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Tesi sul tema "Piano"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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1

Bernabei, Fabio. "Moto rigido di una figura piana nel suo piano." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/16856/.

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Lo scopo di questa tesi è lo studio delle proprietà e delle caratteristiche del moto di una figura rigida piana nel suo piano nell'ambito della cinematica classica del corpo rigido. A partire dalla nozione di corpo rigido si perviene, tramite opportuni risultati ed osservazioni, alla formula fondamentale della cinematica del corpo rigido. Questa sarà basilare per arrivare al Teorema di Mozzi, con il quale si introduce il moto rigido piano. Si prosegue quindi con un’analisi di tale moto, definendo il centro di rotazione istantaneo e le curve che questo identifica durante il moto a seconda del s

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2

Frieling, Randall Jay. "A guide to transcriptions and arrangements for two pianos." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1019473.

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A Guide to Transcriptions and Arrangements for Two Pianos was designed as a reference tool for the pianist and duo-pianist. 1378 entries are catalogued in this dissertation. Each entry contains information from the following list: Composer name; Birth and death dates; Country; Title of work; Date arrangement written; Publisher; Publisher identification number; Date of publication; Arranger name; Number of pages; Length in minutes; Library or source where found; Origin of work; Editor; Comments and level of difficulty.The writer read music for the research of this dissertation at number of libr

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3

Lim, Jihyeon. "UNSUK CHIN’S PIANO MUSIC: 6 PIANO ETUDES (1995-2003) AND PIANO CONCERTO (1996-97)." Thesis, The University of Sydney, 2019. http://hdl.handle.net/2123/20403.

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Unsuk Chin (b. 1961) is the most internationally recognised living Korean-born composer. She has received numerous awards including the prestigious 2004 Grawemeyer Award for her Violin Concerto, the 2005 Arnold Schoenberg prize, the 2010 Prince Pierre Foundation Music Award, and the 2012 Ho-Am Prize, and her works are performed worldwide by major orchestras and contemporary ensembles. The 6 Piano Etudes (1995-2003) and Piano Concerto (1996-1997) are important pieces of Chin’s, because these are her only compositions involving solo piano up to this point. They include many of the elements of h

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4

Albasini, Garaulet Olga. "Piano and memory : Strategies to memorize piano music." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3331.

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This study was carried out in order to discover new strategies to memorize piano music. There are six different types of memory involved in performing: auditory, kinesthetic, visual, analytical, nominal and emotional. There are two main ways of practicing: playing practice and non-playing practice. I tried to find out if the order in which we use these two kinds of practice affects the quality of the memorization. During one week I practiced three different pieces following three different methods: 1 Using only playing practice; 2 using first playing practice and then non-playing practice; 3 u

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5

Colettis, Mary. "Piano recital." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/27372.

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6

Crane, Alan P. "Piano recital." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/27373.

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7

Howard, Christopher Eugene. "Piano concerto." Thesis, University of British Columbia, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0032/NQ27166.pdf.

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8

Tan, Chee-Tick. "Piano Quintet." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc277681/.

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The thesis is a traditional piano quintet in the manner of Bartok, incorporating compositional techniques such as golden ratio and using folk materials. Special effects on strings are limited for easy conversion to wind instruments. The piece is about 15 minutes long.

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9

Wong, Kei Hong. "Piano Concerto." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18334.

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This thirteen-minute concerto explores the concept of the "third-stream" style, a genre prevalent from the early twentieth century onward that explores the fusion of classical and the popular idioms. The piano writing, especially in the cadenza, is greatly influenced by George Gershwin's Piano Concerto in F, one of the most representative works in this style due to its jazzy syncopated rhythms and romantic pianistic writing. In addition to the traditional orchestral instrumentation, this piece includes several drum set solos, recalling some of the percussive passages from Leonard Bernstein's

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10

Goulart, Yedda de Castro Brascher. "O piano." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106256.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1985.<br>Made available in DSpace on 2013-12-05T19:53:32Z (GMT). No. of bitstreams: 1 321846.pdf: 4990435 bytes, checksum: 62912d61122970538205d4da7456647f (MD5)

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11

Tan, Jin Jack. "Piano acoustics : string’s double polarisation and piano source identification." Thesis, Université Paris-Saclay (ComUE), 2017. http://www.theses.fr/2017SACLY014/document.

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L’objectif de cette thèse est d’améliorer la compréhension de l’acoustique du piano dans le contexte de la synthèse sonore par modèles physiques. Le manuscrit est décomposé en trois parties principales, dont les deux premières ont pour but la compréhension de l'origine de la double polarisation de la corde de piano, tandis que la dernière se focalise sur l’identification de sources d’un piano complet.Dans la première partie, la non linéarité géométrique, intervenant lorsque les amplitudesde vibration sont grandes, est étudiée afin de comprendre si le couplage non linéaire peut transmettre de l

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12

Tan, Jin Jack. "Piano acoustics : string’s double polarisation and piano source identification." Electronic Thesis or Diss., Université Paris-Saclay (ComUE), 2017. http://www.theses.fr/2017SACLY014.

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Abstract (sommario):

L’objectif de cette thèse est d’améliorer la compréhension de l’acoustique du piano dans le contexte de la synthèse sonore par modèles physiques. Le manuscrit est décomposé en trois parties principales, dont les deux premières ont pour but la compréhension de l'origine de la double polarisation de la corde de piano, tandis que la dernière se focalise sur l’identification de sources d’un piano complet.Dans la première partie, la non linéarité géométrique, intervenant lorsque les amplitudesde vibration sont grandes, est étudiée afin de comprendre si le couplage non linéaire peut transmettre de l

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13

Poon, Letty. "Piano culture in Hong Kong from City Hall to Harbour City /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B38711163.

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14

Winterbach, Veranza. "Stylistic characteristics of Gabriel Fauré's piano quartets and piano quintets." Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/7979.

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Includes bibliographical references.<br>Gabriel Fauré has been neglected as composer in terms of international recognition. It is indeed true that the art of his music is not revealed at first sight: one must take time to discover the beauty and authentic meaning concealed in the depths thereof. While it is relatively true that musicians recognize the originality of his melodies, there seems to be a lack of appreciation of his contributions in the field of chamber music.

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15

Morenus, Carlyn Gay. "An analysis of advanced pianists' use of damper pedal, finger legato, and finger touch to achieve legato performance of two Beethoven excerpts /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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16

Fairlie, Cheryl Lynn. "Graduation piano recital." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26150.

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17

Quaglio, Grace Claudia Charlotte. "Graduate piano recital." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/27382.

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18

Park, Adrienne Claire. "A piano recital." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/28881.

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19

Pauls, Cheryl Irene. "Graduate recital : piano." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/29768.

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20

Kolesnikov, Inna. "Master's piano recital." Manhattan, Kan. : Kansas State University, 2007. http://hdl.handle.net/2097/477.

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21

Martinson, Benjamin. "Sonata for Piano." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337287364.

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22

De, Val Dorothy Jean. "Gradus ad Parnassum the pianoforte in London, 1770-1820 /." Online version, 1991. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.308701.

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23

Phillips, Peter. "Piano Rolls and Contemporary Player Pianos: The Catalogues, Technologies, Archiving and Accessibility." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/16939.

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Abstract (sommario):

Reproducing piano rolls have been of great interest to me for nearly 40 years, yet despite their significant potential in a number of research areas, they remain largely untapped. In my thesis I seek to discover why this vast historical library of music and interpretations is not more widely acknowledged and utilised. Reproducing piano rolls provide a valuable evidence of nineteenth-century performing practices, as well as offering unique pathways to other forms of research. The substantive catalogues of art music alone prove the musical worth of these rolls. Numerous commentators have chosen

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24

Flanagan, Beavan. "Turning over, for 13 instruments, piano, electronic microtonal piano and electronics." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116997.

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Turning Over is a 13-minute composition for 13 instruments, piano, electronic piano and pre-recorded electronics. A strong emphasis on harmony, representing the result of two years of research into various intonation theories of the 17th, 18th and 20th centuries, is reflected in the subtle variations in intonation between the equal-tempered acoustic instruments and the just-intonation tuning of the electronics as well as the electronic piano. The musical discourse reflects philosophical concerns regarding the concept of essence in music and its illusive nature – this translates into a musical

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25

Xu, Ying. "Piano teaching in Hong Kong : portraits of four outstanding piano pedagogues." HKBU Institutional Repository, 2004. http://repository.hkbu.edu.hk/etd_ra/542.

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26

Pace, Cynthia Margaret. "Ruth Crawford's final solo piano works : an analysis of FOUR PRELUDES FOR PIANO and PIANO STUDY IN MIXED ACCENTS /." Access Digital Full Text version, 1989. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10903598.

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Thesis (Ed.D.)--Teachers College, Columbia University, 1989.<br>Typescript; issued also on microfilm. Sponsor: Lenore M. Pogonowski. Dissertation Committee: Harold F. Abeles. Bibliography: leaves 322-324.

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27

Innis, Joy Anne. "Black and white in color : the technical procedures involved in the production of two computer multimedia projects based on music for two pianos." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1026702.

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Abstract (sommario):

The purpose of this study was to create two multimedia projects using computer software that combined a soundtrack with an interpretive visualization of music written for two pianos, and to document the technical procedures involved in the creation of the multimedia projects.This study was a collaborative undertaking between the author and the other member of PALENAI Piano Duo, Adrienne Shannon. A companion to the current dissertation has been submitted by Ms. Shannon, titled Black and White in Color: The Creative Aspects Involved in the Production of Two Computer Multimedia Projects Based on

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28

Shannon, Adrienne White. "Black and white in color : the creative aspects involved in the production of two computer multimedia projects based on music for two pianos." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1026701.

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Abstract (sommario):

The purpose of this study was to create two multimedia projects using computer software that combined a soundtrack with an interpretive visualization of music written for two pianos, and to document the creative factors involved in the creation of the multimedia projects.This study was a collaborative undertaking between the present writer and the other member of PALENAI Piano Duo, Joy Innis. A companion to the current dissertation has been submitted by Ms. Innis, titled Black and White in Color: The Technical Procedures Involved n the Production of Two Computer Multimedia Projects Based on Mu

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29

STEVENS, DAMON BRIAN. "INTRODUCING THE PIANO MUSIC OF SAMUEL BARBER TO THE UNDERGRADUATE PIANO MAJOR." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1194288770.

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30

McAuley, Evan James. "Musical Thought and Piano Pedagogy: Pancho Vladigerov's Early Piano Compositions, 1915-1934." Ohio University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou161884421993399.

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31

Brissenden, P. G. "The reverse action Piano Harp : innovation and adaptation from Piano and Autoharp." Thesis, University of Salford, 2015. http://usir.salford.ac.uk/37557/.

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The piano is capable of controlling significant polyphony through the detail of voicing and sustain; a unique ability. However it remains a limited and frustrating instrument in terms of its ability to manipulate timbre. Contact with the strings is remote, and timbre inflection limited to note-onset within the capability of its mechanism; its musical output is often likened to visual studies in black and white. From the standpoint of design all musical instruments compromise musical capability in one form or another in order to align with human physical and sensory capability. A full range of

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32

Huang, Fang Ting. "Preschool piano methods and developmentally appropriate practice." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4721.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on November 27, 2007) Vita. Includes bibliographical references.

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33

Skroch, Diana. "A descriptive and interpretive study of class piano instruction in four-year colleges and universities accredited by the National Association of Schools of Music with a profile of the class piano instructor /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1991.

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34

Brewer, Ferhiz. "Case study examinations of independent piano instruction in India /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1999.

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35

Brown, Sandra L. "Being a female concert pianist : the problems of the body /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2004. http://wwwlib.umi.com/cr/ucsd/fullcit?p3130415.

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36

Daly, Shawn Timothy. "Abram Chasins: A Study of Selected Works for Solo Piano and Two Pianos." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1180706349.

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37

Santos, Rogério Lourenço dos. "Uma proposta de método para ensino de piano em grupo destinado ao curso de piano complementar nas universidades brasileiras." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-22082013-141410/.

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A presente tese teve como motivação inicial a confecção de um método de ensino de piano em grupo para utilização nos cursos de piano complementar das universidades brasileiras. Neste trabalho, relatam-se as etapas e processos reflexivos percorridos por este autor durante esta empreitada. Primeiramente, foi feita uma pesquisa histórica a respeito do surgimento do piano em grupo na Europa e nos Estados Unidos, chegando-se até às tecnologias utilizadas atualmente, assim como uma análise do cenário relativo ao ensino do piano em grupo e da disciplina de piano complementar nas universidades brasile

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38

Wu, Shih-Ying. "A graduate piano recital." FIU Digital Commons, 2003. http://digitalcommons.fiu.edu/etd/1752.

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PROGRAM The Well-Tempered Clavier, Book I..............Johann Sebastian Bach (1685-1750) Prelude and Fugue XXI in B flat major Prelude and Fugue XXII in b flat minor Sonata N. 11 in A major, K.331.......Wolfgang Amadeus Mozart (1756 - 1791) Theme and Variations Menuetto Allegretto Intermission Images Series II................................Claude-Achille Debussy (1862-1918) Poission d' or (Goldfish) Rhapsodies Op. 79 .................................Johannes Brahms (1833-1897) No. 1 in b minor No. 2 in g minor Etude in A flat Major, Op. 1, No. 2.....................Paul de Schlozer (1841-189

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39

Catalan, Ramon E. "A graduate piano recital." FIU Digital Commons, 2005. http://digitalcommons.fiu.edu/etd/2084.

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The extended program notes include historical background on the composers and pieces being performed, as well as the analytical form regarding the works: Variations on "Ah vous dirai-je-maman," K. 265 by Wolfgang Amadeus Mozart; Sonata in C minor, op. 13 "Pathétique," by Ludwig van Beethoven; Consolation No. 3 and Funerailles by Franz Liszt; Fantasie in F minor, op. 49 by Frédéric Chopin.

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40

Bartman, Kristopher M. Mobberley James. "Piano concerto no. 1." Diss., UMK access, 2004.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2004.<br>"A thesis in music composition." Advisor: James Mobberley. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 12, 2007. Online version of the print edition.

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41

Jones, Jesse Benjamin. "Piano concerto no. 1 /." Connect to online version of this title in UO's Scholars' Bank, 2007. http://hdl.handle.net/1794/6041.

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42

Patch, Marc. "L.U.K.L.O.V.: concerto pour piano." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61132.

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43

林逸婷. "A Content Analysis of Bestien Piano Basics, Faber's Piano Adventures and Glover Piano Library." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/70808060181620540993.

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碩士<br>臺北市立教育大學<br>音樂學系碩士班<br>101<br>The purpose of this study is to analyze the contents of the piano teaching materials including Bastien Piano Basics, Faber’s Piano Adventures and Glover Piano Library. Through content analysis, this study compares and contrasts the essence of the teaching materials and the ways of curriculum engagement. The subjects of this study are: 8 volumes of Bastien Piano Basics, 14 volumes of Faber’s Piano Adventures and 12 volumes of Glover Piano Library, altogether 34 volumes, 646 songs. Based upon literature review, the researcher has developed the research instrum

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44

Chen, Yi. "Piano concerto." 1993. http://catalog.hathitrust.org/api/volumes/oclc/68799778.html.

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45

Schimmel, Carl William. "Piano Concerto." Diss., 2008. http://hdl.handle.net/10161/625.

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The dissertation consists of a Piano Concerto, written for first performance in Fall 2008 by Blair McMillen, piano, and the Raleigh Civic Symphony conducted by Randolph Foy. The three movement work is scored for piccolo, 2 flutes (1 doubling piccolo), 2 oboes, English horn, 2 clarinets in B-flat, bass clarinet in B-flat, 2 bassoons, 4 horns in F, 3 trumpets in C, 2 tenor trombones, bass trombone, tuba, timpani, 3 percussionists, strings, and piano solo. The work is approximately twenty minutes in duration. The first movement, "Fantod," employs a neo-Romantic idiom, featuring the soloist as

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46

Tsai, Shih-Hao, and 蔡世豪. "Piano Recital." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/47862515571434120047.

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47

"Piano Quintet." Master's thesis, 2014. http://hdl.handle.net/2286/R.I.24906.

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abstract: Piano Quintet> is a three movement piece, inspired by music of Eastern Europe. Sunrise in Hungary starts with a legato song in the first violin unfolding over slow moving sustained harmonics in the rest of the strings. This is contrasted with a lively Hungarian dance which starts in the piano and jumps throughout all of the voices. Armenian Lament introduces a mournful melody performed over a subtly shifting pedal tone in the cello. The rest of the voices are slowly introduced until the movement builds into a canonic threnody. Evening in Bulgaria borrows from the vast repertoire of B

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Schimmel, Carl. "Piano Concerto." Diss., 2008. http://hdl.handle.net/10161/625.

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49

Kohls, Shauna. "Piano recitals." Thesis, 1993. http://hdl.handle.net/2429/1890.

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50

chiao-hui, Chang, and 張喬惠. "A Content Analysis of Alfred's Basic Piano Library and Faber's Piano Adventure Elementary Piano Method Series." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/13195062019566026387.

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碩士<br>國立臺灣師範大學<br>音樂學系<br>99<br>The objective of this research is to analyze the content of eleven different levels of piano lesson books from “Alfred’s Basic Piano Library” and “Faber’s Piano Adventure,” two elementary piano method series, while comparing the structure of the content within these books at the same time. This research employed content analysis only qualitatively. By utilizing uniquely created comparison charts as research tools, thorough analysis and comparison were made on musical knowledge, piano playing techniques, and piece arrangement in these piano lesson books. The main

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