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Articoli di riviste sul tema "Performativity"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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1

Alfiyah, Arbangatun, Imam Suhardi, and Widya Putri Ryolita. "Identifikasi Performativitas Gender dalam Novel Sisi Gelap Cinta Karya Mira W." Jurnal Hawa : Studi Pengarus Utamaan Gender dan Anak 6, no. 1 (2023): 99. http://dx.doi.org/10.29300/hawapsga.v6i1.2582.

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Abstract: Discussing feminism and what it studies is not easy, because some things are still very taboo issues, one of which is about LGBTQ issues. This research aims to identify gender performativity that shapes Wibianto's sexual identity in the novel Sisi Gelap Cinta by Mira W. This research uses a qualitative descriptive approach. The object of research is the novel Sisi Gelap Cinta by Mira W published by PT Gramedia Pustaka Utama with 208 pages. This research used two methods, theoretically using Judith Butler's performativity theory. The data analysis technique in this research uses Miles

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2

Hall, Kira. "Performativity." Journal of Linguistic Anthropology 9, no. 1-2 (1999): 184–87. http://dx.doi.org/10.1525/jlin.1999.9.1-2.184.

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3

Gerdes, K. "Performativity." TSQ: Transgender Studies Quarterly 1, no. 1-2 (2014): 148–50. http://dx.doi.org/10.1215/23289252-2399866.

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Miller, J. H. "Performativity as Performance / Performativity as Speech Act: Derrida's Special Theory of Performativity." South Atlantic Quarterly 106, no. 2 (2007): 219–35. http://dx.doi.org/10.1215/00382876-2006-022.

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5

Maldini, Aditya Rico, and Ali Mustofa. "Performativity and Sexuality Orientation on Characters in Out in the Dark (2012) Movie: Postcolonial Performativity." Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia 5, no. 1 (2023): 33–44. http://dx.doi.org/10.26499/bahasa.v5i1.344.

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People who identify as lesbian, gay, bisexual, or transgender (LGBT) are beginning to proliferate worldwide. People become gay for various reasons, such as personal ones, cultural ones, and environmental ones. By employing Butler's postcolonial performativity theory, this study explores the topic of sexualism that differed from the movie Out in the Dark (2012). The study's goals are to demonstrate Nimr and Roy's performative identities, the problems between Israel and Palestine that affect their relationship and background, and what Nimr and Roy experience as homosexual residents of that area.

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Syukur, Andi Abd khaliq, Aquarini Priyatna, and Lina Meilinawati Rahayu. "KEMATIAN DAN PERASAAN KEHILANGAN: KONSTRUKSI IDENTITAS QUEER DALAM EMPAT KARYA YOSHIMOTO (Death And Sense of Loss: Queer Identity Construction in Four Yoshimoto’s Works)." METASASTRA: Jurnal Penelitian Sastra 8, no. 2 (2016): 193. http://dx.doi.org/10.26610/metasastra.2015.v8i2.193-210.

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Empat novelet Yoshimoto, yaitu Kitchen (1988), Moonlight Shadow (1988), Hardboiled (2001), dan Hardluck (2001) menghadirkan kematian dan perasaan kehilangan di awal narasi. Kematian dan perasaan kehilangan membuka probabilitas baru sebagai bagian konstruksi identitas queer, seperti kematian sebagai pemutusan matrix heteroseksual, perasaan kehilangan sebagai perubahan identitas gender, penerimaan orang asing sebagai anggota keluarga, hubungan bersifat inses, homoseksualitas perempuan, transgenderisme, dan perubahan peran dalam anggota keluarga. Penelitian ini dilakukan untuk menganalisis cara k

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Agustina, Pradipta, and Maimunah Maimunah. "Queering The Construction Of Gender Identity In Chris Columbus’ Movie Mrs. Doubtfire." ATAVISME 16, no. 2 (2013): 141–52. http://dx.doi.org/10.24257/atavisme.v16i2.89.141-152.

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The construction of traditional gender roles has affected the understanding of being feminine and masculine. This understanding seems to influence gender performance in the film Mrs. Doubtfire. This onehourandfiftysevenminute film was directed by Chris Columbus. This study is conducted to examine how gender performativity is illustrated in the film and what ideology lies within the film. Queer theory, especially gender performativity by Judith Butler is used as the framework of the study. The study is done by observing and analysing chosen scenes from the film focusing on the performance

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8

Zhang, Ruichen. "Understanding the performativity of COVID-19." Ethnographic Edge 6, no. 1 (2022): 14–29. http://dx.doi.org/10.24135/ethnographic-edge.v5i1.234.

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Since the COVID-19 outbreak in January 2020, the pandemic has been changing rapidly with shifting social norms. This autoethnography of my lockdown experiences in China and the UK in 2020 illustrates how I adjusted my daily acts to the shifting social norms in different situations and how these adjustments changed me as a self-regulated subject and reshaped my understanding of COVID-19. Drawing on Butler’s theory of performativity, I analyse how acts of self-protection created a physical relationship between my embodied subject self and COVID-19. As these acts kept changing with shifting norms

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Gambetti, Zeynep. "Queering Performativity." Representations 158, no. 1 (2022): 64–76. http://dx.doi.org/10.1525/rep.2022.158.7.64.

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Morris, T. "Rakim's Performativity." boundary 2 36, no. 3 (2009): 49–61. http://dx.doi.org/10.1215/01903659-2009-019.

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11

Bacchus, Ruth. "SATIAND PERFORMATIVITY." Australian Feminist Studies 28, no. 76 (2013): 155–76. http://dx.doi.org/10.1080/08164649.2013.789577.

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12

King, Kenneth. "On Performativity." TDR: The Drama Review 68, no. 4 (2024): 15–25. https://doi.org/10.1017/s1054204324000431.

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Film, TV, and social media greatly expanded the possibilities and parameters of theatre and performance. Happenings, multimedia works, and performance art, as well as virtuosic vocal acrobats and shape-shifting innovators like Lily Tomlin, John Leguizamo, Anna Deavere Smith, Tracey Ullman, Barry Humphries, and Charles Pierce have created mercurial, multicharacter spectacles. The cultural fıssion of this performance synergy also encompasses maverick poets, painters, journalists, political activists, critics, and even a nonagenarian fashion model.

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Rinehart, Robert E. "Antipodean Performativity." Cultural Studies ↔ Critical Methodologies 12, no. 1 (2011): 3–7. http://dx.doi.org/10.1177/1532708611430478.

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Baker, Max, and Sven Modell. "Rethinking performativity." Accounting, Auditing & Accountability Journal 32, no. 4 (2019): 930–56. http://dx.doi.org/10.1108/aaaj-11-2017-3247.

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PurposeThe purpose of this paper is to advance a critical realist perspective on performativity and use it to examine how novel conceptions of corporate social responsibility (CSR) have performative effects.Design/methodology/approachTo illustrate how the authors’ critical realist understanding of performativity can play out, the authors offer a field study of an Australian packaging company and engage in retroductive and retrodictive theorising.FindingsIn contrast to most prior accounting research, the authors advance a structuralist understanding of performativity that pays more systematic a

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15

Jackson, Alecia Youngblood. "Performativity Identified." Qualitative Inquiry 10, no. 5 (2004): 673–90. http://dx.doi.org/10.1177/1077800403257673.

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Bell, Vikki. "Declining Performativity." Theory, Culture & Society 29, no. 2 (2012): 107–23. http://dx.doi.org/10.1177/0263276412438413.

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17

Markussen, Turid. "Practising Performativity." European Journal of Women's Studies 12, no. 3 (2005): 329–44. http://dx.doi.org/10.1177/1350506805054273.

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18

Van Assche, Annelies, and Kareth Schaffer. "Flexible Performativity." TDR: The Drama Review 67, no. 1 (2023): 203–22. http://dx.doi.org/10.1017/s1054204322000922.

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Scholarly work rarely examines the labor of the contemporary dance artist as a performer. Flexible performativity describes the discrete skill set dancers today must be able to deploy in performance. Flexible performativity and its characteristics of negotiating proximity, autodramaturgy, hyperindividualism, and hyperreferentialism mold the dancer prototypical of the movement logics of the early 21st century.

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Grange, Lesley Le. "The many sides to performativity." Journal of Education, no. 96 (November 12, 2024): 25–37. http://dx.doi.org/10.17159/2520-9868/i96a02.

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Performance will dominate the 20th and the 21st century just as discipline did in the 18th and 19th centuries. Performance can be seen as a global formation of power and knowledge, challenging us to perform . . . or else. The technology of performativity exposes the jargon and practices of efficiency, effectiveness, quality assurance, control, inspection, and accountability in contemporary education. Any undertaking must be justified by an increase in productivity, measured by a gain in time. The technology of performativity, based on systems of rewards and sanctions, makes us both perpetrator

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20

Arzil, Andrine Prima Afneta. "SELF DISCLOSURE DAN PERFORMATIVITAS KAUM LESBIAN ANDRO PADA MEDIA BARU (TIKTOK)." WACANA: Jurnal Ilmiah Ilmu Komunikasi 21, no. 2 (2022): 277–98. http://dx.doi.org/10.32509/wacana.v21i2.2268.

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This research is a scientific analysis of media which is closely related to social practices that occur in society as well as representation of gender identities in digital media. This research was conducted to determine the discourse of self disclosure, physical and appearance performativity, homosexual talk performativity, and sexual activity performativity displayed by lesbian (andro) on her new media accounts (Tik Tok) and how Tik Tok is interpreted as a medium of resistance lesbians today. By using a qualitative research methodology, this study puts itself in a digital ethnographic approa

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21

Folke, Lasse, and Anders Sevelsted. "”Giv mig en økonom, og jeg skal rejse et marked?” Om fagøkonomiens performativitet og konstruktionen af et globalt marked for mikrofinans." Dansk Sociologi 21, no. 4 (2010): 51–73. http://dx.doi.org/10.22439/dansoc.v21i4.3410.

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Denne artikel argumenter for, at Callon og MacKenzies teorier om økonomisk performativitet bidrager til at forstå dels centrale sociale dynamikker på markeder, som i stigende grad får en teknisk-videnskabelig karakter, og dels hvordan økonomer bidrager til at konstruere sådanne. Artiklen introducerer centrale begreber og påstande fra de to forfattere og tester disse i en analyse af, hvordan et globalt marked for mikrofinans er blevet skabt. Analysen viser, at selvom økonomer og økonomisk teori spillede en vigtig rolle i konstruktionen af dette marked, så forblev den performative funktion for d

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22

Sudarmanto, Joni Agung. "Performativity of JaF art agency on the land, city, and its surroundings." Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya 52, no. 1 (2024): 119. http://dx.doi.org/10.17977/um015v52i12024p119.

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This study aims to see the performativity of terracotta through the process and the culture of the roof tile production industry in Jatiwangi District, Majalengka Regency, West Java. This research used qualitative methods, and collecting data used a combination of three methods: literature study, participatory observation, and semi-structured interviews. After the data is collected, the next step is data analysis using the concept of performativity and art agency. JaF emerged by taking on the role of a change agent, inviting Jatiwangi residents, especially roof tile industry players, to surviv

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23

Kaufmann, Kai P. "When Counter-Performativity Meets Performativity: Making Organizational Change Happen." Academy of Management Proceedings 2013, no. 1 (2013): 16670. http://dx.doi.org/10.5465/ambpp.2013.16670abstract.

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24

Dudenkova, Irina. "Intention of non-action: on performative structure of subjectivity." Sociology of Power 29, no. 2 (2017): 70–83. http://dx.doi.org/10.22394/2074-0492-2017-2-70-83.

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Article is devoted to ethical aspect of a performativity which usually remains beyond the scope of esthetic, political, linguistic aspects. In modern performance studies are usually combined the private and exact entered by Ostin definition of a performativity as the word making action, and widespread Marxist idea of the critical, changing the world theory potential. In article the main rate becomes on the heterodox reading of a performativity following criticism of violence of metaphysics of Levinas. If the theory is output from ethics, then the performativityt is thought as radical passivity

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Dudenkova, I.V. "Intention of non-action: on performative structure of subjectivity." Sociology of Power, no. 2 (June 7, 2017): 70–83. https://doi.org/10.22394/2074-0492-2017-2-70-83.

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Article is devoted to ethical aspect of a performativity which usually remains beyond the scope of esthetic, political, linguistic aspects. In modern performance studies are usually combined the private and exact entered by Ostin definition of a performativity as the word making action, and widespread Marxist idea of the critical, changing the world theory potential. In article the main rate becomes on the heterodox reading of a performativity following criticism of violence of metaphysics of Levinas. If the theory is output from ethics, then the performativityt is thought as radical passivity

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Tkachenko, Kirill V. "Performative activism or performativity of activism: From conceptualization to research." Vestnik of Saint Petersburg University. Sociology 17, no. 2 (2024): 141–58. https://doi.org/10.21638/spbu12.2024.202.

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If modern theories of performativity seek to provide an explanation of how reality is fulfilled (produced), taking into account meanings, people and various material objects in their consideration, then social activism is a phenomenon that well demonstrates the main intention of performativity — joint execution and transformation of reality (through solving social problems). To find out how social activism is studied with the help of performativity theories, we directed research attention inside this subject field, where a paradox was discovered in the semantic relationship between the definit

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27

Ismailee, Sania. "Polemical encounters: Ambedkar and Savarkar on Muslim performativity." Performing Islam 8, no. 1 (2019): 107–27. http://dx.doi.org/10.1386/pi_00007_1.

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Abstract The concept of Muslim performativity and the perception of the image of an ordinary Muslim are the central themes of this article. It outlays V. D. Savarkar's and B. R. Ambedkar's views on Muslim performativity ‐ performance of Muslimness or Islamic religiosity. It primarily engages with Savarkar's Essentials of Hindutva (1923) and Ambedkar's Pakistan or the Partition of India ([1945] 2013) and extracts their comments on Muslimness with reference to Muslim invasions and alleged divided loyalty. Apart from highlighting the convergences and divergences in their views on Muslim performat

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Tebaldi, Raquel. "“Positionality” and “Performativity”." Politikon: The IAPSS Journal of Political Science 25 (December 15, 2014): 80–94. http://dx.doi.org/10.22151/politikon.25.5.

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Over the last few decades, educational reforms have been carried out in many different countries with the aim of expanding the concept of literacy in order to respond to challenges posed by the mass media and the new technologies of information and communication technologies and thus was born the concept of media literacy. Even though some activists consider this kind of education a human right, there is still no consensus over its meaning or even over what objectives such educational policy should seek. This paper aims, therefore, to clarify the most important current debates on the area, to

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Karen Barad. "Nature's Queer Performativity." Qui Parle 19, no. 2 (2011): 121. http://dx.doi.org/10.5250/quiparle.19.2.0121.

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Luzar, Robert. "Drawing and performativity." Drawing: Research, Theory, Practice 7, no. 1 (2022): 3–15. http://dx.doi.org/10.1386/drtp_00076_2.

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Mulcahy, Dianne. "Performativity in Practice." International Journal of Actor-Network Theory and Technological Innovation 3, no. 2 (2011): 1–16. http://dx.doi.org/10.4018/jantti.2011040101.

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In the context of neo-liberal education policy reform, professional teaching standards have become one of the main means of managing improvements to school teaching and assuring its quality. Using the methodology of material semiotics in association with video case data of classroom teaching (in this case, school geography teachers) and their students, the author treats a set of standards in action, towards conducting an ontological inquiry. Bringing the performative perspective of actor-network theory to bear not only is sociality taken into account but also materiality. This paper argues tha

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Paavolainen, Teemu. "Magnitudes of Performativity." Nordic Theatre Studies 30, no. 2 (2019): 78–98. http://dx.doi.org/10.7146/nts.v30i2.112953.

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The article presents the Trump presidency and the human-derived geological epoch of the Anthropocene as two arguable extremes among current notions of ‘performativity’: (1) a traditionally vertical model based on individual action and antagonism – where ‘facts’ matter less than ‘making things great’; and (2) the more extended, horizontal human performance of things like global warming (“All the world’s a stage”). Drawing freely on George Lakoff and Timothy Morton, it is argued that these models differ fundamentally in ‘magnitude’: where the one is direct, singular, vertical, and fast, the othe

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Spicer, André, Mats Alvesson, and Dan Kärreman. "Extending critical performativity." Human Relations 69, no. 2 (2016): 225–49. http://dx.doi.org/10.1177/0018726715614073.

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Nakassis, Constantine V. "Brand, Citationality, Performativity." American Anthropologist 114, no. 4 (2012): 624–38. http://dx.doi.org/10.1111/j.1548-1433.2012.01511.x.

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Bakk, Ágnes Karolina. "Performativity and Worldmaking." Acta Universitatis Sapientiae, Film and Media Studies 17, no. 1 (2019): 169–78. http://dx.doi.org/10.2478/ausfm-2019-0022.

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Edgington, Ursula. "Performativity and affectivity." Management in Education 27, no. 4 (2013): 138–45. http://dx.doi.org/10.1177/0892020613485533.

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White, Julie. "Speaking ‘over’ performativity." Journal of Educational Administration and History 42, no. 3 (2010): 275–94. http://dx.doi.org/10.1080/00220620.2010.492960.

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Rošker, Anja. "Passion for performativity." Maska 33, no. 191 (2018): 128–34. http://dx.doi.org/10.1386/maska.33.191-192.128_5.

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Reflecting on Blaž Lukan’s book Performative Writings (Aristej and AGRFT, 2013), the author thinks about writing, which Lukan uses not only to interpret the performative act but also to express himself as the spectator. She also follows Lukan in dividing the spectator’s position into four different types, namely, the spectator as a witness, the spectator as an accomplice, the ignorant spectator and the spectator as the one who knows. Comparing Lukan’s book and the article ‘An hour brings what time cannot’ by Danae Theodoridou, the author differentiates ways in which, through writing, the spect

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Parker, Andrew. "Praxis and performativity." Women & Performance: a journal of feminist theory 8, no. 2 (1996): 265–73. http://dx.doi.org/10.1080/07407709608571244.

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Proulx, Mikhel. "Protocol and Performativity." Performance Research 21, no. 5 (2016): 114–18. http://dx.doi.org/10.1080/13528165.2016.1224341.

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Salter, Chris. "Epistemes of Performativity." Performance Research 25, no. 3 (2020): 8–11. http://dx.doi.org/10.1080/13528165.2020.1807744.

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Lloyd, Moya. "Performativity, Parody, Politics." Theory, Culture & Society 16, no. 2 (1999): 195–213. http://dx.doi.org/10.1177/02632769922050476.

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Bell, Vikki. "Performativity and Belonging." Theory, Culture & Society 16, no. 2 (1999): 1–10. http://dx.doi.org/10.1177/02632769922050511.

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Hollywood, Amy. "Performativity, Citationality, Ritualization." History of Religions 42, no. 2 (2002): 93–115. http://dx.doi.org/10.1086/463699.

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Tuhkanen, Mikko. "Performativity and Becoming." Cultural Critique 72, no. 1 (2009): 1–35. http://dx.doi.org/10.1353/cul.0.0047.

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Telles, João Antonio. "Teletandem and performativity." Revista Brasileira de Linguística Aplicada 15, no. 1 (2015): 1–30. http://dx.doi.org/10.1590/1984-639820155536.

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Teletandem is a virtual autonomous VoIP2technology-based context (webcam images, voice and text). Within this context, two students help each other learn their native (or other) language through intercultural and linguistic collaboration. Performative Theory can shed light on the constitution of these students' national identities, as they engage in linguistic performances of marking and discussing differences between their countries during teletandem. Based on critical approaches to discourse and intercultural communication, my analysis shows that this online intercultural contact opens innov

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Reynolds, David S. "Deformance, Performativity, Posthumanism." Nineteenth-Century Literature 70, no. 1 (2015): 36–64. http://dx.doi.org/10.1525/ncl.2015.70.1.36.

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David S. Reynolds, “Deformance, Performativity, Posthumanism: The Subversive Style and Radical Politics of George Lippard’s The Quaker City” (pp. 36–64) The most interesting American example of the genre known as city-mysteries fiction, George Lippard’s The Quaker City (1844–45), while rich in characters, stymies the novelistic stability conventionally provided by the struggles of heroes against villains in the mystery genre. Lippard’s style thus gets foregrounded as the locus of morality and politics, displaying an acerbic, presurrealistic edge. The current essay surveys linguistic and generi

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Maltais-Bayda, Fabien. "Reorienting Queer Performativity." GLQ 30, no. 1 (2024): 141–44. http://dx.doi.org/10.1215/10642684-10920642.

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Saro, Anneli, Luule Epner, and Madli Pesti. "Performativity and Transgression." Nordic Theatre Studies 35, no. 1 (2024): 1–10. http://dx.doi.org/10.7146/nts.v35i1.145369.

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Qin, Shaoyun, and Anna A. Kostikova. "Three planes of consideration for Judith Butler’s Theory of Performativity." Alma mater. Vestnik Vysshey Shkoly, no. 6 (June 2022): 105–9. http://dx.doi.org/10.20339/am.06-22.105.

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In the foreword of “Gender Trouble” in 1999, Judith Butler stated that there are certain difficulties in uncovering the concept of “performativity”. Sometimes performativity needs to be understood in terms of speech, and in some cases performativity needs to be understood in terms of theatricality. However, an in-depth analysis of Butler’s texts reveals that the so-called theory of performativity has three planes of consideration: speech, theater, and from the perspective of norms of behavior.

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