Bibliografie tematiche / Pirandello

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Letteratura scientifica selezionata sul tema "Pirandello"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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Articoli di riviste sul tema "Pirandello"

Bibikova, Alexandra. "«THE MOUNTAIN GIANTS» BY LUIGI PIRANDELLO IN RUSSIA: TRANSLATORS’ READINGS AND THEATRICAL RECEPTION." RZ-Literaturovedenie, no. 1 (2021): 79–89. http://dx.doi.org/10.31249/lit/2021.01.07.

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The article briefly discusses the history of the creation and staging of the last unfinished play by Luigi Pirandello «Mountain Giants» (1936) in Italy. The main focus is on staging and interpretation of Pirandelloʼs play in Russia, namely on the E. Kamenkovich and P. Agureeva 2014 production at the Moscow Theater «Workshop of Pyotr Fomenko», for which a new translation of the play into Russian was prepared. The comparative analysis of the text of Pirandello's play in Italian and the video record of the performance at the «Peter Fomenkoʼs Workshop» was carried out, which aim is to identify pec

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Woźniak, Katarzyna. "Pirandello jako widz zawodowy." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (October 12, 2018): 126–34. http://dx.doi.org/10.24917/20811853.17.11.

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Pirandello as professional spectatorAbstractLuigio Pirandello’s drama were unfailingly popular with Polish directors between the beginningof the 1960s until the 1970s. Native creators have undertaken dramas from differentperiods of the Nobelist’s output and covering various topics – bourgeois comedy to metatheatricalworks. Most probably those do not include all that were staged then.It appears that an increased interest in the author is to be connected with the 25th anniversaryof his death, as is suggested by Mieczysław Brahmer in the 1961 Tak jest, jak się państwu zdaje(directed by Zofia Wier

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Andreev, M. L. "Pirandello: a theory and practice of «humorism»." Voprosy literatury, no. 2 (June 17, 2021): 203–20. http://dx.doi.org/10.31425/0042-8795-2021-2-203-220.

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What defines the special character of Pirandello's works is the fact that he creates his own literary movement, which draws on the duality of theoretical and practical aspects. His own practice led Pirandello to the creation of a theory (‘humorism') that declares analytical dismantling of reality to be the ultimate goal of literature in order to depict the world as a series of illusions devoid of a unifying central idea. Guided by this postulate, Pirandello was close to deconstruction of the tools he used, namely the novel and the play. His reimagining of the novel was less radical: the revisi

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Koman, Aleksandra. "Ofelia Pirandella: rozważania nad kobiecym szaleństwem." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (October 12, 2018): 150–58. http://dx.doi.org/10.24917/20811853.17.13.

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Ophelia of Pirandello: reflections around female madnessAbstractThe article is devoted to an analysis of Luigi Pirandello’s drama As You Desire Me which drawsinspiration from an actual event connected with questions on the identity of a person sufferingfrom amnesia. Unlike the real incident, the main character of Pirandello’s is a woman knownonly by her alias Stranger, as the main theme of the drama is establishing her true identity. Thepresent article aims at proving that Pirandello’s drama is not a criminal mystery, but rathera deep reflection on the notion of human personality which in the

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Pearson, Tony. "Evreinov and Pirandello: Two Theatricalists in Search of The Chief Thing." Theatre Research International 17, no. 1 (1992): 26–38. http://dx.doi.org/10.1017/s0307883300015583.

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The name Evreinov appears in the footnotes to a number of monographs on the better known Pirandello. Indeed, the artistic parallels between these two contemporaries have been frequently, if superficially, recognized in separate studies of both. I have sought elsewhere to develop the framework for a comparative analysis, focusing upon a common instinct for ‘theatricality’ and a snared obsession for putting theory into practice. This second and concluding study examines in closer detail the aesthetic and philosophical affinities between Evreinov and Pirandello in the context of their ‘theatre-in

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Vanagaitė, Gitana. "Luigi Pirandello’s Works in Lithuania: Why the Dialogue Did Not Take Place." Interlitteraria 21, no. 2 (2017): 216. http://dx.doi.org/10.12697/il.2016.21.2.5.

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Luigi Pirandello (1867–1936) was an Italian modernist writer and playwright who enriched literature with questions of modern identity as it relates to the contradiction between human consciousness and reality. Pirandello pondered questions of art and reality, mask and essence, life and form, and the fragmentation of a personality. In his works, he also foresaw what would later constitute the base of existential philosophy.The reception of Pirandello’s works in Lithuania has been limited, in part because of the small number of his works translated into Lithuanian – only a dozen short stories, t

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Bassnett, Susan. "Pirandello's Debut as Director: the Opening of the Teatro d' Arte." New Theatre Quarterly 3, no. 12 (1987): 349–51. http://dx.doi.org/10.1017/s0266464x00002487.

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In this, the centenary year of Pirandello's birth, there has been a revival, hopefully more than just circumstantial, of interest in his work in the English-speaking theatre – which has previously tended to acknowledge his influence without often producing his plays. But Pirandello's own theatrical ambitions, which came quite late in his creative life, were initially as a director – indeed, the association with Mussolini which has sometimes cast a pall upon his reputation was largely in the interests of obtaining state patronage for his Teatro d' Arte company, which struggled unsuccessfully fo

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La Rosa, Gabriele. "Pirandello a Breslavia / Pirandello in Wrocław." Italica Wratislaviensia 1, no. 5 (2015): 235. http://dx.doi.org/10.15804/iw.2014.05.10.

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Nazneen Zahra, Dr Behzad Anwar, and Shamshad Rasool. "Disappearance of the Author: A Foucauldian Study of Luigi Pirandello’s Six Characters in Search of an Author." Journal of English Language, Literature and Education 5, no. 2 (2023): 17–32. http://dx.doi.org/10.54692/jelle.2023.0502175.

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Pirandello's Six Characters in Search of an Author was an innovative juncture in theatre with its avant-garde dramatic devices. Pirandello has presented the idea of the relation between the author and his creation and highlighted the disappearance of the subject in the narrative. The present study employs Foucault's idea of the author function in the play to explore the effort of the characters to present their narrative while the author has disappeared. The unexpected entry of six self-conscious characters illustrates and emphasizes the creative process and the continuity of the artistic work

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Alessio (book author), Antonio, and Franco Zangrilli (review author). "Pirandello pittore." Quaderni d'italianistica 6, no. 2 (1985): 281–82. http://dx.doi.org/10.33137/q.i..v6i2.11083.

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Tesi sul tema "Pirandello"

Vandelli, Ernesto. "Sartre e Pirandello." Université Stendhal (Grenoble), 2009. http://www.theses.fr/2009GRE39020.

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Les dettes contractées par la dramaturgie sartrienne à l'égard du théâtre de Pirandello, particulièrement visibles dans Les Séquestrés d'Altona, ont été signalées depuis longtemps. Notre confrontation entre le drame de Franz et celui de Enrico IV, qu'on a utilisé aussi pour mettre en evidence les positions tenues par Sartre et Pirandello à l'égard du problème de la folie, a réaffirmé et souligné cette influence pirandellienne sur le théâtre sartrien déjà bien documentée. Mais avec notre étude on a essayé surtout de prouver que la connaissance de Sartre ne se limitait pas au seul théâtre de l'a

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Marotta, Antonella. "Pirandello nel teatro di Eduardo." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79793.

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The subject of this thesis is an intertextual and psycho-analytic study of the relationship between two major dramatists of twentieth century Italian Theatre, Luigi Pirandello and Eduardo De Filippo. The analysis is in part conducted according to the concept of influence developed by Harold Bloom in The Anxiety Of Influence and expressed in "Freudian" terms, in which one poet, the later (Eduardo De Filippo), is presumed to "struggle" with or try to surpass his precursor (Luigi Pirandello).

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Degani, Francisco José Saraiva. "Pirandello e a máscara animal." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-12112014-104230/.

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A obra em prosa de Luigi Pirandello (1867-1936), sobretudo sua novelística, é permeada pela presença de um rico e variado mundo animal. O autor, como um agudo observador de sua época, reconhece a importância dos animais na cultura e no desenvolvimento da civilização. Espelhos naturais dos humanos, capazes de sofrer e entender esse sofrimento, agentes do acaso e da impassibilidade da natureza, os animais inserem-se perfeitamente na poética do autor. Em Pirandello, o animal é um personagem que age e se comporta como um personagem de Pirandello, mas, ao contrário do personagem humano, mostra a su

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Degani, Francisco José Saraiva. "Pirandello \"novellaro\": da forma à dissolução." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-16022009-143656/.

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Estudar a obra novelística de Luigi Pirandello é um modo de entender não apenas as razões que o levaram a ser um dos mais importantes escritores italianos do século XX, mas também o papel de cada um de nós no mundo e na vida. As novelas, baseadas em pequenos acontecimentos cotidianos, formam um grande mosaico da existência humana: uma nota no jornal, um amor acabado ou ainda nem começado, um simples gesto ou o apito de um trem, são situações que despertam a imaginação do autor e nas quais muitas vezes nos reconhecemos. Dramaturgo e romancista de sucesso, Pirandello nunca deixou de escrever nov

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Hennerdal, Pennina. "L'umorismo in due novelle di Luigi Pirandello." Thesis, Högskolan Dalarna, Italienska, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:du-3101.

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MENDES, C. S. "Linhas e tecidos: nas tramas de Pirandello." Universidade Federal do Espírito Santo, 2018. http://repositorio.ufes.br/handle/10/10418.

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Made available in DSpace on 2018-09-11T12:35:18Z (GMT). No. of bitstreams: 1 tese_12425_Tese-Linhas e tecidos - nas tramas de Pirandello.pdf: 355775 bytes, checksum: b953344b10aad0fd92d022818d4269f3 (MD5) Previous issue date: 2018-08-31<br>A pesquisa pretende estabelecer, a partir da análise dos contos de Luigi Pirandello, a saber, Il bottone della palandrana (1013), La marsina stretta (1924), a força da indumentária, que constitui aspecto significativo para a análise do texto ficcional do autor italiano. Nos contos, é patente a importância da roupa como elemento constituinte da identida

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Hatt, Michele E. "The relation of mirror imagery to metaphysical and psychological themes in the major dramas of Luigi Pirandello." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1999. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 1999.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2852. Typescript. Abstract appears on leaves [i]-ii. Includes bibliographical references (leaves 101-108).

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Vittori, Gérard. "Sujet, réel et signes dans l'oeuvre de Pirandello." Nice, 1990. http://www.theses.fr/1990NICE2006.

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Dans l'accés à la vérité, le corps n'est pas un lieu privilégié de connaissance, ni pour le sujet, ni pour les autres. Le corps est au contraire le lieu de l'équivoque du sens. Seule la volonté fournit le sens authentique : mais les signes naturels et les signes verbaux livrent le sujet à la distorsion du sens. Dieu est pour les autres la garantie de l'adéquation du langage au réel. En vérité, l'autorité, subsititut de la transcendance vraie, établit la transparence du langage parce qu'elle institute le réel par le langage. Le réel est fondé par le "texte" social. Le "texte" des autres aliène

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Saraiva, Julio Cesar Viana. "Luigi Pirandello: da escrita narrativa à escrita dramática." Universidade Federal de Minas Gerais, 2010. http://hdl.handle.net/1843/ECAP-88ML8K.

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Esta dissertação analisa o processo de transposição de duas novelas do escritor Luigi Pirandello, A Patente e Apelo à obrigação, para duas peças teatrais, A habilitação e O homem, a besta e a virtude, respectivamente. Este estudo busca suscitar possíveis motivações do autor para realizar o trabalho e assinalar características que determinam uma provável metodologia empregada durante o procedimento. Para isso, são utilizadas considerações acerca do contexto histórico, político, social e cultural de autor e obras, além de apontar elementos dramatúrgicos inseridos em sua escrita narrativa. Analis

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BONO, MICHELE MARCO. "Nel laboratorio di Pirandello. Spigolando tra i "Taccuini"." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1069.

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La Tesi di Dottorato ha per oggetto tre Taccuini di Pirandello, studiati sia sul versante filologico che su quello ermeneutico. Si tratta del Taccuino Segreto (edito dalla Mondadori nel 1997 a cura di Annamaria Andreoli), del Taccuino di Harvard (edito dalla Mondadori nel 2002 a cura di Ombretta Frau e Cristina Gragnani) e del Taccuino di Coazze (edito in copia anastatica dalla Biblioteca-Museo “Luigi Pirandello di Agrigento” nel 1998 e nel 2001). Se l’edizione critica che correda il saggio intende operare una revisione filologica dei tre documenti, con un riesame delle concordanze dei primi d

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Libri sul tema "Pirandello"

Anne, Paolucci, and Council on National Literatures, eds. Pirandello. Published for the Council on National Literatures by Griffon House, 1987.

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Luperini, Romano. Pirandello. GLF Editori Laterza, 1999.

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Heidelberg, Universitätsbibliothek, and Fachverband Italienisch in Wissenschaft und Unterricht (Frankfurt am Main, Germany), eds. Pirandello. HVA, 1986.

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Weisbrod, Ella. Pirandello-saus. Kwintessens, 2008.

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Harold, Bloom, ed. Luigi Pirandello. Chelsea House, 2003.

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1941-, Bazzoni Jana O'Keefe, ed. Pirandello & film. University of Nebraska Press, 1995.

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Luigi, Pirandello. Luigi Pirandello. Istituto poligrafico e Zecca dello Stato, 1995.

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Ganeri, Margherita. Pirandello romanziere. Rubbettino, 2001.

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Pirandello, Fausto. Fausto Pirandello. Charta, 1995.

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Manotta, Marco. Luigi Pirandello. B. Mondadori, 1998.

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Capitoli di libri sul tema "Pirandello"

Gaskell, Ronald. "Pirandello:." In Drama and Reality. Routledge, 2025. https://doi.org/10.4324/9781003645436-13.

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Chichkine, Andrei. "«И скрипка, и контрабас»: фигура парадокса и поэтика недоумения в художественном мышлении Пиранделло и Достоевского." In Biblioteca di Studi Slavistici. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0122-3.15.

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“Both violin and contrabass”: The Figure of Paradox and the Poetics of Bewilderment in the Artistic Thinking of Pirandello and Dostoevsky Pirandello and Dostoevsky are deeply linked at thematic, ideological and textual levels. In 1908, Pirandello published the treatise Humorism, in which he elaborated an original theory of humor and substantiated a worldview that is quite close to the type of artistic consciousness inherent in Dostoevsky’s work, and is genetically related to it. The poetics of paradox, in which every mental and sensual experience is tested by its “opposite”, encourages the rea

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Rössner, Michael. "Luigi Pirandello." In Kindler Kompakt: Drama des 20. Jahrhunderts. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04526-3_13.

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Wild, Gerhard. "Pirandello, Luigi." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13613-1.

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Rössner, Michael. "Luigi Pirandello." In Kindler Kompakt Italienische Literatur 20. Jahrhundert. J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05534-7_4.

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Rössner, Michael. "Pirandello, Luigi: L'esclusa." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13615-1.

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Rössner, Michael. "Pirandello, Luigi: Liolà." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13618-1.

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Rössner, Michael. "Pirandello, Luigi: Enrico IV." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13626-1.

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Sartori, Andrea. "Pirandello: Name and Performance." In Italian and Italian American Studies. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-18850-3_5.

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Giulio Mancino, Anton. "Capitolo 4. Pirandello detective." In Pagine girate. Edizioni Kaplan, 2023. http://dx.doi.org/10.4000/books.edizionikaplan.2971.

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Atti di convegni sul tema "Pirandello"

di Fraia, Guido, and Alessandra Massarelli. "DIGITAL PIRANDELLO: EDUCATIONAL INNOVATION THROUGH A VIRTUAL ASSISTANT INSPIRED BY NOBEL LAUREATE LUIGI PIRANDELLO." In 16th International Conference on Education and New Learning Technologies. IATED, 2024. http://dx.doi.org/10.21125/edulearn.2024.0698.

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Martimiano, Taciane, and Jean Everson Martina. "Six Characters in Search of a Security Problem: Pirandellian Masks for Security Ceremonies." In Simpósio Brasileiro de Segurança da Informação e de Sistemas Computacionais. Sociedade Brasileira de Computação - SBC, 2022. http://dx.doi.org/10.5753/sbseg.2022.225346.

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For the Italian play-writer and 1934 Nobel-Prize winner Luigi Pirandello, a fictional mask is either self-imposed or, in most cases, forced on by society, being what makes life possible. Drawing from that, we believe that due to the non-deterministic nature of the human being, the only way to specify and verify human-tailored security protocols (known as security ceremonies) is by the specification of masks that users wear in order to interact with ceremonies. In the current paper, we review further this literary inspiration and propose six possible masks: the Attentive, the Naive, the Careles

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Saba, Anna Maria. "Le comique sur la scène de Se trouver, de Luigi Pirandello : une réalisation particulière de l'« humorisme »." In Le rire : formes et fonctions du comique. Fabula, 2017. http://dx.doi.org/10.58282/colloques.4777.

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Grgić Maroević, Iva. "Splitska fortuna Luigija Pirandella." In Split i Vladan Desnica 1918. – 1945.: umjetničko stvaralaštvo između kulture i politike: zbornik radova sa znanstvenog skupa Desničini susreti 2015. Filozofski fakultet u Zagrebu, FF-Press, 2016. http://dx.doi.org/10.17234/desnicini_susreti2015.12.

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