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Tesi sul tema "Performativity"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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1

Şiray, Mehmet. "Performance and Performativity /." Frankfurt am Main [u.a.] : Lang, Peter,, Internationaler Verlag der Wissenschaften, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017150783&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Şiray, Mehmet. "Performance and performativity." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2007. http://d-nb.info/992408210/04.

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3

Norman, Taryn Louise. "Queer Performativity and Chaucer's Pardoner." Fogler Library, University of Maine, 2006. http://www.library.umaine.edu/theses/pdf/NormanTL2006.pdf.

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4

Grabner, Sarah M. "Art Games: Performativity and Interactivity." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1523973549005374.

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5

Brady, Anita, and n/a. "Constituting queer : performativity and commodity culture." University of Otago. Department of Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080429.113540.

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This thesis foregrounds a question unanswered in queer theory�s account of the ongoing reproduction of heteronormativity. In Gender Trouble, Judith Butler asks "From where does the performative draw its force, and what happens to the performative whose task it is to undo" that discursively legitimated enacting? (Bodies That Matter 224-5). While queer theory offers a compelling account of how the normative fictions of identity privilege heterosexuality, the first part of Butler�s question remains relatively under-theorised. This thesis addresses this gap and argues that to understand the source

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Nilsson, Nina. "Gender Performativity and Motherhood in Coraline." Thesis, Umeå universitet, Institutionen för språkstudier, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-160255.

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Coraline by Neil Gaiman has several characters who in many ways break gender norms. The main protagonist of the novel, Coraline, acts more in accordance with masculine gender norms, and the mother figures are mothers who do not fully conform to the traditional mother role. The purpose of this study is to look at how Coraline and the mother figures perform their gender, and in which ways this breaks with or aligns with traditional gender norms. The analytical approach is based on Judith Butler’s theory of gender performativity, and on masculine and feminine gender schemas defined by John Stephe

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Perryman, Jane. "Inspection and performativity : life after special measures." Thesis, Goldsmiths College (University of London), 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.719164.

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8

Phibbs, Suzanne. "Transgender identities and narrativity: Performativity, agency corporeality." Thesis, University of Canterbury. Sociology, 2001. http://hdl.handle.net/10092/4635.

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A study of transgender embodiment provides a unique vantage point from which to examine how people take up, and are constituted by, ideas about sex and gender. Discontinuities between the anatomical bodies and social identities of transgendered people trouble conventional understandings about bodies and selves. At the same time people who use gender reassignment technologies attach considerable authority to normalising discourses about bodies and identities, masculinity and femininity. This thesis explores subjectivity, agency, citizenship and community through analyses of conversations with '

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9

Throp, Mo. "Trauma, performativity, and subjectivity in art practice." Thesis, University of the Arts London, 2006. http://ualresearchonline.arts.ac.uk/2039/.

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Abstract: This is a practice based PhD of predominantly video works/installations which seek to examine, alongside the accompanying reflective writing on these works, a particular dynamic set up between the artwork and the spectator which allows a rethinking of the model of the subject's relation to the 'other'. This investigation which is lead by my ongoing practice (presented as six artworks) is informed and underpinned by feminist theoretical concerns seeking a way out of the deadlock of Lacanian thinking which characterises the feminine as problematic (the other of the other). Though I mak

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Vaschel, Tessa. "Happy Problems: Performativity of Consensual Nonmonogamous Relationships." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1510941420190496.

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11

Dickinson, Christine. "Aspects of Performativity in New Orleans Voodoo." Thesis, The George Washington University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1600041.

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<p> The aim of this thesis is to study the practices and background of Voodoo in New Orleans through a holistic lens. This holistic lens includes researching the history of Voodoo in New Orleans, previous research done on Voodoo practice in New Orleans, contacting current practitioners and performing informal interviews, and participant-observation of New Orleans Voodoo rituals. This work is divided into three sections; the first delves into the history and current state of Voodoo of New Orleans. The second section discusses how Voodoo has influenced other cultural areas in New Orleans. Th

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Ferreira, Carlos Eduardo Martins. "Performativity and pluralities of biodiversity offsetting experiments : towards a synthesis of economy as instituted process and economy as performativity." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/performativity-and-pluralities-of-biodiversity-offsetting-experiments-towards-a-synthesis-of-economy-as-instituted-process-and-economy-asperformativity(420f27c6-55a4-480d-813f-f58c1d1f11e7).html.

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Development and land use change diminish the quantity of natural habitat, impacting negatively on the number of animal and plant species – biodiversity. Concern about the consequences of these losses has led to calls for mechanisms which allow development to proceed only when no net loss of biodiversity can be assured, such as biodiversity offsets. Markets for biodiversity offsets are being tried as mechanisms for achieving this societal objective in the most efficient manner possible. Theoretically, this thesis develops a framework connecting the Polanyi-inspired notion of the economy as an i

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Tigerlily, Diana L. "Homeplace of Hands: Fractal Performativity of Vulnerable Resistance." Available to subscribers only, 2009. http://proquest.umi.com/pqdweb?did=1968468121&sid=2&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Hiwatari, Yasutaka. "Anglicisms, globalisation and performativity in Japanese popular culture." Thesis, University of Leeds, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550813.

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This thesis examines the ways in which English is used to produce and reproduce new meanings and identities in the Japanese context. The study of language contact with English in Japan is far from new in Japanese sociolinguistics, and a number of studies have been conducted in this area. However, I argue that previous studies are marked by two main oversights: firstly, previous studies were conducted on data collected from limited genres; secondly, in the previous studies, English was examined on the basis of a restricted contact setting. Thus, the earlier studies provided a limited view of th

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Joffe, Megan. "An exploration of medical director identity and performativity." Thesis, Birkbeck (University of London), 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.556749.

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This research explores how medical directors discursively construct their identity in the challenging context of the National Health Service (NHS). The role of NHS medical manager was created as a hybrid bringing together the conflicting roles of doctor and manager and to help overcome medical resistance to management. The medical director, as the most senior doctor-manager, is a board appointment with responsibility for medical affairs. While this is presented as a high status position allowing doctors to take responsibility for managing their institutions the different demands and identifica

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Quentmeyer, Patrick. "Origin Myths| Performativity and the Geography of Meaning." Thesis, Georgetown University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10810094.

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<p> Origin myths tell the founding of a place. They signify membership and locate in time and space by providing a context and etiology for identity that is historical, theological, social, and geographic. This identity, however, does not remain static as origin myths take on a performative quality because of the values they express. This thesis seeks to explore what origin myths reveal about the human relationship with place in an effort to understand the human values at stake in these myths. </p><p> As complex narratives, origin myths demand an analysis that accounts for their density. Thi

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17

Ng, Chak Kwan. "Lived space and performativity in British Romantic poetry." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/11701.

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In Romantic studies, Romanticism is regarded as a reaction against modernity, or more accurately, a self-critique of modernity. There have been critical debates over the nature of the preoccupation of the Romantics with the past and the natural world, whether such concern is an illustration of the reactionary tendency of Romanticism, or an aesthetic innovation of the Romantics. This study tries to approach this problem from the perspective of space. It draws from the spatial theory of Henri Lefebvre, discussed in the Production of Space, in which Lefebvre conceives a spatial history of moderni

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Mousavi, Baygi Seyed Reza. "Three essays on the material enactment of social movements through social media." Thesis, Cergy-Pontoise, Ecole supérieure des sciences économiques et commerciales, 2019. http://www.theses.fr/2019ESEC0001.

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En accord avec l’intérêt récent porté aux mouvements sociaux dans la théorie des organisations et la littérature des systèmes d’information et face à la numérisation croissante des sociétés, j’adopte dans cette thèse de doctorat une perspective performative et post-humaniste pour étudier la matérialisation des mouvements sociaux avec, à travers et par les médias sociaux. Cette thèse doctorale contribue à la littérature organisationnelle et aux systèmes d'information. Plus précisément, dans chaque essai, je développe une compréhension “matérielle-discursive” du sujet, basée sur la pratique, qui

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Bradbury, Victoria. "The performativity of code in participatory new media artworks." Thesis, University of Sunderland, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715117.

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Anderson, Samantha. "Gender performativity and ritual performance in South-east China." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23706.

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This thesis explores issues of subjectivity and gender around ritual activity in Xianyou county, Fujian Province, China. It focuses on three groups of women: Buddhist nuns, mediums and village women engaged in the ritual caretaking of their families. It also examines a spirit writing text from the late Qing dynasty (1644-1911). It is suggested that subject positions and kin positions are to a certain extent coextensive and that participation in certain rituals is what constitutes one as a gendered subject (as a "woman") and in certain kin roles (as wife, daughter-in-law, etc.). Other gendered

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Chase, Zachary J. "Pacha and performativity: the colonial conversion of prehistoric Huarochirí." Pontificia Universidad Católica del Perú, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/113297.

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In this chapter I consider the religious conversion of Indian populations as the primary objective of Catholic evangelization during the first two centuries of the Spanish colonial period in Huarochirí (in the highlands east of Lima). I demonstrate how these activities were performative acts aimed at the conversion of space, which had implications for the conversion of the Andean past. Due to its unique Quechua manuscript, Huarochirí has been an epicenter both for studies of evangelization and for the reconstruction of the culture and history of the prehispanic and colonial indigenous world. H

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22

Edgington, U. "Performativity & affectivity : lesson observations in England's further education colleges." Thesis, Canterbury Christ Church University, 2013. http://create.canterbury.ac.uk/13011/.

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Teaching and learning observations (henceforth ‘observations’) are commonly used in a broad range of educational environments to assess teaching quality and support professional development. Research centred on observations in England’s Further Education colleges (FE), suggests these strategies are often ineffective because of tensions between ‘authentic’ teaching and the inherent performativity required by some managerialist policies (Ball 2003). This psychosocial study draws on interpretive interactionism (Denzin 1989) to explore lived emotional experiences of FE staff involved in observatio

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Ertür, Başak. "Spectacles and spectres : political trials, performativity and scenes of sovereignty." Thesis, Birkbeck (University of London), 2015. http://bbktheses.da.ulcc.ac.uk/110/.

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Political trials are generally understood as extraordinary events in the life of liberal democracies, dramatically staging claims to and contests over political authority and legitimacy. Notably, political trials often attract commentary on their theatrics whereby the spectacle becomes a matter of uneasy scrutiny, despite the tacit crosscultural acknowledgment that the trial is an inherently theatrical form. This thesis is an attempt to conceptualise the political operations and effects of the relation between performance and performativity in trials, treating these as separate but related ter

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Taylor, Allan S. "Performance, photography, performativity : what performance 'does' in the still image." Thesis, University of the Arts London, 2017. http://ualresearchonline.arts.ac.uk/13431/.

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Auslander (2006) states that images generated from performance documentation and practices stemming from performance to camera could be considered ‘performative’ if they are meant to be seen as happening in the ‘now’ they are viewed, with the spectator as the current intended audience. This thesis takes Auslander’s supposition and situates the term performativity within an established academic discourse as a social, political or cultural ‘doing’ and questions what, apart from performing, performance ‘does’ in its transcription to a photographic image. I propose a ‘doing’ occurs because the int

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Nimarkoh, Virginia. "Shadow boxing : governmentality, performativity and critique in contemporary art practice." Thesis, Goldsmiths College (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428004.

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McKinley, Kathy. "Ritual, performativity and music : Cambodian wedding music in Phnom Penh /." View online version; access limited to Brown University users, 2002. http://wwwlib.umi.com/dissertations/fullcit/3050934.

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Thesis (Ph.D.)--Brown University, 2002.<br>Available in film copy from University Microfilms International. Vita. Thesis advisor: Jeff T. Titon. Includes bibliographical references (leaves 278-286). Also available online.

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Bowers, Kerry. "Gender matters : performativity and its discontents in women's science fiction /." Full text available from ProQuest UM Digital Dissertations, 2009. http://0-proquest.umi.com.umiss.lib.olemiss.edu/pqdweb?index=0&did=1801444221&SrchMode=1&sid=7&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1268678127&clientId=22256.

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Thesis (Ph.D.)--University of Mississippi, 2009.<br>Typescript. Vita. "May 2009." Dissertation director: Natalie M. Schroeder Includes bibliographical references (leaves 168-177). Also available online via ProQuest to authorized users.

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Nash, Louise. "Members only : place and performativity in the City of London." Thesis, University of Essex, 2017. http://repository.essex.ac.uk/19757/.

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Through its focus on the City of London as a particular work sector and setting, the thesis emphasizes the symbolic and material significance of place to understanding organizational life. The analysis, drawing primarily on Lefebvre’s theorisation of space as socially produced and on his work on rhythms, emphasizes how the socio-cultural and material aspects of the City are co-constitutive and both compel and constrain particular behaviours. These are explored with reference to fieldwork based upon photographic and interview data, as well as through embodied, immersive research methods. The th

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Orr, Katherine. "Roller Derby Performativity: Utilizing Alt Narratives in the Composition Classroom." CSUSB ScholarWorks, 2018. https://scholarworks.lib.csusb.edu/etd/750.

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Identity is not fixed but rather performed through interactions. The eminent philosopher and gender theorist, Judith Butler famously investigates performativity in her research on gender. Butler asserts that “gender is not a performance that a prior subject elects to do, but gender is performative in the sense that it constitutes as an effect the very subject it appears to express” (314, emphasis original). She believes that gender identity is performative because it constitutes itself though actions, gestures, and speech. This project seeks to investigate the performative nature of roller der

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Trimboli, Daniella. "Mediating everyday multiculturalism : performativity and precarious inclusion in Australian digital storytelling." Thesis, University of British Columbia, 2016. http://hdl.handle.net/2429/56911.

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This dissertation examines the intersection of everyday multiculturalism and digital storytelling in Australia. Using Judith Butler’s theory of performativity amongst others, the dissertation addresses the question: what are the ways in which Australian digital storytelling projects engage with concepts of “cultural diversity” to create complex and resistant material possibilities for “ethnic Australians”? Digital stories have become a popular tool in community-based arts projects, representative of an overall turn to the everyday in Australian contemporary arts practice. The growing pop

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Willis, Victoria E. "From Orators to Cyborgs: The Evolution of Delivery, Performativity, and Gender." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_diss/66.

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@font-face { font-family: "Cambria"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; } The purpose of this project is to provide a thorough account of delivery by tracing the history and evolution of delivery from antiquity to the present day in order to expose the spread and transmission of proto-masculine ideologies through delivery. By looking at delivery from an evolutionary perspective, delivery no longer becomes a tool of rhetoric, but the technology of rhetoric, evolving over time in

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Whalley, Michael A. "Legitimising educational management identity : seductive discourses of professionalism, masculinity and performativity." Thesis, Keele University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.545760.

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Bieszczad-Roley, Karolina. "Photo-performance : a study of the performativity of Butoh dance photography." Thesis, Brunel University, 2010. http://bura.brunel.ac.uk/handle/2438/4492.

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This thesis analyses the detailed performativity and the intuitive act of photographing the Japanese dance form Butoh. It argues that the photographer’s embodied experience constitutes an ‘inner’ performance and introduces new terms: the photo-performance and the photo-actor. The author argues that the photo-performance, similarly to Butoh dance, manifests itself not only in physically apparent (visually perceived) movements but also within the multi-modal pre-reflective consciousness of the reciprocal interaction between the photo-actor and a Butoh dancer.Butoh has been widely photographed si

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Aly, Ramy Mounir Kamal. "Be(com)ing Arab in London : performativity between structures of subjection." Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/7093/.

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This thesis is based upon eighteen months of ethnographic fieldwork in London undertaken between January 2006 and July 2007. It explores the discourses and practices which (re)produce notions of gender, race, ethnicity and class among young people born or raised in London to migrants from Arab states. Instead of taking the existence of an Arab community' in London as self-evident, this thesis looks critically at the idea of Arab-ness in London and the ways in which it is signified, reiterated and recited. Taking the theorising of performative gender as a starting point I explore the possibilit

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Savard, Ashley Elizabeth. "Dublin in drag : cultural performativity in the works of James Joyce." Thesis, Durham University, 2017. http://etheses.dur.ac.uk/12284/.

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This study engages in both an examination of Judith Butler’s theories of gender performativity and how they might be applied to culture as well as a reading of cultural performance in James Joyce’s works. The dual-nature of this study provides an opportunity to utilize literary works in the reading of theoretical texts and is not simply a reading of Joyce’s works through a lens of Butlerian performativity. In doing so, this thesis will explore a wide range of performances, from Joyce’s own performative identity as an “exile”, to the performative relationships initiated by naming rituals, the p

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Zaidka, N. (Neha). "Gender construction and performativity in religious folklore:insights from Hindu vrat kathas." Master's thesis, University of Oulu, 2019. http://jultika.oulu.fi/Record/nbnfioulu-201901121042.

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Abstract. Gender has proved to be an important category of analysis in religious studies. Religions have been criticized by feminists over the decades for the oppression of women. Hinduism, the world’s third largest religion, with a strong story tradition, has a wide cast of characters, both men and women, who display normative views on what it is to be a woman or a man in Hindu society. The Hindu story tradition dates back to Upanishads written during 500 BCE. Today’s vrat kathas are Hindu stories that are a part of the rich folklore tradition. During the last four decades, written pamphlets

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Ganji, Iman [Verfasser]. "Performativity and the Altermodernities: Occupy, Bodies and Time-Spaces / Iman Ganji." Berlin : Freie Universität Berlin, 2021. http://d-nb.info/1227925972/34.

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Guo, Man [Verfasser]. "Performativity, Corporate Behavior, Institutional Change and Rituals in China / Man Guo." Aachen : Shaker, 2014. http://d-nb.info/1060623072/34.

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McNeilly, Kathryn. "The universality of human rights in (cultural) translation : subjectivity, performativity, livability /." Thesis, Queen's University Belfast, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675434.

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The universality of human rights has been a fiercely contested issue throughout the twentieth century and into the twenty-first. This thesis critically engages with the universality of human rights, not as a static characteristic or attribute of rights, but as an ongoing process using Judith Butler's concept of cultural translation. A practice through which universal concepts are dialectically worked and reworked by entering into dialogue with competing assertions of themselves, cultural translation is explored as a productive way in which rights politics can be read and consciously engaged in

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Proctor-Thomson, Sarah. "Creative differences : the performativity of gender in the digital media sector." Thesis, Lancaster University, 2009. http://eprints.lancs.ac.uk/61629/.

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The digital media sector is a site for competing claims about women’s equality in employment. On the one hand, commentators have claimed that the digital media sector is exemplary as an open and egalitarian domain for all workers, including women. On the other hand, feminist researchers have identified persistent inequalities in the quality and quantity of women’s participation in this sector. I use this apparent paradox as a starting point to develop an analysis of the performativity of gender in the digital media sector in the North West of England, during the period 2001–2007. Previous femi

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Todd, Emerson A. "Creative Gender Expression Performativity As a Coping Mechanism for Minority Stress." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/honors/591.

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Creative Gender Expression Performativity may be a coping mechanism for dealing with minority stress in sexual and gender minority populations. The current study suggests the creation of a new scale that measures effortful presentation rather than directional presentation. Rather than examining whether someone identifies as masculine or feminine – the proposed model would instead look at how much effort an individual is putting into their gender expression. In this mixed methods study, participants (N = 187) completed a survey based on gender expression, minority stress, and mental health, whi

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Long, Khalid Yaya. "PEARL CLEAGE’S A SONG FOR CORETTA: CULTURAL PERFORMATIVITY AS HISTORIOGRAPHICAL DOCUMENTATION." Miami University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=miami1311293741.

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Harper, Todd L. "The Art of War: Fighting Games, Performativity, and Social Game Play." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1283180978.

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Parson, Kathryn Taylor. ""Across the threshold" queer performativity and liminality in Edith Wharton's Summer /." View electronic thesis (PDF), 2009. http://dl.uncw.edu/etd/2009-1/parsonk/kathrynparson.pdf.

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Gunn, Anthony C. "This Is SportsCenter: Performance and Performativity in Sports Broadcasting and Punditry." Diss., CLICK HERE for online access, 2010. http://contentdm.lib.byu.edu/ETD/image/etd3421.pdf.

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Hales, Robert. "People, power and the state : Performativity and the Traveston Crossing Dam." Thesis, Griffith University, 2010. http://hdl.handle.net/10072/365617.

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This dissertation uses a case study of the recently proposed dam on the Mary River at Traveston Crossing in South-East Queensland to consider how individuals can become empowered to effect change in the environmental decision-making processes of the state through citizen action in the public sphere. The theoretical framework chosen to guide the analysis is an adaptation of Judith Butler’s theory of performativity (1997) that I refer to as political performativity. I also draw on social movement theory and media theory to examine how the processes of performativity help explain the practices in

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Riegle, Allison E. "Rieglematica: Re-Imagining the Photobooth Through Female Performativity and Self-Portraiture." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/328.

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This paper explores the historical significance and advancements of automatic photobooth portraiture from the late 1800s onwards, focusing specifically on the intention behind the photobooth’s creation and the significance and cultural implications of its introduction into society. As it gradually became a staple of modern society, regularly visited by citizens to have their portraits taken, numerous artists sought out the photobooth as both a studio and a stage in which to document performative self-portraiture. The space and aesthetics of the photobooth have inspired artists to re-envision t

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48

Akurugu, Constance Awinpoka. "Marriage, power and performativity : theorising gender relations in rural northern Ghana." Thesis, University of Newcastle upon Tyne, 2017. http://hdl.handle.net/10443/3794.

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Most studies on gendered relations of power in Ghana have focused on formal and policy issues such as gender parity in education and political representation. Where attention has been paid to marriage relations, it has often been fragmentary, centering on, for instance, male spousal violence or inheritance patterns, rather than targeting holistically the socio-cultural dynamics that engender and reproduce unequal power relations and violence against women. This study directly addresses this deficit. This thesis develops a poststructuralist feminist framework to analyse the rules and expectatio

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49

Larroque, Florent. "La performativité du langage constitutionnel." Thesis, Montpellier, 2016. http://www.theses.fr/2016MONTD035/document.

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Depuis Austin et ses travaux sur les énoncés performatifs, il est d’acception commune que le langage ne sert plus seulement à décrire une réalité mais aussi à agir, à créer sa propre réalité. Si le droit est d’abord un langage avant d’être une norme, cette dernière dépendrait, tant dans sa nature que dans sa force, d'une faculté spécifique de son énonciation. Tel est le point de départ de l’étude sur la performativité du langage constitutionnel, une performativité qui en ferait un langage spécifique, pour un droit singulier. Sa particularité viendrait ainsi d’un acte de langage qui serait prop

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50

Пархоменко, В. О. "Експліцитно-перформативні висловлювання в англійській мові". Thesis, Сумський державний університет, 2013. http://essuir.sumdu.edu.ua/handle/123456789/30500.

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Розвиток лінгвістики вже з середини минулого століття йде шляхом інтеграції суміжних наукових дисциплін, у результаті чого виникли і розвиваються прагмалінгвістика, психолінгвістика, соціолінгвістика тощо. На сучасному етапі лінгвістика зробила рішучий поворот від системно-структурних досліджень у бік досліджень мови в живому функціонуванні у різних сферах комунікації, до вивчення функціонування мови як знаряддя, засобу спілкування та мовленнєвого впливу. При цитуванні документа, використовуйте посилання http://essuir.sumdu.edu.ua/handle/123456789/30500

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