Bibliografie tematiche / Photography, Artistic – Themes, motives

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Letteratura scientifica selezionata sul tema "Photography, Artistic – Themes, motives"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 1 febbraio 2022

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Articoli di riviste sul tema "Photography, Artistic – Themes, motives"

1

Colner, Miha. "Bojan Salaj, photographer: The Ambivalent Eclecticism of Contemporary Photography." Membrana Journal of Photography, Vol. 1, no. 1 (2016): 14–19. http://dx.doi.org/10.47659/m1.014.rev.

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Abstract (sommario):
The article that aims to analyse the artistic production of photographer Bojan Salaj is based on conversations and reviews of his archive. Among Slovenian photographers, Salaj is the one who has been seen as an embodiment of the decisive shift in perception of the photographic medium that occurred in the late 1980s and early 1990s. He has never worked as documentary photographer or photojournalist; his authorial practice has always been primarily focused on the context of exhibition and against unconventional solutions. Salaj is one of those photographers who are characterized by the deep refl
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2

Woźniak, Kamila. "Rozkosze czeskiej awangardy. O fuzjach literatury, sztuki i filozofii na przykładach z twórczości Jindřicha Štyrskiego, Toyen, Vítězslava Nezvalai Františka Drtikola." Slavica Wratislaviensia 164 (November 20, 2017): 33–41. http://dx.doi.org/10.19195/0137-1150.164.3.

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Abstract (sommario):
The joys of the Czech avant-garde.On the amalgamation of literature, art and philosophy based on the examples from the works of Jindřich Štyrský, Toyen,Vítězslav Nezval and František DrtikolThe article points out some recurrent themes in the literary and artistic works by the repre- sentatives of the Czech avant-garde of the first half of the twentieth century. It is primarily about the motives of sleep, life, death and eroticism recognized most often in iconoclastic conventions, often on the borders of pornographic description and violating the taboo of eroticism, pleasures of the flesh and rel
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3

Polańska, Anna. "Działania artystyczne w gdańskim środowisku fotograficznym promujące fotografię marynistyczną w latach 1948-1981." Porta Aurea, no. 17 (November 27, 2018): 179–217. http://dx.doi.org/10.26881/porta.2018.17.08.

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Abstract (sommario):
With Gdansk artists an approach to the subject of the marine photography, was marked on several levels – artistic, documentary, journalistic and usable. Since 1945 to the first half of the 80s, we notice the popularization of maritime theme in the environment throughout artistic exhibition activities, and the program objectives. Maritime photography or maritime themes in photography? An analysis of the photographic medium in terms of belonging to the art can give the answer to this question. It is also worth considering whether there was „Gdansk School of the Maritime Photography”? The phenome
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4

Colner, Miha, and Ivan Petrović. "Ivan Petrović, Photographer, Archivist and Artist: Interview with Ivan Petrović." Cabinet, Vol. 2, no. 2 (2017): 4–9. http://dx.doi.org/10.47659/m3.004.int.

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Abstract (sommario):
Ivan Petrović (1973) has been working in the fields of photography and art for twenty years as a researcher, creator and collector. Since 1997, he has been creating and publishing photographic projects that reflect the spirit of space and time in which they are created, while in his works he uses both documentary approaches as well as research principles. In 2011, together with photographer Mihail Vasiljević, he founded a para-institution, the Centre for Photography (CEF). Despite lacking its own premises, infrastructure or funds for performing its activities, the institution deals with the se
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5

Wiedemann, Thomas. "Preface." Novos Olhares 9, no. 1 (July 10, 2020): 9–12. http://dx.doi.org/10.11606/issn.2238-7714.no.2020.171983.

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Abstract (sommario):
The Dossier entitled “(Audio)Visions: photography, cinema and memory” is edited by Thomas Wiedemann on behalf of the Visual Culture Working Group (VIC) of the International Association for Media and Communication Research (IAMCR). Within IAMCR, VIC focuses on artistic, cultural, socio-cultural and technological studies in visual media and communication—pictures and photography, respectively, but also cinema, audiovisuals and arts—from a critical view point that might enhance the international field of communication studies. In this spirit, after the IAMCR Conference 2019 held in Madrid, Spain,
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6

LAMBERT, PHILIP. "Brian Wilson’s Pet Sounds." Twentieth-Century Music 5, no. 1 (March 2008): 109–33. http://dx.doi.org/10.1017/s1478572208000625.

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Abstract (sommario):
AbstractPet Sounds, the landmark Beach Boys album of 1966, has received wide acclaim as one of rock’s first ‘concept albums’. It also represents a milestone in the artistic evolution of the group’s primary creative force, Brian Wilson. A thorough examination of the texts and music of the songs of Pet Sounds reveals a unified art work projecting a coherent textual narrative. Songs are associated and interrelated via recurrent motives and harmonic patterns, expressing extremely personal themes of romance and heartbreak. The musical ideas are mostly culminations of Brian Wilson’s earlier work – t
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7

Yahyabala qızı Bağıyeva, Nubar. "Carpet compositions by carpet artist Mammadhuseyn Huseynov." ANCIENT LAND 03, no. 04 (June 30, 2021): 15–18. http://dx.doi.org/10.36719/2706-6185/03/15-18.

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Abstract (sommario):
The artist has created valuable works of art that attract the attention of the most beautiful traditions of the pre-existing artistic heritage with a choice of different themes and styles. He created expressive images that characterize the environment in which any subject is reflected, and tried to make room for elements of national motives. This is an indication of his rich artistic imagination and delicate taste. The carpets created by the carpet artist are distinguished by the fact that the ornaments are very complex and very versatile. The ornament of these carpets will remain the object o
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8

Reinhuber, Elke. "The Urban Beautician: a practice of transferring ephemeral interventions in the public space via media into a work of art." Lumina 11, no. 2 (August 30, 2017): 60–81. http://dx.doi.org/10.34019/1981-4070.2017.v11.21442.

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Abstract (sommario):
In this artistic research, I argue that a range of artistic practices is capable of addressing relevant issues in our material, specifically our urban, environment. In particular, conceptual interventions or non-theatrical performances, which are in most cases mundane everyday activities that require transformation through media to be understood as art. Yet, as human memory is susceptible, media is also required to provide proof of the action for archives or exhibitions, or simply as a memento of the artwork itself. Lens-based media, such as photography and video-recording, are in most cases t
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9

Kamitova, Alevtina Vasilevna, and Tatyana Ivanovna Zaitseva. "ARTISTIC ASSIMILATION OF THE WORLD IN THE ESSAY PROSE OF M. G. ATAMANOV (BASED ON THE BOOK “I AM UDMURT. WHY DOES IT HURT?”)." Yearbook of Finno-Ugric Studies 14, no. 3 (October 2, 2020): 459–64. http://dx.doi.org/10.35634/2224-9443-2020-14-3-459-464.

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Abstract (sommario):
The paper reflects the specificity of the fundamental ideas of the artistic world of M. G. Atamanov, which includes a wide range of literary facts from the content level of the text of the works to their poetics. A particularly important role in the works of M. G. Atamanov is played by cross-cutting themes and images that reflect the author's individual style and his idea of national-ethnic identity. The subject of the research is the book of essays “Mon - Udmurt. Maly mynym vös’?” (“I am Udmurt. Why does it hurt?”), which most vividly reflected the main spiritual and artistic searches of M. G
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10

Arzamazov, Aleksei A. "Dolgan Invitation to the Tundra: the Artistic World of Ogdo Aksenova." Polylinguality and Transcultural Practices 17, no. 3 (December 15, 2020): 321–33. http://dx.doi.org/10.22363/2618-897x-2020-17-3-321-333.

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Abstract (sommario):
The main purpose of the article is to analyze the poetic texts of Ogdo Aksenova, who is sole representative of the Dolgan national literary tradition. The main themes, key motives and symbols of her artistic world (the image of the northern landscape, the image of the tundra, poetic variations on the theme of the seasons, etc.) are established, the ethnocultural originality of the poetic discourse (linguistic levels of expressiveness, realities of Dolgan culture) is analyzed. Special attention is paid to the genre of the song, which has folklore and mythological roots. It is emphasized that in
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Più fonti

Tesi sul tema "Photography, Artistic – Themes, motives"

1

Scheffknecht, Sandra Art College of Fine Arts UNSW. "Doubledeath--the very presence of the absent." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43304.

Testo completo
Abstract (sommario):
The notion of doubledeath, as an idea to generate work, can be seen as both an ironic reflection on the medium of photography and a critical attempt to comment on contemporary culture. In short, the inherent characteristics of the photographic medium and its function within society are combined. Photography embodies both death and the beginning of something autonomous and new in the very moment of the picture-taking process. A photograph is a mere simulation of what was once there, in front of the lens, transformed onto photographic paper. It then opens up a whole range of new possibilities t
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2

Fiveash, Tina Dale Media Arts College of Fine Arts UNSW. "The enigma of appearances: photography of the third dimension." 2007. http://handle.unsw.edu.au/1959.4/44259.

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Abstract (sommario):
The Enigma of Appearances is an examination into the medium of three-dimensional photography, with particular focus on the technique of stereoscopy. Invented in the mid-Victorian era, stereoscopy was an attempt to simulate natural three-dimensional perception via a combination of optics, neurology, and a pair of dissimilar images. Whilst successful in producing a powerful illusion of spatial depth and tangibility, the illusion produced by stereoscopy is anything but ??natural??, when compared to three-dimensional perception observed with the naked eye. Rather, stereoscopic photography creates
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3

Hostetter, Carla. "Artistic meaning and conceptual frameworks : themes of gender and time in foreign imaging of Ni-Vanuatu material culture." Thesis, 2005. http://hdl.handle.net/10125/12081.

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4

Lobo, Carlos Afonso de Oliveira. "A fotografia entre a experiência do real e a expressão fragmentária do artista." Doctoral thesis, 2016. http://hdl.handle.net/10400.14/24176.

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Abstract (sommario):
Esta tese procura investigar a fotografia enquanto potencial imagem do mundo em resultado de uma prática artística subjectiva. Em virtude da crescente hibridização entre o real e o artificial na fotografia contemporânea, a fotografia é assumida como uma prática complexa que impõe a necessidade de uma reflexão alargada. O estudo da história da fotografia e dos diferentes discursos estéticos e críticos em torno da representação do real procurará contextualizar as novas correntes da fotografia contemporânea e contribuir para o recorrente debate sobre as fronteiras que delimitam os discursos
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Chaitow, Tanya School of Arts UNSW. "Nothing personal." 2007. http://handle.unsw.edu.au/1959.4/44254.

Testo completo
Abstract (sommario):
The autobiographical nature of my work deals with the space between the innocence of childhood and the wisdom of adulthood. I explore the complexities of personal experience, old and new landscapes and the scar tissue of memory. The work deals with beginnings and departures, relationships and conflict of power and vulnerability in the quest to make sense of life. My work connects with moments of childhood that I try to retain as a touchstone for authentic experience. The images are derived from personal and familial experiences, moving through to the universal to tell the human tale, using the
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Libri sul tema "Photography, Artistic – Themes, motives"

1

Saborit, Antonio. Tina Modotti: Vivir y morir en México. México, D.F: Consejo Nacional para la Cultura y las Artes, 1999.

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2

Baquero, Orlando. Arqueología del aire: Notas desde una fotografía. [Venezuela: s.n.], 2007.

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3

E, Coca Villar Cristina, ed. Karen Knorr. Madrid]: La Fábrica, 2011.

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4

author, Pedicini Isabella 1983, ed. La camera incantata. Roma: Contrasto, 2013.

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5

1961-, Rodríguez José Antonio, Tovalín Ahumada Alberto 1961-, and Mendieta Adrián 1948-, eds. Carlos Jurado y el arte de la aprehensión de las imágenes. Xalapa, Veracruz: Universidad Veracruzana, Dirección General Editorial, 2010.

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6

Laure, Beaumont-Maillet, Denoyelle Françoise, Versavel Dominique, and Bibliothèque nationale de France. Galerie de photographie., eds. La photographie humaniste, 1945-1968: Autour d'Izis, Boubat, Brassaï, Doisneau, Ronis-- : [catalogue de l'exposition présentée à la Bibliothèque nationale de France, sur le site Richelieu, Galerie de photographie, du 31 octobre 2006 au 28 janvier 2007]. Paris: Bibliothèque nationale de France, 2006.

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7

La fotografia in Italia, 1945-1975. Roma: Contrasto, 2010.

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8

Gonzalo, Leiva Quijada, ed. Contrasombras: Leonora Vicuña. Providencia, Santiago [Chile]: Ocho Libros, 2010.

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9

Profond silence. Bruxelles: Lettre volée, 2009.

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10

Marín, Matilde. Matilde Marín: Bricolage contemporáneo. Buenos Aires, Argentina: M. Marín, 2005.

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Capitoli di libri sul tema "Photography, Artistic – Themes, motives"

1

Markevych, Larysa. "POSTMODERN TENDENCIES IN UKRAINIAN BALLET IN SOVIET TIMES IN THE 60S-80S OF THE 20TH CENTURY." In Integration of traditional and innovative scientific researches: global trends and regional aspect. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.30525/978-9934-26-001-8-3-2.

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Abstract (sommario):
The article deals with the artistic language evolution in the Ukrainian national ballet performance in terms of the creative process and the gained image-result – the author’s and the performer’s reflection (certain specifics of thinking), directly creative action, the form of existence of a choreographic work. The well-known choreographers-directors’ creative activity of Ukrainian performances of the above period has been analyzed, the peculiarities of the work of each of them have been revealed. Emphasis is focuses on expanding the thematic range of ballet works in the practice of the national stage. The specifics of the work of Ukrainian composers in the field of the national ballet genre have been identified; the evolution of the artistic language in ballet in historical retrospect has been defined. It has been emphasized that an important aspect for the choreographic language formation of the Ukrainian national ballet performance was the embodiment of the historical and the heroic themes. The canonical feature of the stylistic certainty of the Ukrainian national ballet performance is the combination of the heroic motives and the lyrical-romantic perspective of the image of opposing forces. Having analyzed significant historiographical material, it has been proved the difference between the national ballet performance of the 60s and 80s of the twentieth century from the similar productions in other republics. Based on a comprehensive analysis of a number of ballet performances of the 60-80s of the twentieth century, the following functions of the artistic language in the structure of this genre have been identified: expressive, emotional, figurative, symbolic, and thematic contrast. It is the transformation of the functions of the artistic language that leads to changes in the genre and the style format of a ballet performance.
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