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1
Smith, Cathy, e Vanessa Whittem. "Symposium Vacancy and Preservation: Architecture of the Post-industrial Community". Fabrications 28, n. 2 (4 maggio 2018): 279–81. http://dx.doi.org/10.1080/10331867.2018.1469085.
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Zimpel, Jadwiga. "New landscapes of the post-industrial city". Polish Journal of Landscape Studies 2, n. 4-5 (31 luglio 2019): 87–98. http://dx.doi.org/10.14746/pls.2019.4.5.8.
Testo completoAbstract (sommario):
This paper attempts to analyze modern urban space in the context of intercepting the effects of biopolitical production by means of a conceptual apparatus taken from urban landscape studies. Among the discussed sections of urban space, which illustrate the issue undertaken in this text, there are first and foremost places that focalize and intertwine practices of urban design, landscape architecture, design and media initiated by local governments, institutions, and private investors. All of these practices strive to create a new type of urban landscapes, characterized by their simultaneous functioning as sights and as “urban stages.” Following from the above findings, this paper aims to describe the listed forms of land use in terms derived from cultural concepts of landscape, considering the latter to be a useful tool for explaining the relations between modern urban subjects and the environment they exist in.
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Scharoun, Lisa, e Carlos Montana Hoyos. "Nature in Repurposed Post-industrial Environments". International Journal of Architectonic, Spatial, and Environmental Design 6, n. 3 (2013): 25–35. http://dx.doi.org/10.18848/2325-1662/cgp/v06i03/38338.
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Brennan, AnnMarie. "Measure, Modulation and Metadesign: NC Fabrication in Industrial Design and Architecture". Journal of Design History 33, n. 1 (19 novembre 2019): 66–82. http://dx.doi.org/10.1093/jdh/epz042.
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Abstract Just as the capabilities of machine tool design influenced the aesthetic form of streamlined industrial design products during the mechanical age, the embedded curves and splines of digital software employed by architects today originated in the offices of automobile and aeroplane manufacturers from the post-war era. The use and reproduction of smooth, curvilinear forms would not appear in the field of architecture until many decades after their development within industrial design. The current relationship between architecture and industrial design is forged through the innovative use of Computer Numerical Control fabrication and the parametric procedures and software invented for its use. This article investigates the history of designing and fabricating complex, curved surfaces in industrial design and architecture in order to establish the technological and theoretical links between these two fields. It involves the transfer of technological knowledge amongst a diverse cast of designers, engineers and architects from multiple continents that took place over a period of 40 years. Moreover, this research claims that the origins of parametric architectural design can be found in this moment of developing and programming numerically controlled machines.
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Gu, Y. "A post-industrial paradigm for sustainable architecture via an open system model". International Journal of Design & Nature and Ecodynamics 7, n. 1 (30 marzo 2012): 48–66. http://dx.doi.org/10.2495/dne-v7-n1-48-66.
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Gu, Y. "A post-industrial paradigm for sustainable architecture via an open system model". International Journal of Design & Nature and Ecodynamics 7, n. 1 (30 marzo 2012): 49–67. http://dx.doi.org/10.2495/dne-v7-n1-49-67.
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Bocharnikova, Daria. "The NER project: a vision of post-industrial urbanity from post-Stalin Russia". Journal of Architecture 24, n. 5 (4 luglio 2019): 631–54. http://dx.doi.org/10.1080/13602365.2019.1667401.
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Nair, Janaki. "Past Perfect: Architecture and Public Life in Bangalore". Journal of Asian Studies 61, n. 4 (novembre 2002): 1205–36. http://dx.doi.org/10.2307/3096440.
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“In the city,” says carl schorske, writing of Vienna at the turn of the twentieth century, “… the truth of industrial and commercial society had to be screened in the decent draperies of pre-industrial artistic styles. Science and law were modern truth, but beauty came from history” (1981, 45). Quotations from the past were equally the mark of architectural styles that were forged in colonial and postcolonial societies, as history became a resource for defining new ideals of beauty. If the retreat into (classical European) history was a striking feature of public architecture in colonial India (Evenson 1989, 99–109), an attempt to command a long and respectable lineage of authority equally marked the efforts of Indian nationalists in the early post-independence period.
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Wang, Jianguo, e Jiang Nan. "Conservation and adaptive-reuse of historical industrial building in China in the post-industrial era". Frontiers of Architecture and Civil Engineering in China 1, n. 4 (ottobre 2007): 474–80. http://dx.doi.org/10.1007/s11709-007-0064-5.
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Cao, Jun, e Ye Lin. "Sustainable City Growth New Models for the Post-Industrial City". Applied Mechanics and Materials 513-517 (febbraio 2014): 2778–81. http://dx.doi.org/10.4028/www.scientific.net/amm.513-517.2778.
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This paper reports on research in the area of Green Urbanism and new models for urban growth and neighborhoods, as cities need to transform from a fossil-based model to a model based on sustainable energy sources. The paper deals with cross-cutting issues in architecture, landscape architecture and urban design and addresses the question of how we can best cohesively integrate all aspects of energy systems, transport systems, waste and water management, passive and active strategies, natural ventilation and so on, into contemporary urban design of Eco-Cities with an improved environmental performance of cities. This text reflects upon practical strategies focused on increasing sustainability beyond and within the scope of individual buildings and provides a context for a general discourse about the regeneration of the city centre, its transformation to a sustainable model, and discusses how urbanism is affected (and can be expected to be even more affected in future) by the paradigms of ecology. Recent examples for the application of such urban design principles are the two proposals for the Australian city of Newcastle: the City Campus and Port City projects. These case studies illustrate that it is less environmentally damaging to stimulate growth within the established city centre rather than sprawling into new, formerly un-built areas. Three steps from passive building design to active mechanical equipment. The designer needs to take full advantage of basic, passive building strategies first, before adding mechanical active equipment. Motto: More with less. The entire urban metabolism is based on energy supply. However, a new symbiosis between countryside and city is emerging: The century-old tension between rural and urban might finally get resolved, where the city stops to grow at the expense of its rural hinterland.
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Holland, Jessica, e Iain Jackson. "A Monument to Humanism: Pilkington Brothers’ Headquarters (1955–65) by Fry, Drew and Partners". Architectural History 56 (2013): 343–86. http://dx.doi.org/10.1017/s0066622x00002537.
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The architect Maxwell Fry (1899–1987) is widely recognized as one of the key protagonists in the development of Modernist architecture in Britain. Discussion of this role perhaps inevitably tends to focus on Fry's early involvement in the Modern Architectural Research (MARS) Group and his inter-war work, particularly his prestigious partnership with the Bauhaus-founder Walter Gropius. Post-war, emphasis shifts to Fry's advancement of ‘Tropical Architecture’ in former British colonies with his wife and partner, the architect Jane Drew (1911–96). Despite a string of important commissions on home soil, their post-war work in Britain has been sidelined due to a historical narrative focused on the rise of ‘New Brutalism’. This article contributes to a reassessment of Fry, Drew and Partners’ work in 1950s and 1960s Britain. It uses the Pilkington Brothers’ Headquarters (1955–65) in St Helens as a case study to examine post-war industrial patronage and how this affected the architectural approach of the project's lead designer, Maxwell Fry. In particular, it investigates his background in civic design at Charles Reilly's Liverpool School of Architecture. Furthermore, it examines Fry's reassessment of pre-war Modernist theory and practice during the mid-1950s and his response to the younger generation of MARS members, such as the Smithsons and Denys Lasdun.
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Mikhailova, Aleksandrina, Sergey Mikhailov, Lilia Khousnutdinova, Anastasia Ibragimova e Maksim Belov. "National and international components in contemporary architecture and design". E3S Web of Conferences 274 (2021): 01003. http://dx.doi.org/10.1051/e3sconf/202127401003.
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The article examines one of the unique aspects of design – the national component. The history of design demonstrates to us the importance of the national component in the formation of object-based shaping, its development in the industrial and post-industrial eras. In the conditions of post-industrial design, the role of the national component is growing and is increasingly revealed in its various directions, from object design to design of the urban environment. Through the prism of the interaction between national and international components in design, we can scrutinise design’s entire history. Using specific examples, applying phenomenal-geographical and synergetic approaches, the authors formulate the main models of the evolution of the national component in the design of different countries. As a result, 6 models of interaction of the national and international components in the subject design of the twentieth century were identified. They are «the constant of the national component», «transformation (expansion) of the national component into the international», «synchronization of the national and international components», «replacement of the national component with the international», «conglomeration of international and national components», «autonomy of national and international components». Graphic visualizations of models of countries – design nations are presented on the example of Japan, USA, Germany, Italy and Scandinavia.
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Chang, Qing. "Architectural Models and Their Contexts in China’s 20th-Century Architectural Heritage: An Overview". Built Heritage 3, n. 4 (dicembre 2019): 1–13. http://dx.doi.org/10.1186/bf03545715.
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AbstractThe article explores the morphological evolution of China’s 20th-century architecture chronologically. Chinese Neoclassicism has played a major role in forming the 20th-century heritage buildings surviving today. The phenomenon of Neoclassicism emerged because of the late arrival of China’s modernisation and industrialisation process compared with the West. In turn, in accepting and contesting Western culture, the Chinese elite have consciously relied upon architecture as a vehicle to uphold visible symbols of national Chinese identity and traditional Chinese culture. Meanwhile, in the foreign settlements of the treaty ports such as Shanghai, the Western Neoclassical style, along with other imported construction trends, also forms part of China’s 20th-century architectural heritage. Western Neoclassicism’s influence on China’s new architecture became even more evident in the mid-20th century, with the modern architectural heritage in Tiananmen Square as its exemplar. Nevertheless, the impact of Western modernist architecture on China’s architecture was minimal. It was not until the 1980s, as China reopened to the world, that various schools of thought from the post-industrial West flowed into China, which significantly enriched the types and sources of China’s 20th-century architectural heritage. Modern Classicism, late Modernism and Postmodernism all found their way into China’s contemporary architecture.
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Beigel, Florian, e Philip Christou. "Time architecture: Stadtlandschaft Lichterfelde Süd, Berlin". Architectural Research Quarterly 3, n. 3 (settembre 1999): 202–19. http://dx.doi.org/10.1017/s1359135500002049.
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This winning design in the 1998 Lichterfelde Süd International Landscape and Urban Design Competition is for the regeneration of a former military training ground on the southern boundary of Berlin. The brief was for a new urbanism of the periphery, with 3200 dwellings on a 115 hectare site. The design is a continuation of research embracing conditions of uncertainty and change on mainly post-industrial or former military sites. It could be described as a fragment of an infrastructural urbanism in preparation for an unpredictable diversity of architectures.
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Cisek, Ewa. "IDEA OF ECOSTRUCTURE IN CONTEMPORARY ARCHITECTURE OF OSLO". Space&FORM 45 (30 marzo 2021): 9–24. http://dx.doi.org/10.21005/pif.2021.45.b-01.
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The revitalization actions carried out in recent years within the urban tissue of Oslo made it possible to generate architectural layouts of a new character known as eco-structures. They are created both in the wharf zones of the city and accompanying natural and artificially formed promontories (Fjordbyen enterprise) as well as in its very centre (Grünerløkke district). These are old closed port and post-industrial areas now transformed into new layouts with residential, service, culture-creating and recreation functions. Frequently shaped on the border of two environments, i.e. urban and water as well as urban and park ones, they create a new quality of architecture making a dialogue with the natural environment and the local ecosystem.
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Sulimowska-Ociepka, Anna. "Glass Structures in Post-Industrial Buildings and the Role of the Industrial Heritage in Shaping Creative Urban Spaces". Civil Engineering and Architecture 9, n. 2 (marzo 2021): 281–92. http://dx.doi.org/10.13189/cea.2021.090202.
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Yermuraki, O. I., e A. S. Rusol. "THE TENDENCY TO USE ADAPTIVE SPACE AS A FEATURE OF POST-INDUSTRIAL SOCIETY". Regional problems of architecture and urban planning, n. 14 (29 dicembre 2020): 96–105. http://dx.doi.org/10.31650/2707-403x-2020-14-96-105.
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The article discusses the technologies and methods for creating universal environment, features of their use and their possibilities of functional extension placement by limited area. The analysis of world experience (Leonardo da Vinci, Galileo Galilei, Robert Fulton, Nikola Tesla, Joan Littlewood, Cederic Price, Larry Bell, Craig Kauffman, Peter Alexander, Mies van Dral Roeta Lille Reich, Dieter Rams). The light effecting on the proportions of the placement. For example of such groups like: Lightand Space, Aqua Creations, Manta Ray Light. The lighting system allows you to add dynamics into the space, expressiveness or isolation. Created an environment which would be change for human need. Use sliding partitions - screens, for example Popup Interactive Apartment is represented by Hyperbody design team from DelftUniversity of Technology. Authors idea is to place all placemant in a room with area of 50 square meters (smart technology) - where you can move not only partitions, but also furniture, which can suit specific human needs. The curtains were expertly fitted into the interior of the Samt & Seide cafe by architects Mies van der Roet Lilly Reich, which was designed for Die Modeder Dame exhibition in Berlin. A space with 300 square meters was zoned with using silk and velvet curtains, which were divided according to their color and height. Examples of flexible space are WAarchi's architectural project: architects have successfully rethought the space of the first building of Taiwan's Chiao Tung University construction school. Also, the article outlines prospect development of adaptive design on architecture and historical background, show the results of the analysis of questions adaptive spaces in the context modern development of society. Studding thematic publications gave it possible to highlighting the main tools dimensional zoning in interior design. Often used by architects and designers: work with light (own lighting, navigation, and communication with the observer); sliding partitions (take up less space in placement and can be transform); color and material (divide space on functional zone); kinetic elements of equipment, which can change their position in space or shape/ Describe the areas of their used on based for examples from world architectural practice, provide them the grade.
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Stone, Sally. "The Haçienda: The Manufactured Image of a Post-industrial City". Interiors 5, n. 1 (marzo 2014): 37–53. http://dx.doi.org/10.2752/204191214x13944457108677.
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Yingying, Jiang, e Jia Beisi. "The Tendency Of “Open Building” Concept in the Post-Industrial Context". Open House International 36, n. 1 (1 marzo 2011): 6–15. http://dx.doi.org/10.1108/ohi-01-2011-b0002.
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When N.J. Habraken proposed the conception of support-infill in housing construction in 1960s, housing issues was centered by drawn material construction and consumption, although the needs of involving in the final occupants' participation emerged. It reflected a transition from the industrial economy to the post-industrial economy. Since the rapid development and evolution in the field of technology and social culture in the last several decades, both the social structure and ideology have been changing. The consumption conception of dwelling has also shifted from physical substance to some invisible items, such as knowledge and service. Therefore, open building, as an architectural design method, should adapt to this situation in its future development. This paper firstly describes the characteristics of the post-industry society. Based on analyzing and summarizing the theories and some examples, this paper tries to re-explain the definition of “flexibility” in the context of the post-industrial society. It concludes that the possible tendency of open building is to establish a service system for future occupants to adapt to the changing living environment in addition to physical changeability of the building.
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Jaśkiewicz, Anna. "Perception of the Łódź Industrial Architecture Route by its inhabitants: An example of social participation in tourism research". Turyzm/Tourism 27, n. 1 (30 giugno 2017): 7–16. http://dx.doi.org/10.18778/0867-5856.27.1.09.
Testo completoAbstract (sommario):
Łódź as a post-industrial city has great potential for post-industrial tourism. An attempt to utilise this has been the creation of the Łódź Industrial Architecture Trail, bringing together buildings related to its industrial past. According to the author, to make the trail a tourist attraction, the first people who should be aware of its value are the city’s inhabitants. The survey confirmed the very important role of social participation in creating the image of a city, and providing the basis for further work on its improvement and promotion. The article does not cover social participation as part of the process of development, but can serve as a contribution to a discussion of the role of a city’s inhabitants in shaping its tourism attractions. At the same time, the article confirms that social participation is an extremely important element of tourism research and forms an introduction to its effective use in practice.
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Jaśkiewicz, Anna. "PERCEPTION OF THE ŁÓDŹ INDUSTRIAL ARCHITECTURE ROUTE BY ITS INHABITANTS: AN EXAMPLE OF SOCIAL PARTICIPATION IN TOURISM RESEARCH". Turyzm 27, n. 1 (26 gennaio 2017): 7–16. http://dx.doi.org/10.1515/tour-2017-0001.
Testo completoAbstract (sommario):
Abstract Łódź as a post-industrial city has great potential for post-industrial tourism. An attempt to utilise this has been the creation of the Łódź Industrial Architecture Trail, bringing together buildings related to its industrial past. According to the author, to make the trail a tourist attraction, the first people who should be aware of its value are the city’s inhabitants. The survey confirmed the very important role of social participation in creating the image of a city, and providing the basis for further work on its improvement and promotion. The article does not cover social participation as part of the process of development, but can serve as a contribution to a discussion of the role of a city’s inhabitants in shaping its tourism attractions. At the same time, the article confirms that social participation is an extremely important element of tourism research and forms an introduction to its effective use in practice.
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Petrovic, Marjan. "Design and functional characteristics of the multi-family housing architecture in the period of mature and late Modern architecture of Nis: Case studies". Facta universitatis - series: Architecture and Civil Engineering 18, n. 2 (2020): 177–93. http://dx.doi.org/10.2298/fuace200927013p.
Testo completoAbstract (sommario):
The topic of this paper is the functional and design characteristics of multifamily (formerly collective) residential buildings created in the post-war period of Modern architecture of Nis. For the post-war period of intensive and mass construction of residential buildings, a time classification of constructed buildings was performed, and they are classified into two categories. The first category includes buildings built in the 1950s, in the period of the ?mature? Modern architecture, which is a continuation of modern architecture of Nis between the two world wars. The second category consists of residential buildings created in the late 1960s and 1970s, in the period of the late (industrial) Modern architecture of Nis. In this paper, two representative examples of residential and commercial buildings from the mentioned periods were selected, both built on the 14. Oktobar square, in the central core of the city of Nis. As typological representatives of the mentioned periodizations of construction, the buildings will be analyzed in the form of two case studies.
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Pszczółkowski, Michał. "Adaptation Problems of the Post Industrial Heritage on the Example of Selected Objects of Bydgoszcz". Civil And Environmental Engineering Reports 22, n. 3 (1 settembre 2016): 145–56. http://dx.doi.org/10.1515/ceer-2016-0043.
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Abstract Post-industrial architecture was until recently regarded as devoid of value and importance due to obsolescence, but this awareness has been a clear change in recent years. The old factories become full-fledged cultural heritage, as evidenced by the inclusion of buildings and complexes of this type in the register of monuments and protected by their conservator. More and more often, therefore, one undertakes revitalization of degraded brownfield sites, and within these treatments - conversion works. Specific issues and problems related to the adaptation of industrial facilities are discussed in the article on the basis of selected examples, completed in recent years in Bydgoszcz.
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Canniffe, Eamonn. "THE MORPHOLOGY OF THE POST-INDUSTRIAL CITY: THE MANCHESTER MILL AS ‘SYMBOLIC FORM’". Journal of Architecture and Urbanism 39, n. 1 (14 aprile 2015): 70–78. http://dx.doi.org/10.3846/20297955.2014.961742.
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The contemporary post-industrial city has developed within a system where every square metre of its area might be assessed for its economic productivity and market value. Retail space, leisure space, even public open space, as well as housing and work environments are quantifiable and comparable in financial terms as the ultimate test of their value. This conception of urban space as units of capital has its origins in the industrial development of centres such as Manchester where, largely unencumbered by earlier urban patterns, the idea of the modern city could thrive. As a ‘shock city’ Manchester, during the peak of its industrial growth in the early nineteenth century was an object of fascination and repulsion to the visitors it attracted. Opinion and rhetoric dominated social economic and political debate but dispassionate spatial analysis was rare. In the view of contemporary authors the town had few significant public spaces, instead being largely comprised of the vast industrial structures that crowded around the roads and canals. The mills were assessed for legal and insurance purposes, however, at a time of rabid competition and the prevalence of industrial accidents. The surveys that have survived provide the first opportunities to assess these examples of new urban space. The image results of a settlement composed of a single type, the mill or warehouse. Ancillary structure, most especially the workers’ housing did not merit recording. In these products of spatial calculation the Manchester mill can be seen to set the pattern both for the productive spaces of industry and the spatial framework of the contemporary city, where the public space is one of consumption rather than community. The supervised and privatised public space of the contemporary city finds its genius loci in the industrial typology of its commercial origins.
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Zhitkova, Natalia. "THE HISTORICAL CONTEXT OF THE FORMATION OF AN ENTERPRISE WITH A STRICT TECHNOLOGICAL REGIME". Current problems of architecture and urban planning, n. 58 (30 novembre 2020): 76–83. http://dx.doi.org/10.32347/2077-3455.2020.58.76-83.
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The study allows us to present the historical conditions for the emergence and development of enterprises of a rigid technological structure in the context of the socio-political processes of the post-war era in Ukraine, as well as to identify the potential opportunities for their modernization in modern conditions. A special place in the historical and architectural study of the formation of enterprises with a strict technological regime and a pronounced large-scale engineering infrastructure is occupied by metallurgical, petrochemical, coke-chemical, as well as heat and hydropower enterprises, and the like. It should be determined that today they for the most part do not meet the environmental requirements, run counter to the idea of consistency in the urban planning environment and generally need comprehensive modernization. The architecture of industrial enterprises was formed on the basis of typology, unification and modular coordination, as well as the open placement of a powerful engineering infrastructure, which ultimately formed a new aesthetics of industrial culture. Cooling towers, gas holders, chimneys, overhead pipelines, distribution blocks and power lines became the embodiment of the iconic system of aesthetics of the industrial period, an integral part of the image of an industrial enterprise and the industrial landscape of the then cities. In the aesthetics of the modern, we see that the romanticization of production in the 20th century (before the war and post-war times), which was reflected in the artistic images of painting, cinema and, thanks to the poeticization and heroization of the images of the working profession, a talented artistic interpretation of the production environment, and contributed to the formation of a positive attitude towards the new industrial aesthetics.
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Wu, Yanming, e Qi Zhou. "Research on Reconstruction Design of Exterior Wall Materials and Structures of Industrial Architectural Heritage". Resourceedings 2, n. 2 (2 settembre 2019): 41. http://dx.doi.org/10.21625/resourceedings.v2i2.604.
Testo completoAbstract (sommario):
With the advent of the post-industrial era, China’s traditional industrial industry has gradually declined or transformed, leaving a large number of industrial buildings abandoned and idle. A majority of these existing industrial building heritages were built with original facade design, which cannot meet the requirements of the time and no longer fits into the new urban interface. From the perspective of language relationship in architecture, building skin and building space are two vital interdependent elements, and the study of building materials as a carrier has a significant impetus to the exploration of building skin. Therefore, the external wall material has naturally become an important factor directly related to the design and performance of the renovation of the industrial building heritages. Its performance and form largely influence or determine the possible ways and means of the transformation of the heritage facades. How should material performance be used to preserve the historical imprint of industrial heritage while conforming to contemporary aesthetics? What are the rules of material performance in the renovation of industrial buildings? These are the issues that needs to be considered and studied in the transformation of industrial building heritage.This paper studies the exterior wall materials and structures in the renovation of industrial building heritage facades, and uses reconstruction theory as a methodology to sort out effective strategies and methods for the material performance of industrial building heritage facade renovation. First it summarizes and elaborates the classification and performance characteristics of the materials of heritage facades as well as the principles and methods of facades transformation. Later it focuses on the practice and development of the renovation of facades in China’s industrial building heritages, taking the reform practice of Nanjing Hutchison Factory as an example. Combing the analysis and summary of the practical project with the theory, this paper helps improve the theoretical system of architectural skin materials within the scope of architectural design theory, summarizes the design concepts consistent with the current view, and conclude the corresponding architectural skin design strategy and methods.
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Ahmad, Suriati, Nadiyanti Mat Nayan e David S. Jones. "Uplifting the Potential of Kinta Valley Post-Industrial Mining Landscape for World Heritage Nomination". Asian Journal of Environment-Behaviour Studies 4, n. 14 (16 novembre 2019): 81–95. http://dx.doi.org/10.21834/aje-bs.v4i14.356.
Testo completoAbstract (sommario):
The distinct landscape of the Kinta Valley is undeniably unique in its ability to narrate significant processes in Peninsular Malaysia’s history and culture. Tin mining brought about massive development to the Valley’s landscape, evidenced in the making of modern Kinta and Kampar Districts today. The focus of this paper is accordingly upon the potential of Kinta Valley as a World Heritage Listed mining cultural landscape having regard to the status of derelict mining sites internationally and their inclusion on the World Heritage List. The rich cultural tapestry that is evident today provides a significant living heritage platform to understand and appreciate the diversity of Malaysia’s cultural landscapes.
Keywords: Cultural Landscape as Heritage; Heritage Conservation; Post-Industrial Mining Landscape; Kinta Valley.
eISSN 2514-751X © 2019. The Authors. Published for AMER, ABRA & cE-Bs by E-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.
DOI: https://doi.org/10.21834/aje-bs.v4i14.356
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Ahmad, Suriati, David S. Jones e Nadiyanti Mat Nayan. "Reconsidering the World Heritage Potential of the Kinta Valley Post-Industrial Mining Landscape, Malaysia". Environment-Behaviour Proceedings Journal 4, n. 11 (14 luglio 2019): 143. http://dx.doi.org/10.21834/e-bpj.v4i11.1736.
Testo completoAbstract (sommario):
The distinct landscape of the Kinta Valley is undeniably unique in its capacity in narrating significant phases and processes in Peninsular Malaysia’s history and culture. While tin mining brought about massive development to the Valley’s landscape, evidenced in the making of modern Kinta and Kampar Districts today, and Malaysia generally, this paper focuses on the potential of Kinta Valley as a World Heritage Listed mining cultural landscape. The rich cultural tapestry that is evident today across the Valley’s mining lands provides a significant living platform to understanding and appreciating the diversity of Malaysia’s cultural landscapes and in particular, offering a new perspective about industrial heritage values to Malaysia’s domestic and international tourism catchments. Keywords: Cultural Landscape as Heritage; Heritage Conservation; Post-Industrial Mining Landscape; Kinta Valley.eISSN: 2398-4287 © 2019. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.DOI: https://doi.org/10.21834/e-bpj.v4i11.1736
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Stanojevic, Ana, e Aleksandar Kekovic. "Functional and aesthetic transformation of industrial into housing spaces". Facta universitatis - series: Architecture and Civil Engineering 17, n. 4 (2019): 401–16. http://dx.doi.org/10.2298/fuace190722024s.
Testo completoAbstract (sommario):
Buildings preservation by the conversion of their function has become a domain of interest in the field of industrial heritage. Due to the need to expand existing housing capacities in urban areas, a large number of industrial buildings are nowadays converted into multi-family and single-family housing. The paper deals with the analysis of the functional and aesthetic internal transformation of industrial into housing spaces. The research goal is to determine the principles of conceptualization of housing functional plan within the framework of the original physical structure of the industrial building, at the architectonic composition level and housing unit (dwelling) level. Besides, the paper aims to check the existence of common patterns of the aesthetic transformation of converted spaces, examined through three epochs of the development of industrial architecture: the second half of the XIX century, the first half of the XX century and the post-WWII period.
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Jasińska, Anna, e Artur Jasiński. "NEW BUILDING OF THE WHITNEY MUSEUM OF AMERICAN ART IN NEW YORK". Muzealnictwo 59 (30 marzo 2018): 19–27. http://dx.doi.org/10.5604/01.3001.0011.7190.
Testo completoAbstract (sommario):
On the 1st of. May 2015, in Meatpacking District of West Manhattan, the new building of the Whitney Museum of American Art was opened. It is the fourth location of this well-known New York museum, which was established in 1930, by Gertrude Vanderbilt Whitney. The Whitney possesses the world’s largest collection of American art and focuses on exhibiting living artists. Spectacular, industrial in character architecture signed by Renzo Piano has met with mixed reactions. The building is functional and well connected with the post-industrial site, however, not appreciated by everyone. Similar situation happened forty years ago, when Centre of Georges Pompidou, designed by Renzo Piano and Richard Rogers, pioneers of high-tech architecture, was widely criticised. Only popularity, high attendance and commercial success of famous Paris facility changed that negative opinion. Is the New Whitney following the same path – time will tell.
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Sultson, Siim. "REPLACEMENT OF URBAN SPACE: ESTONIAN POST-WAR TOWN PLANNING PRINCIPLES AND LOCAL STALINIST INDUSTRIAL TOWNS". Journal of Architecture and Urbanism 40, n. 4 (14 dicembre 2016): 283–94. http://dx.doi.org/10.3846/20297955.2016.1247999.
Testo completoAbstract (sommario):
The presented paper focuses on Estonian urban space research concerning both replacement of urban heritage and establishment of new urban design within the period of mid 1940s and 1950s. On the one hand, Stalinist principles brought by Soviet occupation reminded independent Estonian 1930s town planning ambitions. On the other hand, the new principles formulated a new paradigm that was unfamiliar to local urban space tradition. Estonian urban space was compelled to follow the Soviet doctrine by concept, forms and building materials. Sometimes suffering irrational demolitions the towns got axially arranged representative, but perspective and functional plans. Some existing towns (for instance Tallinn, Pärnu, Narva) got new centres due to war wreckages and the ideological reasons. Meanwhile new industrial towns as examples of Stalinist utopia were built in East-Estonia during 1940s–1950s in order to exploit local mineral resources by the Soviet regime. In comparison with Tallinn and Pärnu urban space of East-Estonian industrial towns Kohtla-Järve and classified Sillamäe – designed in Leningrad (St. Petersburg) – still need to be researched. Though different from the rest of Estonian towns by details and materials of façades city-like centres of Sillamäe and Kohtla-Järve are rather similar to Tallinn and Pärnu by their composition.
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Rahman, Md Arafatur, Nafees Zaman, A. Taufiq Asyhari, S. M. Nazmus Sadat, Prashant Pillai e Ruzaini Abdullah Arshah. "SPY-BOT: Machine learning-enabled post filtering for Social Network-Integrated Industrial Internet of Things". Ad Hoc Networks 121 (ottobre 2021): 102588. http://dx.doi.org/10.1016/j.adhoc.2021.102588.
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Castillo, Greg. "Making a Spectacle of Restraint: The Deutschland Pavilion at the 1958 Brussels Exposition". Journal of Contemporary History 47, n. 1 (gennaio 2012): 97–119. http://dx.doi.org/10.1177/0022009411422362.
Testo completoAbstract (sommario):
The Deutschland pavilion at the 1958 Brussels World’s Fair depicted West Germany not only as culturally and technologically modern but also as the antithesis of socialist East Germany and the disgraced Third Reich. International-style architecture and modernist exhibition design were mobilized as instruments of cultural soft power to convey these multiple messages. Hans Schwippert of the postwar German Werkbund choreographed exhibition design, deploying the miracle economy’s modern consumer culture to celebrate the emergence of a post-Nazi society. Egon Eiermann, aided by Sep Ruf, designed the International-style pavilion, celebrated as the architecture of postwar modernity, but in fact derived from a precedent in Third Reich industrial architecture. As an exercise in cold war soft power, West Germany’s Brussels pavilion celebrated the emergence of a West German consumer citizen, while suppressing the presence of a Third Reich past.
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Yasunori Kitao. "The Importance of Invisible Local Industrial and Social Aspects on The Modern Architectural Project: Evaluating An Example of A Community Centre of The 1950s In Japan". Creative Space 5, n. 2 (1 gennaio 2018): 81–90. http://dx.doi.org/10.15415/cs.2018.52003.
Testo completoAbstract (sommario):
The purpose of this paper is to evaluate an example of modern architecture in Shiogama Japan. The evaluation is made in terms of the effect of local industry and local community movements in relation to the transformation of Japanese society in the post-war period. As the ultimate purpose of the Modern Movement in Architecture is to benefit the common people, the current paper is focussed on the Community Centres that were built after Japan’s defeat in the Second World War. At that time, the Japanese society changed rapidly from a military regime to a democratic one. The Community Centre that is dealt with, in this paper was built in the early 1950s, so one can expect to find some aspects of building a democratic society behind the actual building project. Further the invisible and the intangible value of this Community Centre has been discussed in the period when the Japanese government promoted interior resources development projects. The purpose of this research is to understand some hidden historical values of the Community Centre, which represent not only the social phenomenon of that period, the architectural expression and technical aspects of the building but, also, the local industrial heritage. The paper also describes the importance of sustaining support for the local peoples’ activities by conserving this Community Centre and, then, explains how the Municipality of Shiogama decided to renovate this historical piece of modern architecture. Now, the former Community Centre has been re-born as a Community Centre and a Museum of Art for a local painter.
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Vigdorovich, O. "Formation of urban planning thinking as one of the priority areas of activity of the Department of Urban Planning and Urbanism". New Collegium 4, n. 102 (25 dicembre 2020): 81–84. http://dx.doi.org/10.30837/nc.2020.4.81.
Testo completoAbstract (sommario):
The article covers the history of the creation and development of the Department of Urban Planning and Urbanism of the Kharkov National University of Civil Engineering and Architecture. There is a retrospective of the long-term work of the department staff timed to celebrate the 90th anniversary of the university. The interpretation of the formation of the urban planning format of thinking, as a powerful lever for the training of architects and urban planners, is demonstrated in different areas of scientific, educational, methodological and professional work of the department.
The main task of the pedagogical work of the department was the preparation of specialists of a new formation for work in many areas related to urban planning and architectural design, this is the training of specialists of educational qualification levels "Bachelor" and "Master" in specialty 191 "Architecture and Urban Planning".
Scientific research of the department staff is carried out in the following areas: urban sociology, transport systems, urban ecology, urban systems, streamlining engineering and transport networks of urban systems, urban development management, the introduction of systemic and synergetic approaches in the formation of urban planning systems, rational methods of building and reconstruction of cities and villages in Ukraine.
Within the framework of the topic of improving the architectural environment and urban planning space of modern cities, studies are being carried out on the formation of the planning structure and spatial composition of Kharkov during the period of industrial and post-industrial development and the analysis of the implementation of urban planning concepts in the microdistrict development of Kharkov.
The development of urban planning thinking, as the formation of a special structure of professional consciousness, is one of the main tasks of the work of the team of the Department of Urban Planning and Urbanism of KNUSA.
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Pranaitytė, Vika. "ARCHITECTURAL COMPETITIONS AS INSTRUMENT OF SHAPING POST-INDUSTRIAL CITY IMAGE / ARCHITEKTŪRINIAI KONKURSAI KAIP PRIEMONĖ FORMUOJANT POINDUSTRINIŲ MIESTŲ ĮVAIZDĮ". JOURNAL OF ARCHITECTURE AND URBANISM 37, n. 2 (10 luglio 2013): 82–89. http://dx.doi.org/10.3846/20297955.2013.813672.
Testo completoAbstract (sommario):
The main article theme – the concept of post-industrial city image and its changes. The most important stigma of such cities is analyzing - the lack of identity and inner city industrial areas. The new stage of “recycled” city is indicated. Here the city image reproduction is proceeded through cultural functions. Also the impact of the conversion to improve the city's image, is analyzing and architectural competitions are taken as benefit to reach the quality of converted terrtory. Examples of foreign countries are given systemically, as well as an overview of the situation in Lithuania, evaluating existing internal potential, and specific projects. Santrauka Straipsnyje nagrinėjama poindustrinio miesto įvaizdžio samprata ir jo kaita. Analizuojama svarbiausia stigma – identiteto stoka ir vidinės miesto pramoninės dykros. Išskiriamas miestų virsmo „perdirbtais“ miestais etapas, kuriame įvaizdžio reprodukcijos siekiama pasitelkiant kultūrines funkcijas. Aptariama pramoninių teritorijų konversijų įtaka gerinant miesto įvaizdį bei architektūrinių konkursų nauda kokybei jose pasiekti. Analizuojami ir sisteminami užsienio šalių pavyzdžiai, taip pat apžvelgiama situacija Lietuvoje, įvertinamas esamas vidinis potencialas bei konkretūs vykdomi projektai.
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Gyurkovich, Mateusz, e Jacek Gyurkovich. "New Housing Complexes in Post-Industrial Areas in City Centres in Poland Versus Cultural and Natural Heritage Protection—With a Particular Focus on Cracow". Sustainability 13, n. 1 (5 gennaio 2021): 418. http://dx.doi.org/10.3390/su13010418.
Testo completoAbstract (sommario):
The cityscape changes constantly, reflecting the socio-economic conditions of a given urbanised area—both globally and in any given country. Post-industrial buildings and complexes have been its important elements since the nineteenth century. At present, many of them are undergoing adaptive reuse. The oldest, which are parts of post-industrial heritage and define the local identity, are now located in city centres. Some are revitalised and often adapted into multi-family housing. This paper fills a gap in the research on revitalised areas in Polish city centres, especially the ones converted into housing. It notes the links between these projects with elements of urban green-blue infrastructure, as well as the methods of protection of the reused postindustrial heritage. Studies from 2000–2020 on Polish multi-family housing architecture prove that the quality of buildings and semi-public green spaces is becoming increasingly important to developers and buyers. Properly used and exposed post-industrial heritage can contribute to raising the attractiveness of such spaces. In combination with city greenery systems, they can form attractive townscape sequences, as proven by Cracow cases. The paper’s conclusions indicate that the preservation and exposition of post-industrial heritage in newly built housing complexes is affected by numerous factors. The most important of these are legal determinants based on both state-level and local law. Economic factors also play a major role, as they directly affect projects. The skills and talent of designers who can create unique proposals that expose surviving relicts and a given place’s genius loci even in the most restrictive of economic and legal conditions, are also not without significance.
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Giedrowicz, Marcin. "Digital fabrication in the process of creation of the parametric concrete fencings". Budownictwo i Architektura 19, n. 3 (30 settembre 2020): 033–43. http://dx.doi.org/10.35784/bud-arch.2151.
Testo completoAbstract (sommario):
This paper is a summary of the research on parametric design methods and digital fabrication in architecture and industrial design. Through the author’s projects, he presents how effective parametric designing process can be in contemporary architecture. This publication is a testimony of a long and full production process of a set of concrete fencings – from design part, through prototyping, digital fabrication, post-production, concreate fabrication and selling process. The design part of this research pertains to algorithmic design methods in Grasshopper software as well as presents a broad range of various technological aspects involved in the fabrication process. In the conclusion part of this paper, the author discloses his expectations towards the future of concrete fencing in Poland and describes a set of appropriate rules that foster a further development of this technology.
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LACKOVÁ, Andrea, e Lívia ŠIŠLÁKOVÁ. "TRANSFORMATION OF SMALL SLOVAK TOWNS IN THE ERA OF SOCIALISM EXAMPLE OF BÁNOVCE NAD BEBRAVOU / NEDIDELIŲ SLOVAKIJOS MIESTŲ KAITA SOCIALISTINIU LAIKOTARPIU BANOVCE NAD BEBRAVOU PAVYZDŽIU". Mokslas - Lietuvos ateitis 10 (11 maggio 2018): 1–6. http://dx.doi.org/10.3846/mla.2018.1484.
Testo completoAbstract (sommario):
Several decades of socialism had their effect on urbanism and architecture of towns. These processes can be found in several post-socialist countries. One of the examples in Slovakia is the town of Bánovce nad Bebravou. Until the end of the 19th century the town was not economically important. During the time of socialism the city underwent significant architectural and urban changes due to large industrial development. The definitive image of the historic core changed according to the principles of modern urbanism. Nowadays with the compact city policies, it is important to find the balance between the traditional compact urban form and the modern urban form. The contribution deals with mapping and the process of former urban changes. The aim is to find locations for the transformation and refurbishment of the town’s historic core, in order to its preserved cultural and historical values, while fulfilling the requirement for an ecological and sustainable city.
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Sutherland, Thomas. "Peter Sloterdijk and the ‘Security Architecture of Existence’: Immunity, Autochthony, and Ontological Nativism". Theory, Culture & Society 36, n. 7-8 (6 maggio 2019): 193–214. http://dx.doi.org/10.1177/0263276419839119.
Testo completoAbstract (sommario):
Centred on Foams, the third volume of his Spheres trilogy (2011, 2014, 2016), this article questions the privilege granted by Peter Sloterdijk to motifs of inclusion and exclusion, contending that, whilst his prioritization of dwelling as a central aspect of human existence (drawing in part upon the work of Martin Heidegger) provides a promising counterpoint to the dislocative and isolative effects of post-industrial capitalism, it is compromised by its dependence upon an anti-cosmopolitan outlook that views cultural distantiation as a natural and preferable state of human affairs, and valorizes a purported ontological security attained through defensive postures with respect to perceived foreigners or externalities. Sloterdijk’s conceptualization of culture as a kind of immune system, it is argued, although posited as a rebuke to models of essentialism and ethno-nationalism, provides ontological support to the xenophobic critiques of immigration that are today finding increasing currency.
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Fiuk, Piotr. "INTEGRATION OF CONTEMPORARY ARCHITECTURE WITH NATURAL AND CULTURAL ENVIRONMENT (WATER RESERVOIRS IN HARBOUR COMPLEXES: HAFEN CITY HAMBURG AND ŁASZTOWNIA IN SZCZECIN)". Space&FORM 45 (30 marzo 2021): 137–50. http://dx.doi.org/10.21005/pif.2021.45.c-03.
Testo completoAbstract (sommario):
The unique location in post-industrial areas neighbouring with the centres of modern cities, bordering with natural landscape areas and having the access to water reservoirs constitutes an extensive scale of infrastructural and investment requirements; it opens up the perspectives for shaping unique spatial structures adjusted to the existing conditions. The natural context, historical and contemporary harbour and shipyard buildings and landscape values of the waterside areas – these all comprise the exclusive conditions that in the contemporary development and management of substantial harbour and shipyard areas influence the functional, urban and architectural solutions.
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Flego, Clio. "Forensic Architecture: A New Photographic Language in a Factual Era". Membrana Journal of Photography, Vol. 3, no. 1 (2018): 70–75. http://dx.doi.org/10.47659/m4.070.art.
Testo completoAbstract (sommario):
A group of visual activists, architects, software developers and archaeologists as well as a multicultural team composed of artists, investigative journalists and lawyers – an organic organization. Forensic Architecture ‘Investigative aesthetic’ is based on visual aggregation on data allowing viewers to enhance their perception-cognition of events by the integrated use of augmented photography. Their works have been presented in front of a court, but also exhibited at international shows all around the world. FA expanded use of photography, integrating in the urbanistic reconstruction of frames of any kind of multimedia information collected, consider it not simply as a medium, but as a proper tool for triggering critical reflections and political action. Forensic Architecture have mainly been investigating the area of conflicts with the aim to present counter- investigation on unclear circumstances, often underlining social constructs in the public forum. The particular role that FA plays, claiming social truth and assigning to photography the function to be a “civil act,” remarks its place in the history of war photography, and underlines the importance of also having a contra-culture in a post- industrial society, permeated by the presence of technology. Keywords: evidence, Forensic Architecture, forensic reconstruction of event, photography, truth-value
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Dissanayake, D. G. K., D. U. Weerasinghe, L. M. Thebuwanage e U. A. A. N. Bandara. "An environmentally friendly sound insulation material from post-industrial textile waste and natural rubber". Journal of Building Engineering 33 (gennaio 2021): 101606. http://dx.doi.org/10.1016/j.jobe.2020.101606.
Testo completo
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Barua, Arup, e Alexandra Ioanid. "Country Brand Equity: The Decision Making of Corporate Brand Architecture in Cross-Border Mergers and Acquisitions". Sustainability 12, n. 18 (8 settembre 2020): 7373. http://dx.doi.org/10.3390/su12187373.
Testo completoAbstract (sommario):
Cross-border merger and acquisition (CBM&A) is a dominant and sustainable antagonistic strategy, but a relevant concern like a country has inadequately been emphasized over the five decades of acquisition studies. Therefore, this article attempts to examine the impact of country brand equity (CBE) on corporate brand architecture (CBA) in post-CBM&A. It first originates a hypothetical model esteeming Resource-Based View (RBV) and Industrial Organization (IO) theory following the Structure-Conduct-Performance (SCP) paradigm. Then, it tests the model conducting a web survey on 124 acquiring corporates from 29 countries that accomplished CBM&A transactions between 1990 and 2014. The empirical findings clarify that the market aspect, such as the acquirer’s more substantial country brand equity, indirectly leads to the high degree of CBA standardization in the host market through prioritized intangible and strategic resources—corporate reputation and corporate brand management system. Individually, the acquirer’s corporate reputation cumulatively yields a high degree of CBA standardization with corporate brand power, which has only a direct effect. On the other hand, the corporate brand management system leads to a high degree of CBA standardization cumulatively with corporate reputation. It is deemed that the research findings as a whole reveal a framework for the application of country brand equity and corporate brand architecture in post-CBM&A.
45
Saeidi, Shirin, e Paola Rivetti. "Out of Space: Securitization, Intimacy, and New Research Challenges in Post-2009 Iran". International Journal of Middle East Studies 49, n. 3 (26 luglio 2017): 515–20. http://dx.doi.org/10.1017/s0020743817000381.
Testo completoAbstract (sommario):
In post-2009 Iran, not only is space gendered for a variety of reasons ranging from customs to state intervention, but also public space has become less accessible and secluded for security purposes. To securitize the state or replace a sense of trust with that of suspicion, states blend the gendering of space with the architecture of seclusion. In the United States, for instance, the separation of males and females in the prison industrial complex includes seclusion of bodies and often subjects gender-nonconforming people, immigrants, and those with HIV to disproportionate levels of physical danger. In Iran, architectural adjustments with the aim of seclusion have significantly increased since the 2009 protests. In Tehran, for instance, shisha shops in the mountains, which used to be common sites of leisure, are randomly raided by security forces. As a result, participating in such spaces means having to hide in the back areas to engage in an activity that not too long ago was legal. It follows that the combination of gendering and seclusion of space disrupts the formation of organic relationships and generates real, falsely stimulated, and contested intimacies. How we approach intimacies in this complicated situation determines in important ways the impact that this new spatial scheme will have on our research agenda, analysis, and perhaps even safety.
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McDonald, Daniel L. "The Origins of Informality in a Brazilian Planned City: Belo Horizonte, 1889-1900". Journal of Urban History 47, n. 1 (25 luglio 2019): 29–49. http://dx.doi.org/10.1177/0096144219861930.
Testo completoAbstract (sommario):
Sixty years before Brasília, Belo Horizonte was constructed as Brazil’s first modern planned city (1894-1897). This article focuses on the role of land development in shaping inequality in Belo Horizonte, the first of four major planned cities in Brazil. In Belo Horizonte, political backers and urban planners viewed controlled land development as providing a clean break with the past and creating an industrial, Eurocentric modern future in the wake of the abolition of slavery (1888) and the end of Brazil’s post-independence empire (1889). This article argues that more so than the architecture of its buildings or its urban plan, Belo Horizonte modeled an “architecture of capital” in which creating an urban property market both emerged from and was tasked with producing the city’s racialized narrative of modernity and progress. Belo Horizonte’s emphasis on land speculation gave rise to one of Brazil’s first favelas, comprised of the workers tasked with constructing the city.
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Fanagey, R. D. "PRACTICES AND MODES OF MODERN URBAN SPACEVISION". UKRAINIAN CULTURAL STUDIES, n. 2 (5) (2019): 52–60. http://dx.doi.org/10.17721/ucs.2019.2(5).10.
Testo completoAbstract (sommario):
The article is devoted to the cultural analysis of the influence of the theory of postfordism, which considers post-Fordist production with post-industrial technology as the basis of industrial reproduction at the global level and the reproduction of capitalist social relations after the crisis of the Fordist mode of production and consumption. The abstract social space of the city is studied, which is formed by abstraction of labor and fetishization of things at the level of practice and the formation of a visually geometric representation of space with sign power re- pressive in relation to reality. The basis of the concept of sociality as the basis of a unified theory of space was developed by the French philosopher and sociologist A. Lefebvre and further developed by American social geography and urban studies, in particular in the works of D. Harvey, E. Soggy, D. Gottdiener and others. The followers of Lefebvre (apart from those important are F. Jameson's influence) refer in particular to the interdisciplinary trend of post-Fordism, within which postmodernism is considered in connection with the post-Fordist regime of accumulation (a concept developed by the Marxist regulatory school). S. Lesch focuses on the cultural mode of signaling. Likewise, D. Hartmann considers the influence of postmodernism on the post-Fordist regime of capitalism. Paolo True and Pascal Gillen consider within the limits of post-Fordism the existence in modern conditions of the plural. V. Martyanov examines the links between post-Fordism and the post-industrial / information society conceptualized by D. Bell, E. Toffler, M. Castels and others. The article deals with the reconstruction of the theory of social space and post-Fordism and outlines the social transformations of the twentieth century. In essence, it was a search for confirmation that the accumulation mode produces and reproduces social space. Architecture and urban space have become an important structural link through which to consider this connection and justify the invariance of the basic mode of accumu- lation through the reproduction of abstract social space and vice versa. The analysis of the discourse around the urban abstract space associated with the identity of the bourgeois class and the need for the for- mation of a hierarchized homogeneous spatial texture of production is carried out. As well as post-Fordist globalization and post-industrialization, which led to a change in the function and structure of the city with the main role of the post-modernist regime of signification as the logic of late capitalism in the context of programmed consumption.
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Albertsen, N. "Postmodernism, Post-Fordism, and Critical Social Theory". Environment and Planning D: Society and Space 6, n. 3 (settembre 1988): 339–65. http://dx.doi.org/10.1068/d060339.
Testo completoAbstract (sommario):
The relationship between the transformation of advanced capitalist societies from Fordism to post-Fordism and the simultaneous rise within these societies of postmodern culture is investigated. In art and architecture the exhaustion of high-modernist aesthetic progressivism resulted in a postmodern ‘condition’ of ‘free disposability’ of aesthetic materials which was furthered by societal developments such as the dissolution of the Fordist model of standardized consumption into diversified and aesthetizised consumption, the rise of an experimenting culture industry after the youth revolt of the 1960s, the growth of the service class, and the advent of ‘disposability’ in regard to ways and styles of living. In social philosophy a general delegitimation of the grand narratives of progress and emancipation occurred as ‘high-Fordism’ gave way to stagnating ‘late-Fordism’ and fragmented ‘post-Fordism’. In this process the technocratic–statist narrative of Fordism itself and the labor utopia of the industrial working class lost credibility, without any emergence of convincing utopian or grand reformist alternatives. The spatial (global–local) aspects of these transformations are emphasized and the paper concludes with some left-critical considerations which stress the democratic potential of postmodernism and its openness towards local alliances protective against the powers of global capitals and centralized states.
49
Ibrahim, Mariam, Qays Al-Hindawi, Ruba Elhafiz, Ahmad Alsheikh e Omar Alquq. "Attack Graph Implementation and Visualization for Cyber Physical Systems". Processes 8, n. 1 (20 dicembre 2019): 12. http://dx.doi.org/10.3390/pr8010012.
Testo completoAbstract (sommario):
Cyber-attacks threaten the safety of cyber physical systems (CPSs) as a result of the existence of weaknesses in the multiple structural units constituting them. In this paper, three cyber physical systems case studies of a pressurized water nuclear power plant (NPP), an industrial control system (ICS), and a vehicular network system (VNS) are examined, formally presented, and implemented utilizing Architecture Analysis and Design Language, determining system design, links, weaknesses, resources, potential attack instances, and their pre-and post-conditions. Then, the developed plant models are checked with a security property using JKind model checker embedded software. The attack graphs causing plants disruptions for the three applications are graphically visualized using a new graphical user interface (GUI) windows application.
50
Bojković, Vladimir. "Workers' Settlements in the Former Industrial City of Nikšić, Montenegro". Periodica Polytechnica Architecture 51, n. 2 (27 novembre 2020): 189–95. http://dx.doi.org/10.3311/ppar.15275.
Testo completoAbstract (sommario):
By the end of the Second World War, Montenegro became one of the six republics (Serbia, Croatia Bosnia and Herzegovina, Slovenia, Macedonia) that would later form the Socialist Federal Republic of Yugoslavia. Among the least developed republics, in the context of urbanisation, economy and industry, was Montenegro. Due to the different economic development of the republics, one of the basic goals of socialist management was the equal economic and social growth of all areas. Due to its geographical location and natural resources, Nikšić became the most important industrial centres of Montenegro that developed very rapidly in the post-war period. Among the industrial companies, the ironworks company "Boris Kidrič" had the greatest influence on the urban life of Nikšić. Due to the large numbers of workers required (at one period, the factory had 7500 workers), the ironworks financed the construction of a substantial number of settlements to provide accommodation for workers and their families. Humci and Budo Tomović are the typical workers' settlements built on the urban plans from the 60s. The task of this paper is to present for the first time a different typology of housing in the most significant industrial city of Montenegro, which was created by rapid urbanisation after the Second World War. In the context of architecture and urbanism, the golden age of industrial development of the Nikšić city gave a variety of typologies, especially in terms of housing. A more detailed study of this heritage is yet to begin.