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Bibliografie tematiche / Piccinini, Patricia – Exhibitions

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Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 9 febbraio 2022

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Articoli di riviste sul tema "Piccinini, Patricia – Exhibitions"

1

Dziekan, Vince. "The Synthetic Image." M/C Journal 5, no. 4 (August 1, 2002). http://dx.doi.org/10.5204/mcj.1970.

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Author's Note: The Theme of the Loop: Image, Exhibition and Networkability In his contribution to the anthology, The Digital Dialectic, George P. Landow inventories a set of characteristics that define digital media. These defining traits result from a hybrid mixture of ideas relating hypertext writing to the visual language of collage. Included in this list is the quality of "networkability".1 It is through reading into this particular element that I will focus on the character of the digital image itself as multi-dimensional and how, by extension, this enmeshes notions of the image within a

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2

Franks, Rachel, and Simon Dwyer. "Build." M/C Journal 20, no. 2 (April 26, 2017). http://dx.doi.org/10.5204/mcj.1236.

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Rowan Moore, in his work Why We Build: Power and Desire in Architecture, notes that “most people know that buildings are not purely functional, that there is an intangible something about them that has to do with emotion” (16). Emotion is critical to why and how we build. Indeed, there is a basic human desire to build—to leave a mark on the landscape or on our society. This issue of M/C Journal unpacks this idea of emotion, examining the functional and the creative in the design process, for a range of building projects, from the tangible: building transport infrastructure, exhibition centre,

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Tesi sul tema "Piccinini, Patricia – Exhibitions"

1

Kidd, Verity. "Perfection? - Recreating the human : an exhibition of works by Orlan, Patricia Piccinini, Margi Geerlinks and Jake and Dinos Chapman." University of Western Australia. School of Architecture, Landscape and Visual Arts, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0036.

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Perfection? - Recreating the Human is an exhibition of recent works of art by Orlan, Patricia Piccinini, Margi Geerlinks and Jake and Dinos Chapman. Each of the artists engages, in various ways, with issues relating to biotechnology and the body. The convergence of technology and the body arouses both utopian desires and dystopian nightmares; many of these desires and fears are prefigured in ancient myth and legend. The artists and artworks are therefore discussed with reference to reoccurring tropes from both ancient myth and science fiction.

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Libri sul tema "Piccinini, Patricia – Exhibitions"

1

Patricia Piccinini: Nearly beloved. Dawes Point, N.S.W: Piper Press, 2012.

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2

Piccinini, Patricia. Patricia Piccinini: In another life. Edited by Brennan Stella, Winship Ingrid, Bugden Emma 1973-, and City Gallery Wellington. Wellington, N.Z: City Gallery Wellington, 2006.

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3

Art Gallery of South Australia, ed. Patricia Piccinini: Once upon a time--. Adelaide: Art Gallery of South Australia, 2011.

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4

Messenger, Jane. Patricia Piccinini: Once upon a time--. Adelaide: Art Gallery of South Australia, 2011.

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5

1964-, Lee Bul, Eden Xandra 1968-, and Weatherspoon Art Museum, eds. Uneasy nature: Lee Bul, Bryan Crockett, Roxy Paine, Patricia Piccinini, Alyson Shotz, Jennifer Steinkamp : Weatherspoon Art Museum, February 18-May 28, 2006. Greensboro, N.C: Weatherspoon Art Museum, 2006.

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