about the definition and role of professional learning in complex conditions, effective teaching, quality programmes, and teacher agency. This thesis contributes to knowledge about the characteristics that teachers value in t

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10

Dixon, Erin. "Parables." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-04252008-135822/.

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Thesis (M.F.A.)--Georgia State University, 2008.<br>Joseph Peragine, committee chair; Teresa Bramlette-Reeves, Cheryl Goldsleger, committee members. Title from file title page. Electronic text (25 p. : col. ill.) : digital, PDF file. Description based on contents viewed Aug. 14, 2008. Includes bibliographical references (p. 16).

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11

Hollier, Daniel Robert. "Holding Down a Shadow." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15761.

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Abstract (sommario):

Using the Already-made and the Narrative as a counterpoint to rigorous formal and Non-Representational painting, this paper discusses how these two ideas are used in my own practice, with an interest in investing subjectivity into my own painting. I am interested in the contradiction and obfuscation of the information (or lack of information) presented in Non-Representational Painting. I seek to explore a space where the painting can exist as both, image and non-image. This paper is intended to be neither didactic nor divisive, but instead an audit of the strategies employed by my practice.

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12

Connor, Laura. "Frameworks: The Limits of Perception and Representation in Spanish Narrative and Painting, 1880-1920." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11486.

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Realism is a mode of representation that purports to depict contemporary society objectively and in its entirety. By contrast, modernist artists are often regarded as having turned away from external reality to represent subjective states and to emphasize the artistic (versus mimetic) qualities of art. Building on recent scholarship that has demonstrated that Spanish realist authors were mindful of the limitations of the realist project, this study examines frames as devices through which both realist and modernist authors and artists working in fin-de-siècle Spain signal the limits of percept

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13

Ichikawa, Kayoko. "Guido da Siena's narrative panels and the Madonna del Voto : the formation of the Marian civic identity in Sienese Art c.1260." Thesis, University of Warwick, 2015. http://wrap.warwick.ac.uk/77733/.

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This thesis examines the reconstructed altarpiece formed by the Madonna del Voto, the Coronation of the Virgin, and the twelve narrative panels dated circa 1267 and attributed to Guido da Siena, currently dispersed in museums in Europe and America. The reconstructed altarpiece is vital to the study of early Sienese art because of its association with the Madonna del Voto in Siena cathedral, the most venerated icon believed to be once on the high altar. If proven, it represents a significant rediscovery of an altarpiece commissioned to commemorate the miraculous intercession of the Virgin who g

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14

McDevitt, Michael David. "The Shooting: A Cautionary Tale." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1431008737.

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15

Edwards, Jamie Lee. "Netherlandish vernacular narrative painting in the age of Bruegel : 'entangling the eyes' & 'enlightening the mind'." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7703/.

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This thesis sheds new light on the origins and significance of ‘compositional inversion’ in sixteenth-century Netherlandish art. Taking Pieter Bruegel’s inverted religious narratives as primary examples of a wider phenomenon, it seeks to account for the seemingly paradoxical method of narrative obfuscation evident in these works. It does so by situating them in art theoretical, iconographic, social, political and spiritual contexts. Chapter 1 turns to the art theories of Karel van Mander, contained in the first book of Het Schilder-Boeck (1604): ‘Den Grondt … ’. Here I suggest that Bruegel’s i

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16

Fonseca, José Miguel Gervásio da. "Joyciana: Mollies, Pollies & Dollies, ou a permanência da subjectividade em pintura." Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/30614.

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Em análise, a série de pinturas Joyciana: Mollies, Pollies & Dollies, a partir da interrogação dos factos da arte ocidental. Caracterizada por uma figuração de personagens fantasiosas, cenários e variações antropológicas, como o erotismo, o psiquismo e os excessos que as máscaras encobrem, a Joyciana pretende ser a súmula das heterogeneidades, das contradições, dos modos e dos dogmas do nosso tempo. Na relação figura-narrativa-série, o corpo é o excedente que a Joyciana caricaturiza; a narrativa, o acto original que evidencia o fragmentário, invadido por territórios permeados de impossibilidad

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17

McNeill, Malcolm L. S. "Narrative agency in thirteenth-fourteenth century Chan figure painting : a study of hagiography-iconography text-image relationships." Thesis, SOAS, University of London, 2017. http://eprints.soas.ac.uk/24335/.

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This thesis examines the relationships between image and text in paintings of Chan Buddhist figural subjects from thirteenth and fourteenth century China. Its central contention is that the visual qualities of these paintings, and the lexical content of the inscriptions upon them, made complex allusions to narrative prototypes recorded in hagiographies, as part of the pedagogical practice of the Chan tradition. These narrative allusions communicated religious teachings to the viewer, mediating their relationship to the Chan pantheon of exemplars and eccentrics. This thesis' analysis of the con

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18

Williams, Samuel S. "Zig Zag Wanderer." ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2341.

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Narratives recollected from popular sources such as podcast and websites often inspire my animations, paintings, and drawings. My work serves as a pictorial manifestation of everything from visualized passages in literature to eavesdropping. I zigzag from one source to another, combining found images that are loosely associated with one another. I combine them in a simulated collage in order to form an interesting composition. My purpose is to create a magical moment that pulls us away from the monotony of life. Storytelling not only allows one to see oneself and how one relates to others, but

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19

Brand, Carol Frances. "A narrative in relief : the historiography of English modern painting (1910-1915), from the 1910s to the 1950s." Thesis, University of Plymouth, 2011. http://hdl.handle.net/10026.1/2249.

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The groups of painters in England who experimented with new visual expressions of modernity between 1910 and 1915 are the subject of this historiographical research. More precisely, the accounts of Vorticism, Bloomsbury post-Impressionism and the modern art of painters associated with Sickert, (principally the Camden Town Group), have been critically examined over a forty year period in order to trace the narrative of their place in contemporary art criticism and their entry into histories of what soon became the recent past. This textually-based methodology has produced an insight into the fo

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20

Lee, Stephanie Maria. ""The Will to Create" Exhibition Photographic Documentation of, and Narrative on the Body of Work in Sculpture, Painting and Mandala." Fogler Library, University of Maine, 2008. http://www.library.umaine.edu/theses/pdf/LeeSM2008.pdf.

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21

Engelmann, James Thomas. "Narrating Friendship: The reciprocal relationship between J.B. Childers and myself." VCU Scholars Compass, 2004. http://scholarscompass.vcu.edu/etd/905.

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For the past ten months I have explored the life of a deceased artist named Joseph Barley "J.B." Childers. In the graduate catalog Gregory Volk summarizes Childers as, "an alienated Korean War Veteran, who took up painting as a refuge from his troubles, and who also doesn't exist. Childers who is naturally right-handed, painted everything left-handed because of a war wound, and so Engelmann, who is left-handed, painted with his right hand, which is quite a limitation." Of course, there's more to the story than that and the writings that follow will explain many of my reasons for pursuing this

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22

Perinelle-Beguerie, Catherine. "Les nouvelles figurations à Bordeaux dans la décennie 1960 - 1970." Thesis, Pau, 2016. http://www.theses.fr/2016PAUU1002.

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Au début des années 1960, émerge un nouveau courant d’expression artistique en Europe et particulièrement en France avec une peinture figurative appelée Nouvelle Figuration. Exposée dans des galeries parisiennes, elle prit un caractère plus officiel en étant présentée au Musée d’art moderne de la Ville de Paris, au sein de l’ARC créé en 1966 comme espace de recherche et d’expositions dédié à de nouveaux talents. Ces différentes manifestations encouragées par plusieurs critiques d’art permettent à ce nouveau courant de rayonner en dehors de la capitale. Parallèlement, à Bordeaux, toute une géné

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23

Phillips, Carla. "Así, Así : Investigating the complexity of identity through the example of a micro-narrative." Thesis, Linnéuniversitetet, Institutionen för design (DE), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-86139.

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This paper investigates the complextity of identity through the example of a micro-narrative. It zooms in on the relationship between a 24-year-old girl from South Africa and her 86-year-old great aunt from Spain. The investigation focuses on hands – tools with which we carry out our day-to-day practices. The hands are used as a metaphor to represent our connection with the material world – the way in which interact with each other and our surroundings. How do we navigate familiar and unfamiliar places? The outcome is visualised through an audio-visual installation.

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24

Raynolds, Nicholas. "the emotional plague." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3773.

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The artist discusses his Master of Fine Arts thesis exhibition “the emotional plague” held at the Reese Museum in Johnson City, Tennessee from March 2nd through March 27th, 2020 in which he examines a number of literary and invented narrative subjects influenced by science fiction, Surrealism and the current political climate in an attempt to reconcile the social and the personal through the creative act. Largely improvisational in their conception, the paintings and drawings in this exhibition reflect ideas derived from writers, thinkers and artists including Wilhelm Reich, J.G. Ballard, W.S.

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25

Noguera, Teresa. "Supporting children's narrative composition : the development and reflection of a visual approach for 7-8 year-olds." Thesis, Brunel University, 2011. http://bura.brunel.ac.uk/handle/2438/6427.

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Abstract (sommario):

At the heart of present literacy, and narrative, learning paradigms are the "literate behaviours" usually associated with aspects of learning to encode and decode print. These paradigms have been criticized for placing written and verbal language in a privileged position. Furthermore, whilst an increasing number of theorists and educators are asking for the inclusion of multimodal approaches to learning narrative, current curricula, and the research that informs it, continue to be founded on "verbocentric" approaches and linear forms of narrative expression. Through the development and evaluat

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26

Fisher, James. "'I came here a stranger, as a stranger I depart' : an investigation into the relationship between drawing and narrative of place." Thesis, University of Gloucestershire, 2009. http://eprints.glos.ac.uk/1242/.

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This practice-based research investigates the relationship between the process of making layered images and narratives of walked journeys. Two such journeys – Franz Schubert’s song cycle, Winterreise, and the autobiographical account of John Clare’s escape from an asylum, Reccolections &c Of Journey From Essex – were examined and compared through a body of drawings, prints and paintings. A study of the construction of the two narratives highlighted their layered composition: Winterreise is experienced as a synthesis of Wilhelm Müller’s poems and Schubert’s musical setting; whilst the full impa

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27

Becker, Michelle Ciancarelli. "Traits of Writing, Traits of Art." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/1264.

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A study was conducted of Introductory Art students to find if the six traits of writing as written by Spandel/Stiggins (1997) would have influence over a narrative painting when combined with the six traits of painting. Inconclusive findings were reported. Data difference between the treated and untreated class was less than one point. More research needs to be conducted to study transfer of knowledge from verbal to visual as well as from one curriculum to another with both curriculums teaching same material.

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28

Saukaitė, Monika. "Pasakojimo strategijos Šarūno Saukos tapyboje." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140120_112137-12043.

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Disertacijoje nagrinėjama vaizdo naratyvumo problema. Analizės objektas – žymaus lietuvių dailininko Šarūno Saukos tapyba. Š. Saukos paveikslai atrodo esą siužetiški, pasakojantys istorijas, nors šios numanomos istorijos dažniausiai neturi žodinių provaizdžių, galinčių tapti interpretacijos šaltiniu. Todėl paveikslai tampa atviri pačių suvokėjų kuriamiems pasakojimams: vaizduojamos situacijos, dažnai primenančios nesuprantamus ir nerimą keliančius ritualus, provokuoja juos aiškinti pasitelkiant įsivaizduojamas istorijas. Tačiau ar kuria pasakojimus patys paveikslai? Ar galima rasti naratyvumo

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29

Saukaitė, Monika. "Pasakojimo strategijos Šatūno Saukos tapyboje." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140519_094131-66987.

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Abstract (sommario):

Disertacijoje nagrinėjama vaizdo naratyvumo problema. Analizės objektas – žymaus lietuvių dailininko Šarūno Saukos tapyba. Š. Saukos paveikslai atrodo esą siužetiški, pasakojantys istorijas, nors šios numanomos istorijos dažniausiai neturi žodinių provaizdžių, galinčių tapti interpretacijos šaltiniu. Todėl paveikslai tampa atviri pačių suvokėjų kuriamiems pasakojimams: vaizduojamos situacijos, dažnai primenančios nesuprantamus ir nerimą keliančius ritualus, provokuoja juos aiškinti pasitelkiant įsivaizduojamas istorijas. Tačiau ar kuria pasakojimus patys paveikslai? Ar galima rasti naratyvumo

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30

Davidson, Allison B. "Breaking Outside: Narratives of Art and Hawaii." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc271797/.

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This research examines the personal narratives of two contemporary non-native artists living and working on the island of Oahu, Hawaii. Issues related to narratives, power structures, artistic processes, insider/outsider dynamics, Hawaiian culture, island life, surfing, and the researcher's own experiences are woven together to formulate realizations surrounding alternative knowledge systems and the power of multiple or hidden narratives to the practice of art education.

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31

Haskins, Charles E. "A Matter of Taste." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/1272.

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This thesis paper supports the Master of Fine Arts exhibition at the Slocumb Galleries, East Tennessee State University, from March 14th through March 18th, 2011. The exhibit is composed of nine oil paintings depicting an invented story about two characters who create a soup for a cooking competition. The show A Matter of Taste chronicles an allegory concerning the evaluation of creative works. Through Gaudie and Baudie's "odd" recipe this work illustrates the ways in artists and art audiences interact and determine artistic value. The work is inspired by techniques in distortion and narrative

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32

Fries, Katherine. "Ariadne's thread - memory, interconnection and the poetic in contemporary art." Connect to full text, 2008. http://hdl.handle.net/2123/5709.

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Thesis (M.V.A.)--University of Sydney, 2009.<br>Title from title screen (viewed November 26, 2009) Submitted in fulfilment of the requirements for the degree of Master of Visual Arts to the Sydney College of the Arts, University of Sydney. Degree awarded 2009; thesis submitted 2008. Includes bibliographical references.

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Oliveira, Larissa Cristina Arruda de. "Caminhos cruzados: literatura e pintura, Graciliano Ramos e Cândido Portinari." Universidade Federal de São Carlos, 2013. https://repositorio.ufscar.br/handle/ufscar/4719.

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Made available in DSpace on 2016-06-02T20:11:02Z (GMT). No. of bitstreams: 1 5477.pdf: 2572805 bytes, checksum: c4bc4bde3a3f6142a98d3e95b8b95f75 (MD5) Previous issue date: 2013-08-21<br>Financiadora de Estudos e Projetos<br>Graciliano Ramos and Cândido Portinari were friends, but they had something in common that bound most strongly: the desire to express in their works the authentic Brazilian man, the worker and the migrant in their daily lives. This research aims to show how the works of Graciliano and Candido Portinari are close, not only as a social content and theme, but mainly as a for

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34

Wu, Shuangshuang. "Human/Nature." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd_retro/110.

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This project has evolved from my own observation of our deteriorating living environments. I am exploring the development of a visual story to represent my contemplation of humankind's consumption, and how it endangers the balance of the natural world. Through drawing and animation, I hope to develop a visual language and an approach to storytelling that will inspire people to think about balancing economic, environmental, and ethical issues in design and development, and to advocate a simple honest life and noninterference with the necessary course of natural events.

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Bilbao, Giuliana Gnatos Lima. "Oficina de pintura: um estudo fenomenol?gico sobre uma pr?tica psicol?gica." Pontif?cia Universidade Cat?lica de Campinas, 2008. http://tede.bibliotecadigital.puc-campinas.edu.br:8080/jspui/handle/tede/408.

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Made available in DSpace on 2016-04-04T18:29:44Z (GMT). No. of bitstreams: 1 Giuliana Gnatos Lima Bilbao.pdf: 679853 bytes, checksum: 598f2d8624577284ea9d1789119a0568 (MD5) Previous issue date: 2008-12-16<br>This intervention research aimed to comprehend the experience of a Painting Workshop, which is a psychological approach implemented in PUC Campinas Psychology Clinic during three months in the year of 2007. The theoretical referential is Edmund Husserl s Phenomenology, and the Humanist-existential Psychology. In a room of the Psychology Clinic fourteen workshop meetings were organize

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Turbuck, Christopher James. "Personal Narratives." Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/turbuck/TurbuckC0508.pdf.

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This body of work is comprised of autobiographical narratives from my everyday experiences. The conflict in the stories comes both from without and within: awkward, frustrating situations force perplexed responses from the protagonist (me) even as I struggle to maintain internal balance between combative contradictory thoughts and impulses. I adopt many conventions from comic books. They allow me to freely incorporate text and image into the same pictorial space. Additionally, the comic book form possesses associations with \"low art\" that are valuable to my work. Comics are entertaining and

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Winter, Leslie J. "Body, Identity, and Narrative in Titian's Paintings." Wittenberg University Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1399284506.

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38

Kagan, Michal Lali. "Wonderer : the life of Bruce Chatwin." Thesis, Queensland University of Technology, 2002.

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Abstract (sommario):

Wonderer is a screenplay about the life of writer/traveler Bruce Chatwin. The screenplay examines not only Chatwin's travels and writing, but also the landscape which he never fully explored: his inner-world. This reflective analysis will focus on the relationship between Bruce Chatwin's writing - especially in The Songlines- and the ways in which the book's subject matter and style influenced the choices in content and form which I made in writing Wonderer.

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Zhao, Yanji. "The Journey from Chinese Landscape Paintings to Architecture." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491318233161403.

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Ziani, Elizabeth Maria. "As dobras do texto - trajetória da obra de João Guimarães Rosa pelo sertão." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-02052018-154410/.

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Esta tese estrutura-se a partir de experiências com a literatura de Guimarães Rosa no sertão de Minas Gerais e ressalta aspectos do retorno da sua obra a determinadas localidades, constituindo o que definimos como Território Literário. Alguns aspectos contribuíram nesse processo: representação do real na obra; recepção da obra geradora de ações em torno da leitura; adaptações da obra em outras linguagens. O processo criativo do escritor e suas estratégias para observar a realidade e torná-la matéria-prima da sua criação são observados a partir de registros localizados em seu arquivo no Institu

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Stellittano, Sabine. "Alchimie picturale des vies ordinaires, du récit de vie à l'hystérie du tableau." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H309/document.

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Toute cette recherche se concentre sur le portrait en peinture comme possibilité de la rencontre, de moments d’amitié. Il s’agit d’en analyser les enjeux en utilisant la philosophie et la psychanalyse comme outils théoriques. Comprendre combien cette pratique de corps-à-corps, de présence à présence s’inscrit dans le temps, le déploie, le relate. La rencontre, tout comme ma pratique, a pour origine le désir de l’Autre. Chacune de mes peintures est une réponse à cette demande : «Comment désires-tu être peint ?». Mes pinceaux, guidés par les paroles livrées dans mon atelier, tentent de s’approch

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Knoll, Darcy. "Narrating the Self and Painting an Image: Stephane Dion (2006--2008)---Not a Leader?" Thesis, University of Ottawa (Canada), 2010. http://hdl.handle.net/10393/28664.

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This thesis examines how the personal narrative of former Liberal leader Stephane Dion was shaped in the mediated environment of a minority Parliament. It is based on William James' (1890) consciousness of self and George H. Mead's (1934) notions of the self and the communicative gesture, coupled with work on narratives and self-presentation. These were combined with political image and the role of opponents and journalists in creating a leader's personal narrative. The thesis employs a qualitative research design with a microscopic conceptual approach and inductive reasoning for a textual ana

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Márquez, Gemma. "Azorín y la figura del pintor: urdimbre de una identidad literaria (1894-1946)." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/393854.

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Esta tesis toma como punto de partida la idea de que las figuras de pintor que Azorín construye en su obra pueden iluminar el modo en que el autor entiende la identidad del escritor y las contradicciones que esta afronta durante la modernidad. Ello se enmarca en un contexto histórico en que el papel de la creación literaria experimenta una intensa revisión, producto del desencaje entre la labor artística y el sistema económico en el que debe subsistir. La pugna por la autonomía del campo literario, que ha cruzado todo el XIX, tiene un repunte privilegiado a finales de siglo; lo que se manfiest

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Martin, Timothy Michael. "Codes of Interaction." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/849.

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The ideas within this thesis are meant to clarify my explorations, research and painting practice during my studies at Virginia Commonwealth University. I expand on my general statements about being fascinated by advancing technologies and concerned about the after effects of these advancements. The writing explores my curiosity about the internal, skeletal structure of things and how they operate. I explain how the paintings are idiosyncratic hybrids that evoke animation, imaginary scientific propositions, blueprints, maps, and advancing technologies. The work combines these interests with my

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Merino, Serrat Imma. "Subjectivitat i autorepresentació en el cinema d'Agnès Varda." Doctoral thesis, Universitat Pompeu Fabra, 2013. http://hdl.handle.net/10803/109378.

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Agnès Varda ha deixat empremtes visibles de la seva subjectivitat en una filmografia desenvolupada pràcticament en sis dècades. El propòsit és abordar el conjunt de l’obra cinematogràfica de Varda rastrejant-hi aquestes empremtes subjectives, lligades a una manifestació de l’autoria, a través dels comentaris escrits i dits per la mateixa cineasta inscrits en els films; i també fer atenció a les diverses formes d’autorepresentació en relació amb la projecció de la cineasta en diversos personatges de les seves ficcions i la presència física d’ella mateixa a les imatges. Analitzant aquests elemen

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Soria, Judith. "Le récit de la Passion du Christ dans les peintures murales : formes et fonctions du cycle narratif à Byzance et en Serbie du XIIIe au XVe siècle." Thesis, Paris, EPHE, 2015. http://www.theses.fr/2015EPHE5066.

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Cette thèse a pour objet les images narratives de la Passion du Christ dans les peintures murales tardobyzantines, leur place et leur fonctionnement dans l’espace rituel dont elles constituent le décor. Développé en dessous des images du Dodekaorton, il a une forme et une place très particulières : faisant le tour de la nef et intégrant généralement le sanctuaire dans son parcours, il participe de la construction de l’espace cultuel. Cette approche des images a montré que la forme narrative donnée à ces cycles composant les décors pariétaux, loin d’être fortuite, est porteuse de sens et de dis

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Peixoto, Alex Gomes. "Narrativas visuais: os ciclitas de Iberê Camargo." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-07112014-155107/.

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Este trabalho constitui-se em um estudo da série Ciclistas do Parque da Redenção, executada por Iberê Camargo durante a década de 1980. O objetivo é identificar elementos narrativos presentes na série, tendo como moldura teórica o ensaio O Narrador, de Walter Benjamin. O trabalho é desenvolvido em três capítulos: o primeiro volta-se à investigação da biografia do pintor, suas produções pictóricas e literárias e os contextos nos quais ele e sua obra se inserem; no segundo verificam-se propriedades do narrador e a narrativa sob o ponto de vista de Walter Benjamim; por último, é feita uma compara

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Oliveira, Gabriela Rodrigues Pessoa de. "Entre pinturas e escritos: aspectos da trajetória de Virgílio Maurício (1892-1937) em uma narrativa particular." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/31/31131/tde-08042016-113748/.

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Esta dissertação tem por objetivo analisar aspectos da trajetória de Virgílio Maurício (1892-1937), sobretudo, no que diz respeito à sua atuação artística. Intelectual polígrafo, Maurício teve diversas ocupações, atuando no campo da pintura, da crítica de arte e da medicina. Na passagem do século XIX para o XX, Maurício iniciou seus estudos em arte, sendo premiado pouco tempo depois no Salon da Société des Artistes Français, de 1913, com uma pintura de nu feminino. Intensamente referenciado na imprensa de seu tempo, seu nome não subsistiu à resistência dos pares. Sobre Maurício eram imputadas

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Santos, Mariana Pinto dos. "Inventários, Narrativas, Fragmentos. (Im)pertinência da historiografia da arte = Inventarios, Narrativas, Fragmentos. (Im)pertinencia de la historiografía del arte." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/298715.

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Abordando alguns exemplos importantes da historiografia da arte portuguesa contemporânea, esta dissertação de doutoramento procura fazer uma reflexão crítica sobre a cristalização de modelos de interpretação em história da arte para além do caso português, com particular foco na história da arte contemporânea. Partindo de autores e conceitos específicos, contrapõem-se hipóteses operativas para a historiografia da arte. Por um lado, pela análise crítica do paradigma da cópia introduzido pela actualmente in.uente historiogra.a da arte norteamericana (criticism), que se a.rmou a partir dos anos

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Hannart-Marmor, Yona. "Des pouvoirs de l’ekphrasis : L’objet auratique dans l’oeuvre de Claude Simon." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030026.

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Notre travail consiste en une étude de l’ekphrasis dans l’écriture de Claude Simon. Il part de l’hypothèse selon laquelle la compréhension de sa nature et de son rôle permettrait d’éclairer des aspects fondamentaux du fonctionnement du texte, révélateurs de l’esthétique du roman simonien dans son ensemble. Pour ce faire, nous commençons par mettre en évidence le caractère ambivalent, paradoxal et subversif de l’ekphrasis simonienne, qui ne constitue pas systématiquement une interruption de la narration, ni une description d’oeuvre d’art. Tirant les conséquences du changement de perspective qu’

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