Articoli di riviste: "Phantasies"

1

Bourne, Harold. "UNIVERSAL PHANTASIES AND PATHOLOGY". British Journal of Psychotherapy 20, n. 4 (giugno 2004): 571–72. http://dx.doi.org/10.1111/j.1752-0118.2004.tb00172.x.

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Antinucci, Giuseppina. "Beating phantasies: Mourned and unmourned". International Journal of Psychoanalysis 97, n. 3 (giugno 2016): 615–39. http://dx.doi.org/10.1111/1745-8315.12451.

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Ahmed, Sara. "Phantasies of becoming (the Other". European Journal of Cultural Studies 2, n. 1 (gennaio 1999): 47–63. http://dx.doi.org/10.1177/136754949900200103.

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Perron, Roger. "The unconscious and primal phantasies". International Journal of Psychoanalysis 82, n. 3 (giugno 2001): 583–95. http://dx.doi.org/10.1516/e0e4-57rx-245w-mvb6.

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Perron, Roger. "THE UNCONSCIOUS AND PRIMAL PHANTASIES". International Journal of Psychoanalysis 82, n. 3 (1 giugno 2001): 583–95. http://dx.doi.org/10.1516/0020757011600885.

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Ward, Ivan. "ADOLESCENT PHANTASIES AND THE HORROR FILM". British Journal of Psychotherapy 13, n. 2 (dicembre 1996): 267–76. http://dx.doi.org/10.1111/j.1752-0118.1996.tb00882.x.

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7

Igra, Ludvig. "Unconscious phantasies, symbolic transformations and responsibility". Scandinavian Psychoanalytic Review 21, n. 1 (gennaio 1998): 2–23. http://dx.doi.org/10.1080/01062301.1998.10592660.

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LIPPIT, AKIRA MIZUTA. "Three Phantasies of Cinema—Reproduction, Mimesis, Annihilation". Paragraph 22, n. 3 (novembre 1999): 213–27. http://dx.doi.org/10.3366/para.1999.22.3.213.

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Kotthoff, Helga. "Oral Performance in Interactional Sociolinguistics". Thema's en trends in de sociolinguistiek 2 52 (1 gennaio 1995): 23–53. http://dx.doi.org/10.1075/ttwia.52.03kot.

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The article combines a performance centered approach with sociolinguistic interests. Humorous narratives among friends are shown to contain many features of verbal art, such as, i.e., fictionality, dialogue dramatization, a focus on wording, and a complex management of points of view. Narratives from two social groups are presented in an exemplary way. Although these stories share many perfor-mance features, they also reveal subtle differences. In the "judo group", narratives are often constructed which consist largely of phantasies. The joint production of humorous phantasies centers around one person in the group who is thereby made the center of attention. The men in the judo group often invent teasing stories about the women participants, and thereby a gendered interaction order is established. In the "academic group"1, many stories are told in which the members of this group present themselves as progressive individuals confronted with a not-so-progressive "normal" world. New gender norms are often implicitly thematized in these stories and thereby help to negotiate a new social order between men and women.

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Ehlers, Nadine. "Retroactive phantasies: discourse, discipline, and the production of race". Social Identities 14, n. 3 (maggio 2008): 333–47. http://dx.doi.org/10.1080/13504630802088219.

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Hume, Francesca. "»Ödipus Wrecked« – Der demolierte Ödipus". Jahrbuch der Psychoanalyse 62, n. 1 (marzo 2021): 135–56. http://dx.doi.org/10.30820/0075-2363-2021-1-135.

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Bei den meisten Patienten sind klassisch ödipale Themen erkennbar, die symbolisiert auftauchen aber weitgehend unbewusst bleiben. Bei der von mir beschriebenen Patientin hingegen sind Träume, Fantasien, intrusive Bilder einer sexuellen Beziehung zu einer Vaterfigur dermaßen explizit, dass es scheint, als sei die übliche Verdrängung fehlgeschlagen. Zudem führt der Versuch, diese bewussten Fantasien und Träume näher zu erforschen, weder zu einer Vertiefung unseres Kontaktes noch zu einem vollständigeren Verstehen ihrer Verfassung. Ich beschreibe, auf welche Weise diese offensichtlichen Fantasien neben anderen, weniger offensichtlichen existieren. Aus dieser letzteren Kategorie lassen sich einige Phantasien erahnen und können mit der Zeit greifbar werden. Doch es gibt andere, von denen ein Bild zu gewinnen weitaus schwieriger ist, wiewohl diese das Erleben der Patientin machtvoll zu bestimmen scheinen. In diesem Beitrag geht es um diese grundlegenden Phantasien, um solche, von denen die Patientin keine Kenntnis im üblichen Sinn hat. Für Freud lag der Fokus bei der »Konstruktion« solcher Phantasien auf den Berichten der Patienten über ihr eigenes Verhalten. Heute versuchen wir, ihr Wesen durch die Analyse der Übertragung zu erhellen. Bei der von mir beschriebenen Patientin scheint die Konstruktion der Phantasie jedoch erst möglich zu werden, indem die Analytikerin Elemente jener Phantasie in Form eines Enactments erlebt. Ohne eine gewisse Kenntnis dieser Phantasie und deren Funktion würde sich diese Psychoanalyse auf einer falschen Fährte bewegen.22

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Wojtyna, Miłosz. "Libera’s Beckett". Tekstualia 4, n. 55 (18 dicembre 2019): 95–108. http://dx.doi.org/10.5604/01.3001.0013.3470.

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Antoni Libera, a Beckett ambassador, a translator and a writer himself, has produced a complex network of references to Beckett’s work and biography. This article summarizes aspects of the author-author relationship (anxiety of infl uence, intertextuality, stylistic inspirations, biographical nuances, phantasies, infatuation, anticelebritism) that are revealed in Libera’s writing, as well as claims that the perception of Becket in Poland has been strongly affected by Libera’s writing and biography.

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O’Donnell, Ruth. "M is for mother: Skyfall’s Kleinian phantasies of maternal destruction". Journal of European Popular Culture 5, n. 2 (1 ottobre 2014): 121–34. http://dx.doi.org/10.1386/jepc.5.2.121_1.

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14

de Jager, N. G., G. Pap e M. C. A. van Zuijlen. "Facts, phantasies, and a new proposal concerning the stringer bound". Computers & Mathematics with Applications 33, n. 5 (marzo 1997): 37–54. http://dx.doi.org/10.1016/s0898-1221(97)00018-7.

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15

Mah, Harold. "Phantasies of the Public Sphere: Rethinking the Habermas of Historians". Journal of Modern History 72, n. 1 (marzo 2000): 153–82. http://dx.doi.org/10.1086/315932.

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Hutson, Lorna. "The Shakespearean unscene: Sexual phantasies in A Midsummer's Night's Dream". Journal of the British Academy 4 (18 ottobre 2016): 169–95. http://dx.doi.org/10.5871/jba/004.169.

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17

Delmonte, Michael M. "Children's phantasies: the shaping of relationshipsOtto Weininger. London: Karnac Books, 1989." Irish Journal of Psychological Medicine 7, n. 1 (marzo 1990): 84–85. http://dx.doi.org/10.1017/s0790966700017134.

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18

Waska, Robert. "WHEN PATIENTS FACE THE DUAL THREAT OF DEPRESSIVE AND PARANOID PHANTASIES". Psychoanalytic Psychotherapy 21, n. 4 (dicembre 2007): 315–29. http://dx.doi.org/10.1080/02668730701698350.

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19

Kieseier, Bernd C., e Hans-Peter Hartung. "Interferon-β and neuroprotection in multiple sclerosis—Facts, hopes and phantasies". Experimental Neurology 203, n. 1 (gennaio 2007): 1–4. http://dx.doi.org/10.1016/j.expneurol.2006.09.007.

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20

Moran, Perrine. "“I’ve got you under my skin”: borderline states in couple relationships". Musical Connections in Couple and Family Psychoanalysis 10, n. 1 (9 marzo 2020): 59–71. http://dx.doi.org/10.33212/cfp.v10n1.2020.59.

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Many couples who come for therapy are struggling with separating from unconscious phantasies and beliefs that enmesh each partner with the other, resulting in states that popular songs powerfully epitomise. While this borderline experience is common and functional in the early stages of being in love its persistence paralyses the development of the relationship. Facing separation from and loss of illusion is a challenge couple therapists are often asked to help with. The argument is illustrated by a case, and by references to some of Cole Porter’s best known songs.

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21

Hinshelwood, R. D. "Anxiety: Melanie Klein's 'deeper' layers". Metalepsis: Journal of the American Board and Academy of Psychoanalysis 1, n. 1 (28 aprile 2021): 25–41. http://dx.doi.org/10.52112/mtl.v1i1.4.

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In Klein’s development of a clinical practice with children, she concentrated on the presence and content of anxiety in the little patient’s play. This led her away from a basic theory grounded in instincts and energy. As her method developed and her experience accumulated she emphasized the meanings of anxiety and in particular the forms it took in unconscious phantasy. Ultimately, she became aware of profound phantasies, and anxiety, in her patients about the formation and integrity of the ego, and not just the neurotic conflicts the ego struggles with – those anxieties about identity she called the deeper layers of the unconscious.

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Lubich, Frederick Alfred. "Rafael Seligmann's "Der Musterjude": A Master Parody of German-Jewish Fuhrer Phantasies". German Studies Review 27, n. 2 (maggio 2004): 229. http://dx.doi.org/10.2307/1433080.

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23

REDEKOP, FRED, SCOTT STUART e CAROL MERTENS. "Physical "Phantasies" and Family Functions: Overcoming the Mind/Body Dualism in Somatization". Family Process 38, n. 3 (settembre 1999): 371–85. http://dx.doi.org/10.1111/j.1545-5300.1999.00371.x.

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24

Kratochwil, Friedrich. "Of Myths, Lies, and Phantasies: Some Critical Remarks on Sloterdijk's “Pseudonymous Politics”". New Perspectives 25, n. 2 (giugno 2017): 76–85. http://dx.doi.org/10.1177/2336825x1702500206.

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25

Magagna, Jeanne. "Children's Phantasies. By Otto Weininger. London: Karnac Books. 1989. 314 pp. £14.95." British Journal of Psychiatry 155, n. 6 (dicembre 1989): 874–75. http://dx.doi.org/10.1192/s0007125000004918.

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26

Jefferies, M. "Book Review: Enlightenment Phantasies: Cultural Identity in France and Germany, 1750-1914". German History 23, n. 2 (1 aprile 2005): 271–72. http://dx.doi.org/10.1177/026635540502300213.

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27

Seligman, Stephen. "Infant‐parent interactions, phantasies, and an “internal two‐person psychology”: Reply to commentaries". Psychoanalytic Dialogues 9, n. 2 (gennaio 1999): 235–43. http://dx.doi.org/10.1080/10481889909539317.

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28

Squitieri, Loredana Micati. "PROBLEMS OF FEMALE SEXUALITY: THE DEFENSIVE FUNCTION OF CERTAIN PHANTASIES ABOUT THE BODY". International Journal of Psychoanalysis 80, n. 4 (1 agosto 1999): 645–60. http://dx.doi.org/10.1516/0020757991598918.

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29

Dubinsky, Alex. "The sado-masochistic phantasies of two adolescent boys suffering from congenital physical illnesses". Journal of Child Psychotherapy 12, n. 1 (gennaio 1986): 73–85. http://dx.doi.org/10.1080/00754178608254785.

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30

Maza, Sarah. "Reviews of Books:Enlightenment Phantasies: Cultural Identity in France and Germany, 1750-1914 Harold Mah". American Historical Review 110, n. 2 (aprile 2005): 546–47. http://dx.doi.org/10.1086/531446.

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31

Zuppardi, Sam. "Another man in the house: Oedipal phantasies and the male observer in an infant observation". Infant Observation 20, n. 1 (2 gennaio 2017): 43–55. http://dx.doi.org/10.1080/13698036.2017.1348906.

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32

Vicente, Henrique T., Ana Alexandra G. Grasina, Cristina P. Vieira e Carlos Farate. "Lullabies and unconscious maternal phantasies: An exploratory and comparative study of traditional and contemporary songs". International Journal of Applied Psychoanalytic Studies 17, n. 4 (2 luglio 2020): 328–44. http://dx.doi.org/10.1002/aps.1657.

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Britzman, Deborah P. "BEFORE AND AFTER MISOGYNY: A Psychoanalytic Discussion". Itinerarius Reflectionis 13, n. 2 (11 agosto 2017): 01. http://dx.doi.org/10.5216/rir.v13i2.46455.

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: For those of us working in the fields of education and psychotherapy, the insistence that misogyny affects us all brings to the forefront the painful question of lifting negation in order to think of one’s own contribution to disclaimed bodily hatred. Thinking with the psychoanalytic temporality of before and after, misogyny is approached as a mental constellation of the mind’s attraction to the disavowal, objectification, and depersonalization of gender and sexual fluidity. I examine the psychical consequences of the emotional logic of insidious misogyny in practices of education and the clinic that resists working through their role in dissociated externalized mental states. My focus is on the generation and diffusion of psychical defences of ideality, splitting, denial, and disavowal of difference that compel phantasies of omnipotence and present as attacks on what comes before and after the human condition, namely: natality, bisexuality, dependency, vulnerability, and love for the maternal environment. Themes of feminism, psychoanalysis, and queer theory are offered as a counter-depressant.Keywords: thinking, deferred action, negation, ideality, symbolic collapse, reparation.

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Lisak-Gębala, Dobrawa. "„Kicz, kiczyzm” Justyny Bargielskiej". Przestrzenie Teorii, n. 31 (6 dicembre 2019): 173–96. http://dx.doi.org/10.14746/pt.2019.31.9.

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The article develops the analysis of recurrent kitschy motifs in poetry and prose by Justyna Bargielska. This authoress consciously and intensively takes advantage of pop-cultural kitsch, kitsch connected to maternity and femininity, sacrokitsch and consolatory kitsch used in mourning practices. She derives many fetishized objects from these areas and transforms them into private talismans; she also borrows many established pop-cultural visions that serve her heroines to create their identity, but sometimes these patterns become a costume for individual fears and phantasies. The term ‘kitschism’ was invented by Bargielska herself and it suggests intellectual distance towards the figures and requisites used. The writer’s attitude towards kitschy cliches is developed as a dialectical movement of attraction and repulsion, and is not meant to overthrow dominant stereotypes; this approach is often similar to camp strategies, yet it extends beyond ludic or ironic games. Bargielska is interested mainly in the anthropological aspect of kitsch, which is situated between the individual and the community. The writer tests the usefulness of cliches while confronting her heroines with the most serious subjects, like death, love or loss.

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Bachkovskii, Stanislav Anatol'evich. "A. V. SAMONOV’S “PHANTASIES” (BASED ON A. SAINT-EXUPÉRY’S NOVELLA “THE LITTLE PRINCE”): SPECIFIC FEATURES OF PIANO CYCLE". Manuscript, n. 12 (dicembre 2019): 244–48. http://dx.doi.org/10.30853/manuscript.2019.12.48.

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36

Gerlach, Alf. "The abortion of female foetuses and the killing of newborn girls in China—the power of unconscious phantasies". Proceedings of the Wuhan Conference on Women 3, n. 2 (31 dicembre 2020): 221–29. http://dx.doi.org/10.33212/ppc.v3n2.2020.221.

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In China, the one-child policy has cemented the imbalance between male and female newborns, the social and psychological consequences of which are difficult to assess. The targeted abortion of female foetuses goes back to traditions anchored in Confucian culture. This article examines the tensions in gender relations and in the inner representation of gender that are linked to the practice of gender-specific abortion. Using examples from psychoanalytic self-experience groups, the article shows how such conflicts can break out and be expressed in the individual psyche, but also between the group participants. With the help of the distinction between an ethnic and an idiosyncratic unconscious, an attempt is made to better understand the specific inner representation of gender in men and women in China. The author explores male reaction formations against women, male fear of castration, and of control by women through men's mothers, as well as a kind of ongoing unconscious "duel between the sexes" that involves gender discrimination that continues to this day.

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Mundici, Elena. "Terror and wonder: whose choice is it anyway?" International Journal of Forensic Psychotherapy 2, n. 2 (31 dicembre 2020): 147–56. http://dx.doi.org/10.33212/ijfp.v2n2.2020.147.

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Tragedy in its classic form represents the ambiguity of human nature, and explores the tension between the hero's actions and his or her progressive acquisition of self-knowledge. This is where they learn who they really are and what their actions mean in relation to their identity. Similarly, as forensic psychotherapists, we are spectators of the tragic events that get told and re-enacted in the therapeutic process. However, we are also actors, in that we join our patients in the process of uncovering the meanings of their actions. Why did they act the way they did? Who were they trying to destroy? Or, were they actually trying to repair? In being at the crossroad between ethical and political, forensic institutions present many analogies with the Greek tragic phenomenon. Like tragedy, prisons contain those who have enacted society's most obscure phantasies and those who look after them. Both are the source of "terror and wonder". In this article I use the tragic paradigm to explore the conflicts intrinsic to forensic institutions, as they emerged in the context of a staff support programme in prison.

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Waska, Robert. "The Flexible Function of the Modern Kleinian Psychoanalytic Approach: Interpreting Through the Unbearable Security of Paranoid and Depressive Phantasies". American Journal of Psychoanalysis 76, n. 3 (28 giugno 2016): 219–39. http://dx.doi.org/10.1057/s11231-016-9045-6.

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Davis, Eric. "Enlightenment Phantasies: Cultural Identity in France and Germany, 1750-1914, by Harold MahEnlightenment Phantasies: Cultural Identity in France and Germany, 1750-1914, by Harold Mah. Ithaca, New York, and London, Cornell University Press, 2003. xii, 227 pp. $41.95 US (cloth), $19.95 US (paper)." Canadian Journal of History 39, n. 3 (dicembre 2004): 588–89. http://dx.doi.org/10.3138/cjh.39.3.588.

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Williams, Paul. "INTERNET DISCUSSION REVIEW 'PROBLEMS OF FEMALE SEXUALITY: THE DEFENSIVE FUNCTION OF CERTAIN PHANTASIES ABOUT THE BODY' BY LOREDANA MICATI SQUITIERI". International Journal of Psychoanalysis 80, n. 6 (1 dicembre 1999): 1267–77. http://dx.doi.org/10.1516/0020757991599278.

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Simon, Elliott M. "Thomas More's Historical Legacy: The Tudor Tragedies of King Richard III". Moreana 57 (Number 214), n. 2 (dicembre 2020): 171–201. http://dx.doi.org/10.3366/more.2020.0083.

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Thomas More's History of Richard III is a metahistory, rich in factual and fictional details. I will discuss More's concept of historiography as a rhetorical art and how his presentation of history transformed details of what was imperfectly known about Richard III into a polemic about what should be believed as an irrefutable truth. More's conception of history is much more amorphous than modern theories. He incorporated classical myths, literature, history, and philosophy along with phantasies, dreams, and oral testimonies to recreate his historical Richard III as a tragic figure. More saw patterns of immoral behavior deeply rooted in the histories of the Plantagenet kings from the twelfth century to 1485 as if the sins of the fathers are repeated by their children. More used his sources, the antiquarian John Rous, the historian Polydore Vergil, and the oral history of Archbishop/Cardinal John Morton to prove that the immorality of the Plantagenets, embodied in Richard III, was a curse that will be purged from England by the ascendance of Henry VII. William Shakespeare copied and embellished More's tragic vision of Richard III. Their historical facts and fictions enhanced their moral signification of the rise and fall of Richard III in English history.

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Zwart, Hub. "Iconoclasm and Imagination: Gaston Bachelard’s Philosophy of Technoscience". Human Studies 43, n. 1 (13 novembre 2019): 61–87. http://dx.doi.org/10.1007/s10746-019-09529-z.

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Abstract Gaston Bachelard (1884–1962) occupies a unique position in the history of European thinking. As a philosopher of science, he developed a profound interest in genres of the imagination, notably poetry and novels. While emphatically acknowledging the strength, precision and reliability of scientific knowledge compared to every-day experience, he saw literary phantasies as important supplementary sources of insight. Although he significantly influenced authors such as Lacan, Althusser, Foucault and others, while some of his key concepts (“epistemological rupture,” “epistemological obstacle,” “technoscience”) are still widely used, his oeuvre tends to be overlooked. And yet, as I will argue, Bachelard’s extended series of books opens up an intriguing perspective on contemporary science. First, I will point to a remarkable duality that runs through Bachelard’s oeuvre. His philosophy of science consists of two sub-oeuvres: a psychoanalysis of technoscience, complemented by a poetics of elementary imagination. I will point out how these two branches deal with complementary themes: technoscientific artefacts and literary fictions, two realms of human experience separated by an epistemological rupture. Whereas Bachelard’s work initially entails a panegyric in praise of scientific practice, he becomes increasingly intrigued by the imaginary and its basic images (“archetypes”), such as the Mother Earth archetype.

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Foresti, Giovanni. "La costruzione del "terzo orecchio" Ascolto psicoanalitico e setting interno dell'analista in una prospettiva storica". GRUPPI, n. 3 (giugno 2009): 11–26. http://dx.doi.org/10.3280/gru2008-003002.

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- The contemporary, multi-lingual psychoanalytic culture is a complicated and pluralistic mix, which may prompt high levels of theoretical and technical confusion. The paper describes some of the experiences, made during the first decade of a psychoanalyst's work, which have contributed to the construction of the Author's way of listening and working. The so called "third ear" will be discussed, here, as a metaphor alluding to the psychoanalyst's working models (combinations of theories and technique) and in particular to her/his internal setting. The approach chosen to describe this latter, will be historical in two different perspectives: conceptual and personal. The historical understanding of the psychoanalytic traditions is useful in balancing different theoretical perspectives and in avoiding the often complementary phenomena of getting lost on one hand, and of becoming closed and fanatic on the other. The second focus will be on the personal and never complete work that has to be done, in order to assimilate/elaborate other people's ideas - the patients' thoughts and phantasies, the teachers' and supervisors' perspectives and the colleagues' and peers' views and remarks.Key words: psychoanalytic training, internal setting, group's dynamics, third ear, gamma function, ręverieParole chiave: formazione analitica, setting interno, dinamiche gruppali, terzo orecchio, funzione gamma, ręverie.

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Maiello, Suzanne. "Twinning phantasies in the mother-infant couple and the observer's counterpoint function: Preliminary remarks about the numbers one, two and three". Infant Observation 1, n. 1 (settembre 1997): 31–50. http://dx.doi.org/10.1080/13698039708400825.

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Benthien, Claudia. "Albertines Traum. Paradoxien des Handlungsbegriffs in Schnitzlers Traumnovelle und Kubricks Eyes Wide Shut". Paragrana 18, n. 2 (febbraio 2010): 230–41. http://dx.doi.org/10.1524/para.2009.0037.

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ZusammenfassungLiebe, Treue und Verrat sind die Themen von Arthur Schnitzlers Traumnovelle“ (1926), einer literarischen Auseinandersetzung mit Freuds Theorie des Unbewussten. Sie erzählt von den unerwarteten Versuchungen, denen sich ein Wiener Ehepaar ausgesetzt sieht – der Mann bei heimlichen Liebesabenteuern in der nächtlichen Stadt, die Frau in ihren nicht minder abenteuerlichen erotischen Träumen im ehelichen Schlafzimmer. Schnitzler fragt, wann genau Untreue beginnt: Können ’bloße‘ Phantasien gefährlicher und handlungsrelevanter als die Realität sein? Die Pointe von Schnitzlers Novelle ist es, dass reales Erleben und Traumerleben als konkurrierende Erlebnisformen begriffen werden. Dies ist auch der Grund, weswegen der Text bis kurz vor seinem Erscheinen den Titel Doppelnovelle trug. Denn diese Novelle schildert bekanntlich nicht eine Ereignisfolge, sondern gleich zwei – die heimlichen, aber unvollendeten Liebesabenteuer, die der Mann in der nächtlichen Stadt erlebt, und die nicht minder abenteuerlichen, erotisch-beglückenden Träume der Frau zeitgleich im ehelichen Schlafzimmer. Ich finde die Frage von actio und passio mit Blick auf Träume sowie hier vorkommende andere Formen der Phantasie und Irrealität besonders interessant im Rahmen der Tagung

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Marder, Elissa. "Freud's Fictions: Fixation, Femininity, Photography". Paragraph 40, n. 3 (novembre 2017): 349–67. http://dx.doi.org/10.3366/para.2017.0239.

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This article takes off from Freud's literary use of the term ‘fixation’ to explore how female sexuality both establishes the universal foundations of Freud's metapsychology and is excluded from it via a reading of one Freud's strangest and most provocative case presentations. Like a primal word, fixation operates in contradictory fashion: it is associated both with regression and futurity, petrified immobility and contingency. Fixation is Freud's name both for the primal origin of sexuality and the very word for what shuts sexuality down. In ‘A Case of Paranoia Running Counter to the Disease’, the first case history devoted to a woman after Dora, Freud recounts his brief encounter with a woman who is brought to Freud because she is suffering from a (presumably) paranoid delusion that her would-be lover has arranged to have her photographed during their sexual engagements. On the basis of his fictionalized account of this fictive case (the woman never actually enters into treatment with him), Freud establishes a curiously suggestive link between fixation, femininity and photography, and introduces, for the first time, the notion of ‘primal phantasies’. By looking how femininity, fixation and photography come together, this article explores how and why Freud attributes quasi-photographic powers to female sexuality as a means of trying to produce a figure for unseen and un-seeable images that come from a primal and unrecoverable past.

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Thanopulos, Sarantis. "Leonardo's phantasy and the importance of Freud's slip: The role of the analyst's phantasies in applied psychoanalysis and in the analytic relation". International Journal of Psychoanalysis 86, n. 2 (aprile 2005): 395–412. http://dx.doi.org/10.1516/vrtf-e5jn-ryx0-kxyb.

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Chaves, Liana Pinto. "Recent contributions from clinical research: On mental processing, on dreams and dreaming, and on the role of phantasies about parental couple relationships". International Journal of Psychoanalysis 93, n. 3 (giugno 2012): 750–51. http://dx.doi.org/10.1111/j.1745-8315.2012.00560.x.

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Falcón, Luis Álvarez. "O corpo intermediário. Uma aproximação fenomenológica". Revista Filosófica de Coimbra 28, n. 55 (7 marzo 2019): 73–88. http://dx.doi.org/10.14195/0872-0851_55_3.

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O presente texto procura sintetizar dez grandes teses que dão conta dos múltiplos níveis da experiência sobre o corpo. A origem destas considerações é radicalmente filosófica e as suas consequências afetam tanto o âmbito geral das artes quanto o próprio estatuto da filosofia. A fenomenologia é oprincipal marco teórico de referência. As proposições apresentam‑se como um recurso prático para ampliar a reflexão sobre o pensamento e a extensão sobre o corpo vivido, a espacialidade e a espacialização. A distinção, a separação, a distância, a interioridade, a exterioridade, a experiência do corpo interno (Leib) e do corpo externo (Körper) e os níveis de espacialidade serão algumas das questões críticas expostas. A distinção fenomenológica entre Phantasia e imaginação será a chave para pensar o desdobramento da subjetividade e do corpo depois da redução fenomenológica. Propomos, aqui, pensar o registo de um corpo intermediário ou de uma subjetividade média, que corresponde ao nível das Phantasias perceptivas, e cujos rendimentos são tanto estéticos quanto éticos, desenvolvidos pela filosofia fenomenológica.

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Desmond, John. "Organization of dreams: the dream of organization – dreaming organization". Journal of Organizational Change Management 26, n. 4 (28 giugno 2013): 654–69. http://dx.doi.org/10.1108/jocm-04-2013-0050.

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PurposeThe purpose of this paper is to draw from: Freud's Interpretation of Dreams, citing the Dream of Irma's Injection, to illustrate psychic organization and the relation of psychic to social organization; The Dream of the Failed Dinner Party, to illustrate the inter‐individual context of dreaming; and finally The Dream of the Burning Child, to briefly discuss analogous processes to dreams in relation to the ethics of organization.Design/methodology/approachThe paper consists of a critical conceptual review of literature in the fields of psychoanalysis and organization.FindingsA psychoanalytic focus on dreams acknowledges the importance of the organization of the psyche, highlighting the continuing importance of childhood experience and of repressed desire for adult neurotics. The social organization of the psyche illustrates the importance of understanding that different character types produce different phantasies of organization. It is argued that the inter‐individual context is important to understanding the contagious nature of hysterical desire. Finally, given that traumatic dreams unsettle and destabilize our conscious understanding as good, rational, individual subjects, the paper discusses the analogous roles for dreaming, which might be related to organization ethics.Practical implicationsBy highlighting unconscious processes, the psychoanalytic understanding of dreams asks organizational theorists to enquire into material that is withheld from consciousness.Originality/valueThis paper contributes to the understanding of dreams in relation to the organization of the psyche; the relation of psychic organization to social organization; and the inter‐individual context.

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