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Letteratura scientifica selezionata sul tema "Photograph collections"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 30 luglio 2024

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Articoli di riviste sul tema "Photograph collections"

1

Hinzler, H. I. R. "The Indonesian Archaeology Photograph and Documentation System (IAPDS)." Art Libraries Journal 18, no. 2 (1993): 34–38. http://dx.doi.org/10.1017/s0307472200008324.

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On December 1st 1989 the Indonesian Archaeology Photograph and Documentation System (IAPDS) was launched in Leiden. The project, which is scheduled to last three years, has both a photographic and a documentary aspect. The photographic aspect concerns firstly the conservation of the collection of black and white photographs of the Archaeological Service of the Netherlands-Indies, made between 1901 and 1941, and of the Indonesian Archaeological Survey, dating from 1945 to 1955. This collection consists of more than 25,000 photographs, of which 21,855 are kept in various institutions in Leiden.

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Meho Manjgo. "Photographs in the Photo Archive’s Old Stock in Gazi Husrev-beg’s Library in Sarajevo." Anali Gazi Husrev-Begove biblioteke 28, no. 42 (December 31, 2021): 211–33. http://dx.doi.org/10.51719/25663267.2021.28.42.211.

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Gazi Husrev-beg’s Library in Sarajevo, beside its rich stock of manuscripts, archival and museum collections, also houses a valuable collection of photographs within the photo archive’s stock, which is divided into the old and the new stock. The focus of this paper is on photographs from the photo archive’s old stock, taken at the time of the arrival of the Austro-Hungarian government, when the first professional photograph stores started up in this area. This paper aims at trying to determine whether the photographs from the photo archive’s old stock were signed by Anton Schadler, Walter Taus

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3

Baxter, Guy. "The historical photograph: record, information source, object, resource." Art Libraries Journal 28, no. 2 (2003): 4–12. http://dx.doi.org/10.1017/s0307472200013055.

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This article looks at the contributions that historical photograph collections can make to people’s lives, by examining the ideas that museums, archives and libraries explore and apply in the management of such collections. For instance, the theme of the photograph as an historical record of events will be used to examine the archivist’s approach; the photograph as a source of information for learning or enjoyment will introduce theories developed by the library community; and the value of the photograph as a physical object will form the basis for looking at how museums approach our vast and

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4

Abilova, Ramina O., and Tatiana P. Krasheninnikova. "Journey of the USA Citizen Frank Whitson Fetter to the USSR: History of the Foreign Photographic Collection in the Duke University Library (1930)." Herald of an archivist, no. 4 (2020): 1184–200. http://dx.doi.org/10.28995/2073-0101-2020-4-1184-1200.

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The article presents the results of studying the Whitson Fetter (1899-1991) photo collection on Fetter’s visit to the Soviet Union in the summer of 1930. He spent six days in Moscow and six weeks in Kazan, then took a trip down the Volga River and the Caspian Sea. In his journey, Frank W. Fetter took about 330 photographs, which are currently stored in the David M. Rubenstein Rare Book & Manuscript Library, Duke University (Durham, North Carolina, USA). The article reconstructs the origin of the photographic collection (USSR, June-August 1930) and its life in the family archive of Frank W.

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O'Connor, Maura. "Aerial photograph collections in Australia." Australian Surveyor 37, no. 4 (December 1992): 263–69. http://dx.doi.org/10.1080/00050326.1992.10438813.

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Wakelin, Daniel. "A New Age of Photography: ‘DIY Digitization’ in Manuscript Studies." Anglia 139, no. 1 (March 4, 2021): 71–93. http://dx.doi.org/10.1515/ang-2021-0005.

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Abstract Since c. 2008 many special collections libraries have allowed researchers to take photographs of medieval manuscripts: this article calls such self-service photography ‘DIY digitization’. The article considers some possible effects of this digital tool for research on book history, especially on palaeography, comparing it in particular to the effects of institutionally-led digitization. ‘DIY digitization’ does assist with access to manuscripts, but less easily and with less open data than institutional digitization does. Instead, it allows the researcher’s intellectual agenda to guide

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Wolska, Anna. "HISTORY OF PHOTOGRAPHY ON THE EXAMPLE OF SELECTED PHOTOGRAPHIC TECHNIQUES. A PHOTOGRAPH AS AN OBJECT." Muzealnictwo 61 (August 26, 2020): 192–200. http://dx.doi.org/10.5604/01.3001.0014.3639.

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In the first part of the paper, the focus is on historical and technical aspects of the invention of photography, beginning with the first research works conducted by J.N. Niépce up to the patenting of daguerreotype in 1839 by L. Daguerre. In the further section of the paper emphasis is put on the fast spread of photography; short profiles of the first Polish photographers who contributed to promoting photography: J. Giwartowski, K. Beyer, W. Rzewuski, and M. Strasz, are given. Furthermore, the early-19th-century discourse between the artistic and photographic circles is briefly discussed, wit

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Pierce, Rachel. "The Female Gaze? Postmodernism and the Search for Women in the Digitized Photographic Collections of Swedish Memory Institutions." Open Information Science 3, no. 1 (January 1, 2019): 61–75. http://dx.doi.org/10.1515/opis-2019-0005.

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Abstract Both the photograph and digitization are often defined as democratizing forces. But neither exists outside the system of power dynamics that structure art, history, and cultural heritage. This article uses postmodernist theorization of knowledge hierarchies in the archive developed by archival scholars Terry Cook and Joan Schwartz to examine the gendered nature of metadata and data connected to digitized photographic material available on the platforms of the three major Swedish memory institutions: the Royal Library, the Nordic Museum, and the National Archives. Given that digitized

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Chenxi Zhang, Jizhou Gao, Oliver Wang, Pierre Georgel, Ruigang Yang, James Davis, Jan-Michael Frahm, and Marc Pollefeys. "Personal Photograph Enhancement Using Internet Photo Collections." IEEE Transactions on Visualization and Computer Graphics 20, no. 2 (February 2014): 262–75. http://dx.doi.org/10.1109/tvcg.2013.77.

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Dooley, Jackie M. "Processing and Cataloging of Archival Photograph Collections." Visual Resources 11, no. 1 (January 1995): 85–101. http://dx.doi.org/10.1080/01973762.1995.9658320.

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Più fonti

Tesi sul tema "Photograph collections"

1

Hontos, Vasiliki. "Conservation survey of the Benaki Museum Photographic Archive in Athens, Greece /." Online version of thesis, 1991. http://hdl.handle.net/1850/11621.

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2

Halsban, Megan. "Stereographs as Scholarly Resources in American Academic Libraries and Special Collections." Thesis, School of Information and Library Science, 2008. http://hdl.handle.net/1901/543.

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This paper examines stereographic images as scholarly resources, and begins with a brief history of the stereograph. A discussion and review of the literature related to the stereograph as well as the preservation of photographic objects follows the introduction. In addition to the literature review, collections of stereographs at four repositories were evaluated for usability: The Keystone-Mast Archive at the University of California, Riverside; The Eliot Elisofon Archive at the Smithsonian Institution; the George Eastman House; the Library of Congress. The paper ends with suggestions for fut

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3

Cobon, Linda Louise. "Problems and issues in the arrangement and description of photographs in libraries and archival repositories." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/27687.

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Until recent years, archivists have been reluctant to consider photographs as being archival in nature. The evidential value possessed by some photographs was ignored and archivists also failed to see where the informational value of a photographic image could be enhanced when viewed within the context in which it was created. Instead, archivists preferred to arrange and describe photographs as discrete items. For assistance in this endeavor, archivists turned to members of the library profession. Librarians, for their part, found that photographs were not amenable to standard bibliographic fo

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Humayun, Saalem. "Constructing family photograph albums : how the process of archival acquisition writes history." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99722.

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This thesis is about photographic archives. Specifically, it concerns the process of acquisition for family photograph albums as archival texts. It argues that the process of acquisition writes history, and not one sole author. Additionally it argues that the institutional policy of an archive governs this process. Further, it argues that there is a homology between a public and private archive. In this light, it pursues an autobiographical approach, and compares the author's family photograph album with a family photograph album in the McCord Museum of Canadian History.

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Stewart, Brian. "Pictures in words : indexing, folksonomy and representation of subject content in historic photographs." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/687.

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Subject access to images is a major issue for image collections. Research is needed to understand how indexing and tagging contribute to make the subjects of historic photographs accessible. This thesis firstly investigates the evidence of cognitive dissonance between indexers and users in the way they attribute subjects to historic photographs, and, secondly, how indexers and users might work together to enhance subject description. It analyses how current indexing and social tagging represent the subject content of historic photographs. It also suggests a practical way indexers can work with

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Wills, David. "Cultural Mulch : an investigation into collectors who create collections of mass produced objects and of the potential significance of those objects in relation to consumer culture." Phd thesis, Canberra, ACT : The Australian National University, 2009. http://hdl.handle.net/1885/8036.

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Collecting is an activity that stems from humankinds roots as hunters and gathers, when necessity rather than want, was key. This dissertation considers the strategies and motivations behind collecting in the 21st Century and what the significance is of collected objects. It considers the many guises, aims and reasons for collections being made, from the attainment of wealth and status, to the filling of personal voids, or the simple pleasures of belonging to a like-minded group of people. The dissertation charts contemporary influences in collecting behaviour, from an increased interest in ce

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Minkley, Hannah Smith. "Photographing other selves: collecting, collections and collaborative visual identity." Thesis, Nelson Mandela Metropolitan University, 2016. http://hdl.handle.net/10948/12669.

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This study is situated in a social documentary photography context, and is concerned to explore whether the collaborative interaction between photographer, subject (as collector) and material object (as collection) might enable a practice that presents a more mutual and subject-centred visual identity emerge. In particular, photographers Jim Goldberg and Gideon Mendel have focused more on the subject themselves, using collaborative processes such as photo-voice and photo elicitation, as well as the use of peoples’ handwritten captions on photographic prints themselves. Claudia Mitchell’s overv

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8

Malan, Andre. "The use of historical photographs as source for cultural histor : the Sammy Marks photograph collection." Diss., University of Pretoria, 1996. http://hdl.handle.net/2263/37292.

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During his sojourn on earth man leaves traces behind. Subsequent generations can follow these traces through research in order to find out more about his forebears. The term document can be interpreted much wider than referring to written material so that different types of material can serve as source from which this knowledge can be drawn. Pictorial sources is one subsection underneath which photographic material in turn resorts. This study looks at the use of historical photographs as source from which the cultural historian can draw information .. Historical photographs are often me

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9

Mendes, Menezes Lucas. "Images voyageuses : photographie amateur brésilienne dans la collection de la Société française de photographie." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H080.

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Abstract (sommario):

La collection de photographies brésiliennes de la Société française de photographie (SFP) est composée de 150 photographies, produites entre les années 1940 et 1950 par des photographes amateurs, formellement associés à des photo-clubs au Brésil. Au-delà des appartenances esthétiques, géographiques et institutionnelles, ces images peuvent, d’abord, être divisées en deux groupes différents : celles envoyées pour la participation au Salon International d’Art Photographique en 1951 et celles exhibées en février 1960, dans le cadre d’une exposition sur la photographie brésilienne, organisée à Gale

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10

Stoffle, Richard W., and Vlack Kathleen A. Van. "Timber Mountain Caldera Landscape Photograph Collection." Bureau of Applied Research in Anthropology, University of Arizona, 2013. http://hdl.handle.net/10150/303350.

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These photographs offer illustrations of the people, places, and resources along the two prominent pilgrimage trails in the Timber Mountain Caldera region. These photographs were taken during the 2006 Timber Mountain Caldera Landscape Study, the 2001 Shoshone Mountain Wind Farm Environmental Assessment, and 1999 NTS Rock Art study.

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Più fonti

Libri sul tema "Photograph collections"

1

Jones, Taylor D. Dear photograph. New York: William Morrow, 2012.

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Society, Royal Commonwealth. RCS photograph collection. Zug: Inter Documentation Co., 1985.

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Collections, Baker Library Historical. A guide to photograph collections. Cambridge, Mass: President and Fellows of Harvard College, 2007.

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4

Conservation Center for Art and Historic Artifacts, ed. Disaster recovery: Salvaging photograph collections. Philadelphia, PA: Conservation Center for Art and Historic Artifacts, 1998.

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Conservation Center for Art and Historic Artefacts. Disaster recovery: Salvaging photograph collections. Philadelphia: Conservation Center, 1998.

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6

King, Frazier. The collector's eye: A photographer's view of his contemporaries. Amsterdam: Schilt Publishing, 2019.

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7

Bisanz, Hans. Peter Altenberg, mein äusserstes Ideal: Altenbergs Photosammlung von geliebten Frauen, Freunden und Orten. Wien: C. Brandstätter, 1987.

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8

Landesmuseum, Schweizerisches, ed. Im Licht der Dunkelkammer: Die Schweiz in Photographien des 19. Jahrhunderts aus der Sammlung Herzog = Révélations de la chambre noire : la Suisse du XIXe siècle à travers les photographies de la collection Herzog. Basel: Christoph Merian Verlag, 1994.

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9

London, Sotheby Parke-Bernet. Photographs: Auction: Thursday, April 26, 2001 .... New York: Sotheby's, 2001.

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London, Sotheby Parke-Bernet. Photographs ...: Auction Tuesday April 6 1993 ... . New York: Sotheby's, 1993.

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Capitoli di libri sul tema "Photograph collections"

1

Patel, Dynal, Gary Marsden, Steve Jones, and Matt Jones. "An Evaluation of Techniques for Browsing Photograph Collections on Small Displays." In Mobile Human-Computer Interaction - MobileHCI 2004, 132–43. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-28637-0_12.

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Davis-Perkins, Veronica, Richard Butterworth, Paul Curzon, and Bob Fields. "A Study into the Effect of Digitisation Projects on the Management and Stability of Historic Photograph Collections." In Research and Advanced Technology for Digital Libraries, 278–89. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/11551362_25.

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Thiel, Franz. "Abel Briquet’s Photograph Collection." In Exploring the Archive, 361–66. Köln: Böhlau Verlag, 2015. http://dx.doi.org/10.7788/9783412218423-015.

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4

Le Guen, Laurence. "Chapter 7. From the “Children of all Lands Stories” to the “Enfants du monde” collection." In Children’s Literature, Culture, and Cognition, 170–88. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.07le.

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Although it does not appear under this name on the shelves of bookshops or libraries, the literary genre of the phototextual country portrait has an effective reality in children’s literature, with a wide variety of publications. These works are regularly published in periods when children’s books are seen as the engine of a new pacifist humanism. They flourished in different parts of the world after the two world wars, all carrying the same message of hope, transmitting the conviction that the world, in its diversity and complexity, is one: our world. This article juxtaposes the works of the 1920s series “Children of all Lands Stories”, by the American photographer and filmmaker Madeline Brandeis, with those of the “Enfants du monde” collection, carried by photographs by French photographer Dominique Darbois, to discuss how photographs and texts are combined to offer the young reader new views of the Other and thus promote peace between peoples through children’s literature.

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Wells, Liz. "Speaking of this Collection." In Photography, Curation, Criticism, 18–30. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003354680-3.

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Doubleday, W. E. "Photographic and Regional Survey Records." In Library Local Collections, 79–91. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003228882-7.

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Jensen, Bente. "Collecting social digital photography." In The Nordic Model of Digital Archiving, 197–211. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003325406-15.

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Valentin, Andreas. "The Kroehle-Hübner photographic collection." In Exploring the Archive, 193–208. Köln: Böhlau Verlag, 2015. http://dx.doi.org/10.7788/9783412218423-008.

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Zejdlik, Katie J. "Unmingling Commingled Museum Collections: A Photographic Method." In Commingled and Disarticulated Human Remains, 173–92. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-7560-6_10.

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Tinkler, Penny. "“When I Was a Girl…”: Women Talking about Their Girlhood Photo Collections." In Oral History and Photography, 45–60. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120099_3.

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Atti di convegni sul tema "Photograph collections"

1

Chelliah, Shobhana. "Making Photographs in Language Archives Maximally Useful: Metadata Guidelines for Community and Academic Depositors." In International Workshop on Digital Language Archives: LangArc-2023. University of North Texas, 2023. http://dx.doi.org/10.12794/langarc2114301.

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Abstract (sommario):

Collections in language archives typically include photographs. The purpose of these photographs is to supplement linguistic information about materials, places, and people related to cultural activities that are being forgotten. Instruction on metadata creation for these photograph deposits must take into consideration the variety of depositors to and users of language archives. In addition to the use of existing controlled vocabularies, classification lists, or thesauri in metadata creation, we observe in metadata for photographs the need for open-ended descriptions of personal experience re

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2

Golder, Scott. "Measuring social networks with digital photograph collections." In the nineteenth ACM conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1379092.1379104.

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Hess Norris, Debra. "All you need is love." In SOIMA 2015: Unlocking Sound and Image Heritage. International Centre for the Study of the Preservation and Restoration of Cultural Property, 2017. http://dx.doi.org/10.18146/soima2015.3.13.

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Preservation of photographic materials, both physical and digital, presents numerous challenges, and photographic collections are at risk world-wide. In response to this danger, regional partners have worked with international organizations to forge global training initiatives and platforms centred on experiential learning and designed with curricula tailored to speci c climates, geographies, needs and outcomes. paper highlights three forward-thinking e orts. The Middle East Photograph Preservation Initiative (MEPPI) has provided training to collections in 16 countries. Préservation du Patrim

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"New Approaches for Geographic Location Propagation in Digital Photograph Collections." In 16th International Conference on Enterprise Information Systems. SCITEPRESS - Science and and Technology Publications, 2014. http://dx.doi.org/10.5220/0004895000920099.

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Cho, Wan Hyun, In Seop Na, Soo Hyung Kim, Jun Yong Choi, Jong Hyun Park, and Dung Phan. "Automatic clustering for digital photograph collections using time and content information." In the 7th International Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2448556.2448645.

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Chufeng Chen, Michael Oakes, and John Tait. "A location data annotation system for personal photograph collections: Evaluation of a searching and browsing tool." In 2008 International Workshop on Content-Based Multimedia Indexing. IEEE, 2008. http://dx.doi.org/10.1109/cbmi.2008.4564993.

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Li, Zinuo, Xuhang Chen, Shuqiang Wang, and Chi-Man Pun. "A Large-Scale Film Style Dataset for Learning Multi-frequency Driven Film Enhancement." In Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. California: International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/129.

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Film, a classic image style, is culturally significant to the whole photographic industry since it marks the birth of photography. However, film photography is time-consuming and expensive, necessitating a more efficient method for collecting film-style photographs. Numerous datasets that have emerged in the field of image enhancement so far are not film-specific. In order to facilitate film-based image stylization research, we construct FilmSet, a large-scale and high-quality film style dataset. Our dataset includes three different film types and more than 5000 in-the-wild high resolution ima

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Красильникова, Дарья Сергеевна. "PHOTOGRAPHIC COLLECTION FROM N. ZHUKOVSKAYA’S (1874-1940) PERSONAL ARCHIVE IN THE COLLECTION OF THE LITERARY MUSEUM OF THE PUSHKIN HOUSE." In Фундаментальные и прикладные исследования. Актуальные проблемы и достижения: сборник статей XXIII всероссийской (национальной) научной конференции (Санкт-Петербург, Декабрь 2023). Crossref, 2024. http://dx.doi.org/10.37539/231206.2023.53.10.002.

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Данная статья представляет собой обзор и атрибуцию недавно выявленного архива фотоматериалов драматурга и переводчицы Натальи Юльевны Жуковской-Лисенко (1874-1940) в собрании Литературного музея Пушкинского Дома. Фотографии представляют собой портреты семей Жуковских, Ильиных и Лисенко. Особое внимание уделяется фотографиям, связанным с театральной деятельностью Натальи Юльевны, запечатлевшим сцены из театральных постановок и актеров, исполнявших роли в ее пьесах. Собрание писательницы позволяет ощутить ту театральную среду России конца XIX - начала XX веков. This article is a review and attri

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Holm, Jack. "Survey of developing electronic photography standards." In Critical Review Collection. SPIE, 1996. http://dx.doi.org/10.1117/12.229259.

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Frey, Franziska S. "Digitization of photographic collections." In Electronic Imaging '97, edited by V. Ralph Algazi, Sadayasu Ono, and Andrew G. Tescher. SPIE, 1997. http://dx.doi.org/10.1117/12.270055.

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Rapporti di organizzazioni sul tema "Photograph collections"

1

Jonasson, I. R., E. M. Hillary, D. Kliza-Petelle, and R. E. Bretzlaff. Ore mineral collections at the GSC: a short history, with digital and photographic index for part of the Booth Street Collection. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2015. http://dx.doi.org/10.4095/296399.

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2

Bridges, Todd, E. Bourne, Burton Suedel, Emily Moynihan, and Jeff King. Engineering With Nature : An Atlas, Volume 2. Engineer Research and Development Center (U.S.), March 2021. http://dx.doi.org/10.21079/11681/40124.

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Abstract (sommario):

Engineering With Nature: An Atlas, Volume 2 showcases EWN principles and practices "in action" through 62 projects from around the world. These exemplary projects demonstrate what it means to partner with nature to deliver engineering solutions with triple-win benefits. The collection of projects included were developed and constructed by a large number of government, private sector, non-governmental organizations, and other organizations. Through the use of photographs and narrative descriptions, the EWN Atlas was developed to inspire interested readers and practitioners with the potential to

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3

Tritinger, Amanda, Zelini Hubbard, Courtney Chambers, Burton Suedel, E. Bourne, Emily Moynihan, Ram Mohan, and Jeffrey King. Engineering With Nature: An Atlas, Volume 3. Engineer Research and Development Center (U.S.), May 2024. http://dx.doi.org/10.21079/11681/48453.

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Abstract (sommario):

Engineering With Nature: An Atlas, Volume 3 showcases EWN principles and practices "in action" through 58 projects from around the world. These exemplary projects demonstrate what it means to partner with nature to deliver engineering solutions with triple-win benefits. The collection of projects included were developed and constructed by a large number of government, private sector, nongovernmental organizations, and other organizations. Through the use of photographs and narrative descriptions, the EWN Atlas was developed to inspire interested readers and practitioners with the potential to

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4

Maranghides, A. Initial Reconnaissance of the 2011 Wildland-Urban Interfaces Fires in Amarillo, Texas. Gaithersburg, MD: National Institute of Standards and Technology, 2011. http://dx.doi.org/10.6028/nist.tn.1708.

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Abstract (sommario):

The National Institute of Standards and Technology (NIST) is working to reduce the risk of fire spread in Wildland-Urban Interface (WUI) communities. An objective of this work is to develop first generation tools for improved risk assessment and risk mitigation in WUI communities at risk from wildfires. These tools will be developed and tested through a coordinated effort that includes laboratory and field measurements, physics-based fire behavior models, and economic cost analysis models. NIST and Texas Forest Service (TFS) worked together in October 2010 to train TFS personnel in the NIST-de

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Shamblin, Robert, Kevin Whelan, Mario Londono, and Judd Patterson. South Florida/Caribbean Network early detection protocol for exotic plants: Corridors of invasiveness. National Park Service, July 2022. http://dx.doi.org/10.36967/nrr-2293364.

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Abstract (sommario):

Exotic plant populations can be potentially catastrophic to the natural communities of South Florida. Aggressive exotics such as Brazillian Pepper (Schinus terebinthifolius) and Melaleuca (Melaleuca quinquinervia) have displaced native habitats and formed monocultures of exotic stands (Dalrymple et al. 2003). Nearby plant nurseries, especially the ones outside the boundaries of Biscayne National Park (BISC) and Everglades National Park (EVER), are a continuous source of new exotic species that may become established within South Florida’s national parks. Early detection and rapid response to t

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Douglas, Gordon, and David Moore. Analyzing the Use and Impacts of Oakland Slow Streets and Potential Scalability Beyond Covid-19. Mineta Transportation Institute, July 2022. http://dx.doi.org/10.31979/mti.2021.2152.

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Abstract (sommario):

This report presents the results of a mixed-methods study of the 2020-2022 Oakland Slow Streets program. An official response to the Covid-19 pandemic, the program used signs and temporary barricades to limit thru-traffic on 21 miles of city streets to create more and safer space for walking, cycling, and outdoor recreation. Researchers collected data throughout the summer of 2021 on seven designated slow streets plus one cross street and one control street for each – a total of 21 street segments representing conditions in seven different neighborhoods across Oakland. Data collection comprise

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Douglas, Gordon, and David Moore. Analyzing the Use and Impacts of Oakland Slow Streets and Potential Scalability Beyond Covid-19. Mineta Transportation Institute, July 2022. http://dx.doi.org/10.31979/mti.2022.2152.

Testo completo

Abstract (sommario):

This report presents the results of a mixed-methods study of the 2020-2022 Oakland Slow Streets program. An official response to the Covid-19 pandemic, the program used signs and temporary barricades to limit thru-traffic on 21 miles of city streets to create more and safer space for walking, cycling, and outdoor recreation. Researchers collected data throughout the summer of 2021 on seven designated slow streets plus one cross street and one control street for each – a total of 21 street segments representing conditions in seven different neighborhoods across Oakland. Data collection comprise

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8

Taverna, Kristin. Vegetation classification and mapping of land additions at Richmond National Battlefield Park, Virginia: Addendum to technical report NPS/NER/NRTR 2008/128. National Park Service, September 2022. http://dx.doi.org/10.36967/2294278.

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Abstract (sommario):

In 2008 and 2015, the Virginia Department of Conservation and Recreation, Division of Natural Heritage produced vegetation maps for Richmond National Battlefield Park, following the protocols of the United States Geological Survey (USGS) – National Park Service (NPS) Vegetation Mapping Program. The original 2008 report was part of a regional project to map and classify the vegetation in seven national parks in Virginia. The 2015 report was an addendum to the original report and mapped the vegetation in newly acquired parcels. Since 2015, the park has acquired an additional 820 acres of land wi

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Ley, Matt, Tom Baldvins, David Jones, Hanna Pilkington, and Kelly Anderson. Vegetation classification and mapping: Gulf Islands National Seashore. National Park Service, May 2023. http://dx.doi.org/10.36967/2299028.

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Abstract (sommario):

The Gulf Islands National Seashore (GUIS) vegetation inventory project classified and mapped vegetation on park-owned lands within the administrative boundary and estimated thematic map accuracy quantitatively. The project began in June 2016. National Park Service (NPS) Vegetation Mapping Inventory Program provided technical guidance. The overall process included initial planning and scoping, imagery procurement, field data collection, data analysis, imagery interpretation/classification, accuracy assessment (AA), and report writing and database development. Initial planning and scoping meetin

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10

Ley, Matt, Tom Baldvins, Hannah Pilkington, David Jones, and Kelly Anderson. Vegetation classification and mapping project: Big Thicket National Preserve. National Park Service, 2024. http://dx.doi.org/10.36967/2299254.

Testo completo

Abstract (sommario):

The Big Thicket National Preserve (BITH) vegetation inventory project classified and mapped vegetation within the administrative boundary and estimated thematic map accuracy quantitatively. National Park Service (NPS) Vegetation Mapping Inventory Program provided technical guidance. The overall process included initial planning and scoping, imagery procurement, vegetation classification field data collection, data analysis, imagery interpretation/classification, accuracy assessment (AA), and report writing and database development. Initial planning and scoping meetings took place during May, 2

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