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Articoli di riviste sul tema "Piccinini"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 1 febbraio 2022

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1

Prelevic, Dusko. "Access granted to Zombies." Theoria, Beograd 60, no. 1 (2017): 58–68. http://dx.doi.org/10.2298/theo1701058p.

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In his ?Access Denied to Zombies?, Gualtiero Piccinini argues that the possibility of zombies does not entail the falsity of physicalism, since the accessibility relation can be understood so that even in S5 system for modal logic worlds inaccessible from our world are allowed (in the case in which the accessibility relation is understood as an equivalence rather than as universal accessibility). According to Piccinini, whether the zombie world is accessible from our world depends on whether physicalism is true in our world, which is something that cannot be answered in a non-question-begging

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2

Colombo, Matteo. "Gualtiero Piccinini: Physical Computation: A Mechanistic Account." Minds and Machines 26, no. 3 (August 20, 2016): 307–12. http://dx.doi.org/10.1007/s11023-016-9397-y.

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3

Machery, Édouard. "Replies to Lombrozo, Piccinini, and Poirier and Beaulac." Dialogue 50, no. 1 (March 2011): 195–212. http://dx.doi.org/10.1017/s0012217311000199.

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4

Fresco, Nir. "Physical Computation: A Mechanistic Account, by Gualtiero Piccinini." Australasian Journal of Philosophy 95, no. 3 (July 21, 2016): 625–26. http://dx.doi.org/10.1080/00048402.2016.1207692.

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5

Ricciardi, Tonia. "A sharp Hölder estimate for elliptic equations in two variables." Proceedings of the Royal Society of Edinburgh: Section A Mathematics 135, no. 1 (February 2005): 165–73. http://dx.doi.org/10.1017/s0308210500003826.

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We prove a sharp Hölder estimate for solutions of linear, two-dimensional, divergence-form, elliptic equations with measurable coefficients, such that the matrix of the coefficients is symmetric and has unit determinant. Our result extends some previous work by Piccinini and Spagnolo. The proof relies on a sharp Wirtinger type inequality.

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6

Piloni Petri, Malena, Shalimar Gallon, and Elem Duarte Vaz. "OS SENTIDOS DO TRABALHO PARA DOCENTES DE PÓS-GRADUAÇÃO STRICTO SENSU: UM ESTUDO COM DOCENTES DAS ÁREAS DE ADMINISTRAÇÃO E EDUCAÇÃO." Revista Alcance 25, no. 3(Set/Dez) (February 28, 2019): 366. http://dx.doi.org/10.14210/alcance.v25n3(set/dez).p366-380.

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O objetivo da pesquisa é analisar os sentidos do trabalho para docentes de pós-graduação stricto sensu das áreas de Administração e Educação do Estado do Rio Grande do Sul. A pesquisa realizada é de natureza descritiva com abordagem qualitativa. A coleta de informações foi realizada por meio de 27 entrevistas com roteiro semiestruturado e as informações analisadas com base na técnica de análise de conteúdo. Para os entrevistados, um trabalho que tem sentido proporciona satisfação pessoal, realização e identidade, está organizado de forma que apresente objetivos claros e resultados úteis, que p

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7

Machery, Edouard. "How to Split Concepts: A Reply to Piccinini and Scott*." Philosophy of Science 73, no. 4 (October 2006): 410–18. http://dx.doi.org/10.1086/516812.

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8

Hutta, Jan S. "Andere Geborgenheiten: Topophilie jenseits des Authentizitätsdiskurses." sub\urban. zeitschrift für kritische stadtforschung 3, no. 2 (August 14, 2015): 109–24. http://dx.doi.org/10.36900/suburban.v3i2.194.

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Der Beitrag unterzieht Gaston Bachelards Poetik des Raumes einer kritischen Lektüre hinsichtlich ihres humanistischen Essentialismus. Dabei werden zugleich die methodologischen Impulse einer ‚Topo-Analyse‘ hervorgehoben, welche poetische Ausdrucksformen in ihrem konstitutiven Bezug zu ‚Subjektivität-im-Raum‘ zur Geltung bringt. Bachelards Fokus auf ‚topophile‘ Verhältnisse von Subjekt und Raum wird anschließend, mit konzeptionellem Bezug auf Walter Benjamin und Donna Haraway, im Rahmen eines de-essentialisierten Ansatzes nachgegangen. Im Zusammenhang mit Skulpturen der Künstlerin Patricia Picc

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9

Iacob, Anisia. "Human vs. Non-human in Art: the Posthuman Sculptures of Patricia Piccinini." Journal for Social Media Inquiry 2, no. 1 (July 6, 2020): 87–99. http://dx.doi.org/10.18662/jsmi/2.1/8.

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10

Alves, Flávio Macedo, and Ângela Lúcia Bagnatori Sartori. "Nectandra Rol. ex Rottb. (Lauraceae) no Mato Grosso do Sul, Brasil." Acta Botanica Brasilica 23, no. 1 (March 2009): 119–29. http://dx.doi.org/10.1590/s0102-33062009000100015.

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O trabalho apresenta o estudo taxonômico das espécies do gênero Nectandra no Mato Grosso do Sul, Brasil. Baseados na análise morfológica dos espécimes coletados em diferentes regiões do Estado são confirmados oito espécies de Nectandra: N. amazonum Nees, N. cissiflora Nees, N. cuspidata Nees, N. falcifolia (Nees) J.A. Castigl. ex Mart. Crov. & Piccinini, N. gardneri Meisn., N. hihua (Ruiz & Pav.) Rohwer, N. megapotamica (Spreng.) Mez e N. psammophila Nees. É fornecida uma chave de identificação para as espécies e apresentados descrições morfológicas, dados de distribuição geográfica, h

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11

Neves, Fabrício Monteiro, Alane Nóbrega, Guilherme Gomes, Luana Marinho, and Pedro Momag. "Arte com Ciência: a propósito de futuros (pós)existentes na arte de Patricia Piccinini." Arquivos do CMD 4, no. 1 (August 6, 2016): 106–218. http://dx.doi.org/10.26512/cmd.v4i1.9178.

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12

Freni, Giovanni. "Capitelli a foglie nella Firenze del Due e Trecento: "Fogliame rustico e barbaro". Chiara Piccinini." Speculum 79, no. 3 (July 2004): 823–24. http://dx.doi.org/10.1017/s0038713400090412.

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13

Tura, Andrea, and Giovanni Pacini. "Comment on Piccinini and Bergman The Measurement of Insulin Clearance. Diabetes Care 2020;43:2296–2302." Diabetes Care 44, no. 2 (January 20, 2021): e35-e35. http://dx.doi.org/10.2337/dc20-2444.

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14

Gastaldelli, Amalia, Ralph A. DeFronzo, and Marzieh Salehi. "Comment on Piccinini and Bergman. The Measurement of Insulin Clearance. Diabetes Care 2020;43:2296–2302." Diabetes Care 44, no. 5 (May 2021): e98-e99. http://dx.doi.org/10.2337/dc20-2911.

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15

Kaper, Hans G. "Ordinary Differential Equations in $R^n $—Problems and Methods (L. C. Piccinini, G. Stampacchia and G. Vidossich)." SIAM Review 27, no. 4 (December 1985): 596–98. http://dx.doi.org/10.1137/1027168.

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16

Bergman, Richard N., and Francesca Piccinini. "Response to Comment on Piccinini and Bergman The Measurement of Insulin Clearance. Diabetes Care 2020;43:2296–2302." Diabetes Care 44, no. 5 (May 2021): e100-e101. http://dx.doi.org/10.2337/dci20-0080.

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17

Shen, Alice, Susanne Gahl, and Keith Johnson. "Didn't hear that coming: Effects of withholding phonetic cues to code-switching." Bilingualism: Language and Cognition 23, no. 5 (January 31, 2020): 1020–31. http://dx.doi.org/10.1017/s1366728919000877.

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AbstractCode-switching has been found to incur a processing cost in auditory comprehension. However, listeners may have access to anticipatory phonetic cues to code-switches (Piccinini & Garellek, 2014; Fricke et al., 2016), thus mitigating switch cost. We investigated effects of withholding anticipatory phonetic cues on code-switched word recognition by splicing English-to-Mandarin code-switches into unilingual English sentences. In a concept monitoring experiment, Mandarin–English bilinguals took longer to recognize code-switches, suggesting a switch cost. In an eye tracking experiment,

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18

Larangeira, Sonia Guimarães. "Transformações na realidade do trabalho no Brasil e em Portugal." Sociologias, no. 12 (December 2004): 16–31. http://dx.doi.org/10.1590/s1517-45222004000200002.

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Os artigos reunidos no dossiê deste número da revista Sociologias foram apresentados em encontros realizados no Brasil e em Portugal como parte de atividades do Programa de Cooperação CAPES-GRISCES denominado Transformações do Trabalho e do Emprego no Contexto da Reestruturação Econômica - coordenado, no Brasil, pela Prof. Dra. Valmíria Piccinini e, em Portugal, pela Prof. Dra. Ilona Kovács, envolvendo os Programas de Pós-Graduação em Administração e Sociologia da UFRGS e o Centro de Investigação em Sociologia Econômica (SOCIUS) do Instituto Superior de Economia e Gestão da Universidade Técnic

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19

Gundle, Stephen. "Marco Giusti and Alberto Piccinini, Ambra, Nuova ERI, Turin, 1994, 121 pp., ISBN 88-397-0902-9, 18,000 Lire." Modern Italy 1, no. 1 (1995): 129–30. http://dx.doi.org/10.1017/s135329440000572x.

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20

Shagrir, Oron. "Review ofPhysical Computation: A Mechanistic Accountby Gualtiero PiccininiGualtiero Piccinini,Physical Computation: A Mechanistic Account. Oxford: Oxford University Press (2015), 313 pp., $65.00 (cloth)." Philosophy of Science 84, no. 3 (July 2017): 604–12. http://dx.doi.org/10.1086/692151.

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21

Ashbrook, W. "Didon. Niccolo Piccinni." Opera Quarterly 20, no. 1 (January 1, 2004): 134–36. http://dx.doi.org/10.1093/oq/kbh017.

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22

Wolfe, Cary. "Human, All Too Human: “Animal Studies” and the Humanities." PMLA/Publications of the Modern Language Association of America 124, no. 2 (March 2009): 564–75. http://dx.doi.org/10.1632/pmla.2009.124.2.564.

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Trying to give an overview of the burgeoning area known as animal studies is, if you'll permit me the expression, a bit like herding cats. My recourse to that analogy is meant to suggest that “the animal,” when you think about it, is everywhere (including in the metaphors, similes, proverbs, and narratives we have relied on for centuries—millennia, even). Teach a course or write an article on the subject, and well-intentioned suggestions about interesting material pour in from all quarters. In my field alone, there's not just, say, the starring role of bear, deer, and dog at the heart of Willi

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23

Silvis, H. "Agricultural Policies in Europe and the USA: Farmers Between Subsidies and the Market Antonio Piccinini, Margaret Loseby (Authors), Palgrave Publishing, New York, 2001, 268 pp., US$ 75, ISBN 0-333-77576-7." Agricultural Economics 28, no. 2 (March 2003): 166–67. http://dx.doi.org/10.1016/s0169-5150(02)00047-6.

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24

Jellinek, G. "Le donne vendicate. Niccolo Piccinni." Opera Quarterly 18, no. 1 (January 1, 2002): 106–8. http://dx.doi.org/10.1093/oq/18.1.106.

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25

Schneider, K. R. "Piccinini, L. C./Stampacchia, G./Vidossich, G., Ordinary Differential Equations in Rn. Problems and Methods. Berlin-Heidelberg-New York-Tokyo, Springer-Verlag 1984. XII, 385 S., 38 Abb., DM 96,—. US $ 37.70. ISBN 3-540-90723-8 (Applied Mathematical Sciences 39)." ZAMM - Journal of Applied Mathematics and Mechanics / Zeitschrift für Angewandte Mathematik und Mechanik 65, no. 7 (1985): 274. http://dx.doi.org/10.1002/zamm.19850650706.

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26

Fregosi, W. "La Cecchina, ossia La buona figliuola. Niccolo Piccinni." Opera Quarterly 19, no. 1 (January 1, 2003): 142–45. http://dx.doi.org/10.1093/oq/19.1.142.

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27

Jones, Denna. "Piccinini's interpretations of our genetic future." Lancet 362, no. 9390 (October 2003): 1163. http://dx.doi.org/10.1016/s0140-6736(03)14492-3.

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28

Moser, Magali. "O ponto de partida para uma teoria das narrativas jornalísticas." Estudos em Jornalismo e Mídia 15, no. 1 (September 4, 2018): 174–77. http://dx.doi.org/10.5007/1984-6924.2018v15n1p174.

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Estudar o jornalismo como uma narrativa pode nos levar a uma teoria especíica? Os estudos das narrativas jornalísticas adquirem a autonomia de um campo particular? As perguntas surgem a partir da leitura de Narrativas Midiáticas Contemporâneas: perspectivas epistemológicas, organizado por Demétrio de Azeredo Soster e Fabiana Quatrin Piccinin, lançado em 2017, pela editora Catarse.

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29

McClymonds, Marita Petzoldt, and Wolfram EnSSlin. "Niccolo Piccinni: Catone in Utica: Quellenuberlieferung, Auffuhrungsgeschichte und Analyse." Notes 54, no. 2 (December 1997): 476. http://dx.doi.org/10.2307/899537.

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30

Smołucha-Sładkowska, Agnieszka. "Pairing Antagonists: Pisanello’s Medals of Niccolò Piccinino and Francesco Sforza." Notae Numismaticae - TOM XV, no. 15 (May 17, 2021): 275–304. http://dx.doi.org/10.52800/ajst.1.a.14.

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Among the early medals made by Pisanello (Antonio Pisano, c. 1395–c. 1455), considered as the “inventor of the modern medal”, there are two of mercenary captains, Niccolò Piccinino and Francesco Sforza (the future duke of Milan). At the alleged moment of the medals’ execution both condottieri were in the service of Filippo Maria Visconti, Duke of Milan, who appears to have been the most probable commissioner. The pairing of these two captains was not coincidental – they were successors to the leaders of the two greatest Italian military companies, the bracceschi (led by Braccio da Montone) and

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31

de Albuquerque Thomé, Claudia, Edna de Mello Silva, Marco Aurelio Reis, and Ana Paula Goulart de Andrade. "A cobertura da Covid-19 no Rio de Janeiro: aspectos da rotina produtiva do Telejornalismo Local." Ámbitos. Revista Internacional de Comunicación, no. 52 (2021): 71–86. http://dx.doi.org/10.12795/ambitos.2021.i52.05.

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O telejornal brasileiro passou por uma série de mudanças diante dos desafios da cobertura durante a pandemia Covid-19, com alteração das rotinas produtivas, demanda por novos papéis e competências profissionais e novas produções de sentido nas telas. Mudanças na anatomia do telejornal (Piccinin & Soster, 2012) marcam fases, que também incluem a construção narrativa que vinha sendo feita sobre a própria pandemia em todos os momentos. O objetivo deste artigo é apresentar uma análise da cobertura da pandemia em 18 edições dos telejornais RJ1 e RJ2, veiculados no estado do Rio pela Rede Globo.

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32

Maxson, Brian, and Serena Ferente. "La Sfortuna di Jacopo Piccinino: Storia dei bracceschi in Italia 1423-1465." Sixteenth Century Journal 39, no. 2 (July 1, 2008): 568. http://dx.doi.org/10.2307/20478962.

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33

Smolińska, Marta. "Dermatologia malarska. Obraz skóry a skóra obrazu." Artium Quaestiones, no. 27 (September 8, 2018): 129–69. http://dx.doi.org/10.14746/aq.2016.27.6.

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Since the 1990s, the motif of mimetically reproduced human skin, concentrating the recipient’s attention on the sense of touch and on the surface which separates theinside from the outside, seems to have been more and more popular. It has been quite ostentatiously exposed in the works of such well-known artists as Ron Mueck, Patricia Piccinini, Pipilotti Rist, John Isaacs, and Nicole Tran Ba Vang, becoming anemblem of the present. The paradox is, however – and this is one of the claims formulated in the present essay – that the motif’s most complex versions do not appear in photography, instal

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34

Lee, Namjai. "Iphigénie en Taurides of Gluck and Piccinni: Intersection of Tragedy and Drama." Music Theory Forum 27, no. 2 (December 30, 2020): 35–68. http://dx.doi.org/10.16940/ymr.2020.27.2.35.

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35

Grempler, Martina. "Ensemblebearbeitungen in der Opera buffa an den Wiener Theatern der 1760er Jahre." Die Musikforschung 65, no. 2 (September 22, 2021): 127–45. http://dx.doi.org/10.52412/mf.2012.h2.150.

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Der Beitrag behandelt an verschiedenen Beispielen (v.a. Niccolò Piccinni "La buona figliuola", "Le contadine bizzarre" sowie "Lo sposo burlato", Antonio Sacchini "La contadina in corte", Giuseppe Scolari "La cascina") die Bearbeitungspraxis am Wiener Burg- und Kärntnertortheater zur Zeit von Kaiserin Maria Theresia. Unter der Direktion des Opernkapellmeisters Florian Leopold Gassmann, der sich auf ein besonders hochklassiges Sängerkollektiv stützen konnte, kam es dort zu einer überdurchschnittlich intensiven Revision nicht nur von Arien, sondern auch von Ensembles. Dabei zeigen sich verschiede

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36

Schmierer, Elisabeth. "Piccinni's Iphigénie en Tauride: ‘Chant périodique’ and dramatic structure." Cambridge Opera Journal 4, no. 2 (July 1992): 91–118. http://dx.doi.org/10.1017/s0954586700003682.

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For my part, I cannot cease admiring the intelligence with which Monsieur Piccinni has led the audience from sentiment to sentiment, from interest to interest; how he has graduated the effect of his music – how one feels not only each scene but also its connection with the general tone of the subject; how all the airs, all the recitatives, all the ballets, all the choruses tend to refer to the whole, how all these individual groups eventually form a total group in which everything agrees, everything is true, in which each detail sets off those surrounding it. That is worthy to be called genuin

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37

Polzonetti, P. "Quakers and Cowboys: Italian Mythologies and Stereotypes of Americans from Piccinni to Puccini." Opera Quarterly 23, no. 1 (July 2, 2008): 22–38. http://dx.doi.org/10.1093/oq/kbn017.

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38

Betzwieser, Thomas. "Exoticism and politics: Beaumarchais' and Salieri's Le Couronnement de Tarare (1790)." Cambridge Opera Journal 6, no. 2 (July 1994): 91–112. http://dx.doi.org/10.1017/s0954586700004195.

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Not least because of its librettist, Tarare (1787) ranks among the most interesting ‘reform’ operas of the eighteenth century. The work was by no means unique among such efforts at the Académie Royale de Musique, but it undoubtedly had the greatest impact after the Piccinni controversy at the end of the 1770s, in part because Beaumarchais was untiring in his efforts to promote the new opera – a task at which he was far superior to his librettistic colleagues. He presented his new operatic conception in a detailed preface to the libretto (‘Aux Abonnés de l'Opéra’), the central point of which wa

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39

Lett, Didier. "Anna Esposito, Franco Franceschi et Gabriella Piccinni (a cura di), Violenza alle donne. Una pro." Clio, no. 52 (December 1, 2020): 280–83. http://dx.doi.org/10.4000/clio.18779.

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40

Rice, John A. "The Staging of Salieri’s Les Danaïdes as Seen by a Cellist in the Orchestra." Cambridge Opera Journal 26, no. 1 (February 19, 2014): 65–82. http://dx.doi.org/10.1017/s0954586713000335.

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AbstractDuring the 1780s a cellist in the orchestra of the Opéra, known only as Monsieur Hivart, served the Russian Count Nicholas Sheremetev as an operatic agent, sending scores, librettos, costume designs, stage designs and other materials related to opera in Paris, and advising the count on the production of French operas in Russia. Hivart was in contact with such composers as Grétry, Sacchini and Piccinni, and the stage machinist and ballet master of the Opéra, and from his place in the orchestra he could watch their work take shape on stage. This gives his letters to Sheremetev (published

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41

Goriss‐Hunter, Anitra. "Slippery mutants perform and wink at maternal insurrections: Patricia Piccinini's monstrous cute." Continuum 18, no. 4 (December 2004): 541–53. http://dx.doi.org/10.1080/1030431042000297653.

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42

Moshenska, Gabriel. "Cornelius Holtorf and Angela Piccini (eds):Contemporary Archaeologies: Excavating Now." Norwegian Archaeological Review 42, no. 2 (December 2, 2009): 205–7. http://dx.doi.org/10.1080/00293650903354346.

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43

Boraman, Toby. "Jon Piccini. Transnational Protest, Australia and the 1960s: Global Radicals." American Historical Review 124, no. 2 (April 1, 2019): 635–36. http://dx.doi.org/10.1093/ahr/rhz147.

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44

Canclini, Nestor Garcia, Margarita Zires, Raymundo Mier, and Mabel Piccini. "The Hybrid: A Conversation with Margarita Zires, Raymundo Mier, and Mabel Piccini." boundary 2 20, no. 3 (1993): 77. http://dx.doi.org/10.2307/303342.

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45

King, Richard G., and Saskia Willaert. "Giovanni Francesco Crosa and the First Italian Comic Operas in London, Brussels and Amsterdam, 1748–50." Journal of the Royal Musical Association 118, no. 2 (1993): 246–75. http://dx.doi.org/10.1093/jrma/118.2.246.

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In the autumn of 1748 the opera audience in London was introduced to a newly arrived troupe of Italian singers, an eccentric impresario and an operatic genre previously unknown in England. The buffo company, led by ‘Doctor’ Giovanni Francesco Crosa, would entertain the King's Theatre public for the first time with full-length Italian comic operas. In May 1750, after two tumultuous seasons which saw the gradual dissolution of the troupe and financial disaster for the management, Crosa fled the country, never to return. The King's Theatre closed its doors, to reopen only in the autumn of 1753 wi

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46

Smith, Andrew James, and Elfriede Dreyer. "Themes of genetic engineering and the homunculus in Patricia Piccinini's sculptural installation, We are Family." de arte 44, no. 79 (January 2009): 23–33. http://dx.doi.org/10.1080/00043389.2009.11877104.

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47

Bowsky, William M. "Il "Libro del pellegrino" (Siena, 1382-1446): Affari, uomini, monete nell'Ospedale di Santa Maria della Scala. Gabriella Piccinni , Lucia Travaini." Speculum 81, no. 1 (January 2006): 255–56. http://dx.doi.org/10.1017/s0038713400020145.

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48

Speaight, George. "The Origin of Punch and Judy: A New Clue?" Theatre Research International 20, no. 3 (1995): 200–206. http://dx.doi.org/10.1017/s0307883300008658.

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Abstract (sommario):

The general opinion, voiced on instinct rather than conclusive evidence, has been that the Punch and Judy show came from Italy. The name Punch is clearly derived, via Punchinello (1667), Polichinello (1666), and Policinella (1664), from Pulcinella, the commedia dell'arte character who originated in Naples about 1600. Prints in abundance show a puppet performance, resembling Punch and Judy, in Naples, Rome and Venice in the eighteenth and the early years of the nineteenth century. And one of the earliest, and perhaps the earliest Punch performer on the streets of London was an Italian, Piccini

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Strohmaier, David. "Organisations as Computing Systems." Journal of Social Ontology 6, no. 2 (August 1, 2020): 211–36. http://dx.doi.org/10.1515/jso-2020-0052.

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Abstract (sommario):

Abstract Organisations are computing systems. The university’s sports centre is a computing system for managing sports teams and facilities. The tenure committee is a computing system for assigning tenure status. Despite an increasing number of publications in group ontology, the computational nature of organisations has not been recognised. The present paper is the first in this debate to propose a theory of organisations as groups structured for computing. I begin by describing the current situation in group ontology and by spelling out the thesis in more detail. I then present the example o

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Pinho, Joana Balsa de, and Edite Martins Alberto. "CIDADE E SAÚDE." Revista Espacialidades 17, no. 1 (March 29, 2021): 91–123. http://dx.doi.org/10.21680/1984-817x.2021v17n1id21889.

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Abstract (sommario):

Fundado com a anterioridade a 1492, em Lisboa, o Hospital Real de Todos-os-Santos foi o primeiro edifício público hospitalar de iniciativa régia em Portugal. Em atividade até 1775, quando se inicia a sua demolição, o edifício, marcou o desenho da cidade, dos seus espaços públicos e de circulação, tornando-se um símbolo do poder régio e de urbanidade. Tendo por base a documentação administrativa pertencente ao arquivo do hospital, obras de autores coevos, iconografia da cidade e vária documentação de outros fundos, este texto procura contribuir para a compreensão do edifício e para a sua caract

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