Bibliografie tematiche / Portrait photography

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Letteratura scientifica selezionata sul tema "Portrait photography"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 25 luglio 2025

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Articoli di riviste sul tema "Portrait photography"

1

Darmadi, Indra. "Tinjauan Visual Subyek Foto dalam Karya Fotografi Potret Henri Cartie-Bresson dan Richard Avedon." Magenta | Official Journal STMK Trisakti 1, no. 01 (2017): 83–91. http://dx.doi.org/10.61344/magenta.v1i01.10.

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Abstract (sommario):
Photography potrait is a photography field that highlight the character and traits of someone. In the world of photography there are two world leaders who are pioneers of photography in portrait photography, Henri Cartier-Bresson and Richard Avedon. Both have different theories in doing portrait photography. Conflicts that arise between the two is whether portrait photography should be done naturally or with posing. Of course, both have similarities photographic portraits, which portray someone in a work of portrait photography. This paper will discuss some of the work of portrait photography
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Allen, Joseph R. "Picturing Gentlemen: Japanese Portrait Photography in Colonial Taiwan." Journal of Asian Studies 73, no. 4 (2014): 1009–42. http://dx.doi.org/10.1017/s0021911814000990.

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This essay investigates the conditions of portrait photography in Taiwan during Japanese colonization. After a brief introduction to the theoretical issues concerning the indexical nature of the photograph, I consider the Japanese colonial photographic industry and its products (portraits) in three contexts: the state of photographic technology in the world at that time, the ideological machinery of colonization in Taiwan, and the wider phenomenon of colonial mimicry. In this consideration, I offer a diachronic analysis of photo albums and commercial directories that contain formal portraits o
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Kotliar, Svitlana, and Iryna Zaspa. "Female Portrait in Photography Art: from Authenticity to Modernity." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 1 (2021): 84–96. http://dx.doi.org/10.31866/2617-2674.4.1.2021.235094.

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The purpose of the research is to analyze female photo portrait, the concept of female beauty in photography, the history of the origin and formation of female portrait in photography. Moreover, the aim was to trace the common and distinct features of a female portrait from the past to nowadays. It was decided to establish a role of female photo portrait in the art of photography, to prove its peculiarity and importance. The research methodology consists of the following parts: theoretical – analysis of the female beauty concept in the photo portrait, history of female portrait development in
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Kotliar, Svitlana, and Iryna Zaspa. "Female Portrait in Photography Art: from Authenticity to Modernity." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 1 (2021): 84–96. https://doi.org/10.31866/2617-2674.4.1.2021.235094.

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<em>The purpose of the research&nbsp;</em>is to analyze female photo portrait, the concept of female beauty in photography, the history of the origin and formation of female portrait in photography. Moreover, the aim was to trace the common and distinct features of a female portrait from the past to nowadays. It was decided to establish a role of female photo portrait in the art of photography, to prove its peculiarity and importance.&nbsp;<em>The research methodology&nbsp;</em>consists of the following parts: theoretical &ndash; analysis of the female beauty concept in the photo portrait, his
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Blanchard, Antoine. "Microhistoire des portraits composites: Le cas Arthur Batut (1846-1918)." REVISTA DE HISTORIOGRAFÍA (RevHisto) 27 (November 27, 2017): 287. http://dx.doi.org/10.20318/revhisto.2017.3975.

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Résumé: A partir d’une enquête portant sur le cas du photographe francais Arthur Batut (1846-1918) qui s’est emparé de la technique du composite portraiture de Francis Galton, nous révélerons dans un premier temps l’importance considérable du portrait photographique dans la constitution, à la fin du XIXe siècle, d’une nouvelle image de soi particulière correspondant à une identité “physicalisée”. Pour ce faire, nous mettrons à l’épreuve les questions et la méthode de la microstoria. Dans un second temps, nous envisagerons la possibilité que la technique historiographique de la microstoria elle
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Vogelsang, Helena. "A Nostalgic Longing for the 20th Century: Past and Present Backdrops and Scenes in the Skylight Studio of Josip Pelikan." Membrana Journal of Photography, Vol. 3, no. 2 (2018): 56–61. http://dx.doi.org/10.47659/m5.056.art.

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Taking a visual stroll down the backdrops and sceneries of the master photographer Josip Pelikan is accompanied by commentary supplied by the Celje Museum of Recent History’s senior educator and carer of Pelikan’s collection, Helena Vogelsang. Painted backgrounds with various motifs used by Pelikan in both portraying and in his everyday work in the studio represent a key part of the photographer’s heritage and are part of a permanent exhibition in a skylight studio. It is the only preserved example of a skylight photo studio from the end of the 19th century in Slovenia. Various backdrops enabl
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Wulan, Evi Retno. "Written Approval for Commercialization of Portrai Photography: A Study of Law No. 28 of 2014 in the context of Improving the Distro Business in Indonesia." IJEBD (International Journal of Entrepreneurship and Business Development) 5, no. 4 (2022): 759–63. http://dx.doi.org/10.29138/ijebd.v5i4.1909.

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Purpose: The purpose of this research is to examine the rules of written approval for the Commercialization of Portrait Photography as contained in Article 12 Paragraph (1) of the Copyright Law No. 28 of 2014 in the context of Improving the Distro Business in Indonesia.&#x0D; Design/methodology/approach: The type of legal research used is normative juridical research. The approach used in this research is the statutory approach and the conceptual approach. The sources of legal materials used in this doctrinal research consist of primary legal materials and secondary legal materials. The collec
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Alù, Giorgia. "Order and otherness in a photographic shot: Italians abroad and the Great War." Modern Italy 22, no. 3 (2017): 291–314. http://dx.doi.org/10.1017/mit.2017.34.

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This article explores the meaning of photographic portraits of First World War Italian migrants, in terms of the tensions that emerge from their visual codes and the extent to which the subject’s interior reality and individuality might emerge from the reassuring surface imagery of photography and war. By analysing photographs of Italian migrants who either joined Italy’s army or enrolled in their adopted country’s army, we can see how the ‘otherness’ of the war – its artificial face of idealised glory, honour, and ordinariness, as presented through the portrait’s aesthetic codes – supplants t
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Shevchenko, Ekaterina Sergeevna. "Premonition of photography: About a strangeness in “The Portrait” by Gogol." Philology. Theory & Practice 17, no. 10 (2024): 3756–62. http://dx.doi.org/10.30853/phil20240531.

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The study aims to identify the characteristics of ekphrasis and intermediality in Nikolai Gogol’s novella “The Portrait”. The research is original in that it builds upon the chain “an icon – a painting” outlined by the researcher V. V. Lepakhin by adding a missing link, “a daguerreotype” (or “a photography”). Although the official date of photography’s invention is considered to be 1839, the image as an exact copy of reality, a certain premonition of photography, plays a significant role in the plot of Gogol’s novella. It was found that N. V. Gogol had a fear of photography as a complete liken
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Kazakevych, Gennadii. "Memory Factories: Professional Photography in Kyiv, 1850-1918." Text and Image: Essential Problems in Art History, no. 1 (2020): 82–101. http://dx.doi.org/10.17721/2519-4801.2020.1.06.

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The article deals with the early history of photographic industry in Kyiv as a complex cultural phenomenon. Special attention is focused on the portrait photography as a ‘technology of memory’. It involves methods of social history of art, prosopography and visual anthropology. The study is based on the wide scope of archival documents, including the correspondence of publishing facilities inspector, who supervised the photographic activity in Kyiv from 1888 to 1909. By the early 20th century, making, collecting, displaying and exchanging the photographic portraits became an important memorial
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Tesi sul tema "Portrait photography"

1

Munsie, Richard. "Intimation of life : photographic portraiture in art." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/719.

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Abstract (sommario):
Photographic artists have a continuing desire to express intimately aspects of their social world through the genre of portraiture. However, in attempting to make known the lives of those around them, portraitists encounter a range of complexities inherent in the representation of the human subject in a two-dimensional visual field. Portraits were initially an indicator of social class until the introduction of photography, when more and more people became involved in their production and ownership. It was at its inception that the photographic portrait assumed conventions consistent with thos
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Kowsar, Shabahang. "L'Art de Paraître dans le Portrait Photographique sous le Second Empire." Thesis, Versailles-St Quentin en Yvelines, 2015. http://www.theses.fr/2015VERS006S.

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L’essor de la photographie au milieu du 19ème siècle est contemporain de changements importants survenus au sein de la société française. A Paris sous le Second Empire, la forte hausse du pouvoir d’achat, due en grande partie aux travaux haussmanniens, influence l’image publique des citadins. La ville et ses grands boulevards offrent aux plus privilégiés la possibilité de se promener, de s’exhiber, de paraître selon certaines normes pour se mettre en lumière. Représentations qui seront ensuite fixées par les artistes : écrivains, peintres, sculpteurs, caricaturistes et photographes, ils concou
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Hacking, Juliet Louise. "Photography personified : art and identity in British photography 1857-1869." Thesis, Courtauld Institute of Art (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266787.

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Makun, Adetoun Jones. "International passports : portrait of the Nigerian diaspora." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002226.

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Abstract (sommario):
International Passports: Portraits of the Nigerian Diaspora considers notions of 'alienation‘ and 'nation-hood‘ through the lens of portraiture. This dissertation addresses issues of identity and representation in a contemporary cultural context as they pertain to the concerns presented through my current visual practice. The paintings that I have produced from 'real‘ life are primarily depictions of Nigerian individuals, friends and acquaintances (professionals and students) residing in Grahamstown, South Africa as temporary or permanent migrants. I reference the mug shot pose of identity doc
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Tran, Michelle. "Standing in the shadow of the moon : a diaristic encounter with identity through my everyday /." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/8531.

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Art and lived experience are the key to my work. Standing in the Shadow of the Moon – A Diaristic Encounter With Identity Through My Everyday is an inquiry into the various possibilities for photography as a diaristic medium that blends the concepts of documentary and tableau photography, whilst exploring my identity. In this mode of expression, my project is an investigation into concepts of self-representation and subjectivity. What does it mean to create an enigmatic series of 'self-portraits' that are focused on those around me, those whom reflect me, but are not me?
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Spenny, Anne M. "Portrait of a young woman /." Online version of thesis, 1989. http://hdl.handle.net/1850/11529.

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Phillips, Michael. "The family album : an extended portrait /." Online version of thesis, 1987. http://hdl.handle.net/1850/8851.

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Carmignac, Ariane-Esther. "Passer le temps. Vies d'une archive photographique contemporaine : l'archivio Graziano Arici." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSES044/document.

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Abstract (sommario):
L’Archivio Graziano Arici est une archive photographique d’un genre résolument singulier ; elle réunit des enjeux et ou assemble des finalités qui ne se rejoignent que partiellement. Archive courante des photographies de Graziano Arici (photographe né en 1949 à Venise, résidant actuellement à Arles, et toujours en activité), fonctionnant comme une base d’images permettant au photographe d’accumuler et de vendre ses productions, elle est aussi, dès le départ, conçue comme une forme-conservatoire destinée, dans son ensemble, par son auteur même, à représenter une époque, à rester comme un témoig
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Pelser, Monique Myren. "Roles : "I am as intently observed as the people photograph"." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1007647.

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Abstract (sommario):
With this dissertation I propose an investigation of how the photographic portrait attempts to construct and confirm identity through the representation of types. Drawing from theoretical texts by Roland Barthes and Robert Sobieszek and engaging with my own process of self-portraiture, as a means of troubling the usual power relations involved between the photographer and the sitter, I will demonstrate the dialectical nature of these roles involved in photographic portraiture. Looking at Pieter Hugo's portraits of judges in Botswana permits me to deal with issues of masquerade and how fashions
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Cleveland, Larissa. "Collector : collection/possession/persona /." Online version of thesis, 2008. http://hdl.handle.net/1850/6186.

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Libri sul tema "Portrait photography"

1

Herrmann, Frank. Portrait photography. Oxford Illustrated, 1988.

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Gilissen, Maria. Portrait photography. Arnolfini Gallery, 1988.

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Gilissen, Maria. Portrait-photography. Arnolfini Gallery, 1988.

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Gilissen, Maria. Portrait-photography. Arnolfini Gallery, 1988.

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Peter, Weiermair, ed. Portraits: Das Portrait in der zeitgenössischen Photographie = Portraits in contemporary photography = Le portrait dans la photographie contemporaine. Edition Stemmle, 1989.

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Tim, Meyer, ed. The portrait: Understanding portrait photography. Rocky Nook, 2009.

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Rand, Glenn. The portrait: Understanding portrait photography. Rocky Nook, 2010.

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Rand, Glenn. The portrait: Understanding portrait photography. 2nd ed. Rocky Nook, 2014.

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Rand, Glenn. The portrait: Understanding portrait photography. Rocky Nook, 2009.

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Rand, Glenn. The portrait: Understanding portrait photography. Rocky Nook, 2010.

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Capitoli di libri sul tema "Portrait photography"

1

Hood, Stephanie L. "Science, Photography, and Objectivity? Exploring Nineteenth-Century Visual Cultures through the HMS Challenger Expedition (1872–1876)." In Scientific Visual Representations in History. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-11317-8_9.

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AbstractPreparing to set off from England in 1872 on an oceanographic expedition around the globe, the officers and crew of HMS Challenger gathered on board the ship for a photographic portrait. It was one of the first photographs of crew on a scientific voyage of exploration ever taken. Over eight hundred photographs were taken or acquired on the Challenger in addition to drawings and paintings. This chapter uses these photographs to reexamine Daston and Galison’s theory that photography was successful in nineteenth-century science on account of its perceived “objectivity” as an epistemic ide
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Raymond, Claire. "Self-Portrait Performance." In The Selfie, Temporality, and Contemporary Photography. Routledge, 2021. http://dx.doi.org/10.4324/9780429319044-8.

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Skopin, Denis. "“Portrait” Criminal Cases." In Photography and Political Repressions in Stalin's Russia. Routledge, 2022. http://dx.doi.org/10.4324/9781003184744-3.

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Skopin, Denis. "The Group Portrait." In Photography and Political Repressions in Stalin's Russia. Routledge, 2022. http://dx.doi.org/10.4324/9781003184744-4.

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Druker, Elina. "Chapter 8. In and out of focus." In Children’s Literature, Culture, and Cognition. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.08dru.

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Anna Riwkin was a Russian-Swedish photographer who contributed significantly to the growing use of photographs in children’s picturebooks during the second half of the twentieth century. This chapter investigates the photographic techniques and genres in Riwkin’s works for children. Using a selection of reportage portraits and photo books by her as a starting point, the chapter discusses the relationship between words and images in photo narratives for children. During the early part of her career, Riwkin specialized in portraits and dance photography and during the 1930s, she added journalist
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Kümmerling-Meibauer, Bettina, and Jörg Meibauer. "Chapter 10. Portrait of the child as a socialist." In Children’s Literature, Culture, and Cognition. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.10kum.

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This chapter focuses on portraits of children in three photographic picturebooks from the German Democratic Republic (GDR). While these picturebooks draw largely on modernist photography in the postwar period, they also react sensitively to ideological demands from the official state authorities. To demonstrate this influence, this chapter exemplifies that these photobooks represent different aesthetic and ideological strategies. While Bullermax (1964) by Edith Rimkus and Horst Beseler is an exemplar of a poetic strategy and Matti im Wald (Matti in the Forest, 1966) by the same couple represen
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Tummers, Anna, Arie Wallert, Robert G. Erdmann, et al. "Case Study 4: Frans Hals & Co: the Civic Guard Portraits and the Attribution of The Meagre Company." In Cultural Heritage Science. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-59489-2_6.

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AbstractThis study concerns Hals’s civic guard portraits, his largest and most prestigious commissions. All five Haarlem civic guard portraits, which were completed under Hals’s supervision, are studied in depth (using super-high-resolution photography, MA-XRF scans and infrared reflectography), as well as a contested Amsterdam civic guard portrait, The Meagre Company. That last work was begun by Hals and – because of a conflict with his patrons - eventually finished by another painter, Pieter Codde (1599–1678). Hals experts have long disagreed about the exact extent of Hals’s and Codde’s cont
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Sarvas, Risto, and David M. Frohlich. "The Portrait Path (ca. 1830s–1890s)." In From Snapshots to Social Media - The Changing Picture of Domestic Photography. Springer London, 2011. http://dx.doi.org/10.1007/978-0-85729-247-6_3.

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Kwon, Heangga. "Royal Propaganda and National Identity in Emperor Gojong's Portrait Photography." In Interpreting Modernism in Korean Art. Routledge, 2021. http://dx.doi.org/10.4324/9780429351112-8.

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Chiu, Chuan-Feng, Chun-Hong Huang, Hsiang-Chieh Tseng, Pei-Jung Wu, Wei-Sheng Lin, and Hsiang-Min Peng. "The Design of Portrait Photography Guiding System Using VGG16 Model." In Lecture Notes in Electrical Engineering. Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-96-2395-2_27.

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Atti di convegni sul tema "Portrait photography"

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Gao, Shiqi, Huiyu Duan, Qihang Xu, et al. "Perceptual Skin Tone Color Difference Measurement for Portrait Photography." In 2024 IEEE International Conference on Visual Communications and Image Processing (VCIP). IEEE, 2024. https://doi.org/10.1109/vcip63160.2024.10849890.

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Yang, He. "Illusion of Portrait Photography." In 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.113.

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Song, Xue, Jiawei Pan, Fuzhang Wu, and Weiming Dong. "Optimal Composition Recommendation for Portrait Photography." In SA '22: SIGGRAPH Asia 2022. ACM, 2022. http://dx.doi.org/10.1145/3550082.3564206.

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Beretta, Giordano B. "Professional portrait studio for amateur digital photography." In Photonics West '98 Electronic Imaging, edited by Giordano B. Beretta and Reiner Eschbach. SPIE, 1998. http://dx.doi.org/10.1117/12.298305.

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Liu, Yunfei, Sijia Wen, and Feng Lu. "3D Photography with One-shot Portrait Relighting." In 2021 IEEE International Symposium on Mixed and Augmented Reality Adjunct (ISMAR-Adjunct). IEEE, 2021. http://dx.doi.org/10.1109/ismar-adjunct54149.2021.00038.

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Gounari, Dimitra, and Agnes Papadopoulou. "DIGITAL APPLICATIONS FOR TEACHING BLACK AND WHITE PHOTOGRAPHY: THE CASE OF PORTRAIT PHOTOGRAPHY." In 16th annual International Conference of Education, Research and Innovation. IATED, 2023. http://dx.doi.org/10.21125/iceri.2023.1702.

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Kim, Jee Hong. "A method to modify images to compensate for non-uniform flash illumination in group portrait photography." In Digital Photography II. SPIE, 2006. http://dx.doi.org/10.1117/12.650460.

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Wortzel, Sasha, Magdalena Hutter, and Gillie Kleiman. "Fat on Film (symposium)." In 10th Annual International Weight Stigma Conference. Weight Stigma Conference, 2024. https://doi.org/10.31076/2024.s1.

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1. How to Carry Water – short hybrid documentary This punk rock fairytale doubles as a portrait of Shoog McDaniel — a fat, queer, and disabled photographer working in and around northern Florida’s vast network of freshwater springs, the state’s source of precious drinking water. For over a decade, Shoog’s photographs have transformed the way fat people view themselves and how a fat phobic society views fat bodies. Bringing Shoog’s photography to life, the film immerses audiences in a world of fat beauty and liberation, one in which marginalized bodies — including bodies of water — are sacred.
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He, Xiaojiao. "Automatic Recognition System of Landscape Portrait Photography on Account of AI." In APIT 2023: 2023 5th Asia Pacific Information Technology Conference. ACM, 2023. http://dx.doi.org/10.1145/3588155.3588179.

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Wang, Ziyu, Liao Wang, Fuqiang Zhao, Minye Wu, Lan Xu, and Jingyi Yu. "MirrorNeRF: One-shot Neural Portrait Radiance Field from Multi-mirror Catadioptric Imaging." In 2021 IEEE International Conference on Computational Photography (ICCP). IEEE, 2021. http://dx.doi.org/10.1109/iccp51581.2021.9466270.

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Rapporti di organizzazioni sul tema "Portrait photography"

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Visa Barbosa, M., T. Serés Seuma, and J. Soto Merola. From the family portrait to the profile picture. Uses of photography in the Facebook social network. Revista Latina de Comunicación Social, 2018. http://dx.doi.org/10.4185/rlcs-2018-1278en.

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Connell, Sean D. Geologic map of the Albuquerque - Rio Rancho metropolitan area and vicinity, Bernalillo and Sandoval counties, New Mexico. New Mexico Bureau of Geology and Mineral Resources, 2008. http://dx.doi.org/10.58799/gm-78.

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Abstract (sommario):
This is the most comprehensive compilation of the geology of the Albuquerque Basin to be printed in 30 years. The area covered by this new compilation, though not as large as the earlier map, is presented at a scale nearly four times the detail (1:50,000 scale compared to the earlier map's 1:190,000 scale). This new geologic map is a compilation of sixteen 7.5-min USGS quadrangle maps and encompasses an area from Tijeras Arroyo on the south to Santa Ana Mesa north of Santa Ana and San Felipe Pueblos, and from the crest of the Sandia Mountains westward across the Rio Grande and onto the Llano d
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GOLS for Development. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0006221.

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Abstract (sommario):
Gols for Development, an exhibition organized by the IDB Cultural Center, is a history of sport-based and cultural development. The figures of our idols and our people, portraits in art and photography, inspire us to creat an ever-more-level socioeconomic playing field.
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