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Tesi sul tema "Portraits"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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1

Shininger, Soni. "Portraiture : the self as art." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864932.

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Abstract (sommario):

The purpose of this project was to find out what it is about the self that deserves to be depicted in a work of art; what other artists have done in selfportraiture that may help me in my efforts; and what my own contribution to the history of self-portraiture could be. Self-portraiture is significant in its ability to serve as a personal platform to define the artist's life and relationships with society as well as other individuals. Many times selfportraiture becomes a visual self-search to recognize our own characteristics and traits that make us complete individuals. I investigated the his

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2

Arnold, J. David. "Naked portraits : figures in oil." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864927.

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The purpose of this project is to create a group of paintings/portraits of two close friends, using the medium of oil bars on gessoed paper. This medium will be explained in the text of the paper. The paintings were an attempt to describe aspects of personality that I see in my friends, their own personal struggles and victories. I observed these changes first hand. I told the story of these changes, as they evolved, in the paintings.The six paintings explore the naturalistic style which is new for me. It will open other avenues of visual expression. It was necessary for me to spend time in re

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3

Richardson, Elaine M. "Portraits-within-Portraits: Immortalizing the Dutch Family in Seventeenth-Century Portraits." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212088663.

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4

Richardson, Elaine May. "Portraits within portraits immortalizing the Dutch family in seventeenth-century portraits /." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1212088663.

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Thesis (M.A.)--University of Cincinnati, 2008.<br>Advisor: Diane Mankin. Title from electronic thesis title page (viewed Feb. 24, 2010). Includes abstract. Keywords: Family Portraits; Dutch; Seventeenth Century; Jan Miense Molenaer; Jacob Ochtervelt; transience; harmony; prosperity. Includes bibliographical references.

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5

Ilmudeen, Jafeen S. "Portraits." Cleveland, Ohio : Case Western Reserve University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=case1239824184.

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6

Bontorno, Nicholas J. "Portraits." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3267.

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This paper is a documentation of and supplement to my thesis project, which is on display in the Harold B. Lee Library Auditorium Gallery from April 2 - May 25, 2012. The seven paintings on display are included in this report are found on the following pages: Leann (18”x 24”) …………………………………………………………..9 Claire (28”x 36”) …………………………………………………………..10 Janell on a Couch (48”x 60”) ……………………………………………..11 My Dad in Winter (84”x 96”) ……………………………………………..13 Mel in Springtime (84”x 96”) ……………………………………………..14 Man on a Horse (48”x 60”) ………………………………………………..15 Danny Holding a Cat by the Ocean (28”x 36”) …………………

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7

Munsie, Richard. "Intimation of life : photographic portraiture in art." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/719.

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Abstract (sommario):

Photographic artists have a continuing desire to express intimately aspects of their social world through the genre of portraiture. However, in attempting to make known the lives of those around them, portraitists encounter a range of complexities inherent in the representation of the human subject in a two-dimensional visual field. Portraits were initially an indicator of social class until the introduction of photography, when more and more people became involved in their production and ownership. It was at its inception that the photographic portrait assumed conventions consistent with thos

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8

Grinchtein, Olga. "Portraits of Sculptors in Modernism." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-443240.

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The portrait of sculptor emerged in the sixteenth century, where the sitter’s occupation was indicated by his holding a statue. This thesis has focus on portraits of sculptors at the turn of 1900, which have indications of profession. 60 artworks created between 1872 and 1927 are analyzed. The goal of the thesis is to identify new facets that modernism introduced to the portraits of sculptors. The thesis covers the evolution of artistic convention in the depiction of sculptor. The comparison of portraits at the turn of 1900 with portraits of sculptors from previous epochs is included. The the

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9

Tahir, M. Zaki. "Nationalistic portraits." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1318950065.

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10

CALLAHAN, DUSTIN LEE. "URBAN PORTRAITS." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179519705.

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11

Schmitz, Matthew W. "Extended portraits /." Click here to view, 2009. http://digitalcommons.calpoly.edu/artsp/14.

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Abstract (sommario):

Thesis (B.F.A.)--California Polytechnic State University, 2009.<br>Project advisor: Eric Johnson. Title from PDF title page; viewed on Jan. 12, 2010. Includes bibliographical references. Also available on microfiche.

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12

Richardson, Alice. "Judging portraits." Thesis, https://www.youtube.com/watch?v=L6rCL7Dcm8w&index=9&list=PLdn0giYPTOk3y2B2KL2jtS6mHvMPFdj7u, 2014. http://hdl.handle.net/1885/13635.

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13

Haak, Christina. "Das barocke Bildnis in Norddeutschland : Erscheinungsform und Typologie im Spannungsfeld internationaler Strömungen /." Frankfurt am Main : P. Lang, 2001. http://catalogue.bnf.fr/ark:/12148/cb39164567n.

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14

Boswell, Timothy. "Portraits: A Collection." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28396/.

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Abstract (sommario):

This collection consists of a critical preface and five short stories. The preface analyzes what it terms 'fringe fiction,' or stories dealing with elements that are improbable or unusual, though not impossible, as it distinguishes this category from magical realism and offers guidelines for writing this kind of fiction. The short stories explore themes of attachment, loss, guilt, and hope. Collection includes the stories "Portrait," "Dress Up," "Change," "Drawn Onward, We Few, Drawn Onward," and "Broker."

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15

Shain, Jeanne Ungemach. "Portraits in flight /." Online version of thesis, 1996. http://hdl.handle.net/1850/11905.

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16

Cowan, Lee R. "24 Hour Portraits." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2150.

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I believe an individual can be profiled by their color preferences, but not indefinitely, for a shorter period of time, a 24-hour period of time. A person's state of mind will change continually based on their experiences. These experiences will affect their perception and preference of color. I developed a model that will map an individual's profile, a portrait, through color. Participants are given a worksheet and a list of terms describing personality traits and states of mind. The worksheet is categorized by event, time of day, duration, impact, and summed term. From midnight to midnight,

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17

Makun, Adetoun Jones. "International passports : portrait of the Nigerian diaspora." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002226.

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Abstract (sommario):

International Passports: Portraits of the Nigerian Diaspora considers notions of 'alienation‘ and 'nation-hood‘ through the lens of portraiture. This dissertation addresses issues of identity and representation in a contemporary cultural context as they pertain to the concerns presented through my current visual practice. The paintings that I have produced from 'real‘ life are primarily depictions of Nigerian individuals, friends and acquaintances (professionals and students) residing in Grahamstown, South Africa as temporary or permanent migrants. I reference the mug shot pose of identity doc

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18

Kattan, Naïm. "Portraits of a country, traduction de Portraits d'un pays de Naïm Kattan." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq21777.pdf.

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19

Kerr, Thomas. "Portraits of a country : traduction de Portraits d'un pays de Naïm Kattan." Mémoire, Université de Sherbrooke, 1996. http://savoirs.usherbrooke.ca/handle/11143/2008.

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Abstract (sommario):

Portraits d'un pays, de Naim Kattan, est un ouvrage qui donne aux lecteurs un aperçu à la fois intime et humoristique sur les vies et carrières de certaines figures de proue canadiennes et Québécoises des derniers quarante ans. En traduction, cet aperçu sera également apprécié par un public anglophone. Le traducteur qui se voit confronté à un tel ouvrage sentira, il va sans dire, le besoin d'en produire une version anglaise qui rencontre toutes les exigences d'un lecteur minutieux, la plus parfaite limpidité quant à la langue et la plus nette fidélité quant au contenu. Les portraits en questio

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20

Moisan-Dufour, Olivier. "Portraits de l'objet abstrait." Master's thesis, Université Laval, 2019. http://hdl.handle.net/20.500.11794/37728.

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Abstract (sommario):

356181\u Ce mémoire est une réflexion philosophique sur l’infini et l’indéfini, champ de recherche en arts visuels en relation avec ma pratique personnelle. Je vous propose une recherche basée sur les enjeux impliqués dans la construction, la présentation et la représentation de mes œuvres produites au cours de ma maîtrise, soit de 2017 à 2019. Ce projet d’écriture accompagne l’exposition «Reproduire l’improbable », qui a pour but d’amplifier l’appréciation de l’objet abstrait en présentant son portrait en peinture.

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21

Lim, Doris. "Twenty-Four Self-Portraits." PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/2087.

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Abstract (sommario):

These are twenty-four exercises in personal writing that observe an anonymous self in the apartment, who is writing, or reading, or looking at mundane things. The exercises are collected in four sections registering different iterations in self-recognition, as the anonymous, closely observed, changes from a shared commonplace to the particular and personal state. The exercises use prose paragraphs, lineation, and figures as a private methodology into the problem of writing: learning to see the self, thinking on the page, as a thing made from words.

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22

Pratt, Sarah Jane. "Personal memory and the negotiation of identity : a self portrait." Master's thesis, University of Cape Town, 1998. http://hdl.handle.net/11427/26143.

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Abstract (sommario):

The first section of this paper surveys the differing characteristics of memory, its fragmentary qualities, its constant negotiation within the present, its personalised form and its links to identity-formation and construction. Concepts of continuity, stabilising identity within the present, and their corresponding memory-related problems are discussed. Photographs are looked at in relation to memory as well as for their ability to inform or influence individual identity. References to the multi-faceted information that is unconsciously assimilated from multi-media sources in today's society,

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23

Dufour, Hélène. ""Portraits, en phrases" : les recueils de portraits littéraires de Sainte-Beuve à Mallarmé." Paris 8, 1994. http://www.theses.fr/1994PA080883.

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Abstract (sommario):

Il existe au xixeme siecle un ensemble tres riche de recueils de "portraits litteraires" ou portraits ecrits d'ecrivains par d'autres ecrivains: de sainte-beuve a mallarme, nos recherches nous ont permis de recenser plus d'une centaine d'auteurs, illustres et inconnus, et plus du double de recueils de "portraits en pied" ou "medaillons". Ces portraits litteraires, avant de connaitre une consecration par le livre, constitutaient une des rubriques les plus populaires des journaux. Ils prennent les formes litteraires les plus variees, du simple billet boulevardier a la prose la plus travaillee, d

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24

Lamm, Kimberly Kay. "Composing and contesting the space of visibility : literary and visual portraiture in nineteenth- and early twentieth-century American culture /." Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/9340.

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25

Jaeggi, Othmar. "Die griechischen Porträts : Antike Repräsentation - Moderne Projektion /." Berlin Reimer, 2008. http://d-nb.info/986863106/04.

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26

Martin, Kendra K. "Portraits of street corner culture." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq23155.pdf.

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27

Urquidi, Nicole Lauren. "Cindy Sherman| Portraits in question." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1527024.

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<p> Since her <i>Untitled Film Stills</i> of the 1980s, Cindy Sherman has assumed the roles of artist and model to present a continuum of complex female personas that are embedded within our cultural unconscious. Though we are often reminded that her photographs are not self-portraits, Sherman continues to employ many stylistic conventions of portrait photography. I use this as a means to re-contextualize Sherman's practice within a critical study of portrait photography that will open up new possibilities in reading her work. Using the photographic index, Charles Sanders Peirce's classificati

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28

Dragulescu, Alexandru C. "Data portraits : aesthetics and algorithms." Thesis, Massachusetts Institute of Technology, 2009. http://hdl.handle.net/1721.1/55188.

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Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2009.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 91-93).<br>While interacting online, one generates a multitude of personal data trails, both textual and behavioral. The data portrait is a way to collect, condense and represent these information trails, which are often time consuming and tedious to find and grasp when read linearly across web pages or domains, into an easy, legible, and compelling visualization. This thesis pres

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29

Jurus, Richard E. II. "Portraits from the dark lodge." The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1321985801.

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30

Lamirault, Guillaume. "Portraits moléculaires des pathologies cardiaques." Nantes, 2007. http://archive.bu.univ-nantes.fr/pollux/show.action?id=b37dda3d-31e3-4879-ad15-b9637ec0d705.

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Abstract (sommario):

Les pathologies cardiaques représentent une cause majeure de morbidité et de mortalité. L'achèvement du séquençage du génome humain a permis le développement de nouvelles approches des maladies comme les études d'expression génique. Au moyen de puces à ADN, les travaux de cette thèse se sont centrés sur l'étude des variations transcriptomales survenant dans l'insuffisance cardiaque et la fibrillation auriculaire chez l'homme. Un profil d'expression génique permettant de prédire le niveau de sévérité clinique des patients en insuffisance cardiaque avancée a été identifié et pourrait servir de b

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31

Lamirault, Guillaume Houlgatte Rémi Steenman Marja. "Portraits moléculaires des pathologies cardiaques." [S.l.] : [s.n.], 2007. http://castore.univ-nantes.fr/castore/GetOAIRef?idDoc=50756.

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32

James, Courtni Elizabeth. "Grand tour portraits of women." Connect to resource, 2001. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1142015848.

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33

Zehm, Ursula. "Die Geschichte des Doppelstandbildes : im deutschsprachigen Raum bis zum 1. Weltkrieg, mit beschreibendem Katalog /." Weimar : VDG, Verlag und Datenbank für Geisteswissenschaften, 1995. http://catalogue.bnf.fr/ark:/12148/cb40921935t.

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34

Blizzard, Allison. "Portraits of the 20th century self : an interartistic study of Gertrude Stein's literary portraits and early modernist portraits by Paul Cézanne, Henri Matisse and Pablo Picasso /." Frankfurt am Main : P. Lang, 2004. http://catalogue.bnf.fr/ark:/12148/cb392447627.

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35

Pelser, Monique Myren. "Roles : "I am as intently observed as the people photograph"." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1007647.

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With this dissertation I propose an investigation of how the photographic portrait attempts to construct and confirm identity through the representation of types. Drawing from theoretical texts by Roland Barthes and Robert Sobieszek and engaging with my own process of self-portraiture, as a means of troubling the usual power relations involved between the photographer and the sitter, I will demonstrate the dialectical nature of these roles involved in photographic portraiture. Looking at Pieter Hugo's portraits of judges in Botswana permits me to deal with issues of masquerade and how fashions

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36

Piekarski, Dirk. "Anonyme griechische Porträts des 4. Jhs. v.Ch. : Chronologie und Typologie /." Rahden/Westfalen : M. Leidorf, 2004. http://catalogue.bnf.fr/ark:/12148/cb39276231p.

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Texte remanié de: Inaug.-Diss.--Philosophische Fakultät--Bonn--Rheinische Friedrich-Wilhelms-Universität, 2003. Titre de soutenance : Studien zu anonymen griechischen Porträts des 4. Jhs. v. Chr.<br>Notes bibliogr. Résumé en allemand et en anglais.

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37

Roberts, Hayden. "Portraits and Landscapes in Family Narrative." TopSCHOLAR®, 1998. http://digitalcommons.wku.edu/theses/330.

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This thesis works from my interest in how individual perspectives affect family narratives and constructions of family history. Narrative exists chiefly in story form, but it also exists in people's mind, helping them to understand material culture, customs, and other forms of folk expression. These folk ideas define us and bind us socially. The way we arrange things in our minds, make sense of life experiences and the narratives we about create these experiences, define our social ties, such as family. Before one can understand the collective or group perception of itself, one must understand

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38

Harvey, Sara. "DIVERS PORTRAITS : ÉTUDE ET ÉDITION CRITIQUES." Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25809/25809.pdf.

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39

Chung, Sung-Woo. "Jewish portraits of Jesus in Romans." Thesis, University of Sheffield, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289635.

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40

Phillips, Jolyn. "Let’s go home: Stories and portraits." University of the Western Cape, 2014. http://hdl.handle.net/11394/6485.

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Magister Artium - MA<br>Let's Go Home encompasses thirteen short stories inspired by the Coloured fishing community of Blompark in Gansbaai. These stories embody a range of voices and perspectives, some contemporary, some set in the past thirty to forty years, each of which attempts to represent the lives, loves and losses of a rural community that too often has found itself at the margins of society and ignored by literary representations. Themes explored include traumaphysical, psychological and spiritual. Some of these traumas are linked to the legacies of Apartheid: For example, my s

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41

Murmann, Lukas. "Computational bounce flash for indoor portraits." Thesis, Massachusetts Institute of Technology, 2017. http://hdl.handle.net/1721.1/111928.

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Thesis: S.M., Massachusetts Institute of Technology, Department of Electrical Engineering and Computer Science, 2017.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 31-33).<br>Portraits taken with direct flash look harsh and unflattering because the light source comes from a small set of angles very close to the camera. Advanced photographers address this problem by using bounce flash, a technique where the flash is directed towards other surfaces in the room, creating a larger, virtual light source that can be cast from different directions to provide b

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42

Waterhouse, Joanne Caitlyn. "School leadership in context : three portraits." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610771.

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43

Choi, Bong-lim. "Portraits de mains dans la photographie." Paris 1, 1998. http://www.theses.fr/1998PA010662.

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Abstract (sommario):

Mes études concernent deux problèmes à travers les portraits de mains dans la photographie : l'un théorique l'autre historique. Le premier qui a, pourtant, une réelle validité historique consiste à savoir comment la figuration de mains peut entrer dans la définition du genre portrait, en d'autres termes, comment la main peut se substituer au visage. Le second pourrait se formuler de la façon suivante : à quelles conditions historiques et à quelles adhésions de systèmes iconographiques les portraits de mains peuvent-ils se produire? Mes études essaient d'abord de reconstituer la signification d

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44

Walker, William D. "Woven Portraits of Four Youngstown Businessmen." Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1239913345.

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45

Stachowicz, Tamara L. "Melungeon Portraits: Lived Experience and Identity." Antioch University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1382444721.

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46

Watkins, Portia L. "Black Women Faculty: Portraits of Othermothering." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535634706111088.

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47

Badea-Päun, Gabriel. "Portraits de société : XIXe - XXe siècles /." Paris : Citadelles & Mazenod, 2007. http://swbplus.bsz-bw.de/bsz275921824inh.pdf.

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48

Tasch, Stephanie Goda. "Studien zum weiblichen Rollenporträt in England von Anthonis van Dyck bis Joshua Reynolds /." Weimar : VDG, 1999. http://catalogue.bnf.fr/ark:/12148/cb39971369n.

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49

Wallis, William Philip. "Ancient portraits of poets : communities, canons, receptions." Thesis, Durham University, 2016. http://etheses.dur.ac.uk/11937/.

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Abstract (sommario):

This thesis examines the ancient sculptural portraits of poets in relation to the literary reception of their works by investigating a range of contexts for, and interactions with, these objects. Contemporary scholarship has found it productive to examine biographical material relating to ancient poets as evidence for early reception. This thesis explores how the ancient portraits of poets take part in the constructions of these authors, and how they are integrated into the reception of ancient poetry. Recent scholarship has cast doubts over the methodologies conventionally used to relate port

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50

Will, Constance Irene. "Portraits of nursing knowledge, contemplating nurses' lives." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ58909.pdf.

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