Bibliografie tematiche / Poetry, Medieval History and criticism

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Letteratura scientifica selezionata sul tema "Poetry, Medieval History and criticism"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 30 luglio 2024

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Articoli di riviste sul tema "Poetry, Medieval History and criticism"

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Bender, Lucas Rambo. "Against the Monist Model of Tang Poetics." T’oung Pao 107, no. 5-6 (December 9, 2021): 633–87. http://dx.doi.org/10.1163/15685322-10705004.

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Abstract In recent decades, a significant amount of Western scholarship on traditional Chinese poetry and poetics has either proposed or assumed a vision of the art underwritten by the supposed “monism,” “nonduality,” and “immanence” of traditional Chinese worldviews. This essay argues that although these were important ideas in certain periods and contexts, they cannot be taken as unproblematically defining the world of thought in which poetry operated during the Tang dynasty. Instead, Tang writers more routinely drew in their discussions of art upon the epistemological tensions and discontin
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Tüske, László. "Ibn Ṭabāṭabā’s Poetics". Arabist: Budapest Studies in Arabic 23 (2001): 211–18. http://dx.doi.org/10.58513/arabist.2001.23.20.

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In the history of Arabic literature, ‛amūd aš-šiʿr (the pillars or principles of poetry) is considered a control for the poetic activity, as well as being an important reference in classifying poets and measuring their abilities in their art. The theory is also considered one of the first critical issues that preoccupied poets and worked to establish standards and characteristics that the poet relies on so as not to deviate from the pattern followed by the ancients. This article deals with Ibn Ṭabāṭabā al-ʿAlawī’s treatise entitled ʿIyār aš-šiʿr (The Standard of Poetry). by analyzing his theor
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Naaman, Erez. "Collaborative Composition of Classical Arabic Poetry." Arabica 65, no. 1-2 (February 27, 2018): 163–206. http://dx.doi.org/10.1163/15700585-12341476.

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Abstract Evidence of collaborative composition of poetry goes back to the earliest documented phases in the history of Arabic literature. Already during pre-Islamic times, poets like Imruʾ al-Qays used to challenge others to complete their impromptu verse and create poetry collaboratively with them. This practice—commonly called iǧāza or tamlīṭ and essentially different from the better known poetic dueling of the naqāʾiḍ (flytings)—has shown remarkable stability and adherence to its form and dynamics in the pre-modern Arabophone world. In this article, I will discuss evidence of collaborative
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van Gelder, Geert Jan, and Mansour Ajami. "The Neckveins of Winter: The Controversy over Natural and Artificial Poetry in Medieval Arabic Literary Criticism." Die Welt des Islams 26, no. 1/4 (1986): 172. http://dx.doi.org/10.2307/1570768.

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Bezrukov, Andrii. "Origins of a New Poesy in Late Medieval Europe: Proto-Renaissance Rhymes by Giacomo da Lentini and the Dolce Stil Nuovo." LITERARY PROCESS: methodology, names, trends, no. 21 (2023): 6–13. http://dx.doi.org/10.28925/2412-2475.2023.21.1.

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The article reviews the historical and literary background of a new poesy that appeared to be an outcome of the accumulation and release of the new poets’ creative energy in late medieval Europe. We primarily deal with the poesy of the Sicilian school and the Dolce Stil Nuovo (‘sweet new style’). The interest of literary criticism in the historical and cultural background of influential literary phenomena, which have not lost their relevance, is defined by the need for reinterpreting them in new paradigms. The methods of cultural, historical, biographical, hermeneutic, and comparative analyses
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WILLIS, KATHERINE E. C. "THE POETRY OF THE POETRIA NOVA: THE NUBES SERENA AND PEREGRINATIO OF METAPHOR." Traditio 72 (2017): 275–300. http://dx.doi.org/10.1017/tdo.2017.4.

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Geoffrey of Vinsauf's Poetria nova must be studied as a poem in its own right as thoroughly as it has been studied as a technical rhetorical treatise; although many scholars have acknowledged the brilliance of his style, few analyses thereof exist. This imbalance in criticism limits our understanding of his ideas and the appeal they held for medieval poets. This study, therefore, focuses on two images in the section on ornatus graves, or weighty ornamentation, the category of figures defined by its reliance on transumptio. In describing its moving effects, Geoffrey uses the imagery of a pilgri
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Gaižiūnas, Silvestras. "At the Origins of Modern Lithuanian Literary Studies. Phenomenon of Juozas Eretas." Pitannâ lìteraturoznavstva, no. 100 (December 27, 2019): 155–68. http://dx.doi.org/10.31861/pytlit2019.100.155.

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The article under studies is a critical survey of the activities of a Swiss scholar Juozas Eretas (1896–1984), one of the founders of Lithuanian Literary Studies, whose origin is closely related to the revival of the Lithuanian State (1918 р). Raised on the principles of the so-called Fribourg School, J. Eretas may be regarded as a vivid example of a catholic scientist. He emphasized the importance of the connection between research and thinking. In the 20-30s, having mastered the Lithuanian language, under the influence of the first translations of the world literary works into Lithuanian, Er
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Risden, E. L., and John Cherry. "Medieval Love Poetry." Sixteenth Century Journal 38, no. 3 (October 1, 2007): 836. http://dx.doi.org/10.2307/20478544.

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Ivanovic, Aleksandra. "Serbian medieval poetry: 20th-century literary-historical and theoretical interpretations." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 88 (2022): 79–92. http://dx.doi.org/10.2298/pkjif2288079i.

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This paper examines how national literary histories written in the twentieth century define medieval Serbian poetry. Grounded in the canon of Byzantine liturgical poetry and dedicated to cult practice, hymnography often did not conform to modern poetic principles, originality, and metrical form. Formalist approaches to poetry shaped the anthologies of Serbian medieval literature published in Yugoslavia in the 1960s. The editors transformed sequences from narrative prose into poetic texts, thus creating medieval poems. These cases draw attention to the importance of textual criticism and the so
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Al-Abbasi, Thoraiya. "Medieval Criticism and the Artistic Value of Vagueness in Poetry." Journal of King Abdulaziz University-Arts and Humanities 17, no. 2 (2009): 169–211. http://dx.doi.org/10.4197/art.17-2.5.

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Tesi sul tema "Poetry, Medieval History and criticism"

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Meir, Amira. "Medieval Jewish interpretation of pentateuchal poetry." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28842.

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This dissertation studies parts of six medieval Jewish Torah commentaries in order to examine how they related to what we call Pentateuchal poetry. It examines their general approaches to Bible interpretation and their treatments of all Pentateuchal poems. It focusses on qualities we associate with poetry--parallelism, structure, metaphor, and syntax--and explores the extent to which they treated poems differently from prose.<br>The effort begins by defining Pentateuchal poetry and discussing a range of its presentations by various ancient writers. Subsequent chapters examine its treatment by
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Ward, Jessica D. "Conjugal Rights in Flux in Medieval Poetry." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500176/.

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This study explores how four medieval poems—the Junius manuscript’s Genesis B and Christ and Satan and Geoffrey Chaucer’s Troilus and Criseyde and The Parliament of Fowls—engage with medieval conjugal rights through their depictions of agentive female protagonists. Although many laws at this time sought to suppress the rights of women, especially those of wives’, both pre- and post-conquest poets illustrate women who act as subjects, exercising legal rights. Medieval canon and common law supported a certain amount of female agency in marriage but was not consistent in its understanding of what
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Wong, Alexander Tsiong. "Aspects of the kiss-poem 1450-1700 : the neo-Latin basium genre and its influence on early modern British verse." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708782.

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Schubert, Layla A. Olin 1975. "Material literature in Anglo-Saxon poetry." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10909.

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x, 208 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>The scattered instances depicting material literature in Anglo-Saxon poetry should be regarded as a group. This phenomenon occurs in Beowulf, The Dream of the Rood, and The Husband's Message. Comparative examples of material literature can be found on the Ruthwell Cross and the Franks Casket. This study examines material literature in these three poems, comparing their depictions of material literature to actual examples. Poems depicting material lit
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Desrochers, Arnald. "Los cruces genéricos en las cantigas gallego-portuguesas medievales." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59627.

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The cantigas de amor, de amigo, de escarnio, and de maldecir are poetic compositions written between 1200 and 1350 which form a literary school commonly referred to as Galician-Portuguese. The troubadours who refine these compositions do not limit themselves to composing cantigas of only one genre. They write cantigas of all types. For thematic and formal purposes, the common practice is to divide the cantigas into four genres. These divisions are not always very clear.<br>Because they were in touch with all sorts of cantigas, the poets included in their poems characteristics which blended fro
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Sawyer, Daniel. "Codicological evidence of reading in late medieval England, with particular reference to practical pastoral verse." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8c21053f-e347-4349-9cc4-b1fa0229e95a.

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This study advances and adds detail to our history of the reading of verse in England c.1350-1500. Scholarship has established major twelfth- and thirteenth-century changes in reading, and linked these changes to manuscripts containing the modern Middle English verse canon. Historians of early modern reading have also argued for distinctive changes in their own period. But the examination of reading between these two clusters of change has been limited. This study therefore asks how later medieval Middle English verse was read. The surviving copies of The Prick of Conscience and Speculum Vitae
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Hacksley, Timothy Christopher. "A critical edition of the poems of Henry Vaux (c. 1559-1587) in MS. Folger Bd with STC 22957." Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1704/.

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Applauso, Nicolino. "Curses and laughter: The ethics of political invective in the comic poetry of high and late medieval Italy." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10874.

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xiv, 479 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>My dissertation examines the ethical engagement of political invective poetry in thirteenth- and fourteenth-century Italy. Modern criticism tends to treat medieval invective as a playfully subversive but marginal poetic game with minimal ethical weight. Instead, I aim to restore these poetic productions to their original context: the history, law, and custom of Tuscan cities. This contexts allows me to explore how humor and fury, in
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Young-Studer, Noémie. "La chanson d'Yde et Olive: A Parable of a Medieval Self-Made Man." PDXScholar, 2003. https://pdxscholar.library.pdx.edu/open_access_etds/4668.

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La chanson d'Yde et Olive, an early fourteenth-century epic poem from the Picard region, exemplifies the medieval custom of text renewal that seeks to adapt pagan materials to fit Christian doctrine. Largely based on the plot of the Ovidian fable Iphis and Ianthe from The Metamorphoses, its main character Yde undergoes a metaphorical transformation from a woman into a man. Moreover, much like the Ovide moralisé, a Christianized adaptation of the Latin original, Yde et Olive's message can be understood as a Christian parable for the purging of the sinful soul. To set up the poem's didactic mess
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McNamara, Rebecca Fields. "Code-switching in medieval England : register variety in the literature of Geoffrey Chaucer, Thomas Usk and Thomas Hoccleve." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669980.

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Libri sul tema "Poetry, Medieval History and criticism"

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Spearing, A. C. Readings in medieval poetry. Cambridge [Cambridgeshire]: Cambridge University Press, 1989.

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Spearing, A. C. Readings in medieval poetry. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.

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Saunders, Corinne J. A companion to medieval poetry. Chichester, U.K: Wiley-Blackwell, 2010.

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McCarthy, Conor. Seamus Heaney and medieval poetry. Woodbridge, Suffolk: D.S. Brewer, 2008.

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McCarthy, Conor. Seamus Heaney and medieval poetry. Woodbridge, Suffolk: D.S. Brewer, 2008.

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Saunders, Corinne J. A companion to medieval poetry. Chichester, U.K: Wiley-Blackwell, 2010.

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Petropoulos, J. C. B. Eroticism in ancient and medieval Greek poetry. London: Duckworth, 2003.

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Rebecca, Dixon, and Sinclair Finn E. 1961-, eds. Poetry, knowledge and community in late medieval France. Woodbridge, Suffolk, UK: D.S. Brewer, 2008.

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Francisco, Pérez Gutiérrez, ed. Poesía medieval en España. Madrid: Santillana, 1997.

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Reichl, Karl. Singing the past: Turkic and medieval heroic poetry. Ithaca, N.Y: Cornell University Press, 2000.

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Capitoli di libri sul tema "Poetry, Medieval History and criticism"

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Perry, Lucy. "Legendary History and Chronicle: Lazamon's Brut and the Chronicle Tradition." In A Companion to Medieval Poetry, 217–36. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319095.ch12.

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Kroll, Paul W. "The Image of the Halcyon Kingfisher in Medieval Chinese Poetry *." In Essays in Medieval Chinese Literature and Cultural History, VII: 237—VII: 252. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003417675-7.

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Kroll, Paul W. "The Significance of the fu in the History of T'ang Poetry." In Essays in Medieval Chinese Literature and Cultural History, XI: 87—XI: 106. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003417675-11.

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Levy, Isabelle. "Sefer ha-meshalim and the status of poetry in medieval Iberia." In Comparative History of Literatures in European Languages, 131–37. Amsterdam: John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/chlel.xxix.13lev.

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Zhao, Yiheng. "Pure Poetry, Impure Criticism, and the Power of Academia: Some Paradoxes Concerning the History of New-Wave Poetry." In The River Fans Out, 191–200. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7724-6_12.

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Björkvall, Gunilla, and Andreas Haug. "Sequence and Versus: On the History of Rhythmical Poetry in the Eleventh Century." In Publications of the Journal of Medieval Latin, I:57–82. Turnhout: Brepols Publishers, 2002. http://dx.doi.org/10.1484/m.pjml-eb.3.2815.

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Cornelius, Ian. "Chapter 30. Ecologies of medieval Latin poetics." In Comparative History of Literatures in European Languages, 498–506. Amsterdam: John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxiv.30cor.

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The concept of literary ecology is developed as an instrument for large-scale literary study by Alexander Beecroft (2015), for whom the metaphor emphasizes the great diversity of world literatures and the possibility of organizing this diversity into cultural types, analogous to the biologist’s ecotypes. For a study of Latin poetics, the most important typological distinction is between cosmopolitan and vernacular languages. Latin acquired an articulated body of stylistic norms (“poetics”) in antiquity as a vernacular language; subsequent developments in Latin poetics were conditioned by the language’s acquisition of cosmopolitan characteristics. I explore the consequences of that shift; texts discussed include Donatus’s Ars maior, the twelfth- and thirteenth-century arts of poetry and prose, Óláfr Þórðarson’s treatise on Icelandic poetics, and Dante’s De vulgari eloquentia.
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Kretschmer, Marek Thue. "Chapter 38. The matter of Troy in medieval Latin poetry (ca. 1060 – ca. 1230)." In Comparative History of Literatures in European Languages, 606–24. Amsterdam: John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxiv.38kre.

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The present chapter discusses Latin poems dealing with the Trojan matter from the rise of such poetry around 1060 up to the early 13th century, when poems in the vernacular become dominating. Discussed poets or anonymous poems (in italics) include Wido of Ivrea, Godfrey of Reims, Baudri of Bourgueil, the Deidamia Achilli, the Heu male te cupimus, the Sub uespere Troianis menibus, the Carmina Burana 92, 99–102, the Anna soror ut quid mori, Hugh Primas, Pierre de Saintes, Peter Riga, the Alea fortunae, Simon Capra Aurea, the Altercatio Ganymedis et Helenae, the Causae Aiacis et Ulixis I–II, the Quis partus Troiae and the Bella minans Asiae. A short postface offers a rapid synopsis of the vernacular literature that marks the late Middle Ages.
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Minnis, A. J., A. B. Scott, and David Wallace. "Assessing the New Author: Commentary on Dante." In Medieval Literary Theory and Criticism C. 1100-C. 1375, 439–519. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780198112747.003.0011.

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Abstract The success of Dante’s Comedy was immediate and all-pervasive: only the Bible was read or recited from with greater frequency in fourteenth-century ltaly. The poem’s popularity brought with it, at all levels of society, a great eagerness for explanation, for clarification, and for more detail on specific episodes: a demand, in short, for commentary. In this final section we shall see how the critical resources developed over several centuries of commentary on biblical and classical authors were put to work on the great text of the ‘new author’, Dante Alighieri. Before concentrating upon Dante commentary proper we should note that this learned tradition represents just one aspect of the Comedy’s fourteenth century reception. This greater literary history may be considered at three levels: popular writing; learned poetry; learned commentary. The Comedy is full of good stories: many of these were plucked from their original context and elaborated in a series of popular forms. Learned and semi-educated poets alike were eager to try out the new verse form, terza rima. The efforts of learned poets to develop and extend the enterprise of the Comedy throughout the fourteenth century form instructive parallels with the interpretative efforts of commentators.
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Minnis, A. J., A. B. Scott, and David Wallace. "Poetic Fiction and Truth: William of Conches, ‘Bernard Silvester’, Arnulf of Orleans, and Ralph of Longchamps." In Medieval Literary Theory and Criticism C. 1100-C. 1375, 113–64. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780198112747.003.0005.

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Abstract According to the literary theory which twelfth-century scholars derived from such authorities as Cicero, Macrobius, and Isidore of Seville, there was a clear distinction between history and fable. Historia was the literally true record of actual happenings (gestae res, res foctae) which were removed in time from the recollection of our age, whereas fabula comprised untrue events, fictitious things (res fictae) which neither happened nor could have happened. But it was also believed that certain authors had chosen to convey truths of morality, physics, and even metaphysics under a fictitious veil or covering (integumentum, involucrnm): Macrobius had gone so far as to claim that ‘a conception of holy truths can be expressed under a seemly veil of fictions, conveyed by honourable matter honourably arranged’. The present chapter has as its main theme the different kinds of truth, both literal and ‘integumental’ or allegorical, which were sought by five representative artistae of the twelfth century.
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Atti di convegni sul tema "Poetry, Medieval History and criticism"

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Aleksić, Jana. "UMETNIČKA EPOHA KRALjA MILUTINA U KULTURNOISTORIJSKOJ I ESTETIČKOJ OPTICI MILANA KAŠANINA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.817a.

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Milan Kašanin (1895–1981) in his integral study of medieval Serbian culture pays significant attention to the works and authors who created in the time of King Stefan Uroš II Milutin Nemanjića (1282–1321). Kašanin’s analysis also includes medieval literary and artistic achievements whose central theme is the King's personality and symbols of rule, as well as the spiritual and socio-histor- ical characteristics of the era the era of this important founder and great artistic patron. The author of the monographs Serbian Literature in the Middle Ages (1975) and Stone Discoveries (1978) seeks to sy
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Useinov, T. B. "Display of love for a male object in a figurative system of medieval Crimean Tatar Ashyk poetry." In Scientific Trends: Philology, Culturology, Art history. ЦНК МОАН, 2019. http://dx.doi.org/10.18411/spc-26-11-2019-06.

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Liu, Chongxi. "“POETRY CARVED IN STONE”: DOCUMENTARY, LITERARY AND CULTURAL CONNOTATION IN BAI JUYI’S POETRY INSCRIPTION." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.04.

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The poetry inscription, with Bai Juyi in the Middle Tang Era as its representative, began to express purely personal emotions in terms of content, which reflects the poet’s creative individuality. Bai takes stone as his friend, loves it, chants it, and inscribes poems on it, endowing it natural and personal qualities. Bai was the first poet to consciously combine “poetry” and “stone” with nearly 20 kinds of poetry inscriptions. Compared with book documents, Bai’s poetry inscriptions not only have the philological value of text criticism, but also have multiple functions, i. e., reproducing the
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Kenyhercz, Róbert. "Interpretation of data and sources in etymological research." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/39.

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The aim of the paper is to emphasize the importance of source criticism in etymological research. It is widely known that the main sources for the early history of toponyms in the Carpathian Basin are the charters created in the medieval Hungarian Kingdom, because these official documents contained a large number of vernacular proper names embedded in the Latin text. However, it is important to mention that the medieval charters were produced by the chancery and places of authentication along specific principles and needs. I argue that this circumstance must always be considered during the int
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Hazratqulova, Elmira. "ATTITUDE TO THE SAINTS IN HISTORICAL WORKS." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/sqew2307.

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In the East mystical motifs developed in the literature of the Islamic period. In particular, when studying sources related to the history of medieval Maverannahr and Khorasan, the poetry of this period reflects different views on symbols, and historical works present biographical information about the life of Sufi writers. This article analyzes information about the representatives of Sufism in the works of "Baburnama" by Zahirad-Din Muhammad Babur and "Tarihi Rashidi" by Haidar Mirzo. At the same time, the prophecies characteristic of the saints and the attitude of the authors to this situat
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Breslavets, Tatiana, and Tatiana Vinokurova. "LOVE STANZAS IN SOGI’S POEM." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.33.

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The article is devoted to the peculiarities of the work of Iyo Soga, the author of “connected stanzas” (renga). The ways of presenting love lyrics in the poem Sogi dokugin nanihito hyakuin (One hundred stanzas of the poet Sogi, 1499) are highlighted. The issues of the influence of the previous classical literature on the poet’s work, the specifics of intra-literary continuity in the history of medieval Japanese verse are discussed. The implicit meanings of love stanzas are revealed. Precedent texts with which the stanzas of the poem establish associative links are found. Intertextuality acts a
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Мир-Багирзаде, Ф. А. "Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.

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автор исследует творческие интерпретации произведения поэта-гуманиста Низами Гянджеви (XII в.) из цикла «Хамсе» «Семь красавиц». Поэт, был подлинным эрудитом, знатоком не только коранических текстов, истории, античной и мусульманской философии, но и астрономии. Данная статья – попытка проследить ориентальную символику образов Гянджеви в одной из творческих интерпретаций поэмы «Семь красавиц», через призму хореографического и сценографического искусства. Метод исследования – семиотический анализ, объект исследования – балет «Семь красавиц», объединивший достижения современной европейской хореог
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